Born and raised in France, the photojournalist Lionel Delevingne studied education at l’Ecole Normale in Paris, but settled permanently in the United States in 1975. Based at first in Northampton, Mass., he became a prolific photographer of American social movements while working for the Valley Advocate and other publications, covering the early years of the Clamshell Alliance and the antinuclear movement in considerable depth. His work has been exhibited frequently and published widely in the mainstream and alternative press, including the New York Times, Le Figaro Magazine, Die Zeit, Newsweek, Washington Post Magazine, Mother Jones, and Vanity Fair.
The Delevingne collection includes remarkable visual documentation of the antinuclear movement of the 1970s and beyond, including some of the its most iconic images. Beginning with coverage of the Seabrook occupation, Delevingne covered the movement as it spread throughout the northeastern U.S. and internationally. The collection includes exhibition prints, prints for publication, and digitized images ranging in date from the mid-1970s through 1990s. Copyright in the images has been retained by Delevingne.
Digital UMass contains the results of several initiatives to document the history of the University of Massachusetts Amherst and its predecessors the Massachusetts Agricultural College and Massachusetts State College. In addition to an on-going project to capture the oral history of the University’s administrators and reflections on student life, the archives has digitized materials relating to the early years of co-education at MAC and women’s education at the University. Additional materials will be added as they become available.
Situated at the confluence of the east and west branches of the Swift River in western Massachusetts, Enfield was the largest and southernmost of the four towns inundated in 1939 to create the Quabbin Reservoir. Incorporated as a town in 1816, Enfield was relatively prosperous in the nineteenth century on an economy based on agriculture and small-scale manufacturing, reaching a population of just over 1,000 by 1837. After thirty years of seeking a suitably large and reliable water supply for Boston, the state designated the Swift River Valley as the site for a new reservoir and with its population relocated, Enfield was officially disincorporated on April 28, 1938.
The records of the town of Enfield, Mass., document nearly the entire history of the largest of four towns inundated to create the Quabbin Reservoir. The core of the collection consists of records of town meetings and of the activities of the town Selectmen, 1804-1938, but there are substantial records for the Enfield Congregational Church. The School Committee, Overseers of the Poor, the town Library Association, and groups such as the local chapter of the Daughters of the American Revolution and the Bethel Masonic Lodge.
Enfield (Mass.)--Politics and government
Enfield (Mass.)--Religious life and customs
Enfield (Mass.)--Social life and customs
Quabbin Reservoir Region (Mass.)--History
Quabbin Reservoir Region (Mass.)--Social life and customs
Women--Societies and clubs
Daughters of the American Revolution. Captain Joseph Hooker Chapter (Enfield, Mass.)
Enfield (Mass. : Town)
Enfield (Mass. : Town). Overseers of the Poor
Enfield (Mass. : Town). Prudential Committee
Enfield (Mass. : Town). School Committee
Enfield Congregational Church (Enfield, Mass.)
Enfield Congregational Church (Enfield, Mass.). Women's Auxiliary
Enfield Congregational Church (Enfield, Mass.). Women's Missionary Society
Drawing upon the unique materials under their care, the staff of the Department of Special Collections and University Archives organize two to three exhibits a year in their reading room and work regularly with their colleagues in the general library to prepare other exhibits for display on the Lower Level of the W.E.B. Du Bois Library.
Jazz is Alive: Jazz in UMass Amherst Libraries’ Special Collections
Sept. 28, 2015-Jan. 20, 2016
Location: SCUA and Learning Commons, Du Bois Library
In coordination with the Fall Reception, Jazz is Alive focuses on recently acquired jazz collections from UMass, Boston, and the Northeast in Special Collections and University Archives. Photographs include jazz greats plus posters, images, and memorabilia of the regional jazz scene and culture from the 1960s on.
Materials range from the Boston Jazz Society Collection and images of Boston jazz clubs in the Bernie Moss Collection to images from UMass’ Jazz in July performances by Robert Davis and Ronald Steele.
Several other collections on exhibit document composers and performers, including innovator Borah Bergman and retired UMass Amherst professor and Emeritus Director of the Fine Arts Center, Frederick Tillis.
M.A.C. and the Women’s Land Army of America in World War I
Jan 2016-Sept 2016
Location: SCUA and Learning Commons, Du Bois Library
This exhibit investigates Massachusetts Agricultural College’s participation in the Women’s Land Army of America, a women’s organization to work in agriculture replacing men called up to the military from 1917-1922.
Photographs of Diana Mara Henry
Sept 2016-Jan 2017
Location: SCUA and Lower Level, Du Bois Library
The exhibit showcases the work of Diana Mara Henry, a rich evocation of four decades of political, social, and cultural change in America beginning in the late 1960s as seen through the life of one photojournalist. This diverse body of work is particularly rich in documenting the women’s movement, second wave feminism, and the political scene in the 1970s. Henry left a remarkable record of women in politics, with dozens of images of Bella Abzug, Elizabeth Holtzman, Shirley Chisholm, Liz Carpenter, Betty Friedan, Jane Fonda, and Gloria Steinem.
Personal, financial and legal papers of Flint and Lawrence families of Lincoln, Massachusetts including wills, estate inventories, indenture documents, receipts of payment for slaves and education, correspondence; and records of town and church meetings, town petitions and receipts relating to the construction of the meeting house. Papers of Reverend William Lawrence include letter of acceptance of Lincoln, Massachusetts ministry, record of salary, a sermon and daybook. Personal papers of loyalist Dr. Joseph Adams, who fled to England in 1777, contain letters documenting conditions in England in the late 1700s and the legal and personal problems experienced by emigres and their families in the years following the Revolutionary War.
American loyalists--Great Britain
England--Emigration and immigration--18th century
Lincoln (Mass.)--Economic conditions--18th century
Lincoln (Mass.)--Social conditions--18th century
Massachusetts--Emigration and immigation--18th century
A politician and native of Greenfield, Mass., Whiting Griswold was born in Buckland on Nov. 12, 1814, the son of Maj. Joseph Griswold. Earning his way through Amherst College (BA, 1838) by teaching in the local schools, Griswold studied law in the offices of Grennell and Aiken, but politics soon came to dominate his life. A serious player in partisan politics, he won election as a Democrat to the state House in 1848-1850 and then the Senate in 1851-1852. after taking part in the state Consitutional Convention of 1853, Griswold supported Buchanan for the presidency in 1856, but changed party to support Lincoln, winning terms in the state Senate on a Coalition vote in 1862 and as a Republican in 1869. Griswold was twice married: first, to Jane M. Martindale (1844), with whom he had two children, and second to Frances L. Clarke (1856), with whom he had three children, including the attorney Freeman Clarke Griswold (1858-1910), a graduate of Yale and Harvard law school (1884), who represented Greenfield in the State House in 1888.
The Griswold papers are dense collection documenting the lives and careers of two state-level politicians in Massachusetts during the years straddling the Civil War. Contents range from discussions of the political crises of the 1850s and Civil War to political agitation over railroad construction in Franklin County, to elections, political speeches, and papers written as a student. The collection includes five letters of the Transcendentalist minister James Freeman Clarke and some essays and correspondence from Freeman Griswold.
Daughter of a writer and diplomat, and graduate of Wellesley College, Beth Hapgood has been a spiritual seeker for much of her life. Her interests have led her to become an expert in graphology, a student in the Arcane School, an instructor at Greenfield Community College, and a lecturer on a variety of topics in spiritual growth. Beginning in the mid-1960s, Hapgood befriended Michael Metelica, the central figure in the Brotherhood of the Spirit (the largest commune in the eastern states during the early 1970s) as well as Elwood Babbitt, a trance medium, and remained close to both until their deaths.
The Hapgood Papers contain a wealth of material relating to the Brotherhood of the Spirit and the Renaissance Community, Metelica, Babbitt, and other of Hapgood’s varied interests, as well as 4.25 linear feet of material relating to the Hapgood family.
Recognized for her coverage of historic events and personalities, the photographer Diana Mara Henry took the first steps toward her career in 1967 when she became photo editor for the Harvard Crimson. After winning the Ferguson History Prize and graduating from Harvard with a degree in government in 1969, Henry returned to New York to work as a researcher with NBC News and as a general assignment reporter for the Staten Island Advance, but in 1971 she began to work as a freelance photographer. Among many projects, she covered the Democratic conventions of 1972 and 1976 and was selected as official photographer for both the National Commission on the Observance of International Women’s Year and the First National Women’s Conference in 1977, and while teaching at the International Center for Photography from 1974-1979, she developed the community workshop program and was a leader in a campaign to save the Alice Austin House. Her body of work ranges widely from the fashion scene in 1970s New York and personal assignments for the family of Malcolm Forbes and other socialites to political demonstrations, cultural events, and photoessays on one room schoolhouses in Vermont and everyday life in Brooklyn, France, Nepal, and Bali. Widely published and exhibited, her work is part of permanent collections at institutions including the Schlesinger Library, the Library of Congress, Smithsonian, and the National Archives.
The Henry collection is a rich evocation of four decades of political, social, and cultural change in America beginning in the late 1960s as seen through the life of one photojournalist. This diverse body of work is particularly rich in documenting the women’s movement, second wave feminism, and the political scene in the 1970s. Henry left a remarkable record of women in politics, with dozens of images of Bella Abzug, Elizabeth Holtzman, Shirley Chisholm, Liz Carpenter, Betty Friedan, Jane Fonda, and Gloria Steinem. The collection includes images of politicians at all levels of government, celebrities, writers, and scholars, and coverage of important events including demonstrations by Vietnam Veterans Against the War, the Women’s Pentagon Action, and marches for the ERA. The many hundreds of exhibition and working prints in the collection are accompanied by the complete body of Henry’s photographic negatives and slides, along with an array of ephemera, correspondence, and other materials relating to her career. Copyright for Henry’s images are retained by her until 2037.
A resident of South Worthington, Massachusetts, Lyman Higgins appears in the Federal Census and in town histories as also pursuing a variety of other callings: mechanic, farmer, blacksmith, sawmill proprietor, and manufacturer. Higgins eventually devoted his work life to basket making, supplying textile mills and paper companies as far away as New York City with large batches of assorted baskets tailored to their needs.
Higgins’ account book includes records of jobs performed, payment (in goods and services as well as in cash), employees and their wages, and the local companies to which he sold his custom-made basket products.
Basket industry--Massachusetts--South Worthington--History--19th century
Basket making--Massachusetts--South Worthington--History--19th century
Harris Woollen Mill
Lawrence Duck Co.
Paper industry--Equipment and supplies--History--19th century
South Worthington (Mass.)--Economic conditions--19th century
Sugar River Paper Co.
Textile industry--Equipment and supplies--History--19th century
Wages--Basket industry--Massachusetts--History--19th century
Wages-in-kind--Massachusetts--South Worthington--History--19th century
A one time baseball player, Edward M. Lewis was hired as a Professor of Language and Literature at the Massachusetts Agricultural College, serving as the College’s President from 1924 to 1927.
Includes personal and official correspondence primarily while Dean and President of Massachusetts Agricultural College, particularly with President Kenyon Leech Butterfield (1868-1935); administrative memoranda; student records; other records generated while Dean and President of MAC on such subjects as relations of the college with state officials, curriculum, purpose of the college, desirability of compulsory chapel, establishment of Jewish fraternities, and women’s education; also, transcripts of addresses, newspaper clippings, and biographical material. The collection includes nothing relating to Lewis’s baseball or teaching careers.