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Lenson, Michael, 1903-1971

Michael Lenson Collection, 1969-1970
12 items (0.1 linear feet)
Call no.: MS 745

Born in Russia in 1903, the realist painter Michael Lenson emigrated to the United States at the age of eight, and from early in life, took an interest in art. While a student at the National Academy of Design in 1928, Lenson was awarded the Chaloner Paris Prize, enabling him to spend four years of study in Europe and leading to his first three one man shows. With the Great Depression in full effect upon his return to America, he accepted a position as director of mural projects for the Works Progress Administration in New Jersey, through which he built a reputation as one of the most important muralists in the eastern states. Exhibited widely, he was productive as both an artist and critic until his death in 1971. His works are included in the collections of the RISD Museum, the Maier Museum of Art, the Johnson Museum of Art, the Newark Museum, the Montclair Art Museum, and the Wolfsonian Collection, among others.

Consisting of pencil portraits of poets, each approximately 12 x 18″, the Lenson Collection contains twelve late works by Michael Lenson that were included in an exhibition held at the Montclair Art Museum in 1970. The subjects of the portraits include William Blake, Robert Browning, George Gordon Lord Byron, Robert Burns, Geoffrey Chaucer, John Donne, T.S. Eliot, John Keats, John Milton, Sean O’Casey, Alexander Pope, and Percy Bysshe Shelley.

Subjects
  • Blake, William , 1757-1827
  • Browning, Robert, 1812-1889
  • Burns, Robert, 1759-1796
  • Byron, George Gordon Byron, Baron, 1788-1824
  • Chaucer, Geoffrey, d. 1400
  • Donne, John, 1572-1631
  • Eliot, T. S. (Thomas Stearns), 1888-1965
  • Keats, John, 1795-1821
  • Milton, John, 1608-1674
  • O'Casey, Sean, 1880-1964
  • Pope, Alexander, 1688-1744
  • Shelley, Percy Bysshe, 1792-1822
Contributors
  • Lenson, Michael, 1903-1971
Types of material
  • Drawings (Visual works)

Lewin, Julie

Julie Lewin Papers, 1947-2003
11 boxes (5.5 linear feet)
Call no.: MS 454

Julie Lewin began her career as a freelance writer and newspaper journalist, and went from writing articles about sexual abuse of children and women’s prison reforms to lobbying for the protection and treatment of animals. The collection documents Lewin’s efforts to uphold the rights of animals, and in particular focuses on her opposition to the pet industry and to the use of animals in research.

Subjects
  • Animal rights--Activism
  • Animal rights--Advocates
  • Animal rights--Law and legislation
  • Animal welfare--Rescue
  • Connecticut Humane Society
  • Greyhound racing
  • Hunting
  • Pet industry
  • Trapping--Leghold
  • Vivisection-Animal research
Contributors
  • Lewin, Julie

Lewis, David L., 1936-

David Levering Lewis Papers, ca.1955-2012
54 boxes (81 linear feet)
Call no.: MS 827
Image of David Levering Lewis
David Levering Lewis

The historian David Levering Lewis is the author of eight remarkably diverse monographs. Raised in an academic family, his father was president of Morris Brown College, Lewis enrolled at Fisk University at the age of 15 and was only 26 when he was awarded a doctorate in modern European history from the London School of Economics (1962). Through an academic career that has included numerous stops, including Morgan State, Notre Dame, Howard, the University of the District of Columbia (1970-1980), and Rutgers (1985-2003), Lewis remained consistently productive. Author of the first academic biography of Martin Luther King (1970) and a history of the Dreyfus Affair (1974), he wrote an influential study of the Harlem renaissance (1981) and important works on colonialism in Africa (1987) and Islamic Spain (2008), but he is best known for his two monumental biographies of W.E.B. Du Bois (1993, 2000), each of which was awarded a Pulitzer Prize. One of the most lauded African American historians of his generation, Lewis was recipient of the Bancroft Prize, the Francis Parkman Prizes, the 2009 National Humanities Medal, and a MacArthur Foundation Fellowship, and he was elected as a Fellow of both the American Academy of Arts and Sciences and the American Philosophical Society. Lewis was Julius Silver University Professor in History at New York University from 2003 until his retirement.

The papers of David Levering Lewis document a long and productive career as an academic historian and scholar of African American history and culture. Beginning with his years in college and graduate school, the collection offers a rich perspective on the evolution of his career. Lewis’s essential biographies of W.E.B. Du Bois are particularly well documented, however the collection includes abundant materials for each of his earlier projects, including correspondence, research notes, and drafts.

Subjects
  • African Americans--History
  • Colonies--Africa--History
  • Du Bois, W. E. B. (William Edward Burghardt), 1868-1963
  • Harlem Renaissance
  • Historians--United States
  • King, Martin Luther, Jr., 1929-1968
  • United States--History--20th century
Types of material
  • Photographs

Lewis, Edward M.

Edward M. Lewis Papers, 1910-1936
5 boxes (2.5 linear feet)
Call no.: RG 003/1 L49

A one time baseball player, Edward M. Lewis was hired as a Professor of Language and Literature at the Massachusetts Agricultural College, serving as the College’s President from 1924 to 1927.

Includes personal and official correspondence primarily while Dean and President of Massachusetts Agricultural College, particularly with President Kenyon Leech Butterfield (1868-1935); administrative memoranda; student records; other records generated while Dean and President of MAC on such subjects as relations of the college with state officials, curriculum, purpose of the college, desirability of compulsory chapel, establishment of Jewish fraternities, and women’s education; also, transcripts of addresses, newspaper clippings, and biographical material. The collection includes nothing relating to Lewis’s baseball or teaching careers.

Subjects
  • Massachusetts Agricultural College. Faculty
  • Massachusetts Agricultural College. President
Contributors
  • Lewis, Edward M

Lewis, J. Roy

J. Roy Lewis Papers, 1910-1949
1 box (0.25 linear feet)
Call no.: MS 024

A native and long-time resident of Holyoke, Mass., J. Roy Lewis was a prominent businessman in the lumber trade and a model of civic engagement during the decades prior to the Second World War. A 1903 graduate of Phillips Academy, Lewis worked as an executive with the Hampden-Ely Lumber Company and was active in trade associations as well as civic and political groups such as the Kiwanis Club, the Chamber of Commerce, the Tax Association, and the Holyoke Planning committee. Locally, he may have been best known as the writer of hundreds of letters and opinion pieces to the editors of the Holyoke Transcript-Telegram and the Springfield Republican. An ardent conservative, Lewis was a vocal opponent of women’s suffrage, prohibition, and anything he deemed contrary to the interests of business.

This small collection, consisting of a scrapbook and a handful of miscellaneous letters from J. Roy Lewis are a testament to the mindset of a conservative businessman during a progressive age. Lewis’s letters to the editor and his small surviving correspondence touch on a wide range of political and social issues of the day, most notably women’s suffrage, prohibition, business support, the New Deal, and the Depression.

Subjects
  • Depressions--1929
  • Holyoke (Mass.)--History
  • United States--Economic policy--1933-1945
Contributors
  • Lewis, J. Roy
Types of material
  • Letters to the editor
  • Scrapbooks

Lewis, Patricia Lee, 1937-

Patricia Lee Lewis Photograph Collection, 1977-1979
3 boxes (2 linear feet)
Call no.: PH 059
Image of Cotton Mill no. 2, Beijing, 1977
Cotton Mill no. 2, Beijing, 1977

A co-founder of the Valley Women’s Center and the Everywoman’s Center at UMass Amherst, Patricia Lee Lewis has been an important part of the vibrant activist culture in the Pioneer Valley since her graduation from Smith College in 1970, advocating for women, civil rights, peace, the environment, for small farms and rural communities, and for art. Her varied career has included service as Supervisor of Community Development for the Massachusetts Office for Children (1974-1976), as Rural Development Specialist for the Massachusetts Cooperative Extension Service, and as County Commissioner for Hampshire County (1984-1988). After receiving an MFA from Vermont College, she founded Patchwork Farm Writing Retreat in Westhampton in 1992, which offers workshops and retreats in creative writing and yoga.

As a member of a National Women’s Delegation, Lewis visited the People’s Republic of China in 1977. Having been invited by the All China Women’s Federation, Lewis and her colleagues toured the country, seeing the sights and examining the role of women, education, and agriculture, visiting Beijing, Shanghai, Nanjing, Tachai, and Guilin. The many hundreds of photographs she took during the tour are a powerful visual record of the country only a few months after the Gage of Four were arrested and the Cultural Revolution declared ended. The collection also includes approximately 100 photographs taken of agriculture and rural life in Louisiana and Texas in 1979.

Gift of Patricia Lee Lewis, Mar. 2014
Subjects
  • China--Photographs
  • Louisiana--Photographs
  • Texas--Photographs
Types of material
  • Photographs

Libera, John

John Libera Collection, 1934-1988
1 flat box (0.25 linear feet)
Call no.: MS 048
Image of Polish Tigers baseball team, ca.1935
Polish Tigers baseball team, ca.1935

A member of the Polish community in Southbridge, Mass., John Libera (1919-2007) was a long-time employee of American Optical Company, but was best known as a promoter of polka music and dancing. A performer, song writer, and host of a radio show for over thirty years, Libera was inducted into the Polka Music Hall of Fame in 1982 and invited to perform at the American Folklife Festival in 1988.

The Libera collection consists of four photographs of the Polish community in Southbridge during the 1930s along with fourteen photos, a videotape, and some correspondence and ephemera relating to the American Folklife Festival.

Subjects
  • Baseball teams--Massachusetts--Southbridge--Photographs
  • Polish Americans--Massachusetts--Southbridge--Photographs
  • Southbridge (Mass.)
  • Women--Societies and clubs--Massachusetts--Southbridge--Photographs
Contributors
  • Libera, John
Types of material
  • Photographs

Liberation News Service

Liberation News Service Records, 1966-1977
11 boxes, 1 oversize folder (9 linear feet)
Call no.: MS 546
Image of Arrest of Jon Higgenbotham (Milwaukee 14), Sept. 24, 1968
Arrest of Jon Higgenbotham (Milwaukee 14), Sept. 24, 1968

In 1967, Marshall Bloom and Raymond Mungo, former editors of the student newspapers of Amherst College and Boston University, were fired from the United States Student Press Association for their radical views. In response they collaborated with colleagues and friends to found the Liberation News Service, an alternative news agency aimed at providing inexpensive images and text reflecting a countercultural outlook. From its office in Washington, D.C., LNS issued twice-weekly packets containing news articles, opinion pieces, and photographs reflecting a radical perspective on the war in Vietnam, national liberation struggles abroad, American politics, and the cultural revolution. At its height, the Service had hundreds of subscribers, spanning the gamut of college newspapers and the underground and alternative press. Its readership was estimated to be in the millions.

Two months after moving to New York City in June 1968, the LNS split into two factions. The more traditional Marxist activists remained in New York, while Bloom and Mungo, espousing a broader cultural view, settled on farms in western Massachusetts and southern Vermont. The story of LNS, as well as of the split, is told in Mungo’s 1970 classic book Famous Long Ago. By 1969 Bloom’s LNS farm, though still holding the organization’s original press, had begun its long life as a farm commune in Montague, Mass. Montague (whose own story is told in Steve Diamond’s What the Trees Said) survived in its original form under a number of resident groups until its recent sale to another non-profit organization. Mungo’s Packer Corners Farm, near Brattleboro, the model for his well-known book, Total Loss Farm, survives today under the guidance of some of its own original founders.

The LNS Records include a relatively complete run of LNS packets 1-120 (1967-1968), along with business records, miscellaneous correspondence, some artwork, and printing artifacts, including the LNS addressograph.

Subjects
  • Activists--Massachusetts
  • Communal living--Massachusetts
  • Journalists--Massachusetts
  • Liberation News Service (New York, N.Y.)
  • Peace movements--Massachusetts
  • Political activists--Massachusetts
  • Social justice--Massachusetts
  • Student movements
  • Vietnam War, 1961-1975--Protest movements--Massachusetts
Contributors
  • Liberation News Service (Montague, Mass.)

Lichtenstein, Bill

Bill Lichtenstein Collection, 1965-1976
2 boxes (3 linear feet)
Call no.: MS 790
Image of Bill Lichtenstein,1973. Photo by Don Sanford
Bill Lichtenstein,1973. Photo by Don Sanford

In 1970, just fourteen years-old, Bill Lichtenstein began working as a volunteer on the listener line at WBCN-FM in Boston, moving up to become a newscaster and announcer and helping to pioneer the station’s innovative on-air sound with montages of actualities, music, and comedy. As his media career developed over the next forty years, Lichtenstein built a wide reputation as a journalist and documentary producer for ABC News, working as an investigative producer on shows such as 20/20, World News Tonight, and Nightline, and since 1990, he has operated as president of his own production company, Lichtenstein Creative Media. With LCMedia, Lichtenstein has received more than 60 major broadcast honors including a Peabody Award, U.N. Media Award, eight National Headliner Awards, the Cine Golden Eagle, and a Guggenheim Fellowship, and his documentary West 47th Street was selected as winner of the Atlanta Film Festival. A graduate of Brown University and the Columbia Graduate School of Journalism, Lichtenstein has served on the faculty of the New School University (1979-2005) and he writes regularly on media, politics, and health for publications ranging from the Huffington Post to the New York Times, the Nation, Newsday, Boston Globe, Village Voice, Entertainment Weekly, and TV Guide.

The Lichtenstein Collection consists of a growing array of materials gathered in preparation of the documentary film, The American Revolution, which explores the cultural and political impact of WBCN. These include audio tapes of WBCN broadcasts, news reports and stories, photographs and ephemera of social change in Boston during the late 1960s and early 1970s, and two WBCN documentaries: Danny Schechter’s Jamaica: An Island in Crisis (1976) and What Is News (1973), produced by Schechter and Lichtenstein.

Subjects
  • Alternative radio broadcasting--Massachusetts
  • Boston (Mass.)--History--20th century
  • Jamaica--History--1962-
  • WBCN (Radio station : Boston, Mass.)
Contributors
  • Schechter, Danny
Types of material
  • Photographs
  • Sound recordings
  • Videotapes

Lillydahl, Sandy

Sandy Lillydahl Venceremos Brigade Photograph Collection, 1970-2005 (Bulk: 1970)
1 box (0.5 linear feet)
Call no.: PH 056

A 1969 graduate of Smith College and member of Students for a Democratic Society, Sandy Lillydahl took part in the second contingent of the Venceremos Brigade. Between February and April 1970, Lillydahl and traveled to Cuba as an expression of solidarity with the Cuban people and to assist in the sugarcane harvest.

The 35 color snapshots that comprise the Lillydahl collection document the New England contingent of the second Venceremos Brigade as they worked the sugarcane fields in Aguacate, Cuba, and toured the country. Each image is accompanied by a caption supplied by Lillydahl in 2005, describing the scene and reflecting on her experiences; and the collection also includes copies of the file kept by the FBI on Lillydahl, obtained by her through the Freedom of Information Act in 1975.

Subjects
  • Cuba--Photographs
  • Students for a Democratic Society (U.S.)--Photographs
  • Sugarcane--Harvesting--Cuba--Photographs
  • Venceremos Brigade--Photographs
Types of material
  • Photographs
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