American Express Company Florence Office Records, 1867-1890.
3 boxes (3 linear feet).
Call no.: MS 298
Records of express agent Watson L. Wilcox of Simsbury, Connecticut and Florence, Massachusetts documenting Wilcox’s work for the American Express Company and the evolution of the company from a small shipping business to a delivery organization whose services contributed to the growth of the local and regional economy. Records consist of agent books, receipt books, and waybills listing accounts of local companies and residents for the sending, receiving and delivery of freight, telegraph messages, express cash, goods and packages.
- American Merchant's Union Express Company
- Express service--Massachusetts--Florence--History
- Florence (Mass.)--Economic conditions
- Florence Manufacturing Company
- Florence Sewing Machine Company
- Hill, Samuel L
- New York, New Haven, and Hartford Railroad Company
- Nonotuck Silk Company
- Parsons, I. S
- Simsbury (Conn.)--Economic conditions
- Williston, A. L
- American Express Company (Florence, Mass.)
- Wilcox, Watson L., 1832 or 3-1896
The American Revolution Documentary Collection, ca.1968-2010.
On March 15, 1968, a failing classical music station, WBCN-FM, was reinvented as Boston’s first voice in radical underground radio, and its influence quickly spread nationally. Its characteristic blend of cultural chaos, including rock, folk, blues, and jazz, interspersed with news, radical politics, and community programming, provided a soundtrack for a generation fighting to remake its world. WBCN earned its nickname, “The American Revolution.” The station’s eclectic and unpredictable broadcasts included music from little-known performers who would emerge into the biggest acts of the day; regularly scheduled live musical performances from local clubs; trenchant political analysis and newscasts of the major events of the day; interviews with legendary cultural figures; and innovative new shows including one of the first women’s programs and the Lavender Hour, the nation’s first regularly broadcast LGBT radio show. Music, politics, culture, and community were intensely interconnected through WBCN, while its “listener line,” which took calls and answered questions on any subject, helped make it a virtual two-way hub for countercultural Boston.
While producing a documentary film about WBCN, and the music, politics, and social change during the period 1968-1974, former WBCN newscaster and announcer Bill Lichtenstein recognized the importance of archiving the wealth of primary materials that told the story of WBCN, its community and the dramatic changes of the era. The American Revolution Documentary Collection is the product of Lichtenstein’s energy, serving as an umbrella for a suite of interrelated collections focused on the impact of underground media in the Boston area and the profound social, political, and cultural changes of that time. These collections include the work of photographers, journalists, and writers who would go on to prominence, as well as activists, artists, and everyday people who witnessed and took part in an extended public conversation on the direction of our nation during the period of profound social, political, and cultural upheaval and who used media to help change it.
TAR collections include:
- Alternative radio broadcasting--Massachusetts
- Boston (Mass.)--History--20th century
- Cambridge (Mass.)--History--20th century
- Nineteen sixties
- Rock music
- Vietnam War, 1961-1975--Protest movements
- WBCN (Radio station : Boston, Mass.)
Types of material
- Sound recordings
Antislavery Collection, 1725-1911.
(7.5 linear feet).
Call no.: RB 003
The Antislavery Collection contains several hundred printed pamphlets and books pertaining to slavery and antislavery in New England, 1725-1911. The holdings include speeches, sermons, proceedings and other publications of organizations such as the American Anti-Slavery Society and the American Colonization Society, and a small number of pro-slavery tracts.
- Antislavery movements--United States
- Slavery--United States
- American Anti-Slavery Society
- American Colonization Society
William Smith Clark Papers, 1814-2003 (Bulk: 1844-1886).
(14.75 linear feet).
Call no.: RG 003/1 C63
Born in Ashfield, Massachusetts, in 1826, William Smith Clark graduated from Amherst College in 1848 and went on to teach the natural sciences at Williston Seminary until 1850, when he continued his education abroad, studying chemistry and botany at the University of Goettingen, earning his Ph.D in 1852. From 1852 to 1867 he was a member of Amherst College’s faculty as a Professor of Chemistry, Botany, and Zoology. As a leading citizen of Amherst, Clark was a strong advocate for the establishment of the new agricultural college, becoming one of the founding members of the college’s faculty and in 1867, the year the college welcomed its first class of 56 students, its President. During his presidency, he pressured the state government to increase funding for the new college and provide scholarships to enable poor students, including women, to attend. The college faced economic hardship early in its existence: enrollment dropped in the 1870s, and the college fell into debt. He is noted as well for helping to establish an agricultural college at Sapporo, Japan, and building strong ties between the Massachusetts Agricultural College and Hokkaido. After Clark was denied a leave of absence in 1879 to establish a “floating college” — a ship which would carry students and faculty around the world — he resigned.
The Clark Papers include materials from throughout his life, including correspondence with fellow professors and scientists, students in Japan, and family; materials relating to his Civil War service in the 21st Massachusetts Infantry; photographs and personal items; official correspondence and memoranda; published articles; books, articles, television, and radio materials relating to Clark, in Japanese and English; and materials regarding Hokkaido University and its continuing relationship with the University of Massachusetts.
- Agricultural colleges--Japan--History
- Agricultural colleges--Massachusetts--History
- Amherst (Mass.)--History
- Amherst College--Faculty
- Amherst College--Students--Correspondence
- Hokkaido (Japan)--History
- Hokkaid¯o Daigaku--History
- Hokkaid¯o Teikoku Daigaku--History
- Japan--Relations--United States
- Massachusetts Agricultural College--History
- Sapporo N¯ogakk¯o--History
- Sapporo N¯ogakk¯o. President
- T¯ohoku Teikoku Daigaku. N¯oka Daigaku--History
- United States--History--Civil War, 1861-1865
- United States--Relations--Japan
- Universität Göttingen--Students--Correspondence
- Clark, William Smith, 1826-1886
- Massachusetts Agricultural College. President
Types of material
Frank A. Waugh Papers, 1896-1983.
Born in Wisconsin but raised and educated in Kansas, Frank Waugh got his first teaching job at Oklahoma State University. He went on to teach at the University of Vermont and finally settled down in Amherst, as a professor at Massachusetts Agricultural College. While at Mass Aggie, he became well know for establishing the second landscape gardening department in the country, later the department of landscape architecture. At a time when the field of landscape architecture was still taking root, Waugh’s influence was significant in shaping the profession. His contributions include numerous articles and books, the designs he planned and implemented, and the many students he taught and mentored. A natural offshoot of his work as a landscape architect, Waugh pursued other artistic avenues as well, most notably photography and etching. He served at MAC, later Massachusetts State College, for nearly forty years before retiring in 1939.
The collection includes an extensive representation of Waugh’s published articles along with biographical materials. The centerpiece, however, is the large number of photographs, lantern slides, and etchings. While his publications reveal the mind of a pioneer in his field, together these images portray the heart and soul of Waugh as an artist.
- Landscape architecture--United States--History
- University of Massachusetts Amherst--Faculty
- University of Massachusetts Amherst. Department of Horticulture
- Waugh, Frank A. (Frank Albert), 1869-1943
Types of material
- Lantern slides
William F. Field Papers, 1948-1986.
27 (13.5 linear feet).
Call no.: RG 030/2 F5
The University’s first Dean of Students, William F. Field held the post from 1961 until his retirement in 1988. The 27 years Field was Dean of Students was a critical time of growth and unrest, as the University’s student population more than tripled in size and the nation-wide movements for civil rights and against the Vietnam War were reflected through student activism and protest on the University’s campus. Responsible for ending student curfews and overseeing all dorms becoming co-ed, Field also worked with minority students and faculty to support the Black Arts Movement on campus and the founding of the W.E.B Du Bois Afro-American Studies Department.
The William F. Field Papers document Field’s career as an administrator at the University of Massachusetts and specifically his role as Dean of Students from 1961-1988. The correspondence, memoranda, reports, notes, and other official printed and manuscript documents are a rich resource for one of the most important and volatile eras in the University’s history. Of particular interest are extensive files on student protests and activism in the late 1960s and early 1970s and the growing diversity of the campus student population, flourishing of the Black Arts Movement on campus and the founding of the W.E.B. Du Bois Afro-American Studies Department.
- African American college students--Massachusetts
- Field, William Franklin, 1922-
- Race relations--United States
- Universities and colleges--United States--Administration
- University of Massachusetts Amherst--Faculty
- University of Massachusetts Amherst. Dean of Students
- University of Massachusetts Amherst. Department of Afro-American Studies
- Vietnam War, 1961-1975--Protest movements--United States
Types of material
Founders of the Niagara Movement,
The acquisition of the papers of W.E.B. Du Bois in 1972 established SCUA as a center for research in African American history. In subsequent years, UMass has supported publication of three volumes of Du Bois’ correspondence and SCUA has digitized the papers and made them freely available on the internet while serving as a resource for many dozens of scholarly articles and books. SCUA continues in its efforts to build around the Du Bois collection, adding other important printed and manuscript materials both in African American history and in the history of efforts to promote social change.
Every February, SCUA and the Du Bois Department of Afro-Americans Studies at UMass Amherst commemorate Du Bois’s birthday by co-sponsoring a public colloquium on Du Bois and his legacy. Our lecturers have included distinguished scholars such as Herbert and Bethina Aptheker, Randolph Bromery, Clayborne Carson, Arnold Rampersad, and David Levering Lewis.
Significant collections (view all)
- Africa American Institute. Records, 1953-2014
- Antislavery Pamphlet Collection
- Aronson, James. Collection, 1946-1983
- Editor of the National Guardian
- Banks, Katherine Bell. Papers, 1926-1960.
- Letters from W.E.B. Du Bois to Banks, a family friend
- Bond, Horace Mann. Papers, 1830-1979
- Educator, President of Lincoln University
- Broadside Press Collection, 1964-1984
- Detroit based press, was an important contributor to the Black Arts Movement
- Brown, John. Papers (microfilm), 1826-1942 (bulk: 1856-1859)
- Du Bois, W. E. B. Papers, 1868-1963
- Heath, Gordon. Papers, 1940-1991
- Expatriate writer, actor, director, and musician
- Hudson Family. Papers, 1780-1955
- Family papers of the antislavery activist Erasmus D. Hudson
- International Oil Working Group. Records, 1981-1986
- Lewis, David Levering. Papers, ca.1955-2012
- Massachusetts. Special Commission on Unequal Education Opportunities. Records, 1974-1978
- Obrebski, Joseph and Tamara. Papers, 1923-1974
- Anthropological field work in Jamaica, 1947-1948
- Urban League of Springfield (Mass.). Records, 1970s
- Trent, Lloyd A. Family Papers, 1850-1996
American Morgan Horse Association Registry Records, 1911-1981.
119 boxes (150 linear feet).
Call no.: MS 781
In 1789, Vermont native Justin Morgan acquired a bay colt in Springfield, Mass., that became the progenitor of a distinctly American breed of general purpose horse. Noted for its stamina, strength, disposition, and beauty, the Morgan became widely popular in western Massachusetts and Vermont, eventually spreading nationally and internationally. To support the breed, the Morgan Horse Club (later the American Morgan Horse Association) was founded in 1909 and today maintains the breed registry, publishes The Morgan Horse magazine, and offers a wide range of public information and educational services.
The Registry records of the AMHA are a product of concern during the late 19th century for documenting and preserving the integrity of the Morgan breed and a means for breeders to certify pedigrees for their stock. In 1894, Joseph Battell published the first volume of the Morgan Horse and Register containing nearly 1,000 pages of pedigrees for “any meritorious stallion, mare, or gelding tracing in direct male line to Justin Morgan and having at least 1/64 of his blood,” and although standards have been modified since, the registry remains the primary source for documenting the history of the breed. The records in this collection include approved applications for the AMHA registry, including pedigrees and supporting materials.
- Morgan horse
Brookfield (Mass.) Records, 1736-1795.
1 box (0.25 linear feet).
Call no.: MS 595
Settled in 1660 and incorporated in 1718, the town of Brookfield (Worcester County) straddles the Boston Post Road, one of the major arteries during the colonial period connecting Boston with the towns of the Connecticut River Valley and New York.
This assemblage of documents from the town of Brookfield consists primarily of warrants for town meetings, many with agendas, issued through the local constable. Concentrated in the 1770s, these warrants provide relatively detailed information on matters of local importance, including town finances, tax assessments, contributions to the poor house, roadways, and property disputes. During the Revolutionary and post-Revolutionary years, however, issues of interest to the town were often wrapped up in regional or national political issues. Town freeholders, for example, were called to consider requests to “come into any Vote or Resolve Respecting the East India Company Tea,” the encouragement of manufacture of firearms, smallpox inoculation, and pay for the town’s Minute Men.
- Brookfield (Mass.)--History--18th century
- United States--History--Revolution, 1775-1783
Types of material
Joseph Donohue Collection of Theatre Programs and Theatrical Ephemera, 1968-2010.
23 boxes (12 linear feet).
Call no.: MS 696
An historian of modern British drama, Joseph Donohue was a longtime member of the Department of English at UMass Amherst. A native of Brookline, Mass., Donohue was educated at Johns Hopkins and Georgetown before receiving his doctorate at Princeton (1965), and he studied directing at both Columbia and Yale. After five years at Princeton, he joined the faculty at UMass in 1971, where he remained for thirty four years. The author of numerous articles and books on the British and Irish theatre, Donohue was author — among many other works — of Dramatic Character in the English Romantic Age (1970) and Theatre in the Age of Kean (1975) and editor of the London Stage, 1800-1900 Project. A past president of the American Society for Theatre Research, he was also a fixture in local performances, including the Valley Light Opera Company. Upon retirement from the department in 2005, Donohue was named Professor Emeritus.
Consisting of hundreds of theatrical programs and other ephemera, the Donohue collection documents a lifetime of avid theater-going. The astonishing array of playwrights and plays represented in the collection, and the diversity of theatres (mostly in New York and London), provides a nearly exhaustively chronicle of Donohue’s theatrical habits from his days as a graduate student to nearly the present.
- Theater--New York (State)--New York
- Donohue, Joseph W., 1935-
Types of material