Results for: “Books of hours” (235 collections)SCUA

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McIntosh, Beatrice A.

Beatrice A. McIntosh Cookery Collection, ca.1880-2005.

ca.8,000 items (200 linear feet).
Call no.: MS 395

The McIntosh Cookery Collection includes books, pamphlets, and ephemera relating to the history of cookery in New England. Of particular note are nearly 7,500 cookbooks prepared by community organizations from the 1880s to the present, usually for fund-raising or charitable purposes. These cookbooks were produced by a variety of organizations, including parent-teacher groups, churches and synagogues, social service agencies, private clubs, and historical societies as fund-raising projects.

These cookbooks document important aspects of the lives of families and women in the region, as well as ethnic groups and their adaptation of traditional foods to New England. The collection is focused primarily on New England, but includes cookbooks from other states for comparative purposes.

Subjects

  • Cookbooks
  • Cookery--New England

Meier, August, 1923-2003

August Meier Collection, 1837-1984.

3 boxes, 329 titles (34.5 linear feet).
Call no.: MS 844

A pioneer in African American history, August Meier was a model of an engaged academic, a prolific writer, active participant in the civil rights struggle, and staunch member of the NAACP, SNCC, and CORE. While pursuing graduate work at Columbia under Henry Steele Commager, Meier taught at a succession of Historical Black Colleges, including Tougaloo (1945-1949), Fisk (1953-1956), and Morgan State (1957-1964). His dissertation, completed in 1957, became the first of eleven books he wrote or edited, Negro Thought in America, 1880-1915 (1963), with much of later work conducted in collaboration with Elliott Rudwick and John Bracey. Meier joined the faculty at Kent State University in 1967 and remained there until his retirement in 1993. His much-anticipated monograph on the history of the NAACP had not been completed at the time of death in 2003.

Organized in two discrete parts, the Meier collection bookends a long career in the study of African American history. The first part of the collection is centered on Meier’s association with the Pioneer Youth summer camp in Rifton, N.Y., and his growing consciousness of the fundamental problems of race and class in American society, with some materials from his wartime years as an undergraduate at Oberlin College. The second part of the collection includes books collected by Meier during his academic career, mostly on African American history and culture. Titles range from works on the Civil Rights movement to literature and poetry of the late nineteenth century and Harlem Renaissance, works on slavery and antislavery, race theory, the South, and African American education and religion.

Subjects

  • African Americans--History
  • Antislavery movements
  • Camps--New York (State)
  • Civil rights movements
  • Communists--United States
  • Depressions--1929
  • Du Bois, W. E. B. (William Edward Burghardt),1868-1963
  • Oberlin College--Students
  • Pioneer Youth of America
  • Race relations
  • World War, 1939-1945

Contributors

  • Braunthal, Gerard, 1923-

Types of material

  • Newsletters
  • Songbooks

Millers River Publishing Co.

Millers River Publishing Co. Records, 1983-1989.

2 boxes (3 linear feet).
Call no.: MS 805

The journalist and activist Allen Young founded Millers River Publishing Co. in 1983 to produce “fine books about New England.” Nearly a one person shop, the company began in Athol, Mass., with what would become the most successful of its publications, North of Quabbin, Young’s own guidebook to the nine towns rimming the Quabbin Reservoir. Over the next five years, Millers River issued at least fifteen titles in regional and local history, fiction, and children’s books. Soon after Young left his job at the Athol Daily News in 1989 to accept a position in public relations at the community hospital, the company ceased its operations.

The records of the Millers River Publishing Co. document the active years of a small regional press in northern Massachusetts. In addition business records, the collection includes correspondence from authors and readers along with book proposals and manuscripts, including some for works not published. Most of the Millers River publications are available in SCUA.

Subjects

  • Publishers and publishing--Massachusetts

Contributors

  • Young, Allen, 1941-

Miscellaneous Manuscripts

Miscellaneous Manuscripts, 1717-2003.

3 boxes (1.5 linear feet).
Call no.: MS 719

Miscellaneous Manuscripts is an artificial collection that brings together various single items or small groups of related materials. A wide range of topics and formats is represented, although there is an emphasis on Massachusetts history.

Subjects

  • Massachusetts--Economic conditions--18th century
  • Massachusetts--Economic conditions--19th century
  • Massachusetts--History
  • Massachusetts--Politics and government
  • Massachusetts--Social conditions--18th century
  • Massachusetts--Social conditions--19th century
  • Massachusetts--Social conditions--20th century

Types of material

  • Account books
  • Correspondence
  • Photographs

Morton, Cyrus

Cyrus Morton Account Book, 1828-1838.

1 vol. (0.25 linear feet).
Call no.: MS 185 bd

The physician Cyrus Morton, (1797-1873) came from a notable medical family from Plymouth County, Mass. His father Nathaniel and son Thomas were both physicians, and his sister-in-law, Julia A.W. (Drew) Winslow was one of the first female medical doctors in the Commonwealth. Morton’s second wife, Lydia Hall (Drew) Morton, was one of the first teachers at the Perkins School for the Blind, and a member of the first graduating class of the Lexington Normal School. Morton died in Halifax on May 18, 1873.

Morton’s account book contains records of frequent visits to his patients, dispensing medicine, his fees and receipts for payment (often received in kind as pigs, fish, beef, hay, wood, the use of a horse, spinning done by widows or wives, digging a well, carpentry, etc.), and a copy of a prayer in Morton’s hand. Among Morton’s patients were Timothy Wood, Stafford Sturtevant, Jacob Thompson, Capts. Knapp and Cushman, and Cyrus Munroe.

Subjects

  • Halifax (Mass.)--Social life and customs--19th centur
  • Physicians--Massachusetts--Halifax--19th century

Contributors

  • Morton, Cyrus, 1797-1873

Types of material

  • Account books

Moss, Bernard

Bernie Moss Photograph Collection, ca. 1960-1978.

7 boxes (10.5 linear feet).
Call no.: PH 062
Bernie Moss with two unidentified women in Moss's home, 1962
Bernie Moss with two unidentified women in Moss's home, 1962

A fixture of the Boston Jazz scene, Bernie Moss began taking photographs in the early 1960s, capturing musicians on stage and after hours in the clubs he frequented. Musicians that Moss would meet at Connelly’s, the Savoy Cafe, and later the Jazz Workshop, would often come to Moss’s apartment at 11 Queensbury Street where he would give them a place to stay and a meal. His generosity and love of the music and musicians was renown among the top artists of the era; inspiring Dexter Gordon to compose the song “Boston” Bernie Moss in his honor. Moss was born on Christmas day in 1908 and grew up in a Jewish household. He played trombone as a member of the Massachusetts National Guard 241st Coast Artillery Regiment from 1929 to approximately 1939 but spent the remainder of his life looking after the Boston apartment buildings he inherited from his father, known as the Moss Realty Co. According to Nat Hentoff in his memoir Boston Boy, “he took care that none of his tenants ever knew him as a landlord. His brother collected the rent, and the janitor received all the complaints about services. Bernie just showed up to talk about jazz.” Moss died on February 13th, 1988.

The Bernie Moss Photograph Collection primarily consists of Moss’s color photographs taken at Boston Jazz clubs in the 1960s and early 1970s. The photographs include musicians Alan Dawson, Roy Haynes, John Coltrane, Ben Webster, Dizzy Gillespie, Yusef Lateef, Herbie Hancock, Art Blakey, and many more. Moss’s amateur style brings life to some of the most important years of modern Jazz, showing Jazz greats at the height of their powers, often in informal settings. Many photographs were mounted and catalogued as part of a traveling exhibit curated by the Boston Jazz Society.

Subjects

  • Jazz musicians--Boston, Mass.--Photographs
  • Jazz--Boston, Mass.--Photographs

Types of material

  • Color prints (photographs)

Mungo, Raymond, 1946-

Raymond Mungo Papers, 1966-2008.

6 boxes (3 linear feet).
Call no.: MS 659
Raymond Mungo, 1967
Raymond Mungo, 1967

Born in a “howling blizzard” in February 1946, Raymond Mungo became one of the most evocative writers of the 1960s counterculture. Through more than fifteen books and hundreds of articles, Mungo has brought a wry sense of humor and radical sensibility to explorations of the minds and experiences of the generation that came of age against a backdrop of the struggles for civil rights and economic justice, of student revolts, Black Power, resistance to war, and experimentation in communal living.

Consisting of the original typescripts and manuscripts of ten of Raymond Mungo’s books, along with corrected and uncorrected galleys and a small number of letters from publishers. Among the other materials in the collection are thirteen photographs of Mungo taken by Clif Garboden and Peter Simon during and immediately after his undergraduate years at Boston University; a DVD containing motion pictures of life at Packer Corners in 1969 and 1977; and an irate letter from a writer regarding the status of poems he had submitted to Liberation News Service.

Subjects

  • Communal living--Massachusetts
  • Communal living--Vermont
  • Liberation News Service (Montague, Mass.)
  • Montague Farm Community (Mass.)
  • Nineteen Sixties
  • Packer Corners Community (Vt.)
  • Porche, Verandah

Contributors

  • Garboden, Clif
  • Mungo, Raymond, 1946-
  • Simon, Peter, 1947-

Types of material

  • Photographs

National Endowment for the Arts

National Arts Policy Archive and Library

National Endowment for the Arts Collection, 1965-2009.

5 boxes (7.5 linear feet).
Call no.: MS 686

Established by Congress in 1965 as an independent agency of the federal government, the National Endowment for the Arts has awarded more than $4 billion to support artistic excellence, creativity, and innovation for the benefit of individuals and communities. The NEA extends its work through partnerships with state arts agencies, local leaders, other federal agencies, and the philanthropic sector.

In contributing to the National Arts Policy Archive and Library (NAPAAL), the NEA allowed SCUA to digitize nearly forty years of publications on the arts and arts management. The collection reflects the impact of the arts (including music, literature, and the performing arts) on everyday lives of Americans and include materials intended to support individual and classroom education, information on arts management, reports on the status of the arts, histories of the organization, and much more. All items are cataloged in the UMass Amherst Libraries online catalog and are included in the Internet Archive, where they are available for full-text searching.

Subjects

  • Art and State
  • Arts--Management
  • Government aid to the arts

New England Intercollegiate Lacrosse League

New England Intercollegiate Lacrosse League Records, 1893-1977.

9 boxes (5.5 linear feet).
Call no.: MS 331

When Charles Marsters founded the Boston Lacrosse Club in 1913, the club was the only one in New England to play teams from outside of the region. Under Marsters’s leadership, however, participation in the sport rose steadily at both the high school and collegiate level, helping establish New England as one of the centers of the American game. In 1935, he and Tom Dent founded the New England Intercollegiate Lacrosse League (NEILL) to continue to build the sport.

The NEILL records document the growth of lacrosse from informal club team play to a more regulated, interscholastic and intercollegiate varsity sport. The bulk of the collection consists of correspondence, minutes, and agendas kept by co-founder Charles Marsters and a handful of other NEILL officers, but with material documenting the growth of the sport at UMass Amherst from the 1950s onward and the addition of women’s lacrosse as a collegiate sport. The collection also includes some printed material (including rulebooks), news clippings, and photographs.

Subjects

  • College sports--New England
  • Lacrosse for women--United States
  • Lacrosse guide
  • Lacrosse--New England--History
  • School sports--New England
  • University of Massachusetts Amherst--Sports

Contributors

  • Boyden, Frank L. (Frank Learoyd), 1879-1972
  • Marsters, Charles E
  • New England Intercollegiate Lacrosse League

New York Farm Bureau

New York Farm Bureau Photograph Collection, 1915-1916.

5 images (0.1 linear feet).
Call no.: PH 053
Ilion, N.Y. detail)
Ilion, N.Y. detail)

Founded as a non-governmental, volunteer organization in 1911, the New York Farm Bureau offers resources to support and enrich rural life and encourages farmers to work collaboratively for better marketing and production.

This small collection of photographs documents inspection tours conducted by the New York Farm Bureau of farms, apparently in the Mohawk River Valley, in 1915-1916. The intent, as the caption of one photograph suggests, was to bring “science into the field.”

Subjects

  • Automobiles--Photographs
  • Fort Plain (N.Y.)--Photographs
  • Ilion (N.Y.)--Photographs
  • Street-railroads--New York (State)--Photographs

Types of material

  • Photographs
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