Results for: “Books of hours” (251 collections)SCUA

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McCarthy, Harold T.

Harold T. McCarthy Papers, 1958-1989.

4 boxes (2 linear feet).
Call no.: FS 028

Author, English professor at the University of Massachusetts, and alumnus of the same school. Includes correspondence, typescript manuscripts, poems, travel journals, and class materials including syllabi and lecture notes.


  • American literature--Study and teaching (Higher)--United States
  • Amherst (Mass.)--Intellectual life--20th century
  • College teachers--Massachusetts--Amherst
  • McCarthy, Harold T. Expatriate perspective
  • University of Massachusetts Amherst--Alumni and alumnae
  • University of Massachusetts Amherst--Faculty
  • University of Massachusetts Amherst. Department of English


  • McCarthy, Harold T

Types of material

  • Diaries
  • Lecture notes
  • Letters (Correspondence)

McCormack, Mark H.

Mark H. McCormack Papers, ca. 1920-2008 (Bulk: 1957-2003).

ca. 2,500 boxes (3,800 linear feet).
Call no.: MS 700
Mark H. McCormack in front of leaderboard, ca. early 1960s
Mark H. McCormack in front of leaderboard, ca. early 1960s

Once hailed by Sports Illustrated as “the most powerful man in sport,” Mark Hume McCormack directly engineered the growth of money and media in modern professional sport. After graduating from the College of William and Mary with a B.A. in French and receiving a law degree from Yale, McCormack joined the Cleveland-based law firm of Arter, Hadden, Wykoff, and Van Duzer in 1957. An accomplished golfer in college, McCormack remained close to the game, qualifying for both the British and U.S. amateur championships and the U.S. Open in the 1950s.  While working as a lawyer and entrepreneur, he leapt to prominence by striking a deal with a legendary handshake to represent Arnold Palmer in 1960. With that auspicious start, McCormack soon added golfers Gary Play and Jack Nicklaus to his roster of clients, followed by a long succession of notable international sports figures and celebrities from Formula-1 driver Jackie Stewart, Olympic skier Jean-Claude Killy, tennis stars Billy Jean King and Pete Sampras to Margaret Thatcher, Pope John Paul II and models Kate Moss and Gisele Bundchen.  McCormack quickly added corporations and sporting events such as Wimbledon, the Royal and Ancient Golf Club of St. Andrews, and Rolex as clients in sponsorship, licensing, event management, and media deals. These clients became the basis of IMG Worldwide, Inc., forming one of the largest management, media, and marketing companies in the world. The author of a dozen books on management and sport, McCormack became a famous figure himself as a business man, negotiator, and deal-maker before passing away in 2003.

With a growing collection of approximately 2,500 boxes of records that represent the personal life of Mark H. McCormack and the intertwined corporate records of IMG, the McCormack Papers provide an inside look at the last 50 years of the business of professional sport. The collection contains correspondence, memos, drafts, reports, contracts, research files, marketing materials, and memorabilia. The collection is arriving in stages and is currently being processed. Some materials are restricted.


  • Corporate sponsorship
  • Golf
  • Olympics
  • Palmer, Arnold, 1929-
  • Professional athletes
  • Special events -- Management
  • Sports -- Marketing
  • Television and sports
  • Tennis
  • Wimbledon Championships (Wimbledon, London, England)


  • All England Club
  • Borg, Björn, 1956-
  • IMG Worldwide, Inc.
  • Killy, Jean Claude
  • Laver, Rod
  • Nicklaus, Jack
  • Palmer, Arnold, 1929-
  • Player, Gary
  • Royal and Ancient Golf Club of St. Andrews

McIntosh, Beatrice A.

Beatrice A. McIntosh Cookery Collection, ca.1880-2005.

ca.8,000 items (200 linear feet).
Call no.: MS 395

The McIntosh Cookery Collection includes books, pamphlets, and ephemera relating to the history of cookery in New England. Of particular note are nearly 7,500 cookbooks prepared by community organizations from the 1880s to the present, usually for fund-raising or charitable purposes. These cookbooks were produced by a variety of organizations, including parent-teacher groups, churches and synagogues, social service agencies, private clubs, and historical societies as fund-raising projects.

These cookbooks document important aspects of the lives of families and women in the region, as well as ethnic groups and their adaptation of traditional foods to New England. The collection is focused primarily on New England, but includes cookbooks from other states for comparative purposes.


  • Community cookbooks
  • Cookbooks
  • Cookery--New England

Meier, August, 1923-2003

August Meier Collection, 1837-1984.

3 boxes, 329 titles (34.5 linear feet).
Call no.: MS 844

A pioneer in African American history, August Meier was a model of an engaged academic, a prolific writer, active participant in the civil rights struggle, and staunch member of the NAACP, SNCC, and CORE. While pursuing graduate work at Columbia under Henry Steele Commager, Meier taught at a succession of Historical Black Colleges, including Tougaloo (1945-1949), Fisk (1953-1956), and Morgan State (1957-1964). His dissertation, completed in 1957, became the first of eleven books he wrote or edited, Negro Thought in America, 1880-1915 (1963), with much of later work conducted in collaboration with Elliott Rudwick and John Bracey. Meier joined the faculty at Kent State University in 1967 and remained there until his retirement in 1993. His much-anticipated monograph on the history of the NAACP had not been completed at the time of death in 2003.

Organized in two discrete parts, the Meier collection bookends a long career in the study of African American history. The first part of the collection is centered on Meier’s association with the Pioneer Youth summer camp in Rifton, N.Y., and his growing consciousness of the fundamental problems of race and class in American society, with some materials from his wartime years as an undergraduate at Oberlin College. The second part of the collection includes books collected by Meier during his academic career, mostly on African American history and culture. Titles range from works on the Civil Rights movement to literature and poetry of the late nineteenth century and Harlem Renaissance, works on slavery and antislavery, race theory, the South, and African American education and religion.


  • African Americans--History
  • Antislavery movements
  • Camps--New York (State)
  • Civil rights movements
  • Communists--United States
  • Depressions--1929
  • Du Bois, W. E. B. (William Edward Burghardt),1868-1963
  • Oberlin College--Students
  • Pioneer Youth of America
  • Race relations
  • World War, 1939-1945


  • Braunthal, Gerard, 1923-

Types of material

  • Newsletters
  • Songbooks

Millers River Publishing Co.

Millers River Publishing Co. Records, 1983-1989.

2 boxes (3 linear feet).
Call no.: MS 805

The journalist and activist Allen Young founded Millers River Publishing Co. in 1983 to produce “fine books about New England.” Nearly a one person shop, the company began in Athol, Mass., with what would become the most successful of its publications, North of Quabbin, Young’s own guidebook to the nine towns rimming the Quabbin Reservoir. Over the next five years, Millers River issued at least fifteen titles in regional and local history, fiction, and children’s books. Soon after Young left his job at the Athol Daily News in 1989 to accept a position in public relations at the community hospital, the company ceased its operations.

The records of the Millers River Publishing Co. document the active years of a small regional press in northern Massachusetts. In addition business records, the collection includes correspondence from authors and readers along with book proposals and manuscripts, including some for works not published. Most of the Millers River publications are available in SCUA.


  • Publishers and publishing--Massachusetts


  • Young, Allen, 1941-

Miscellaneous Manuscripts

Miscellaneous Manuscripts, 1717-2003.

3 boxes (1.5 linear feet).
Call no.: MS 719

Miscellaneous Manuscripts is an artificial collection that brings together single items and small groups of related materials. Although the collection reflects the general collecting emphases in SCUA, particularly the history of New England, the content ranges widely in theme and format.


  • Massachusetts--Economic conditions--18th century
  • Massachusetts--Economic conditions--19th century
  • Massachusetts--History
  • Massachusetts--Politics and government
  • Massachusetts--Social conditions--18th century
  • Massachusetts--Social conditions--19th century
  • Massachusetts--Social conditions--20th century

Types of material

  • Account books
  • Correspondence
  • Photographs

Mission and history


Cattle judging at Mass. Agricultural College
Judging cattle at Mass. Agricultural College

To fire the imagination and celebrate the activist spirit, SCUA pursues an ambitious program of collecting materials of enduring historical and cultural value and offers strong support for research and learning. Through our collections, programs, and exhibitions, we promote meaningful engagement with the histories of social change in America, with the record of innovation and entrepreneurship, and we foster exploration of the histories and cultures of New England and the UMass Amherst community. In fulfilling the university’s role as a center of knowledge for the diverse peoples of the Commonwealth, we are committed to using the highest professional standards and practices and the best technologies available to provide free and unfettered access to our holdings.

Department history

African dancers
African dancers
From the Horace Mann Bond Papers

In 1931, nearly half a century after Librarian Henry Hill Goodell first authorized the permanent retention of the official records of Massachusetts Agricultural College, the Library established a College History Collection. As the official record of the activities of the university’s administrators and faculty and a reflection of the life of its students, this collection grew steadily, until in 1953, the Library dedicated a room named in honor of Dean William L. Machmer to serve as the first true home of the University Archives.

Goodell’s initiative to assemble the College archives coincided roughly with the Library’s first efforts to build a collection of rare books to support its educational mission. Although the College had no separate library until 1885, its administrators nevertheless accepted several significant gifts of books, beginning with the 1868 donation of twenty scarce volumes on bee culture from the apiculturist and state Adjutant General Henry K. Oliver. By the time the library published its first catalog in 1875, rare books formed a small, but notable part of the collections, focused on the primary academic interests of the early college: agriculture, horticulture and botany, and the natural sciences. Among the Library’s earliest acquisitions were the first London edition of William Bartram’s Travels Through North and South Carolina (1792), François Augier de Marigny’s The History of the Arabians (London, 1758), and early bee manuals by John Keys, The Practical Bee-Master (London, 1780) and The Antient Bee-Master’s Farewell (London, 1796) — both courtesy of Oliver. All remain part of the collections today.

David Axelrod, Class of 1965
David B. Axelrod, ca.1980, Class of 1965, poet, author of The Man who Fell in Love with His Chicken (1980)

From these beginnings, the collections of rare books and manuscripts have evolved in concert with the evolution of the university and its academic programs. With the acquisition of the records of the Valley Peace Center and the papers of ethnographer Jozef Obrebski in 1973, the Library began to acquire collections of personal papers and organizational records of historical significance, and the arrival of the papers on W.E.B. Du Bois in that same year marked a turning point. The rare book and manuscript collections were combined administratively with the University Archives in the early 1990s to form the current Department of Special Collections and University Archives.

SCUA’s initial foray online came with a simple page on the library’s website in 1997, but by 2007, evolved into the UMarmot project, one of the earliest efforts to use freely-available software to create a comprehensive online archival catalog. SCUA launched its online digital repository, Credo in 2011, thanks to generous support from the Verizon Foundation, the National Endowment for the Humanities, and the National Historic Publications and Records Commission. The papers of W.E.B. Du Bois led SCUA’s way into the digital realm, followed by the papers of Horace Mann Bond, and then dozens of of other collections.

Morton, Cyrus

Cyrus Morton Account Book, 1828-1838.

1 vol. (0.25 linear feet).
Call no.: MS 185 bd

The physician Cyrus Morton, (1797-1873) came from a notable medical family from Plymouth County, Mass. His father Nathaniel and son Thomas were both physicians, and his sister-in-law, Julia A.W. (Drew) Winslow was one of the first female medical doctors in the Commonwealth. Morton’s second wife, Lydia Hall (Drew) Morton, was one of the first teachers at the Perkins School for the Blind, and a member of the first graduating class of the Lexington Normal School. Morton died in Halifax on May 18, 1873.

Morton’s account book contains records of frequent visits to his patients, dispensing medicine, his fees and receipts for payment (often received in kind as pigs, fish, beef, hay, wood, the use of a horse, spinning done by widows or wives, digging a well, carpentry, etc.), and a copy of a prayer in Morton’s hand. Among Morton’s patients were Timothy Wood, Stafford Sturtevant, Jacob Thompson, Capts. Knapp and Cushman, and Cyrus Munroe.


  • Halifax (Mass.)--Social life and customs--19th centur
  • Physicians--Massachusetts--Halifax--19th century


  • Morton, Cyrus, 1797-1873

Types of material

  • Account books

Moss, Bernard

Bernie Moss Photograph Collection, ca. 1960-1978.

7 boxes (10.5 linear feet).
Call no.: PH 062
Bernie Moss with two unidentified women in Moss's home, 1962
Bernie Moss with two unidentified women in Moss's home, 1962

A fixture of the Boston Jazz scene, Bernie Moss began taking photographs in the early 1960s, capturing musicians on stage and after hours in the clubs he frequented. Musicians that Moss would meet at Connelly’s, the Savoy Cafe, Lennie’s on the Turnpike, and later the Jazz Workshop, would often come to Moss’s apartment at 11 Queensberry Street where he would give them a place to stay and a meal. His generosity and love of the music and musicians was renown among the top artists of the era; inspiring Dexter Gordon to compose the song “Boston” Bernie Moss in his honor. Moss was born on Christmas day in 1908 and grew up in a Jewish household. He played trombone as a member of the Massachusetts National Guard 241st Coast Artillery Regiment from 1929 to approximately 1939 but spent the remainder of his life looking after the Boston apartment buildings he inherited from his father, known as the Moss Realty Co. According to Nat Hentoff in his memoir Boston Boy, “he took care that none of his tenants ever knew him as a landlord. His brother collected the rent, and the janitor received all the complaints about services. Bernie just showed up to talk about jazz.” Moss died on February 13th, 1988.

The Bernie Moss Photograph Collection primarily consists of Moss’s color photographs taken at Boston Jazz clubs in the 1960s and early 1970s. The photographs include musicians Alan Dawson, Roy Haynes, John Coltrane, Ben Webster, Dizzy Gillespie, Yusef Lateef, Herbie Hancock, Art Blakey, and many more. Moss’s amateur style brings life to some of the most important years of modern Jazz, showing Jazz greats at the height of their powers, often in informal settings. Many photographs were mounted and catalogued as part of a traveling exhibit curated by the Boston Jazz Society.


  • Jazz musicians--Massachusetts--Boston--Photographs
  • Jazz--Massachusetts--Boston--Photographs

Types of material

  • Color prints (photographs)

Mungo, Raymond, 1946-

Famous Long Ago Archive

Raymond Mungo Papers, 1966-2008.

6 boxes (3 linear feet).
Call no.: MS 659
Raymond Mungo, 1967
Raymond Mungo, 1967

Born in a “howling blizzard” in February 1946, Raymond Mungo became one of the most evocative writers of the 1960s counterculture. Through more than fifteen books and hundreds of articles, Mungo has brought a wry sense of humor and radical sensibility to explorations of the minds and experiences of the generation that came of age against a backdrop of the struggles for civil rights and economic justice, of student revolts, Black Power, resistance to war, and experimentation in communal living.

Consisting of the original typescripts and manuscripts of ten of Raymond Mungo’s books, along with corrected and uncorrected galleys and a small number of letters from publishers. Among the other materials in the collection are thirteen photographs of Mungo taken by Clif Garboden and Peter Simon during and immediately after his undergraduate years at Boston University; a DVD containing motion pictures of life at Packer Corners in 1969 and 1977; and an irate letter from a writer regarding the status of poems he had submitted to Liberation News Service.


  • Communal living--Massachusetts
  • Communal living--Vermont
  • Liberation News Service (Montague, Mass.)
  • Montague Farm Community (Mass.)
  • Nineteen Sixties
  • Packer Corners Community (Vt.)
  • Porche, Verandah


  • Garboden, Clif
  • Mungo, Raymond, 1946-
  • Simon, Peter, 1947-

Types of material

  • Photographs
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