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Results for: “National Debate Tournament” (271 collections)SCUA

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Massachusetts Federation of Business and Professional Women

Massachusetts Federation of Business and Professional Women Records, 1925-1992.

25 boxes (36.5 linear feet).
Call no.: MS 394

First called for in 1918 as a result of the need for a coordinated women’s effort during World War I, the National Federation of Business and Professional Women’s Clubs was not officially formed until just after the armistice was signed in 1919. The new organization did not die with the end of the war, however, as first expected. Instead the group determined that the need for a national business women’s organization was of equal or greater importance during a time of peace. Today Massachusetts state affiliates continue to improve the lives of working women through action on issues such as economic empowerment, women’s health, family and medical leave, and pay equity.

The records of the Massachusetts Federation of Business and Professional Women consist chiefly of correspondence and minutes of meetings, which together chronicle the various issues the state club has worked on for more than sixty years. In addition to materials that document the efforts of the state affiliate there are also records for local chapters in Massachusetts (Hampshire County and Upper Cape Cod centered in Falmouth) which include annual reports and newsletters. Publications issued by the parent organization, BPW/USA, connect the national agenda with topics of importance to the state and local chapters.

Subjects

  • Businesswomen--Massachusetts
  • Women--Massachusetts
  • Women--Societies and clubs--History

Contributors

  • Business and Professional Women/USA
  • Massachusetts Federation of Business and Professional Women

Massachusetts Indian Association. Stockbridge Auxilliary

Finding aid

Massachusetts Indian Association Stockbridge Auxiliary Records, 1886-1909.

1 box (0.25 linear feet).
Call no.: MS 151 bd

The Stockbridge Auxilliary of the Massachusetts Indian Association was formed by prominent local women in western Berkshire County who sought to aid in educational and missionary work for and among Indians, and to “abolish all oppression of Indians within our national limits.”

Records include minutes that document the group’s committees, meetings, dues, and contributions to Indians on reservations nation-wide, accounts, membership lists, and a letter.

Subjects

  • Indians of North America--Arizona--Social conditions
  • Indians of North America--Government relations--History
  • Indians of North America--Missions--History
  • Indians of North America--Social conditions
  • Indians, Treatment of--United States--History
  • Lake Mohonk Conference of Friends of the Indian
  • Lake Mohonk Conference of Friends of the Indian and Other Dependent Peoples
  • Stockbridge Indians--Social conditions

Contributors

  • Carter, Henry J
  • Massachusetts Indian Association. Stockbridge Auxiliary

Massachusetts State Employees Association. University of Massachusetts Chapter

Finding aid

MSEA University of Massachusetts Chapter Records, 1955-1978.

10 boxes (4.5 linear feet).
Call no.: MS 049

The Massachusetts State Employees’ Association (MSEA) was founded in 1943 to protest proposed changes in the state employees’ retirement system. By 1969, the group had become the exclusive bargaining agent for the University’s administrative, clerical, and technical employees.

This small collection includes the constitution and by-laws of the MSEA along with Executive Board and general body minutes, correspondence, contracts, legislative materials, grievance records, hearing transcripts and decisions pertaining to job reallocations, subject files, newsletters, and press releases that document the UMass chapter of the Massachusetts State Employees’ Association from 1955 to 1978.

Subjects

  • Collective labor agreements--Education, Higher--Massachusetts--Amherst
  • Labor unions--Massachusetts
  • University of Massachusetts Amherst

MassEquality

Finding aid

MassEquality Records, ca.1993-2008.

18 boxes (23.25 linear feet).
Call no.: MS 674
MassEquality sticker
MassEquality sticker

In the late 1990s, MassEquality was formed as a coalition of advocacy groups that sought to build legislative support for same-sex marriage and gay rights in Massachusetts. Formally incorporated as a 501(c)4 advocacy organization in late 2001, the coalition hired its first employee, Campaign Coordinator Marty Rouse, in late 1993, and achieved a landmark success that November when the Supreme Judicial Court of Massachusetts ruled that the state may not “deny the protections, benefits and obligations conferred by civil marriage to two individuals of the same sex who wish to marry.” On May 17, 2004, Massachusetts became the first state in the nation to allow equal marital rights to same-sex couples. Since that time, MassEquality has continued to champion marriage equality nationally.

The MassEquality Records document the origins, operations, and activism of one of the leading organizations in New England advocating for marriage rights and civic equality for all, regardless of sexual orientation. The collection includes some material generated by the Freedom to Marry Coalition, a partner in the coalition, and a series of large banners and posters, some of which were displayed during the event celebrating the arrival of marriage equality in Massachusetts.

Subjects

  • Gay rights--New England
  • Gays--Legal status, laws, etc.--New England
  • Same-sex marriage--Law and legislation--New England

Contributors

  • Freed to Marry Coalition
  • MassEquality

Types of material

  • Banners
  • Posters

McVeigh, Kevin

Finding aid

Kevin McVeigh Papers, 1974-2010.

15 boxes (22.5 linear feet).
Call no.: MS 668

A lifelong activist for social and environmental justice, Kevin McVeigh was among the founders of two prominent antinuclear and environmental organizations in Northern California, the Pelican Alliance (1978) and Interhelp (1981). After relocating to Massachusetts, he continued in environmental activism, founding the Green River Center in Greenfield in 1987, but in response to the intense public health crisis, he gradually shifted his focus to become an advocate for persons with HIV/AIDS. As a founder of the AIDS Community Group of Franklin County (Mass.), he has coordinated AIDS services for Tapestry Health, a not-for-profit organization providing affordable health care to in Western Massachusetts.

The McVeigh Papers document a career as a committed antinuclear activist and advocate for persons with HIV/AIDS. The collection includes organizational materials from each of the groups McVeigh helped found: The Pelican Alliance, Interhelp, the Green River Center, the AIDS Community Group of Franklin County, and Tapestry Health, as well as correspondence, newspaper clippings, journals and magazines related to the issues concerning, notes from HIV/AIDS caregivers’ conferences, materials relating to men’s support groups, and other material related to environmental protection and anti-war activism. Finally, the collection includes audio files of an oral history (approximately two hours) conducted with McVeigh in July 2010, and a small collection of antinuclear books from small publishing houses.

Subjects

  • AIDS (Disease)
  • AIDS Community Group of Franklin County
  • AIDS activists--Massachusetts
  • Antinuclear movement--California
  • Green River Center (Greenfield, Mass.)
  • Interhelp
  • Pelican Alliance
  • Public health--Massachusetts
  • Tapestry Health

Contributors

  • McVeigh, Kevin

Types of material

  • Oral histories

MFA Program for Poets and Writers (University of Massachusetts Amherst)

MFA Program for Poets and Writers (University of Massachusetts Amherst) Collection, 1963-2014.

(18 linear feet).
Call no.: RB 023

One of the oldest programs of its kind in the country, the MFA Program for Poets and Writers at UMass Amherst was established by the poet Joseph Langland in 1963, offering students an opportunity for intensive focus on their creative work. Unlike the Iowa Writers Workshop, where Langland had studied, students in the UMass program were required to take coursework outside of writing workshops. Over its first fifty years, the program has grown into one of the top ten in the nation and its graduates and faculty have been recognized with awards from the Pulitzer to the National Book Award, Pushcart Prize, the PEN/Faulkner Award, and US Poet Laureate.

The MFA collection contains a growing body of work from students, alumni, and faculty affiliated with the Program for Poets and Writers at UMass Amherst. Among the hundreds of volumes are novels, collections of short stories, plays, and poetry, including a large number of chapbooks and small press imprints.

Subjects

  • Fiction
  • Poetry

Mission and history

Mission

Cattle judging at Mass. Agricultural College
Judging cattle at Mass. Agricultural College

A steward of the past for generations to come, SCUA inspires discovery and advances scholarship through astute curation of cultural heritage materials. As part of a community dedicated to the values of diversity, social equity, and positive social change, SCUA acts through its collections, programs, and exhibitions to promote free inquiry, the production of knowledge, and joy in learning.

Department history

African dancers
African dancers
From the Horace Mann Bond Papers

In 1931, nearly half a century after Librarian Henry Hill Goodell first authorized the permanent retention of the official records of Massachusetts Agricultural College, the Library established a College History Collection. As the official record of the activities of the university’s administrators and faculty and a reflection of the life of its students, this collection grew steadily, until in 1953, the Library dedicated a room named in honor of Dean William L. Machmer to serve as the first true home of the University Archives.

Goodell’s initiative to assemble the College archives coincided roughly with the Library’s first efforts to build a collection of rare books to support its educational mission. Although the College had no separate library until 1885, its administrators nevertheless accepted several significant gifts of books, beginning with the 1868 donation of twenty scarce volumes on bee culture from the apiculturist and state Adjutant General Henry K. Oliver. By the time the library published its first catalog in 1875, rare books formed a small, but notable part of the collections, focused on the primary academic interests of the early college: agriculture, horticulture and botany, and the natural sciences. Among the Library’s earliest acquisitions were the first London edition of William Bartram’s Travels Through North and South Carolina (1792), François Augier de Marigny’s The History of the Arabians (London, 1758), and early bee manuals by John Keys, The Practical Bee-Master (London, 1780) and The Antient Bee-Master’s Farewell (London, 1796) — both courtesy of Oliver. All remain part of the collections today.

David Axelrod, Class of 1965
David B. Axelrod, ca.1980, Class of 1965, poet, author of The Man who Fell in Love with His Chicken (1980)

From these beginnings, the collections of rare books and manuscripts have evolved in concert with the evolution of the university and its academic programs. With the acquisition of the records of the Valley Peace Center and the papers of ethnographer Jozef Obrebski in 1973, the Library began to acquire collections of personal papers and organizational records of historical significance, and the arrival of the papers on W.E.B. Du Bois in that same year marked a turning point. The rare book and manuscript collections were combined administratively with the University Archives in the early 1990s to form the current Department of Special Collections and University Archives.

SCUA’s initial foray online came with a simple page on the library’s website in 1997, but by 2007, evolved into the UMarmot project, one of the earliest efforts to use freely-available software to create a comprehensive online archival catalog. SCUA launched its online digital repository, Credo in 2011, thanks to generous support from the Verizon Foundation, the National Endowment for the Humanities, and the National Historic Publications and Records Commission. The papers of W.E.B. Du Bois led SCUA’s way into the digital realm, followed by the papers of Horace Mann Bond, and then dozens of of other collections.

Mile markers

Each of the library’s million-volume milestones has been celebrated by the addition of a special volume to SCUA’s collections:

One millionth volume:
Jonathan Edwards, A careful and strict enquiry into the modern prevailing notions of that freedom of will; which is supposed to be essential to moral agency, vertue and vice, reward and punishment, praise and blame. Boston: S. Kneeland, 1754.
SCUA’s copy of this classic theological work on Free Will from the New Light minister from Northampton belonged to Rev. John Cleaveland of Ipswich, Mass., one of the subscribers. It is signed and dated by Cleaveland in several locations.
Two millionth volume:
Phillis Wheatley, Poems on various subjects, religious and moral. London: A. Bell, 1773.
A classic of American literature written by a young woman enslaved in Boston, and the first book published by an African-American woman. Gift of Randolph W. Bromery.
Three millionth volume:
James Baldwin, Gypsy and other poems, with etched portraits by Leonard Baskin. Northampton, Mass.: Gehenna Press, 1989.
When Baldwin, a former faculty member at UMass Amherst, died unexpectedly, he was working with the great printer Leonard Baskin on a special volume of unpublished poems. Celebrating SCUA’s strengths in African American history literature and reflecting the fine-printing heritage in Massachusetts, SCUA’s copy includes a signed portfolio of etchings of Baldwin by Baskin, each signed. It is one of fifty copies bound specially by Daniel Gehnrich in leather and paste paper, made by Babette Gehnrich, over boards, and laid into a cloth traycase. Also laid in are Baskin’s proof, 1989, and touched proof, 1989, of two of the portraits. Gift of Lisa Baskin.
Four millionth volume:
The proclamation of emancipation of the President of the United States, to take effect January 1st, 1863. Boston: John Murray Forbes, 1862.
The first separate printing of the Emancipation Proclamation, this volume was printed in miniature so that Union army troops in the south could more easily distribute it.

Morris, Mary McGarry

Mary McGarry Morris Papers, 1958-2012 (Bulk: 1987-2012).

25 boxes (31.25 linear feet).
Call no.: MS 912

When her first novel, Vanished, was published in 1988, Mary McGarry Morris was immediately celebrated as a haunting and powerful writer of character-rich novels. A finalist for the National Book Award and the PEN/Faulkner Award for Fiction, Vanished was followed by seven more acclaimed novels: A Dangerous Woman (1991; released as a feature film in 1993), Songs in Ordinary Time (1995; a selection of Oprah’s Book Club), Fiona Range (2000), A Hole in the Universe (2004), The Lost Mother (2005), The Last Secret (2009), and Light from a Distant Star (2011). Morris was born in Connecticut, grew up in Rutland, Vermont, and with her lawyer husband, Michael, has long lived—and raised five children—in Andover, Massachusetts. In her forties when Vanished was published after years of writing in near-secret, Morris has a gift for illuminating and shading the banalities, the urges, and the often fragile relationships that define and disrupt her characters’ lives and the fictional New England towns they inhabit. Her work has drawn comparisons to Steinbeck and McCullers.

The Mary McGarry Morris Papers consist of numerous drafts of her novels, including many handwritten pages and notes, as well as correspondence, book covers, clippings, and other material relating to the publication and promotion of her works. In addition, there are many early stories and some poems.

Subjects

  • Fiction--20th century--Stories, plots, etc
  • Fiction--21st century--Stories, plots, etc

Contributors

  • Morris, Mary McGarry

Mosakowski, Ken

Ken Mosakowski Papers, 1970s-2006.

80 boxes (120 linear feet).
Call no.: MS 560

As a student at the University of Massachusetts in the late 1960s, Ken Mosakowski first became a political activist when he protested the Vietnam War. Seeking an outlet to spread his message of peace and justice, he reached out to the student radio station WMUA, and started a weekly talk show Focus. For 38 years Mosakowski hosted the radio program every Sunday afternoon discussing topics of both local and national significance. Deeply involved in Amherst politics, he ran for the Amherst Select Board and lost; the loss, however, did not diminish his passion for serving the town and community he loved. Vocal on many issues, Mosakowski was known for being an activist in electoral politics and more recently an advocate for the homeless in Amherst, urging the creation of the Emergency Homelessness Task Force created in April 2006.

The Ken Mosakowski Papers document more than thirty years of his political activism. Saving everything from flyers and newspaper clippings to campaign buttons and posters, the collection documents a wide array of local and national issues. More importanly, it sheds light on issues of personal importance to Mosakowski, and as such chronicles his contributions as a lifelong activist.

Subjects

  • Activists--Massachusetts
  • Amherst (Mass.)--History
  • Amherst (Mass.)--Politics and government
  • Political activists--Massachusetts
  • Social action--Massachusetts--History

Contributors

  • Mosakowski, Ken
Restrictions: The Mosakowski collection has temporarily been moved offsite; it is closed to research. Contact SCUA for more information.

Moss, Bernard

Bernie Moss Photograph Collection, ca. 1960-1978.

7 boxes (10.5 linear feet).
Call no.: PH 062
Bernie Moss with two unidentified women in Moss's home, 1962
Bernie Moss with two unidentified women in Moss's home, 1962

A fixture of the Boston Jazz scene, Bernie Moss began taking photographs in the early 1960s, capturing musicians on stage and after hours in the clubs he frequented. Musicians that Moss would meet at Connelly’s, the Savoy Cafe, Lennie’s on the Turnpike, and later the Jazz Workshop, would often come to Moss’s apartment at 11 Queensberry Street where he would give them a place to stay and a meal. His generosity and love of the music and musicians was renown among the top artists of the era; inspiring Dexter Gordon to compose the song “Boston” Bernie Moss in his honor. Moss was born on Christmas day in 1908 and grew up in a Jewish household. He played trombone as a member of the Massachusetts National Guard 241st Coast Artillery Regiment from 1929 to approximately 1939 but spent the remainder of his life looking after the Boston apartment buildings he inherited from his father, known as the Moss Realty Co. According to Nat Hentoff in his memoir Boston Boy, “he took care that none of his tenants ever knew him as a landlord. His brother collected the rent, and the janitor received all the complaints about services. Bernie just showed up to talk about jazz.” Moss died on February 13th, 1988.

The Bernie Moss Photograph Collection primarily consists of Moss’s color photographs taken at Boston Jazz clubs in the 1960s and early 1970s. The photographs include musicians Alan Dawson, Roy Haynes, John Coltrane, Ben Webster, Dizzy Gillespie, Yusef Lateef, Herbie Hancock, Art Blakey, and many more. Moss’s amateur style brings life to some of the most important years of modern Jazz, showing Jazz greats at the height of their powers, often in informal settings. Many photographs were mounted and catalogued as part of a traveling exhibit curated by the Boston Jazz Society.

Subjects

  • Jazz musicians--Massachusetts--Boston--Photographs
  • Jazz--Massachusetts--Boston--Photographs

Types of material

  • Color prints (photographs)
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