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Berlin, Bolton, Feltonville Stage Coach Line

Berlin, Bolton, & Feltonville Stage Ledger
1854-1867
1 vol. (0.25 linear feet)
Call no.: MS 138

Stage coach line that carried passengers and mail from Berlin, Bolton, and Feltonville (Hudson) to the Boston area. Includes account book documenting expenses of running the line, with passenger fares recorded elsewhere. Last several pages contain an individual’s accounts, as well as photocopies of passages about the stage coach line and a poem written when the company folded. Amos Sawyer, Jr., and his son-in-law Lorren Arnold ran the business.

Subjects
  • Berlin (Mass.)--Economic conditions--19th century
  • Bolton (Mass.)--Economic conditions--19th century
  • Freight and freightage--Massachusetts
  • Stagecoach lines--Massachusetts
Contributors
  • Berlin, Bolton, & Feltonville Stage
Types of material
  • Account books

Blackington, Alton H.

Alton H. Blackington Photograph Collection
1898-1943
15 boxes (4 linear feet)
Call no.: PH 061
Image of Fortune teller, ca.1930
Fortune teller, ca.1930

A native of Rockland, Maine, Alton H. “Blackie” Blackington (1893-1963) was a writer, photojournalist, and radio personality associated with New England “lore and legend.” After returning from naval service in the First World War, Blackington joined the staff of the Boston Herald, covering a range of current events, but becoming well known for his human interest features on New England people and customs. He was successful enough by the mid-1920s to establish his own photo service, and although his work remained centered on New England and was based in Boston, he photographed and handled images from across the country. Capitalizing on the trove of New England stories he accumulated as a photojournalist, Blackington became a popular lecturer and from 1933-1953, a radio and later television host on the NBC network, Yankee Yarns, which yielded the books Yankee Yarns (1954) and More Yankee Yarns (1956).

This collection of glass plate negatives was purchased by Robb Sagendorf of Yankee Publishing around the time of Blackington’s death. Reflecting Blackington’s photojournalistic interests, the collection covers a terrain stretching from news of public officials and civic events to local personalities, but the heart of the collection is the dozens of images of typically eccentric New England characters and human interest stories. Most of the images were taken by Blackington on 4×5″ dry plate negatives, however many of the later images are made on flexible acetate stock and the collection includes several images by other (unidentified) photographers distributed by the Blackington News Service.

Gift of Yankee Publishing, Mar. 2012
Subjects
  • Coolidge, Calvin, 1872-1933--Photographs
  • Earhart, Amelia, 1897-1937--Photographs
  • Maine--Social life and customs--Photographs
  • Massachusetts--Social life and customs--Photographs
  • New England--Social life and customs--Photographs
  • New Hampshire--Social life and customs--Photographs
  • Roosevelt, Franklin D. (Franklin Delano), 1882-1945--Photographs
  • Sacco-Vanzetti Trial, Dedham, Mass., 1921--Photographs
Types of material
  • Photographs

Broadside Press

Broadside Press Collection
1965-1984
1 box, 110 vols. (3.5 linear feet)
Call no.: MS 571
Image of Broadside 6
Broadside 6

A significant African American poet of the generation of the 1960s, Dudley Randall was an even more significant publisher of emerging African American poets and writers. Publishing works by important writers from Gwendolyn Brooks to Haki Madhubuti, Alice Walker, Etheridge Knight, Audre Lorde, Amiri Baraka, Nikki Giovanni, and Sonia Sanchez, his Broadside Press in Detroit became an important contributor to the Black Arts Movement.

The Broadside Press Collection includes approximately 200 titles published by Randall’s press during its first decade of operation, the period of its most profound cultural influence. The printed works are divided into five series, Broadside poets (including chapbooks, books of poetry, and posters), anthologies, children’s books, the Broadside Critics Series (works of literary criticism by African American authors), and the Broadsides Series. . The collection also includes a selection of items used in promoting Broadside Press publications, including a broken run of the irregularly published Broadside News, press releases, catalogs, and fliers and advertising cards.

Gift of the Friends of the W.E.B. Du Bois Libraries, Aug. 2008
Subjects
  • African American poets
  • African American writers
  • Black Arts Movement
  • Poetry
Contributors
  • Broadside Press
  • Brooks, Gwendolyn, 1917-2000
  • Emanuel, James A
  • Giovanni, Nikki
  • Knight, Etheridge
  • Madhubuti, Haki R., 1942-
  • Randall, Dudley, 1914-
  • Sanchez, Sonia, 1934-
Types of material
  • Broadsides
  • Ephemera
  • Posters

Brooks, Burt V.

Burt V. Brooks Photograph Collection
1889-1934
3 boxes (1.5 linear feet)
Call no.: PH 060
Image of

The artist Burt Vernon Brooks was one of the outstanding chroniclers of daily life in the Swift River Valley before it was inundated to create the Quabbin Reservoir. Born in Brimfield, Mass., in 1849 and raised in Monson, Brooks moved to Greenwich with his family in the 1870s, where he worked on the family farm. At some unclear point before he turned 40, Brooks became active as an artist, painting local homes and scenery and taking photographs of the landscape, residents, and daily life in the Quabbin region. A prolific photographer, he was, in the words of historian Donald W. Howe, “hardly ever seen without his camera strapped to his back,” remaining active for decades. Three years after following his second wife to the west, Brooks died in Los Angeles in 1934.

The great majority of the 92 photographs in this collection are 5×7″ dry plate glass negatives taken by Brooks in the earliest years of the twentieth century, documenting the houses and people of Greenwich. Brooks’ work includes landscapes, houses, and a significant series of images of the Hillside School, but some of his best works are studio portraits, images of people at home or with their carriages, and posed scenes of children at play or at work. The collection also includes eight images by Brooks at Enfield, Greenwich, and Dana that are the property of the Swift River Valley Historical Society, and six images taken by Chetwynd and Pike in the Quabbin region to document properties slated for removal.

Gift of Friends of Quabbin through Gene Theroux, Paul Godfrey, and Les Campbell, June 2014
Subjects
  • Agriculture--Massachusetts--Greenwich--Photographs
  • Carriages and carts--Massachusetts--Greenwich--Photographs
  • Children--Massachusetts--Greenwich--Photographs
  • Dana (Mass.)--Photographs
  • Dwellings--Massachusetts--Greenwich--Photographs
  • Enfield (Mass.)--Photographs
  • Greenwich (Mass.)--Photographs
  • Hillside School (Marlborough, Mass.)
  • Horses--Massachusetts--Greenwich--Photographs
  • New Salem (Mass.)--Photographs
  • Plowing--Massachusetts--Greenwich--Photographs
  • Prescott (Mass.)--Photographs
Types of material
  • Dry plate gelatin negatives
  • Gelatin silver negatives
  • Photographs

Chamberlin, Judi, 1944-2010

Judi Chamberlin Papers
ca.1970-2010
38 boxes (57 linear feet)
Call no.: MS 768
Image of Judi Chamberlin, 2000
Judi Chamberlin, 2000

A pioneer in the psychiatric survivors’ movement, Judi Chamberlin spent four decades as an activist for the civil rights of mental patients. After several voluntary hospitalizations for depression as a young woman, Chamberlin was involuntarily committed for the only time in 1971, having been diagnosed with schizophrenia. Her experiences in the mental health system galvanized her to take action on patients’ rights, and after attending a meeting of the newly formed Mental Patients’ Liberation Project in New York, she helped found the Mental Patients’ Liberation Front in Cambridge, Mass. Explicitly modeled on civil rights organizations of the time, she became a tireless advocate for the patient’s perspective and for choice in treatment. Her book, On Our Own: Patient Controlled Alternatives to the Mental Health System (1978), is considered a key text in the intellectual development of the movement. Working internationally, she became an important figure in several other organizations, including the Center for Psychiatric Rehabilition at Boston University, the Ruby Rogers Advocacy Center, the National Disability Rights Network, and the National Empowerment Center. In recognition of her advocacy, she was awarded the Distinguished Service Award by the President’s Committee on Employment of People with Disabilities in 1992, the David J. Vail National Advocacy Award, and the 1995 Pike Prize, which honors those who have given outstanding service to people with disabilities. Chamberlin died of pulmonary disease at home in Arlington, Mass., in January 2010.

An important record of the development of the psychiatric survivors’ movement from its earliest days, the Chamberlin Papers include rich correspondence between Chamberlin, fellow activists, survivors, and medical professionals; records of her work with the MPLF and other rights organizations, conferences and meetings, and her efforts to build the movement internationally.

Gift of National Empowerment Center, 2012
Subjects
  • Antipsychiatry
  • Ex-mental patients
  • People with disabilities--Civil rights
  • People with disabilities--Legal status, laws, etc.
  • Psychiatric survivors movement
Contributors
  • Mental Patients Liberation Front
  • Mental Patients Liberation Project
  • National Empowerment Center
Types of material
  • Videotapes

Delevingne, Lionel

Lionel Delevingne Photograph Collection
ca.1975-1995
2 boxes (1 linear feet)
Call no.: PH 047
Image of Joan of Seabrook
Joan of Seabrook

Born and raised in France, the photojournalist Lionel Delevingne studied education at l’Ecole Normale in Paris, but settled permanently in the United States in 1975. Based at first in Northampton, Mass., he became a prolific photographer of American social movements while working for the Valley Advocate and other publications, covering the early years of the Clamshell Alliance and the antinuclear movement in considerable depth. His work has been exhibited frequently and published widely in the mainstream and alternative press, including the New York Times, Le Figaro Magazine, Die Zeit, Newsweek, Washington Post Magazine, Mother Jones, and Vanity Fair.

The Delevingne collection includes remarkable visual documentation of the antinuclear movement of the 1970s and beyond, including some of the its most iconic images. Beginning with coverage of the Seabrook occupation, Delevingne covered the movement as it spread throughout the northeastern U.S. and internationally. The collection includes exhibition prints, prints for publication, and digitized images ranging in date from the mid-1970s through 1990s. Copyright in the images has been retained by Delevingne.

Subjects
  • Antinuclear movement--United States
  • Clamshell Alliance
  • Photojournalists
  • Seabrook Nuclear Power Plant (N.H.)
Contributors
  • Delevingne, Lionel
Types of material
  • Photographs

Emery, George

George Emery Papers
ca.1900-1975
8 boxes (30 linear feet)
Call no.: MS 982
Image of Tri-County Fair, ca.1920
Tri-County Fair, ca.1920

After graduating from Massachusetts Agricultural College in 1924, George Edward “Red” Emery taught high school briefly and held a handful of other jobs before deciding to fulfill a childhood dream. Born in Marlboro, Mass., in 1904, Emery turned his love for the circus into a life touring the country as a white-face circus clown. After marrying Virginia Link, a Smith College student, in 1932, he settled down to a stable job in the Alumni Office at his alma mater, later filling in as Veterans Coordinator and as a staff member in the Student Placement Office until his retirement in 1972. Emery never left the circus behind entirely. Throughout his years in Amherst he continued to talk and write about the history of the circus and his personal experiences, and from the late 1940s through early 1960s, he used his show business connections to book talent for the Tri-County Fair. Longtime residents of Leverett, Mass., he and his wife died within a year of one another, Virginia in 1974 and George in 1975.

With his passion for the circus, George Emery’s papers contain material not only from his career as a circus clown in the 1920s but also from his later writings about the history of the circus, his work with the Tri-County Fair, and his long association with UMass Amherst. The collection includes correspondence with friends and family; circus toys and games; posters, photographs, and ephemera; and a library of books on circus history. Of special note are some exceptional photographs, a thick sheaf of material from the Tri-County Fair, and four remarkable scrapbooks from the internationally famous animal act Fred Kerslake’s Pigs. Beginning in 1889, Fred Kerslake and his wife, Mary, traveled the world with a team of acrobatic intellectual pigs (and later donkeys) performing to packed houses. In the 1960s, Mary Kerslake gave the scrapbooks to Emery to assist in his research and writing on circus history.

Gift of Chris Emery, July 2017
Subjects
  • Circus performers
  • Circus--History
  • Clowns
  • Pigs
  • Tri-County Fair
  • University of Massachusetts Amherst--Alumni
  • University of Massachusetts Amherst--Staff

Fernald, Charles H.

Charles H. Fernald Papers
1869-1963
8 boxes (3.75 linear feet)
Call no.: FS 059
Image of Charles H. Fernald
Charles H. Fernald

During a long and productive career in natural history, Charles Fernald conducted important research in economic entomology and performed equally important work as a member of the faculty and administration at Massachusetts Agricultural College. Arriving at MAC in 1886 as a professor of zoology, Fernald served as acting President of the College (1891-1892) and as the first Director of the Graduate School (1908-1912), and perhaps most importantly, he helped for many years to nurture the Hatch Experiment Station.

Correspondence, published writings, publication notes, newspaper clippings, Massachusetts Board of Agriculture Reports, and biographical material including personal recollections of former student and colleague Charles A. Peters.

Subjects
  • Agriculture--Study and teaching
  • Entomology
  • Massachusetts Agricultural College--Faculty
  • Massachusetts Agricultural College. Department of Zoology
  • Zoology--Study and teaching
Contributors
  • Fernald, Charles H.

Friends genealogy

Genealogists are the largest single group of researchers using the Friends records, but they often meet with frustration. One common misconception is that these records are neatly organized and indexed. While William W. Hinshaw’s Encyclopedia of American Quaker Genealogy provided thorough indexes for the records of many yearly meetings, including New York, Virginia, Ohio, Indiana, Pennsylvania and North Carolina, the New England records have never been completely indexed. The only access to information on New England Friends is usually through a search of the records, either on microfilm or in the original. Here are some important points to remember for typical genealogical problems.

  1. It is important to know both place and time. If an individual moved around New England, it will be very helpful to sketch out a chronology of their travels.
  2. All vital records are recorded by the Monthly Meeting. You will need to determine which monthly meetings your ancestor belonged to. If there is no monthly meeting named after their town, look it up in the index in the back of this book. The town may have held smaller meetings that were part of a larger nearby monthly meeting.
  3. If their town is not indexed, examine the maps on pages 12 to 14 of this guide. Were there any meetings nearby? Until the age of automobile travel, it is unlikely that many practicing Friends lived more than a few miles away from at least a worship group. Even if they did maintain the “Discipline” of Friends in a distant town, their vital records would prob- ably not be recorded by a Monthly Meeting.
  4. If a probable Monthly Meeting can be determined, look at that meeting’s entry in the monthly meeting section. Check for vital records in the listing at the bottom of this entry. Are there any birth, death, marriage or membership records? Removals and denials are also useful (see glossary). Minutes are less useful for genealogy, but sometimes include marriage information, and occasionally memorials to the deceased.
  5. If the records that you want have been microfilmed, this will be indicated in the last column: “Film#”. This is the microfilm number at the Rhode Island Historical Society Library. An asterisk indicates that it can also be found at the Maine Historical Society Library, and a plus sign indicates that it can be ordered from the Family History Centers operated by the Latter-Day Saints (Mormons). An @ symbol indicates that the film is available through the Nantucket Historical Association.
  6. If the records have not been microfilmed, you will need to consult the original. The location of originals is given in the “Loc.” column. Most of them are on deposit at the Rhode Island Historical Society Library, which houses the official Archives of New England Yearly Meeting.
  7. If you are researching early Friends (pre-Revolutionary), it is likely that you will not discover anything new in the vi- tal records. Friends records have always been a major resource for colonial genealogy, and have been consulted for most of the major reference works that you have already looked at. It is, however, possible to find new information in meeting minutes, to verify membership or residence in a location.

For further information, Our Quaker Ancestors: Finding Them in Quaker Records by Ellen Thomas Berry and David Allen Berry (Baltimore: Genealogical Publishing Co., 1987) is a book-length treatment of general approaches to Quaker genealogy.

Gay, Merrick, 1802-1866

Merrick Gay Account Books
1844-1849
1 box (0.5 linear feet)
Call no.: MS 242

A successful merchant from Gaysville, Vermont, Merrick Gay (1802-1866) operated a general store in his village for many years, later establishing a woolen factory. Gay served his community variously as postmaster, town clerk, and state senator.

These two daybooks document Gay’s business transactions with local individuals and firms and with the Town of Stockbridge and Narrows School District. The entries record the name of each customer, the method and form of payment (cash and goods), and Gay’s purchases, including labor costs for hauling freight.

Subjects
  • Barter--Vermont--Gaysville--History--19th century
  • Blanchard, Solomon, b. ca. 1816
  • Books--Prices--Vermont--History--19th century
  • Claremont Manufacturing Company--History
  • Freight and freightage--Rates--Vermont--History--19th century
  • Gaysville (Vt.)--Economic conditions--19th century
  • Gaysville (Vt.)--Rural conditions--19th century
  • Gaysville Forge Company--History
  • Gaysville Manufacturing Company--History
  • General stores--Vermont--Gaysville
  • Narrows School District--History
  • Stockbridge (Vt.)--Economic conditions--19th century
  • Waller, Israel
Contributors
  • Gay, Merrick, 1802-1866
Types of material
  • Account books
  • Daybooks
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