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Morehouse, Ward, 1929-

Ward Morehouse Papers
ca.1950-2012
120 boxes (180 linear feet)
Call no.: MS 764

A writer, educator, and activist for human rights and social justice, Ward Morehouse was a prominent critic of corporate power and globalization. Raised in a family of progressive political economists and academics in Wisconsin, Morehouse began his research in international political economy while a student at Yale (BA 1950, MA 1953) and embarked on a standard academic career path. After teaching political science at New York University for a time, he became director of international education at the Center for International and Comparative Studies in 1963, building a particularly strong program in India. However in 1976, conservative opposition to his political views led Morehouse to leave for a new post as president of the Council on International and Public Affairs (CIPA), a human rights organization he had helped found twenty years before. Throughout, he remained an activist at heart. Galvanized by the 1984 industrial disaster in Bhopal, India, he organized the International Campaign for Justice in Bhopal, and went on to form or work with many other organizations seeking to resist corporate power and build democracy, including the Program on Corporations, Law and Democracy (POCLAD) and the Permanent People’s Tribunal, operating the radical Apex Press. Morehouse died in June 2012 at the age of 83.

The Morehouse collection is a massive archive documenting six decades of research, writing, and activism. A prolific writer and editor, Morehouse left a deep record of his activities, his research and writing on corporate power, and the full breadth of his commitments in labor relations, alternative economics, “people’s law,” and peace.

Subjects
  • Anti-globalization movement
  • Bhopal Union Carbide Plant Disaster, Bhopal, India, 1984
  • Economics
  • India--Economic conditions
Contributors
  • Apex Press
  • Center for International and Comparative Studies
  • Council on International and Public Affairs
  • Permanent Peoples' Tribunal
  • Program on Corporations, Law and Democracy

Morris, William, 1834-1896

William Morris, The friendship of Amis and Amile
ca.1894
1 item (0.1 linear feet)
Call no.: MS 362 bd

A leader in the English Arts and Crafts movement, William Morris translated the ancient French romance, Amis and Amile, in 1894, one of a number of romances he published in his literary efforts to restore the middle ages.

This holograph copy of Morris’s short story was prepared for the Kelmscott Press in 1894 and printed in a run of 500. The first American edition appeared later that year, published by Thomas Bird Mosher.

Subjects
  • Kelmscott Press
Contributors
  • Morris, William, 1834-1896
Types of material
  • Holographs (Autographs)

Mungo, Raymond, 1946-

Raymond Mungo Papers
1966-2008
6 boxes (3 linear feet)
Call no.: MS 659
Image of Raymond Mungo, 1967
Raymond Mungo, 1967

Born in a “howling blizzard” in February 1946, Raymond Mungo became one of the most evocative writers of the 1960s counterculture. Through more than fifteen books and hundreds of articles, Mungo has brought a wry sense of humor and radical sensibility to explorations of the minds and experiences of the generation that came of age against a backdrop of the struggles for civil rights and economic justice, of student revolts, Black Power, resistance to war, and experimentation in communal living.

Consisting of the original typescripts and manuscripts of ten of Raymond Mungo’s books, along with corrected and uncorrected galleys and a small number of letters from publishers. Among the other materials in the collection are thirteen photographs of Mungo taken by Clif Garboden and Peter Simon during and immediately after his undergraduate years at Boston University; a DVD containing motion pictures of life at Packer Corners in 1969 and 1977; and an irate letter from a writer regarding the status of poems he had submitted to Liberation News Service.

Subjects
  • Communal living--Massachusetts
  • Communal living--Vermont
  • Liberation News Service (Montague, Mass.)
  • Montague Farm Community (Mass.)
  • Nineteen Sixties
  • Packer Corners Community (Vt.)
  • Porche, Verandah
Contributors
  • Garboden, Clif
  • Mungo, Raymond, 1946-
  • Simon, Peter, 1947-
Types of material
  • Photographs

Murray, Samuel E., 1906-1989

Samuel E. Murray Papers
ca.1945-1989
14 boxes (7 linear feet)
Call no.: MS 568
Image of Samuel Murray, 1966
Samuel Murray, 1966

One of the pioneers in the ephemera trade, Samuel E. Murray (1906-1989) was a long time antiquarian bookman, based at his home in Wilbraham, Mass. Born on Christmas Day, 1906, Murray interrupted his college studies to go to sea, but after the Depression left him unemployed, he landed a position as sales representative for McGraw-Hill and, later, G. & C. Merriam and other firms. Always an avid book collector, Murray left the publishing industry in 1970 to become a full time bookseller. Without ever advertising or issuing catalogs, he developed a wide reputation among dealers and collectors for his keen eye and perspicacity with rare and uncommon books. A generalist by trade, Murray had a particular fondness for colorplate books and travel literature, but was renowned both for his extensive reference library and for recognizing early on the value of ephemera. After a lengthy bout with myelofibrosis, Murray died at home on June 4, 1989.

The Murray Papers contain correspondence between Murray and a range of his fellow booksellers and clients, as well as his extensive card files on fellow book dealers and wants lists. The collection offers insight into the operations of a well known antiquarian bookman during the 1970s and 1980s.

Subjects
  • Antiquarian booksellers--Massachusetts
  • Book collecting
  • Books--Want lists
  • Printed ephemera--Collectors and collecting--Massachusetts
Contributors
  • Antiquarian Booksellers Association of America
  • Ephemera Society of America
  • Murray, Samuel E., 1906-1989

National Endowment for the Arts

National Endowment for the Arts Collection
1965-2016
5 boxes (7.5 linear feet)
Call no.: MS 686
Image of

Established by Congress in 1965 as an independent agency of the federal government, the National Endowment for the Arts has awarded more than $4 billion to support artistic excellence, creativity, and innovation for the benefit of individuals and communities. The NEA extends its work through partnerships with state arts agencies, local leaders, other federal agencies, and the philanthropic sector.

In contributing to the National Arts Policy Archive and Library (NAPAAL), the NEA allowed SCUA to digitize publications on the arts and arts management since its inception. The collection reflects the impact of the arts (including music, literature, and the performing arts) on everyday lives of Americans and include materials intended to support individual and classroom education, information on arts management, reports on the status of the arts, histories of the organization, and much more. All items are cataloged in the UMass Amherst Libraries online catalog and are included in the Internet Archive, where they are available for full-text searching.

Subjects
  • Art and State
  • Arts--Management
  • Government aid to the arts

New Victoria Publishers

New Victoria Publishers Records
1974-2009
6 boxes (11 linear feet)
Call no.: MS 883
Image of From the top down: Beth Dingman, Claudia McKay Lamperti, Petey Becker, Bonnie Arnold, and ReBecca Béguin (ca. 1976)
From the top down: Beth Dingman, Claudia McKay Lamperti, Petey Becker, Bonnie Arnold, and ReBecca Béguin (ca. 1976)

Founded in 1975 in Lebanon, NH, by Beth Dingman, Claudia McKay (Lamperti), Katie Cahill, Nina Swaim, and Shelby Grantham, New Victoria Printers became one of two all-female print shops in New England at the time. Believing strongly that “the power of the press belongs to those who own it,” they began to solicit work from non-profit and politically-oriented groups. Like its namesake Victoria Press, an 1860s women run print shop in London owned by Emily Faithful, an early advocate of women’s rights, New Victoria was also committed to feminist principles. The shop offered work and training in printing, machine work, and other traditionally male dominated fields; initially focused on printing materials from the women’s movement; and was organized as a collectively owned and democratically run organization.

Additionally, the shop functioned as a de facto women’s center and lesbian hub for Lebanon and the surrounding area, often overlapping with the lesbian social club Amelia Earhart’s Underground Flying Society, (a.k.a. the Amelia’s). The print shop was a place of education, community, creativity, and activism, and soon publishing opportunities, as the group founded New Victoria Publishers in 1976 to publish works from their community. The print shop closed in 1985, with Dingman and McKay taking over the running of the non-profit publishing company out of their home in Norwich, VT, with an emphasis on lesbian fiction in addition to other women-focused works. An early bestseller, Stoner McTavish by Sarah Dreher, put them on the map, with the company publishing over a hundred books by and about lesbians, winning three Lambda Literary Awards and several other honors.

The New Victoria Publishers Records consist of photographs, newsletters, and cards put out by the collective, materials printed by the press, marketing and promotional materials, author correspondence, graphics and cover art, book reviews, financial and legal records, histories of the organization, news clippings, and an almost full run of the books published by the company. The collection is particularly rich in documenting the work and production of a women owned business within the feminist press movement as well as the lesbian publishing industry.

Subjects
  • Collective labor agreements – Printing industry
  • Feminist literature – Publishing
  • Lesbian authors
  • Lesbians' writings -- Publishing
  • Women printers – New England
  • Women publishers – New England
Contributors
  • Beth Dingman
  • Claudia McKay
  • New Victoria Printers
  • New Victoria Publishers
Types of material
  • Photographs

Newland, Jacob and John E.

Jacob and John E. Newland Account Book
1798-1849
1 vol. (0.25 linear feet)
Call no.: MS 197 bd

Jacob Newland and his son John Everit Newland were farmers in Mansfield, Mass., during the earlynational period. A Revolutionary War veteran, Jacob died in 1823, leaving much of his operation to John, his second son.

The account book kept by Jacob Newland and later John E. Newland of Mansfield, Massachusetts, details much about the work of these farmers and their interaction with neighbors in eastern Mansfield during the early nineteenth century. The customers, most of whom seem to have been fellow farmers, made frequent use of the Newlands’ animals and animal-drawn vehicles (carriage, “waggon,” “slay”) for riding and work, in addition to purchasing products, using the Newlands’ labor, and leasing pasture land. The book also served as a leaf press and scrapbook for newspaper items bearing upon the Woman’s Christian Temperance Union, mention of social events and anniversaries, children’s sayings, short romantic fiction, and as a copybook for poetry.

Acquired from Charles Apfelbaum, 1987
Subjects
  • Farmers--Massachusetts--Mansfield
Contributors
  • Newland, John E. (John Everit)
Types of material
  • Account books

Nichols, Reuben

Reuben Nichols, The adventures and ramblings of a sailor
1840
1 vol. (0.1 linear feet)
Call no.: MS 901 bd

The son of a Revolutionary War veteran from Fairfield County, Conn., Reuben Nichols went to sea as teenager and spent a quarter of a century sailing the Atlantic aboard merchant ships and privateers. After rising to become master of the New York and Savannah packets Exact and Angelique in the 1830s, he retired to a life on shore near Bridgeport.

This vigorous account of a life on the antebellum seas runs Nichols’ childhood hardships through a series of adventures at sea in war and peace. An observant and effective writer, Nichols describes voyages to western and northern Europe, the Mediterranean, the Caribbean, and South America during and after the War of 1812. During a colorful career, he took part in the operations of warships and privateers, witnessed attempted mutinies and desertions, rescued the abolitionist John Hopper from a mob in Georgia, and was drawn into the struggles for colonial liberation. His experiences aboard the privateer Kemp and descriptions of Haiti, Cape Verde, Spain, Gibraltar, Turkey, and Argentina are particularly evocative.

Acquired from William Reese, Mar. 2016
Subjects
  • Abolitionists--Georgia
  • Argentina--Description and travel--19th century
  • Aruba--Description and travel--19th century
  • Gibraltar--Description and travel--19th century
  • Haiti--Description and travel--19th century
  • Hopper, John, 1815-1865
  • Merchant ships--Connecticut
  • Mutiny
  • Privateering
  • Sailors--Connecticut
  • Spain--Description and travel--19th century
  • Stratford (Conn.)--History
  • Turkey--Description and travel--19th century
  • United States--History--War of 1812--Naval operations
Types of material
  • Autobiographies
  • Memoirs

Noble, David F.

David F. Noble Papers
1977-2010
15 boxes (21 linear feet)
Call no.: MS 879

David F. Noble was a critical and highly influential historian of technology, science, and education, writing from a strong leftist perspective. Receiving his doctorate at the University of Rochester, Noble began his academic career at MIT. His first book, America By Design (1977), received strong reviews for its critique of the corporate control of science and technology, but proved too radical for MIT, which denied him tenure despite strong support from his peers. A stint at the Smithsonian followed, but ended similarly, and he continued to face opposition in his career for his radicalism and persistence. After several years at Drexel (1986-1994), Noble landed at York University, where he remained committed to a range of social justice issues, including opposition to the corporatization of universities. Among his major works Forces of Production (1984), A World Without Women (1992), The Religion of Technology (1997), Digital Diploma Mills (2001), and Beyond the Promised Land (2005). Noble died of complications of pneumonia in December 2010, and was survived by his wife Sarah Dopp and three daughters.

The challenges of academic freedom and corporate influence that Noble confronted throughout his career, and his trenchant analysis of technology, science, and religion in contemporary culture, form the core of this collection. Although the files relating to his first book were mostly lost, each of his later books is well represented, accompanied by general correspondence, documentation of his lawsuits against his employers, and selective public talks and publications. Noble’s time at York is particularly well documented, including content relating to his principled stand against grading students.

Gift of Sarah Dopp, Aug. 2015
Subjects
  • Academic freedom
  • Corporatization
  • Massachusetts Institute of Technology--Faculty
  • Science--Social aspects
  • Technology--Social aspects
  • York University--Faculty

Noffsinger, Mark G.

Mark G. Noffsinger Collection
1964-1969
1 box (0.5 linear feet)
Call no.: FS 135

Mark G. Noffsinger’s tenure as Associate Dean of Students at UMass Amherst was relatively brief, but tumultuous. Brought in during the fall semester 1964 as coordinator of student activities, he was promoted to Director of the Student Union in 1966 and Associate Dean of Students in 1968. Although he earned a reputation as a supporter of the student press, he became a focal point of controversy during the school year 1967-1968, when he prohibited the sale of the underground “hippie” newspaper, Mother of Voices on campus. Published by UMass students, the paper drew wider fire when John Norton and David Bourbeau were arrested and convicted on charges of selling obscene matter to a minor. The Mother of Voices folded in March 1969. After resigning in 1969 to accept a position at Baldwin-Wallace College, Noffsinger went on to a distinguished career as a university administrator before his death in 1994.

Tightly focused on the controversy in 1968 over banning sale of the Mother of Voices in the UMass Student Union, the Noffsinger collection includes a folder of newspaper clippings relating to underground press publications at UMass and other colleges in the Commonwealth, along with a run of the offending periodical retained by the office of the Dean of Students’ office. Additional copies of the periodical are located in the Social Change Periodicals Collection.

Subjects
  • Freedom of the press
  • Mother of Voices
  • Underground press publications--Massachusetts
  • University of Massachusetts Amherst--Faculty
  • University of Massachusetts Amherst. Dean of Students
Contributors
  • Noffsinger, Mark G

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