Results for: “Jazz musicians” (31 collections)SCUA

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Bascom, Eric

Eric Bascom Collection of Jazz Recordings, ca. 1940-1950.

ca. 500 phonograph records (10 linear feet).
Call no.: MS 882
David Stone Martin cover for Slim Gaillard and Bam Brown's
David Stone Martin cover for Slim Gaillard and Bam Brown's "Opera in Vout"

When he was fifteen or sixteen, Eric Bascom’s life changed forever when he saw renowned jazz guitarist Wes Montgomery perform. Though Bascom had been playing guitar himself since he was young, seeing Montgomery opened his eyes to a completely new way of playing guitar and a completely new approach to music. Since that time, Bascom has been an avid listener, collector, and practitioner of jazz. He is currently performing as the Eric Bascom Trio with Ed Brainerd and Genevieve Rose.

The Eric Bascom Collection of Jazz Recordings consists of hundreds of jazz 78 rpm records from the 1940s and 1950s, including a number of 78 books with beautifully illustrated covers. In addition to the records are player piano rolls, several of which were punched by Fats Waller, and a portable Walters Conley Phonola 78 record player.


  • Bop (Music)
  • Jazz musicians


  • Basie, Count, 1904-1984
  • Christian, Charlie, 1916-1942
  • Fitzgerald, Ella
  • Parker, Charlie, 1920-1955

Types of material

  • 78 rpm records
  • Piano rolls

Miscellaneous Manuscripts

Miscellaneous Manuscripts, 1717-2003.

3 boxes (1.5 linear feet).
Call no.: MS 719

Miscellaneous Manuscripts is an artificial collection that brings together single items and small groups of related materials. Although the collection reflects the general collecting emphases in SCUA, particularly the history of New England, the content ranges widely in theme and format.


  • Massachusetts--Economic conditions--18th century
  • Massachusetts--Economic conditions--19th century
  • Massachusetts--History
  • Massachusetts--Politics and government
  • Massachusetts--Social conditions--18th century
  • Massachusetts--Social conditions--19th century
  • Massachusetts--Social conditions--20th century

Types of material

  • Account books
  • Correspondence
  • Photographs

Abbe, Edward H.

Edward H. Abbe Papers, 1828-2004.

22 boxes (28.5 linear feet).
Call no.: MS 736
Ed Abbe in Bora Bora, 1987
Ed Abbe in Bora Bora, 1987

Born in Syracuse, N.Y., in 1915 and raised largely in Hampton, Va., Edward Abbe seemed destined to be an engineer. The great nephew of Elihu Thomson, an inventor and founding partner in General Electric, and grandson of Edward Folger Peck, an early employee of a precursor of that firm, Abbe came from a family with a deep involvement in electrification and the development of street railways. After prepping at the Rectory and Kent Schools, Abbe studied engineering at the Sheffield School at Yale, and after graduation in 1938, accepted a position with GE. For 36 years, he worked in the Industrial Control Division in New York and Virginia, spending summers at the family home on Martha’s Vineyard. After retirement in 1975, he and his wife Gladys traveled frequently, cruising both the Atlantic and Pacific.

Ranging from an extensive correspondence from his high school and college days to materials relating to his family’s involvement in engineering, the Abbe collection offers an in depth perspective on an educated family. An avid traveler and inveterate keeper, Ed Abbe gathered a diverse assemblage of letters, diaries, and memorabilia relating to the history of the Abbe, Peck, Booth, Gifford, and Boardman families. The collection is particularly rich in visual materials, including albums and photographs, depicting homes, travel, and family life over nearly a century.


  • Abbe family
  • Boardman family
  • Booth family
  • Electrical engineers
  • General Electric
  • Gifford family
  • Kent School--Students
  • Peck family
  • Rectory School--Students
  • Yale University--Students


  • Abbe, Edward H
  • Abbe, Gladys Howard
  • Abbe, William Parker
  • Peck, Edward F
  • Peck, Mary Booth

Types of material

  • Diaries
  • Letters (Correspondence)
  • Photographs

Alternative Energy Coalition

Famous Long Ago Collection

Alternative Energy Coalition, ca.1975-1985.

9 boxes (13.5 linear feet).
Call no.: MS 586

A product of the vibrant and progressive political culture of western Massachusetts during the early 1970s, the Alternative Energy Coalition played a key role in the growth of antinuclear activism. In 1974, the AEC helped mobilize support for Sam Lovejoy after he sabotaged a weather tower erected by Northeast Utilities in Montague, Mass., in preparation for a proposed nuclear power plant, and they helped organize the drive for a referendum opposing not only the proposed plant in Montague, but existing plants in Rowe, Mass., and Vernon, Vt. Forming extensive connections with other antinuclear organizations, the AEC also became one of the organizations that united in 1976 to form the Clamshell Alliance, which made an art of mass civil disobedience.

The AEC Records provide insight into grassroots activism of the 1970s and 1980s, galvanized by the seemingly unrestrained growth of the nuclear power industry. The records, emanating from the Hampshire County branch, contain both research materials used by the AEC and organizational and promotional materials produced by them, including publications, minutes of meetings, correspondence, and materials used during protests. Of particular interest are a thick suite of organizational and other information pertaining to the occupation of the Seabrook (N.H.) nuclear power plant in 1979 and minutes, notes, and other materials relating to the founding and early days of the Clamshell Alliance. The collection is closely related to the Antinuclear Collection (MS 547).


  • Antinuclear movement--Massachusetts
  • Hampshire County (Mass.)--History
  • Nonviolence--Massachusetts
  • Nuclear energy--Massachusetts
  • Pacifists--Massachusetts
  • Political activists--Massachusetts
  • Renewable energy source
  • Seabrook Nuclear Power Plant (N.H.)
  • Vermont Yankee Nuclear Power Station


  • Alternative Energy Coalition
  • Clamshell Alliance

Types of material

  • Realia

The American Revolution Documentary Collection

The American Revolution Documentary Collection, ca.1968-2010.

Call no.: MS 788

On March 15, 1968, a failing classical music station, WBCN-FM, was reinvented as Boston’s first voice in radical underground radio, and its influence quickly spread nationally. Its characteristic blend of cultural chaos, including rock, folk, blues, and jazz, interspersed with news, radical politics, and community programming, provided a soundtrack for a generation fighting to remake its world. WBCN earned its nickname, “The American Revolution.” The station’s eclectic and unpredictable broadcasts included music from little-known performers who would emerge into the biggest acts of the day; regularly scheduled live musical performances from local clubs; trenchant political analysis and newscasts of the major events of the day; interviews with legendary cultural figures; and innovative new shows including one of the first women’s programs and the Lavender Hour, the nation’s first regularly broadcast LGBT radio show. Music, politics, culture, and community were intensely interconnected through WBCN, while its “listener line,” which took calls and answered questions on any subject, helped make it a virtual two-way hub for countercultural Boston.

While producing a documentary film about WBCN, and the music, politics, and social change during the period 1968-1974, former WBCN newscaster and announcer Bill Lichtenstein recognized the importance of archiving the wealth of primary materials that told the story of WBCN, its community and the dramatic changes of the era. The American Revolution Documentary Collection is the product of Lichtenstein’s energy, serving as an umbrella for a suite of interrelated collections focused on the impact of underground media in the Boston area and the profound social, political, and cultural changes of that time. These collections include the work of photographers, journalists, and writers who would go on to prominence, as well as activists, artists, and everyday people who witnessed and took part in an extended public conversation on the direction of our nation during the period of profound social, political, and cultural upheaval and who used media to help change it.

TAR collections include:

Listen now to music, interviews, news reports, live performances and ads from the archives of the new documentary film, The American Revolution, which tells the story of how in the late 1960s and early 70s a radio station, politics and rock and roll changed everything.

Audio recordings in this collection are licensed through SoundExchange allowing you to listen to the original content and format from the radio broadcasts.

You can listen to the stream at this link:


  • Alternative radio broadcasting--Massachusetts
  • Boston (Mass.)--History--20th century
  • Cambridge (Mass.)--History--20th century
  • Nineteen sixties
  • Rock music
  • Vietnam War, 1961-1975--Protest movements
  • WBCN (Radio station : Boston, Mass.)

Types of material

  • Photographs
  • Sound recordings

American Watch Company. Band

American Watch Company Band Engagement Book, 1878-1883.

1 vol. (0.25 linear feet).
Call no.: MS 364

Band of musicians who worked at the Waltham Watch Company in Waltham, Massachusetts. Engagement book itemizes engagement dates and locations, and membership (including recent immigrants), and includes information about rehearsals, business meetings, and payment.


  • American Watch Company--Employees--Recreation
  • American Watch Company--Employees--Social life and customs
  • American Watch Company--History
  • Brass bands--Massachusetts--Waltham
  • Industrial recreation--Massachusetts--Waltham
  • Waltham (Mass.)--Social conditions--19th century


  • American Watch Company. Band
  • South Side Brass Band (Waltham, Mass.)

Types of material

  • Appointment books

Antinuclear Activism

Famous Long Ago Archive

Antinuclear Activism Collection, ca.1977-1990.

30 boxes (45 linear feet).
Call no.: MS 547

In the mid-1970s, Western Massachusetts was a hotbed of antinuclear activism, sparked both by the proposal to build a nuclear power plant in Montague, Mass., and by the construction and operation of plants nearby in Rowe, Mass., and Seabrook, N.H. A group of activists associated with the Liberation News Service and Montague Farm commune, including Anna Gyorgy, Sam Lovejoy, Harvey Wasserman, Steven Diamond, Chuck Light, and Dan Keller, were instrumental in organizing popular opposition to nuclear power and they helped establish several antinuclear organizations, ranging from the Alternative Energy Coalition to the Renewable Energy Media Service, Clamshell Alliance, and Musicians United for Safe Energy.

The Antinuclear Activism Collection contains the results of the grassroots opposition to nuclear power in Western Massachusetts. The bulk of the collections consists of a variety of publications produced by or collected by a group of antinuclear activists in Franklin County, Mass. In addition to a large number newspapers (e.g. Clamshell Alliance News) and pamphlets, the collection includes t-shirts and bumper stickers, ephemeral publications, notes, sporadic correspondence, and other information collected both for research purposes and to aid in their public campaigns. Of particular interest are a set of early minutes of the Clamshell Alliance Coordinating committee (1977-1978), and information on protests at the Seabrook and Rowe nuclear facilities and the proposed facility at Montague. The collection is part of the Famous Long Ago Archive.


  • Antinuclear movement–Massachusetts
  • Clamshell Alliance
  • Gyorgy, Anna
  • Nuclear energy--Massachusetts
  • Renewable Energy Media Service


  • Alternative Energy Coalition

Arcadia Players

Arcadia Players Records, 1989-2005.

18 boxes (27 linear feet).
Call no.: MS 451

Since 1989 the Arcadia Players have been performing Baroque music with the aim of providing an authentic experience both for the musicians and the audience by employing instruments and performance practices that draw from the seventeenth and eighteenth centuries. In residence at the Massachusetts Center for Renaissance Studies at UMass Amherst, the ensemble performs an annual series of concerts in several communities throughout western Massachusetts.

The collection consists of brochures, programs, photographs, videorecordings of performances, and financial and administrative records. Together the items provide a behind-the-scenes look at the operations of a small but successful professional ensemble of musicians.


  • Music--17th century
  • Music--18th century
  • Musicians--Massachusetts


  • Arcadia Players

Bennett, John W., collector

John W. Bennett Labor Collection, ca. 1880-2000.

Call no.: MS 443

Labor historian John W. Bennett has researched the history of the labor movement since his days as an undergraduate at the University of Massachusetts (Class of 1952). A born collector, he began accumulating memorabilia associated with unions, drawn to their potential as a visual record of labor iconography and self-representation.

Extending back to the 1880s, the Bennett Collection includes examples from around the country, but with a particularly strong representation of New England unions between the mid-1930s and mid-1970s.


  • Labor unions--Massachusetts


  • Bennett, John W

Types of material

  • Badges
  • Ephemera
  • Realia

Bestor, Charles

Charles Bestor Papers, 1971-2002.

2 boxes (0.75 linear feet).
Call no.: FS 126

Composer and presently the Professor of Composition and Director of the Electronic and Computer Music Studios of the University of Massachusetts Amherst who has taught at Juilliard School of Music and numerous other universities, won international awards for his music, and collaborated with contemporary installation artists. Includes scores and sound recordings for two of his compositions, Suite for Alto Saxophone and Percussion and In the Shell of the Ear, as well as correspondence, concert programs, and reviews all relating to the publication and performance of the works.


  • University of Massachusetts Amherst--Faculty
  • University of Massachusetts Amherst. Department of Music and Dance


  • Bestor, Charles
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