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Lewis, J. Roy

J. Roy Lewis Papers, 1910-1949
1 box (0.25 linear feet)
Call no.: MS 024

A native and long-time resident of Holyoke, Mass., J. Roy Lewis was a prominent businessman in the lumber trade and a model of civic engagement during the decades prior to the Second World War. A 1903 graduate of Phillips Academy, Lewis worked as an executive with the Hampden-Ely Lumber Company and was active in trade associations as well as civic and political groups such as the Kiwanis Club, the Chamber of Commerce, the Tax Association, and the Holyoke Planning committee. Locally, he may have been best known as the writer of hundreds of letters and opinion pieces to the editors of the Holyoke Transcript-Telegram and the Springfield Republican. An ardent conservative, Lewis was a vocal opponent of women’s suffrage, prohibition, and anything he deemed contrary to the interests of business.

This small collection, consisting of a scrapbook and a handful of miscellaneous letters from J. Roy Lewis are a testament to the mindset of a conservative businessman during a progressive age. Lewis’s letters to the editor and his small surviving correspondence touch on a wide range of political and social issues of the day, most notably women’s suffrage, prohibition, business support, the New Deal, and the Depression.

Subjects
  • Depressions--1929
  • Holyoke (Mass.)--History
  • United States--Economic policy--1933-1945
Contributors
  • Lewis, J. Roy
Types of material
  • Letters to the editor
  • Scrapbooks

Lewis, Patricia Lee, 1937-

Patricia Lee Lewis Photograph Collection, 1977-1979
3 boxes (2 linear feet)
Call no.: PH 059
Patricia Lee Lewis Photograph Collection image
Cotton Mill no. 2, Beijing, 1977

A co-founder of the Valley Women’s Center and the Everywoman’s Center at UMass Amherst, Patricia Lee Lewis has been an important part of the vibrant activist culture in the Pioneer Valley since her graduation from Smith College in 1970, advocating for women, civil rights, peace, the environment, for small farms and rural communities, and for art. Her varied career has included service as Supervisor of Community Development for the Massachusetts Office for Children (1974-1976), as Rural Development Specialist for the Massachusetts Cooperative Extension Service, and as County Commissioner for Hampshire County (1984-1988). After receiving an MFA from Vermont College, she founded Patchwork Farm Writing Retreat in Westhampton in 1992, which offers workshops and retreats in creative writing and yoga.

As a member of a National Women’s Delegation, Lewis visited the People’s Republic of China in 1977. Having been invited by the All China Women’s Federation, Lewis and her colleagues toured the country, seeing the sights and examining the role of women, education, and agriculture, visiting Beijing, Shanghai, Nanjing, Tachai, and Guilin. The many hundreds of photographs she took during the tour are a powerful visual record of the country only a few months after the Gage of Four were arrested and the Cultural Revolution declared ended. The collection also includes approximately 100 photographs taken of agriculture and rural life in Louisiana and Texas in 1979.

Subjects
  • China--Photographs
  • Louisiana--Photographs
  • Texas--Photographs
Types of material
  • Photographs

Libera, John

John Libera Collection, 1934-1988
1 flat box (0.25 linear feet)
Call no.: MS 048
John Libera Collection image
Polish Tigers baseball team, ca.1935

A member of the Polish community in Southbridge, Mass., John Libera (1919-2007) was a long-time employee of American Optical Company, but was best known as a promoter of polka music and dancing. A performer, song writer, and host of a radio show for over thirty years, Libera was inducted into the Polka Music Hall of Fame in 1982 and invited to perform at the American Folklife Festival in 1988.

The Libera collection consists of four photographs of the Polish community in Southbridge during the 1930s along with fourteen photos, a videotape, and some correspondence and ephemera relating to the American Folklife Festival.

Subjects
  • Baseball teams--Massachusetts--Southbridge--Photographs
  • Polish Americans--Massachusetts--Southbridge--Photographs
  • Southbridge (Mass.)
  • Women--Societies and clubs--Massachusetts--Southbridge--Photographs
Contributors
  • Libera, John
Types of material
  • Photographs

Liberation News Service

Liberation News Service Records, 1966-1977
11 boxes, 1 oversize folder (9 linear feet)
Call no.: MS 546
Liberation News Service Records image
Arrest of Jon Higgenbotham (Milwaukee 14), Sept. 24, 1968

In 1967, Marshall Bloom and Raymond Mungo, former editors of the student newspapers of Amherst College and Boston University, were fired from the United States Student Press Association for their radical views. In response they collaborated with colleagues and friends to found the Liberation News Service, an alternative news agency aimed at providing inexpensive images and text reflecting a countercultural outlook. From its office in Washington, D.C., LNS issued twice-weekly packets containing news articles, opinion pieces, and photographs reflecting a radical perspective on the war in Vietnam, national liberation struggles abroad, American politics, and the cultural revolution. At its height, the Service had hundreds of subscribers, spanning the gamut of college newspapers and the underground and alternative press. Its readership was estimated to be in the millions.

Two months after moving to New York City in June 1968, the LNS split into two factions. The more traditional Marxist activists remained in New York, while Bloom and Mungo, espousing a broader cultural view, settled on farms in western Massachusetts and southern Vermont. The story of LNS, as well as of the split, is told in Mungo’s 1970 classic book Famous Long Ago. By 1969 Bloom’s LNS farm, though still holding the organization’s original press, had begun its long life as a farm commune in Montague, Mass. Montague (whose own story is told in Steve Diamond’s What the Trees Said) survived in its original form under a number of resident groups until its recent sale to another non-profit organization. Mungo’s Packer Corners Farm, near Brattleboro, the model for his well-known book, Total Loss Farm, survives today under the guidance of some of its own original founders.

The LNS Records include a relatively complete run of LNS packets 1-120 (1967-1968), along with business records, miscellaneous correspondence, some artwork, and printing artifacts, including the LNS addressograph.

Subjects
  • Activists--Massachusetts
  • Communal living--Massachusetts
  • Journalists--Massachusetts
  • Liberation News Service (New York, N.Y.)
  • Peace movements--Massachusetts
  • Political activists--Massachusetts
  • Social justice--Massachusetts
  • Student movements
  • Vietnam War, 1961-1975--Protest movements--Massachusetts
Contributors
  • Liberation News Service (Montague, Mass.)

Lichtenstein, Bill

Bill Lichtenstein Collection, 1965-1976
2 boxes (3 linear feet)
Call no.: MS 790
Bill Lichtenstein Collection image
Bill Lichtenstein,1973. Photo by Don Sanford

In 1970, just fourteen years-old, Bill Lichtenstein began working as a volunteer on the listener line at WBCN-FM in Boston, moving up to become a newscaster and announcer and helping to pioneer the station’s innovative on-air sound with montages of actualities, music, and comedy. As his media career developed over the next forty years, Lichtenstein built a wide reputation as a journalist and documentary producer for ABC News, working as an investigative producer on shows such as 20/20, World News Tonight, and Nightline, and since 1990, he has operated as president of his own production company, Lichtenstein Creative Media. With LCMedia, Lichtenstein has received more than 60 major broadcast honors including a Peabody Award, U.N. Media Award, eight National Headliner Awards, the Cine Golden Eagle, and a Guggenheim Fellowship, and his documentary West 47th Street was selected as winner of the Atlanta Film Festival. A graduate of Brown University and the Columbia Graduate School of Journalism, Lichtenstein has served on the faculty of the New School University (1979-2005) and he writes regularly on media, politics, and health for publications ranging from the Huffington Post to the New York Times, the Nation, Newsday, Boston Globe, Village Voice, Entertainment Weekly, and TV Guide.

The Lichtenstein Collection consists of a growing array of materials gathered in preparation of the documentary film, The American Revolution, which explores the cultural and political impact of WBCN. These include audio tapes of WBCN broadcasts, news reports and stories, photographs and ephemera of social change in Boston during the late 1960s and early 1970s, and two WBCN documentaries: Danny Schechter’s Jamaica: An Island in Crisis (1976) and What Is News (1973), produced by Schechter and Lichtenstein.

Subjects
  • Alternative radio broadcasting--Massachusetts
  • Boston (Mass.)--History--20th century
  • Jamaica--History--1962-
  • WBCN (Radio station : Boston, Mass.)
Contributors
  • Schechter, Danny
Types of material
  • Photographs
  • Sound recordings
  • Videotapes

Lillydahl, Sandy

Sandy Lillydahl Venceremos Brigade Photograph Collection, 1970-2005 (Bulk: 1970)
1 box (0.5 linear feet)
Call no.: PH 056

A 1969 graduate of Smith College and member of Students for a Democratic Society, Sandy Lillydahl took part in the second contingent of the Venceremos Brigade. Between February and April 1970, Lillydahl and traveled to Cuba as an expression of solidarity with the Cuban people and to assist in the sugarcane harvest.

The 35 color snapshots that comprise the Lillydahl collection document the New England contingent of the second Venceremos Brigade as they worked the sugarcane fields in Aguacate, Cuba, and toured the country. Each image is accompanied by a caption supplied by Lillydahl in 2005, describing the scene and reflecting on her experiences; and the collection also includes copies of the file kept by the FBI on Lillydahl, obtained by her through the Freedom of Information Act in 1975.

Subjects
  • Cuba--Photographs
  • Students for a Democratic Society (U.S.)--Photographs
  • Sugarcane--Harvesting--Cuba--Photographs
  • Venceremos Brigade--Photographs
Types of material
  • Photographs
MAC baseball team, 1878
MAC baseball team, 1878

Literature and the arts play a vital role in the culture and traditions of New England. Western Massachusetts in particular has had a rich history of fostering writers and poets, musicians, dancers, and actors. The Department of Special Collections and University Archives seeks to document not only the lives and work of writers and performers in our region, but the creative and artistic process; showing not just the inspiration, but the perspiration as well.

View all collections in Literature and the arts

Significant collections

  • Arts and arts management
    • Significant collections under the National Arts Policy Archive and Library include materials from the National Endowment for the Arts, the National Assembly of State Arts Agencies, and the Arts Extension Service.
  • Poetry
    • SCUA houses significant collections for the poets Robert Francis, Madeleine de Frees, and Anne Halley, as well as small collections for William Carlos Williams and Wallace Stevens. The records of the Massachusetts Review are an important literary resource.
  • Prose writing
    • Collections of note include the papers of writers William J. Lederer (author of The Ugly American, Nation of Sheep, and Their Own Worst Enemy), William Manchester (The Death of a President and American Caesar), Jodi Picoult (many novels from Songs of the Humpback Whale in 1992 to The Storyteller in 2013), Mary Doyle Curran (The Parish and the Hill).
  • Journalism
    • Journalists and photojournalists associated with traditional print and new media, including an important collection for the Liberation News Service, a media service for the alternative press, and the Social Change Periodicals Collection, which includes alternative and radical small press publications. The papers of Sidney Topol provide insight into the technical development of cable television.
  • Literary criticism and linguistics
    • The papers of literary scholars associated with the University; records of the Massachusetts Review.
  • Performing arts
    • The vibrant performing arts community in western Massachusetts is well represented in SCUA through groups ranging from the Arcadia Players Baroque music ensemble to theater troupes such as Double Edge Theater, the Valley Light Opera, and the New World Theater. Among the most significant national collections are the Roberta Uno Asian Women Playwrights Collection and the papers of African American expatriate actor and director Gordon Heath, while the James Ellis Theatre Collection includes nearly 8,000 printed volumes on the English and American stage, 1750-1915, along with numerous broadsides, graphics, and some manuscript materials. Musical collections include the papers of Philip Bezanson and Charles Bestor, the score collection of Julian Olevsky, and the Katanka Fraser Political Music Collection.

Printed materials

Within its holdings, SCUA houses collections of the published works of W.E.B. Du Bois, Robert Francis, Anne Halley, William J. Lederer, William Manchester, Thomas Mann, William Morris, Wallace Stevens, and William Butler Yeats, as well as the personal poetry libraries of Halley, Francis, and Stevens. The department also has an extensive collection of Science Fiction magazine fiction and Scottish literature.

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Lyman, Benjamin Smith, 1835-1920

Benjamin Smith Lyman Papers, 1831-1921
52 boxes (42 linear feet)
Call no.: MS 190
Benjamin Smith Lyman Papers image
Benjamin Smith Lyman, 1902

A native of Northampton, Massachusetts, Benjamin Smith Lyman was a prominent geologist and mining engineer. At the request of the Meiji government in Japan, Lyman helped introduce modern geological surveying and mining techniques during the 1870s and 1880s, and his papers from that period illuminate aspects of late nineteenth century Japan, New England, and Pennsylvania, as well as the fields of geology and mining exploration and engineering. From his earliest financial records kept as a student at Phillips Exeter Academy through the journal notations of his later days in Philadelphia, Lyman’s meticulous record-keeping provides much detail about his life and work. Correspondents include his classmate, Franklin B. Sanborn, a friend of the Concord Transcendentalists and an active social reformer, abolitionist, and editor.

The papers, 1848-1911, have been organized into nine series: correspondence, financial records, writings, survey notebooks, survey maps, photographs, student notes and notebooks, collections, and miscellaneous (total 25 linear feet). A separate Lyman collection includes over 2,000 books in Japanese and Chinese acquired by Lyman, and in Western languages pertaining to Asia.

Subjects
  • Geological surveys--Alabama
  • Geological surveys--Illinois
  • Geological surveys--India--Punjab
  • Geological surveys--Japan
  • Geological surveys--Japan--Maps
  • Geological surveys--Maryland
  • Geological surveys--Nova Scotia
  • Geological surveys--Pennsylvania
  • Geological surveys--Pennsylvania--Maps
  • Geologists--United States
  • Geology--Equipment and supplies--Catalogs
  • Geology--Japan--History--19th century
  • Japan--Description and travel--19th century
  • Japan--Maps
  • Japan--Photographs
  • Japan--Social life and customs--1868-1912
  • Mining engineering--Equipment and supplies--Catalogs
  • Mining engineering--Japan--History--19th century
  • Mining engineers--United States
Contributors
  • Lyman, Benjamin Smith, 1835-1920
  • Sanborn, F. B. (Franklin Benjamin), 1831-1917
Types of material
  • Account books
  • Book jackets
  • Field notes
  • Letterpress copybooks
  • Maps
  • Notebooks
  • Photographs
  • Scrapbooks
  • Trade catalogs

Lyons, Louis Martin

Louis Martin Lyons Papers, 1918-1980
(4.5 linear feet)
Call no.: RG 002/3 L96
Louis Martin Lyons Papers image
Louis M. Lyons

As a journalist with the Boston Globe, a news commentator on WGBH television, and Curator of the Nieman Foundation for Journalism at Harvard, Louis M. Lyons was an important public figure in the New England media for over fifty years. A 1918 graduate of Massachusetts Agricultural College and later trustee of UMass Amherst, Lyons was an vocal advocate for freedom of the press and a highly regarded commentator on the evolving role of media in American society.

The Lyons Papers contain a selection of correspondence, lectures, and transcripts of broadcasts relating primarily to Lyons’ career in television and radio. From the McCarthy era through the end of American involvement in Vietnam, Lyons addressed topics ranging from local news to international events, and the collection offers insight into transformations in American media following the onset of television and reaction both in the media and the public to events such as the assassinations of John F. Kennedy and Martin Luther King, the war in Vietnam, and the social and political turmoil of the 1960s.

Subjects
  • Boston Globe
  • Civil rights movements
  • Freedom of the Press
  • Frost, Robert, 1874-1963
  • Johnson, Lyndon B. (Lyndon Baines), 1908-1973
  • Journalistic ethics
  • Journalists--Massachusetts--Boston
  • Kennedy, John Fitzgerald, 1917-1963
  • King, Martin Luther, Jr., 1929-1968
  • Television
  • University of Massachusetts. Trustees
  • Vietnam War, 1961-1975
  • WGBH (Television station : Boston, Mass.)
  • World War, 1914-1918
Contributors
  • Lyons, Louis Martin, 1897-
Types of material
  • Letters (Correspondence)
  • Speeches

MacConnell, William Preston, 1918-

William P. MacConnell Aerial Photograph Collection, ca.1950-2000
ca.24,000 items
Call no.: Map Collection

In the 1950s, William P. MacConnell (Class of 1943), and his photogrammetry students in the Dept. of Forestry began using aerial photography to map forests, agricultural fields, wetlands, and other land cover in Massachusetts. Their work was eventually expanded to include the mapping of all land use for Massachusetts, making this state the first in the nation to be completely mapped in this fashion, and laying the foundation for the U.S. Fish and Wildlife Service’s National Wetlands Inventory.

The MacConnell Collection includes a comprehensive set of stereopair photographs derived from multiple transects of the state taken between 1950 and 2000. In addition to some original field notes, a stereoscope, and other project materials, the collection includes the following series:

  • 1951: Massachusetts, black and white prints (1:20,000 scale)
  • 1971: Massachusetts, black and white prints (1:20,000)
  • 1985: Massachusetts and Rhode Island, infrared transparencies (1:25,000)
  • 1990: Boston, Cape Cod, Buzzard’s Bay, infrared transparencies (1:12,000)
  • 1991-1992: Massachusetts, infrared transparencies (1:40,000)
  • 1991-1992: Merrimack River Valley, North Shore, MDC-1, infrared transparencies (1:12,000)
  • 1993: Massachusetts, Cape Cod, MDC-2, Nantucket, Dukes and Plymouth Counties, Naushon, West Metro, infrared transparencies (1:12,000)
  • 1999: Massachusetts. infrared transparencies and prints (1:25,000)

The collection is housed in the Map Collection on the 2nd Floor of the library.

Subjects
  • Land use--Massachusetts
  • MacConnell, William Preston, 1918-
  • Maps--Massachusetts
  • Wetlands--Massachusetts
Types of material
  • Aerial photography
  • Maps
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