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Bent, Arthur Cleveland, 1866-1954

Arthur Cleveland Bent Collection, 1880-1942
8 boxes (5.5 linear feet)
Call no.: MS 413
Arthur Cleveland Bent Collection image
A.C. Bent, 1929

An avid birder and eminent ornithologist, Arthur Cleveland Bent was born in Taunton, Massachusetts, on November 25, 1866. After receiving his A.B. from Harvard in 1889, bent was employed as an agent for the Safety Pocket Company and from 1900 to 1914, he was General Manager of Mason Machine Works. His passion, however, was birds. An associate in Ornithology at the Museum of Comparative Zoology at Harvard University, Bent became a collaborator at the Smithsonian and president (1935-1937) of the American Ornithologists’ Union. The culmination of his research was the massive, 26 volume Life Histories of North American Birds (1919-1968).

The Bent collection is a glimpse into the birding life of a remarkable amateur ornithologist. It contains the field notebooks of his collaborator, Owen Durfee (1880-1909), his own journals (1887-1942), photographs and negatives (1896-1930), correspondence concerning the photographs (1925-1946), and mimeographed and printed material. Bent’s records cover nest observations, egg measurements, bird sightings, and notes on specimens provided to organizations such as the Massachusetts Audubon Society, the Bristol County Agricultural School, and the United States National Museum.

Subjects
  • American Ornithologists' Union
  • Bent, Arthur Cleveland, 1866-1954. Life Histories of North American Birds
  • Birds
  • Birds--Eggs
  • Birds--Eggs--Photographs
  • Birds--Nests
  • Birds--Nests--Photographs
  • Birds--Photographs
  • Bristol County Agricultural School (Bristol County, Mass.)
  • Massachusetts Audubon Society
  • Ornithologists--Massachusetts
  • United States National Museum
Contributors
  • Bent, Arthur Cleveland, 1866-1954
  • Durfee, Owen
Types of material
  • Field notes
  • Photographs

Brooks, Burt V.

Burt V. Brooks Photograph Collection, 1889-1934
3 boxes (1.5 linear feet)
Call no.: PH 060
Burt V. Brooks Photograph Collection image

The artist Burt Vernon Brooks was one of the outstanding chroniclers of daily life in the Swift River Valley before it was inundated to create the Quabbin Reservoir. Born in Brimfield, Mass., in 1849 and raised in Monson, Brooks moved to Greenwich with his family in the 1870s, where he worked on the family farm. At some unclear point before he turned 40, Brooks became active as an artist, painting local homes and scenery and taking photographs of the landscape, residents, and daily life in the Quabbin region. A prolific photographer, he was, in the words of historian Donald W. Howe, “hardly ever seen without his camera strapped to his back,” remaining active for decades. Three years after following his second wife to the west, Brooks died in Los Angeles in 1934.

The great majority of the 92 photographs in this collection are 5×7″ dry plate glass negatives taken by Brooks in the earliest years of the twentieth century, documenting the houses and people of Greenwich. Brooks’ work includes landscapes, houses, and a significant series of images of the Hillside School, but some of his best works are studio portraits, images of people at home or with their carriages, and posed scenes of children at play or at work. The collection also includes eight images by Brooks at Enfield, Greenwich, and Dana that are the property of the Swift River Valley Historical Society, and six images taken by Chetwynd and Pike in the Quabbin region to document properties slated for removal.

Subjects
  • Agriculture--Massachusetts--Greenwich--Photographs
  • Carriages and carts--Massachusetts--Greenwich--Photographs
  • Children--Massachusetts--Greenwich--Photographs
  • Dana (Mass.)--Photographs
  • Dwellings--Massachusetts--Greenwich--Photographs
  • Enfield (Mass.)--Photographs
  • Greenwich (Mass.)--Photographs
  • Hillside School (Marlborough, Mass.)
  • Horses--Massachusetts--Greenwich--Photographs
  • New Salem (Mass.)--Photographs
  • Plowing--Massachusetts--Greenwich--Photographs
  • Prescott (Mass.)--Photographs
Types of material
  • Dry plate gelatin negatives
  • Gelatin silver negatives
  • Photographs

Calidonna, Frank

Frank Calidonna Photograph Collection, 1991
1 box (0.25 linear feet)
Call no.: PH 021
Frank Calidonna Photograph Collection image
Charles A. Jones monument, 1858

A teacher at the New York State School for the Deaf since the 1970s, Frank Calidonna is a professional photographer based in Rome, N.Y. A long-time member of the Association for Gravestone Studies, Calidonna has a long standing interest in Victorian cemeteries and, among other projects, made a photographic study of the Victorian Mount Cemetery in Rochester, N.Y., in 1991.

The Calidonna Collection contains 55 black and white prints (5×7″) taken of monuments and gravestones in Mount Hope Cemetery, ca.May 1991, documenting the stylistic variation, ranging from high Victorian to relatively recent. The collection also includes two brochures for Mount Hope.

Subjects
  • Gravestones--New York
  • Mount Hope Cemetery (Rochester, N.Y.)

Chase, David G.

David G. Chase Collection, ca.1975-1987
3 boxes (4.5 linear feet)
Call no.: MS 809

An electron microscopist affiliated with the Sepulveda Veterans Administration Hospital, David Chase (1935-1986) was known for his skill in fixation, staining, and sectioning and for the exceptional quality of his micrographs. During his career, Chase applied his skills to produce thousands of images of the structure, ultrastructure, and morphology of prokaryotes, ranging from filamented, segmented bacteria to the flagellate Giardia, and gram-negative bacteria. In collaboration with Lynn Margulis of the UMass Amherst Department of Biology, Chase worked on a series of papers on the symbiotic flagellated protozoan communities in the hindguts of four species of California termites.

The Chase collection consists of over 1,800 TEM photos and their negatives, 134 polaroid prints, and about half a linear foot of loose notes and a register.

Subjects
  • Endosymbiosis
  • Protozoans--Composition
Contributors
  • Margulis, Lynn, 1938-2011
Types of material
  • Laboratory notes
  • Transmission electron micrographs

Concordance to the Archives

Title Record group See and see also
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Cornish, Michael

Michael Cornish Photograph Collection, ca.1975-2005
20 boxes (20.5 linear feet)
Call no.: PH 035

Michael Cornish first became interested in gravemarkers while writing a senior thesis at the Massachusetts College of Art, and since that time, he has prepared numerous exhibitions of his photographic work and conducted important research on colonial markers. Widely known for his work on the carver Joseph Barbur of West Medway, Mass., and a group of “tendril carvers” in southeastern Massachusetts, Cornish speaks frequently to historical societies around Massachusetts, delivering slide shows tailored to the particular area. An inventory photographer for the City of Boston’s Historic Burying Ground Initiative, he has also consulted for several towns regarding the preservation and rehabilitation of their burying grounds. As a member of the AGS Board of Directors, Cornish has worked in various capacities and played an active role in organizing and participating in the annual conventions, programs, exhibits, and tours.

The Cornish Collection includes many thousands of photographs and direct rubbings of early New England gravestones, primarily in Massachusetts and Connecticut, focusing on their beauty and artistic merit. Originally inspired by the work of Harriette Merrifield Forbes, and encouraged by Dan and Jessie Farber, Cornish photographed in a variety of formats, including Kodachrome transparencies, black-and-white negatives, and black-and-white prints. The collection also includes research notes relating to his work on Barbur and other stonecarvers.

Subjects
  • Gravestones--Connecticut
  • Gravestones--Massachusetts
  • Stone carving--Connecticut
  • Stone carving--Massachusetts
Contributors
  • Association for Gravestone Studies
  • Cornish, Michael
Types of material
  • Photographs

Davis, Bobby

Bobby Davis Photograph Collection, 1980-1983
1 box (0.2 linear feet)
Call no.: PH 065

A native of Providence, R.I., Bobby Davis arrived in Amherst in 1977 and soon afterward entered the University Without Walls program at UMass to earn his college degree. A talented jazz musician, Davis became immersed in the vibrant local arts scene, learning photography while writing for the student publications Nummo News and the Collegian, and covering performances by a steady stream of jazz and R&B acts touring through the area. Working later as a photographer for Smith College and traveling for the yearbook company, Delmar Studios, Davis eventually settled in Northampton, where he remains active as a photographer.

The Davis collection contains ten exhibition prints of jazz musicians performing in Amherst, including Art Blakey, Angela Bofill, Ray Charles, Miles Davis, Dizzy Gillespie, Yusef Lateef, Oscar Peterson, Max Roach, Gil Scott-Heron, and Archie Shepp.

Gift of Bobby Davis, Jan. 2015
Subjects
  • Jazz musicians--Photographs
Types of material
  • Photographs

Delevingne, Lionel

Lionel Delevingne Photograph Collection, ca.1975-1995
2 boxes (1 linear feet)
Call no.: PH 047
Lionel Delevingne Photograph Collection image
Joan of Seabrook

Born and raised in France, the photojournalist Lionel Delevingne studied education at l’Ecole Normale in Paris, but settled permanently in the United States in 1975. Based at first in Northampton, Mass., he became a prolific photographer of American social movements while working for the Valley Advocate and other publications, covering the early years of the Clamshell Alliance and the antinuclear movement in considerable depth. His work has been exhibited frequently and published widely in the mainstream and alternative press, including the New York Times, Le Figaro Magazine, Die Zeit, Newsweek, Washington Post Magazine, Mother Jones, and Vanity Fair.

The Delevingne collection includes remarkable visual documentation of the antinuclear movement of the 1970s and beyond, including some of the its most iconic images. Beginning with coverage of the Seabrook occupation, Delevingne covered the movement as it spread throughout the northeastern U.S. and internationally. The collection includes exhibition prints, prints for publication, and digitized images ranging in date from the mid-1970s through 1990s. Copyright in the images has been retained by Delevingne.

Subjects
  • Antinuclear movement--United States
  • Clamshell Alliance
  • Photojournalists
  • Seabrook Nuclear Power Plant (N.H.)
Contributors
  • Delevingne, Lionel
Types of material
  • Photographs

Ellis, James, 1935-

James Ellis Theatre Collection, 1700-2005
ca.8,000 vols.
Call no.: MS 779

During a long career as Professor of English at Mount Holyoke College, James Ellis wrote on the Victorian stage and the work of Gilbert and Sullivan. A founding member of the Valley Light Opera Company, he was also an actor and director of theatricals in the Pioneer Valley.

The Ellis Collection contains approximately 8,000 published works on the Anglo-American stage, 1750-1915, including individual plays and anthologies of English and American playwrights; biographical works on performers; works on the theatre in London, the provinces, and America; periodicals, playbills, prints, broadsides, and ephemera; and works that provide cultural context for interpreting the stage. Although the collection includes some works from the 18th century, it is deepest for the English stage in the period 1850-1900.

Subjects
  • Actors--Great Britain
  • Actors--United States
  • Amateur theater--Great Britain--19th century
  • Theater--Great Britain--19th century
  • Theater--United States--19th century
Contributors
  • Ellis, James, 1935-
Types of material
  • Broadsides
  • Lithographs
  • Photographs

Farber, Daniel

Daniel and Jessie Lie Farber Photograph Collection, 1973
9 boxes (5.75 linear feet)
Call no.: PH 022
Daniel and Jessie Lie Farber Photograph Collection image
Jonathan Butterfield, Chelmsford, 1750

A businessman from Worcester, Mass., Daniel Farber (1906-1998) was among the best known photographers of early American gravestone art. Over the course of twenty years beginning in about 1970, he and his wife Jessie Lie Farber (a faculty member at Mount Holyoke College) took thousands of photographs of gravestones throughout New England and the eastern United States, eventually extending their work internationally. Interested in both the artistic and cultural value of gravestones, the Farbers were founding members of the Association for Gravestone Studies in 1976 and influenced a generation of fellow researchers in gravestone studies.

Printed in 1973, the Farber Collection includes 326 black and white prints (5×7″),mounted on rag board, of of colonial and early national gravestones in Massachusetts. The towns represented, most by multiple images, include Auburn, Billerica, Boylston, Brookfield, Cambridge, Charlestown, Chelmsford, Concord. Holden, Leicester, Lexington, Marlboro, Northboro, North Brookfield, Oxford, Paxton, Rutland, Shrewsbury, Sudbury, Watertown, Wayland, and Westboro.

Subjects
  • Gravestones--Massachusetts
Contributors
  • Association for Gravestone Studies
  • Farber, Daniel
  • Farber, Jessie Lie
Types of material
  • Photographs
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