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Burt V Brooks image of farmstead
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Burt V Brooks image of young woman
Burt Brooks image of young woman
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Results for: “Deadheads (Music fans)--Photographs” (376 collections)SCUA

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Le, Van Khoa

DigitalFinding aid

Le Van Khoa Photograph Collection, Undated.

7 items (0.1 linear feet).
Call no.: MS 170
Going home
Going home

The composer, photographer, and educator, Le Van Khoa arrived in the United States as a war refugee from Vietnam in May 1975. Largely self-taught as a photographer, he was co-founder of the Artistic Photography Association of Vietnam and has published three books of his work. He holds the distinction of being the first Vietnamese photographer to mount an exhibition at the U.S. Congress building.

The seven photographs in the Le Van Khoa collection are artistic reflections of life in Vietnam, including four taken in the imperial city, Hue.

Subjects

  • Vietnam--Photographs

Types of material

  • Photographs

Libera, John

Digital (+)Finding aid

John Libera Collection, 1934-1988.

1 flat box (0.25 linear feet).
Call no.: MS 048
Polish Tigers baseball team, ca.1935
Polish Tigers baseball team, ca.1935

A member of the Polish community in Southbridge, Mass., John Libera (1919-2007) was a long-time employee of American Optical Company, but was best known as a promoter of polka music and dancing. A performer, song writer, and host of a radio show for over thirty years, Libera was inducted into the Polka Music Hall of Fame in 1982 and invited to perform at the American Folklife Festival in 1988.

The Libera collection consists of four photographs of the Polish community in Southbridge during the 1930s along with fourteen photos, a videotape, and some correspondence and ephemera relating to the American Folklife Festival.

Subjects

  • Baseball teams--Massachusetts--Southbridge--Photographs
  • Polish Americans--Massachusetts--Southbridge--Photographs
  • Southbridge (Mass.)
  • Women--Societies and clubs--Massachusetts--Southbridge--Photographs

Contributors

  • Libera, John

Types of material

  • Photographs

Lipshires, Sidney

Finding aid

Sidney Lipshires Papers, 1932-2012.

7 boxes (3.5 linear feet).
Call no.: MS 730
Sidney Lipshires
Sidney Lipshires

Born on April 15, 1919 in Baltimore, Maryland to David and Minnie Lipshires, Sidney was raised in Northampton, Massachusetts where his father owned two shoe stores, David Boot Shop and The Bootery. He attended the Massachusetts State College for one year before transferring to the University of Chicago and was awarded a BA in economics in 1940. His years at the University of Chicago were transformative, Lipshires became politically active there and joined the Communist Party in 1939. Following graduation in 1941, he married Shirley Dvorin, a student in early childhood education; together they had two sons, Ellis and Bernard. Lipshires returned to western Massachusetts with his young family in the early 1940s, working as a labor organizer. He served in the United States Army from 1943 to 1946 working as a clerk and interpreter with a medical battalion in France for over a year. Returning home, he ran for city alderman in Springfield on the Communist Party ticket in 1947. Lipshires married his second wife, Joann Breen Klein, in 1951 and on May 29, 1956, the same day his daughter Lisa was born, he was arrested under the Smith Act for his Communist Party activities. Before his case was brought to trial, the Smith Act was ruled unconstitutional by the U.S. Supreme Court. Disillusioned with the Communist Party, he severed his ties with it in 1957, but continued to remain active in organized labor for the rest of his life. Earning his masters in 1965 and Ph.D. in 1971, Lipshires taught history at Manchester Community College in Connecticut for thirty years. During that time he worked with other campus leaders to establish a statewide union for teachers and other community college professionals, an experience he wrote about in his book, Giving Them Hell: How a College Professor Organized and Led a Successful Statewide Union. Sidney Lipshires died on January 6, 2011 at the age of 91.

Ranging from an autobiographical account that outlines his development as an activist (prepared in anticipation of a trial for conspiracy charges under the Smith Act) to drafts and notes relating to his book Giving Them Hell, the Sidney Lipshires Papers offers an overview of his role in the Communist Party and as a labor organizer. The collection also contains his testimony in a 1955 public hearing before the Special Commission to Study and Investigate Communism and Subversive Activities, photographs, and biographical materials.

Subjects

  • Communism--United States--History
  • Communists--Massachusetts
  • Jews--Massachusetts--Northampton--History
  • Jews--Political activity--United States--History--20th century
  • Labor movement--United States--History--20th century
  • Labor unions--United States--Officials and employees--Biography

Contributors

  • Lipshires, David M
  • Lipshires, Joann B
  • Lipshires, Sidney

Types of material

  • Autobiographies
  • Photographs
  • Testimonies

Mange, Arthur P.

DigitalFinding aid

Arthur P. Mange Photograph Collection, 1965-2010.

3 boxes (4.5 linear feet).
Call no.: PH 044
Fern fronds
Fern fronds

Arthur P. Mange taught in the Biology Department at University of Massachusetts Amherst for 31 years before retiring in 1995. A co-author of numerous works in human genetics, Mange served on the chair of the Conservation Committee in Amherst, and currently serves on the Burnett Gallery Committee. In 1983, his New England images were featured in Across the Valley (from Cummington to New Salem) held at the Burnett Gallery. This exhibition was followed at the Hitchcock Center in 1984 with Delight in Familiar Forms (celebrating some well-known plants and animals), with Ring Bell to Admit Bird at the Jones Library and Net Prophet at Cooley Dickinson Hospital. Architectural Sights — Big and Small, Mange’s most recent show (2002), appeared at the Burnett Gallery. In addition to exhibitions, Mange has also donated collections for fund-raising auctions at New York University, the Cooley Dickinson Hospital, the University of Massachusetts Fine Arts Center, the Amherst Historical Society, Jones Library, and the Amherst Community Arts Center.

His photographic collection spans more than half a century of subjects reflecting his varied interests in animals, plants, our region, gravestones, what he calls “whimsical signs,” and attention-grabbing shadows.

Subjects

  • Amherst (Mass.)--Pictorial works
  • Cemeteries--Pictorial works
  • Hadley (Mass.)--Pictorial works
  • New England--Pictorial works
  • New Salem (Mass.)--Pictorial works
  • New York (N.Y.)--Pictorial works

Types of material

  • Photographs

Moss, Bernard

Bernie Moss Photograph Collection, ca. 1960-1978.

7 boxes (10.5 linear feet).
Call no.: PH 062
Bernie Moss with two unidentified women in Moss's home, 1962
Bernie Moss with two unidentified women in Moss's home, 1962

A fixture of the Boston Jazz scene, Bernie Moss began taking photographs in the early 1960s, capturing musicians on stage and after hours in the clubs he frequented. Musicians that Moss would meet at Connelly’s, the Savoy Cafe, Lennie’s on the Turnpike, and later the Jazz Workshop, would often come to Moss’s apartment at 11 Queensberry Street where he would give them a place to stay and a meal. His generosity and love of the music and musicians was renown among the top artists of the era; inspiring Dexter Gordon to compose the song “Boston” Bernie Moss in his honor. Moss was born on Christmas day in 1908 and grew up in a Jewish household. He played trombone as a member of the Massachusetts National Guard 241st Coast Artillery Regiment from 1929 to approximately 1939 but spent the remainder of his life looking after the Boston apartment buildings he inherited from his father, known as the Moss Realty Co. According to Nat Hentoff in his memoir Boston Boy, “he took care that none of his tenants ever knew him as a landlord. His brother collected the rent, and the janitor received all the complaints about services. Bernie just showed up to talk about jazz.” Moss died on February 13th, 1988.

The Bernie Moss Photograph Collection primarily consists of Moss’s color photographs taken at Boston Jazz clubs in the 1960s and early 1970s. The photographs include musicians Alan Dawson, Roy Haynes, John Coltrane, Ben Webster, Dizzy Gillespie, Yusef Lateef, Herbie Hancock, Art Blakey, and many more. Moss’s amateur style brings life to some of the most important years of modern Jazz, showing Jazz greats at the height of their powers, often in informal settings. Many photographs were mounted and catalogued as part of a traveling exhibit curated by the Boston Jazz Society.

Subjects

  • Jazz musicians--Massachusetts--Boston--Photographs
  • Jazz--Massachusetts--Boston--Photographs

Types of material

  • Color prints (photographs)

Mungo, Raymond, 1946-

Digital (+)Finding aid

Raymond Mungo Papers, 1966-2008.

6 boxes (3 linear feet).
Call no.: MS 659
Raymond Mungo, 1967
Raymond Mungo, 1967

Born in a “howling blizzard” in February 1946, Raymond Mungo became one of the most evocative writers of the 1960s counterculture. Through more than fifteen books and hundreds of articles, Mungo has brought a wry sense of humor and radical sensibility to explorations of the minds and experiences of the generation that came of age against a backdrop of the struggles for civil rights and economic justice, of student revolts, Black Power, resistance to war, and experimentation in communal living.

Consisting of the original typescripts and manuscripts of ten of Raymond Mungo’s books, along with corrected and uncorrected galleys and a small number of letters from publishers. Among the other materials in the collection are thirteen photographs of Mungo taken by Clif Garboden and Peter Simon during and immediately after his undergraduate years at Boston University; a DVD containing motion pictures of life at Packer Corners in 1969 and 1977; and an irate letter from a writer regarding the status of poems he had submitted to Liberation News Service.

Subjects

  • Communal living--Massachusetts
  • Communal living--Vermont
  • Liberation News Service (Montague, Mass.)
  • Montague Farm Community (Mass.)
  • Nineteen Sixties
  • Packer Corners Community (Vt.)
  • Porche, Verandah

Contributors

  • Garboden, Clif
  • Mungo, Raymond, 1946-
  • Simon, Peter, 1947-

Types of material

  • Photographs

Obrebski, Joseph, 1907-1967

Joseph Obrebski Papers, 1923-1974.

48 boxes (24 linear feet).
Call no.: MS 599

A student of Bronislaw Malinowski, the Polish ethnographer Jozef Obrebski was a keen observer of cultural change among eastern European peasantry in the years before the Second World War. After working with the resistance in Warsaw during the war, Obrebski went on to do additional ethnographic research in Jamaica (with his wife Tamara), taught at Brooklyn and Queens College and C.W. Post University, and from 1948-1959, he was senior social affairs officer with the United Nations. He died in 1967.

The Obrebski collection consists largely of ethnographic data collected by Obrebski in Macedonia (1931-1932), Polesia (1934-1936), and Jamaica (1947-1948), including field and interview notes, genealogies, government documents relating to research sites, and ca. 1000 photographs; together with correspondence (1946-1974), drafts of articles, analyses of collected data, and tapes and phonograph records, largely of folk music; and papers of Obrebski’s wife, Tamara Obrebski (1908-1974), also an ethnologist and sociologist.

Subjects

  • Anthropologists--Poland
  • Ethnology--Jamaica
  • Ethnology--Macedonia
  • Ethnology--Poland
  • Peasantry--Macedonia
  • Peasantry--Poland

Contributors

  • Obrebski, Joseph, 1907-1967

Types of material

  • Photographs

Shattuck, Louise F.

Finding aid

Louise F. Shattuck Papers, 1881-2006.

31 boxes (24 linear feet).
Call no.: MS 563
Louise Shattuck
Louise Shattuck

A life-long resident of Lake Pleasant, Massachusetts, and a third-generation Spiritualist, Louise Shattuck was an artist, teacher, and noted breeder of English cocker spaniels.

Shattuck’s work as a teacher, writer, artist, and dog breeder are documented in this collection through decades of correspondence and diaries, artwork, publications, and newspaper clippings. Of particular note are the materials associated with the Spiritualist history of Lake Pleasant, including three turn of the century spirit slates, samples of Louise’s automatic writing, a ouija board and dowsing rods, and an excellent photograph album with associated realia for the Independent Order of Scalpers, a Lake Pleasant.

Subjects

  • Dogs--Breeding
  • English Cocker spaniels
  • Lake Pleasant (Mass.)--History
  • Mediums--Massachusetts
  • Montague (Mass.)--History
  • Spiritualism

Contributors

  • Shattuck, Louise F
  • Shattuck, Sarah Bickford

Types of material

  • Diaries
  • Photograph albums
  • Photographs
  • Spirit slates
  • Spirit writing

Wolf, Lloyd

Lloyd Wolf Photograph Collection, 1989.

13 digital color prints
Call no.: PH 008
Deadhead, 1989.  Photo by Lloyd Wolf
Deadhead, 1989. Photo by Lloyd Wolf

A photographer from Washington, D.C., Lloyd Wolf is a well known photojournalist and documentarian who often works on topics in social change. During the course of a career that began in the late 1970s, Wolf has worked on projects ranging from documenting the impact of the Vietnam Memorial in Washington, D.C., to Jewish mothers and fathers, Moroccan Jewry, drug rehabilitation in prison, and Black-Jewish dialog.

The 13 images in the collection are part of Wolf’s series, “Acid Reign,” a project conducted in 1989 with a sociologist from UNC-Greensboro, Rebecca Adams, exploring the lives of dedicated Deadheads. The prints were made for exhibition at the symposium, Unbroken Chain: the Grateful Dead in Music, Culture, and Memory, held at UMass Amherst in November 2007. All rights remain with Lloyd Wolf.

Subjects

  • Deadheads (Music fans)--Photographs

Contributors

  • Wolf, Lloyd

Types of material

  • Photographs

Jones, Richard, 1937-1991

Digital

Richard Jones Papers, ca.1970-1991.

2 boxes (1 linear feet).
Call no.: FS 006

Over the course of his esteemed dance career, Richard Jones performed with Eleo Pomare Company, the Miguel Godreau Dance Company, and the Xochipillian Dance Group. Jones was appointed to the staff of the University of Massachusetts on September 1, 1973, and remained with the department until his death in 1991. While at the University, Jones was the founding artistic director of the Amdans Theater, and was the artistic director of the University Dancers from 1979 to 1991.

The Jones Papers are a collection of photographs and reviews of Jones’s choreography during the 1970s and 1980s. A copy of Jones’s original essay, “Costuming for Three Styles of Dance,” (circa 1975) appears in the collection, as do photographs, playbills, posters, Amdans Theatre and University Dancers reviews. The Papers also contain letters to Jones from the Boston Ballet and the American College Dance Festival, as well as reviews of Jones’s choreography for professional companies outside the University.

Subjects

  • Admans Theatre
  • Dance
  • University Dancers (University of Massachusetts Amherst)
  • University of Massachusetts Amherst--Faculty
  • University of Massachusetts Amherst. Department of Music and Dance

Contributors

  • Jones, Richard

Types of material

  • Photographs
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