University of Massachusetts Amherst
Special Collections and University Archives
UMass Amherst Libraries
SCUA

You searched for: "“Jones, Richard”" (page 12 of 14)

  1. Pages:
  2. 1
  3. ...
  4. 7
  5. 8
  6. 9
  7. 10
  8. 11
  9. 12
  10. 13
  11. 14

Sharpe, Wayne G., 1915-1991

Wayne G. Sharpe Papers, 1943-1944
1 box (0.5 linear feet)
Call no.: MS 462

Wayne G. Sharpe was a secretary for Company A in the 1874th Engineers Aviation Battalion of the Army Air Corps and a middle-class family man from Belmont, Massachusetts. Enlisted in February of 1943 at the age of twenty-seven, Wayne left his wife and infant son for a year’s training at home before his Battalion was dispatched to New Guinea in late December. Flown to a hospital on the island in late April 1944, he returned to the United States in August.

The papers of Wayne G. Sharpe, Sr. are primarily made up of his letters and V-mails home during his training and service abroad, but also include his wife’s letters to him from April 1943-August 1944.

Subjects
  • World War, 1939-1945
Contributors
  • Sharpe, Wayne G., 1915-1991

Simon, Peter, 1947-

Peter Simon Collection, ca. 1945-2016
10 boxes (20 linear feet)
Call no.: PH 009
Image of Peter Simon in mirror photographing Jennie Blackton at the Bitter End Cafe, 1968
Peter Simon in mirror photographing Jennie Blackton at the Bitter End Cafe, 1968

Peter Simon’s life and work as a photojournalist follows the quintessential arc of the counterculture, baby boom generation. The son of Richard Simon, founder of Simon and Schuster, Peter grew up in the New York City suburb of Riverdale and attended Boston University, graduating in 1969. While a student at BU, he began documenting the political turmoil in the US when he became photo editor for the radical student newspaper, the BU News, and later as a press photographer for the Cambridge Phoenix. In 1970, Simon left Boston to form Tree Frog Farm, a back-to-the-land commune in Guilford, Vermont, and after leaving there in 1972, he immersed himself in the New Age, forming a close relationship with spiritual leader Ram Dass. Among the most constant threads connecting his work throughout these changes was music. Simon’s sisters, Carly, Lucy, and Joanna have all been involved in music, and through a partnership with longtime friend Stephen Davis and his association with Rolling Stone magazine, Simon enjoyed unique access to many of the most important musicians of his generation. He spent time on the road with the Grateful Dead; went backstage and at home with Led Zeppelin, Bob Dylan, Paul Simon, and many others. His early forays into the world of reggae with Bob Marley and other Jamaican recording artists resulted in one of his nine books, Reggae Bloodlines. Simon’s other photographic interests are as wide-ranging as his background. A visitor to Martha’s Vineyard since the 1950s and a resident since 1974, his work reflects the changes and cultural richness of that island; his family’s friendship with Jackie Robinson has driven his lifelong documentation of baseball, and he is in high demand for portraits, weddings, and other work for hire.

The Peter Simon Collection houses the original negatives for Simon’s complete body of work as a photo journalist and also includes many photographs taken by his father Richard, an avid amateur photographer, which documents the Simon family and life in Riverdale and Stamford, Connecticut, where the family had a summer home.

Subjects
  • Boston (Mass.)--Photographs
  • Communal living--Vermont
  • Counterculture--United States--20th century
  • Martha's Vineyard (Mass.)--Photographs
  • Musicians--Photographs
  • Simon, Carly--Photographs
  • Vietnam War, 1961-1975--Protest movements
Contributors
  • Simon, Richard L. (Richard Leo), 1899-1960
Types of material
  • Photographs

Slonecker, Blake, 1981-

Blake Slonecker Collection, 2008
4 items (0.25 linear feet)
Call no.: MS 795

An historian of twentieth century social movements, Blake Slonecker received his doctorate at the University of North Carolina in 2009 and joined the history faculty at Waldorf College soon thereafter. In a dissertation examining the utopian impulses of the New Left (published in 2012 as A new dawn for the New Left: Liberation News Service, Montague Farm, and the long sixties), Slonecker explored how the political and cultural activism of the 1960s helped reshape American political culture in the decade following.

In June 2008, Slonecker conducted oral historical interviews with four individuals who were part of the extended community centered on the Montague Farm and Packer Corners communes during the late 1960s: Tom Fels, Charles Light, Sam Lovejoy, and Richard Wizansky. In wide-ranging interviews, the former communards discuss topics ranging from the fraught politics of the era, political and cultural activism, gender roles and sexuality, and daily life on the communes.

Gift of Blake Slonecker, Aug. 2013
Subjects
  • Amherst College
  • Babbitt, Elwood, 1922-
  • Bloom, Marshall, 1944-1969
  • Brotherhood of the Spirit (Commune)
  • Clamshell Alliance
  • Green Mountain Post Films
  • Johnson Pasture Community (Vt.)
  • Liberation News Service (Montague, Mass.)
  • Montague Farm Community (Mass.)
  • Musicians United for Safe Energy
  • Packer Corners Community (Vt.)
  • Students for a Democratic Society (U.S.)
Contributors
  • Fels, Thomas Weston
  • Light, Charles
  • Lovejoy, Sam
  • Wizansky, Richard
Types of material
  • Audiocassettes
  • Oral histories (document genres)

Smith, Gilbert, b. 1801

Gilbert Smith and Gilbert Smith, Jr. Account Books, 1798-1846
2 vols. (0.25 linear feet)
Call no.: MS 205 bd

Gilbert Smith was a shoemaker and doctor from New Marlborough, Massachusetts, and his son Gilbert Jr. was a prosperous farmer from Sheffield, Massachusetts. Includes merchandise sales, labor accounts, lists of boarders, and documentation of the sale of homemade butter and cheese to local merchants, as well as trade with the substantial rural black community of the region.

Subjects
  • African Americans--Massachusetts--Economic conditions--19th century
  • Agricultural laborers--Massachusetts--History--19th century
  • Agricultural wages--Massachusetts--History--19th century
  • Dairy products--Massachusetts--Marketing--History--19th century
  • Family--Economic aspects--Massachusetts--History--19th century
  • Farmers--Massachusetts--Sheffield--History--19th century
  • New Marlborough (Mass.)--Economic conditions--19th century
  • Sheffield (Mass.)--Economic conditions--19th century
Contributors
  • Smith, Gilbert, 1801-
  • Smith, Gilbert, d. 1804
Types of material
  • Account books

Spaulding, Mary Patricia

Mary Patricia Spaulding Scrapbook, 1956
1 vol. (0.2 linear feet)
Call no.: MS 927

Pat Spaulding camera returning home, 1956 Sept.

In 1956, the graphic designer Pat Spaulding left for a tour of Europe. During her seven months abroad, she and her friend Maureen Jones traveled by motor scooter through France, Italy, Switzerland, Austria, and Germany, staying in hostels and taking in the sights. Perhaps most memorably, Spaulding tore her Achilles tendon while visiting in Siena, Italy, receiving generous care from her hosts during the four-week period of her recovery.

A refreshing record of two young American women traveling alone in Europe during the mid-1950s, this scrapbook is populated with dozens of well laid-out photographs of sites seen, along with Spaulding’s letters home and a raft of ephemera such as picture postcards, copies of ticket stubs and passport pages, an international driver’s license, smallpox immunization certificate, maps, newsclippings, and beer coasters. Notably, the album also includes a number of beautiful, skillfully-rendered line drawings.

Gift of Mary Patricia Spaulding, 2016
Subjects
  • France--Description and travel
  • Germany--Description and travel
  • Italy--Description and travel
  • Italy--Photographs
  • London (England)--Description and travel
  • London (England)--Photographs
  • Paris (France)--Description and travel
  • Paris (France)--Photographs
Contributors
  • Jones, Maureen
Types of material
  • Photographs
  • Postcards
  • Scrapbooks

Stamper, G. Clifford

G. Clifford Stamper Papers, 1943-1955
2 boxes (0.75 linear feet)
Call no.: MS 463

George Clifford Stamper was a movie projectionist in the 4th Special Services during World War II. Born and raised in Somerville, Massachusetts, he enlisted in the U.S. Army on September 1, 1943 and participated in the European Theater from April 6, 1944 until December 12, 1945, when he was sent home and then honorably discharged in January 1946.

The papers of G. Clifford Stamper consist primarily of his incoming and outgoing letters during his training and service from 1943-1945. Correspondence is mostly with his family, but also includes his letters with neighbors, as well as friends that were serving. The collection contains, too, Stamper’s post-war letters received from 1946-1955. In addition, the outgoing letters of James C. Doyle, Jr. during his service in the U.S. Marines from 1958-1959 are a part of this collection. Doyle’s connection to Stamper is unclear.

Subjects
  • United States. Army Service Forces. Special Services Division
  • World War, 1939-1945
  • World War, 1939-1945--Campaigns--Czechoslovakia
  • World War, 1939-1945--Campaigns--France
Contributors
  • Doyle, James C
  • Stamper, G. Clifford (George Clifford), 1912-2005
Types of material
  • Letters (Correspondence)

Stevens, Wallace, 1879-1955

Wallace Stevens Collection, 1804-1973 (Bulk: 1930-1954)
1 box, 35 vols. (0.5 linear feet)
Call no.: MS 365

The modernist poet Wallace Stevens produced some of the century’s most challenging works while employed as an attorney in Hartford, Connecticut. A native of Reading, Pa., Stevens attended Harvard as an undergraduate but left in 1900 before completing his degree. He later earned a law degree at New York School of Law. Working in insurance law but still intent on becoming a writer, he did not publish his first book of poetry until he was 44 years old. Over the last thirty years of his life, he became one of the most revered contemporary poets in the country. Stevens died of cancer in 1955.

Touching on poetry, criticism, and books, the collection consists primarily of letters received by the poet Wallace Stevens along with 35 annotated volumes from his personal library. Among the correspondents represented are Charles Tomlinson, Jean Wahl, Conrad Aiken, and the art collector and Stevens’ close friend Henry Church; there are also retained copies of three letters from Stevens: two regarding an honorary degree at Harvard, and one to Tomlinson declining to respond to Tomlinson’s analysis of “The comedian as the letter C.” The books included in the collection have annotations or inscriptions to or by Stevens.

Subjects
  • Poets--Connecticut
Contributors
  • Stevens, Wallace, 1879-1955

Swados, Harvey, 1920-1972

Harvey Swados Papers, 1933-1983
49 boxes (23 linear feet)
Call no.: MS 218

The author and social critic Harvey Swados (1920-1972) was a graduate of the University of Michigan who embarked on a literary life after service in the merchant Marine during the Second World War. His first novel, Out Went the Candle (1955), introduced the themes to which Swados would return throughout his career, the alienation of factory workers and the experience of the working class in industrial America. His other works include a widely read collection of stories set in an auto plant, On the Line, the novels False Coin (1959), Standing Fast (1970), and Celebration (1975), and a noted collection of essays A Radical’s America (1962). His essay for Esquire magazine, “Why Resign from the Human Race?,” is often cited as inspiring the formation of the Peace Corps.

The Swados collection includes journals, notes, typewritten drafts of novels and short stories, galley proofs, clippings, and correspondence concerning writings; letters from family, publishers, literary agents, colleagues, friends, and readers, including Richard Hofstadter, Saul Bellow, James Thomas Farrell, Herbert Gold, Irving Howe, Bernard Malamud, and Charles Wright Mills; letters from Swados, especially to family, friends, and editors; book reviews; notes, background material, and drafts of speeches and lectures; financial records; biographical and autobiographical sketches; bibliographies.

Subjects
  • Authors, American--20th century--Biography
  • Jewish authors--United States--Biography
  • National Book Awards--History--20th century
  • Socialists--United States--Biography
Contributors
  • Bellow, Saul
  • Farrell, James T. (James Thomas), 1904-1979
  • Gold, Herbert, 1924-
  • Hofstadter, Richard, 1916-1970
  • Howe, Irving
  • Malamud, Bernard
  • Mills, C. Wright (Charles Wright), 1916-1962
  • Swados, Harvey, 1920-1972

Swift, Sarah J.

Sarah J. Swift Papers, 1890-1942
1 box (0.5 linear feet)
Call no.: MS 932

A Quaker and philanthropist from Worcester, Mass., Sarah J. Swift was a noted supporter of Friends’ missions in Palestine and Jamaica for over half a century. The wife of D. Wheeler Swift, an innovator in the manufacture of envelopes, Swift began to support the Friends’ foreign missions by the 1890s, becoming a major benefactor of the Eli and Sibyl Jones Mission and girls’ school in Ramallah and of the small Quaker mission at Buff Bay, Jamaica.

The Swift papers contain a thick series of letters from the Society of Friends’ Eli and Sybil Jones Mission in Ramallah, Palestine, documenting their activity between 1890 and 1942, with a much smaller series of letters relating to the mission at Buff Bay, Jamaica. The missionaries’ letters — including circular letters to supporters and others addressed to Swift personally — discuss school operations and local affairs in Palestine and Jamaica. Of particular note are letters discussing the work at Ramallah around the turn of the twentieth century and several letters discussing the hardships of wartime and recovery from war.

Gift of New England Yearly Meeting of Friends, 2016
Subjects
  • Eli and Sybil Jones Mission (Ramallah, Palestine)
  • Jamaica--History--20th century
  • Missionaries--Jamaica
  • Missionaries--Palestine
  • Palestine--History--20th century
  • World War, 1914-1918
  • World War, 1939-1945
Contributors
  • Jones, Alice W.
  • Kelsey, A. Edward
  • Vincent, Charles S.

Tillis, Frederick, 1930-

Frederick Tillis Papers, 1970-2010
10 boxes (8 linear feet)
Call no.: FS 156
Image of Fred Tillis, Nov. 23, 1977
Fred Tillis, Nov. 23, 1977

A composer, performer, poet, educator, and arts administrator, Fred Tillis was one of the major influences on the cultural life at UMass Amherst for forty years. Born in Galveston, Texas, in 1930, Tillis began playing jazz trumpet and saxophone even before his teens. A product of segregated schools, he graduated from Wiley College at the age of 19, and received his MA and PhD in music at the University of Iowa. As a performer and composer of unusual breadth, his work spans both the jazz and European traditions, and he has written for piano and voice, orchestra, choral pieces, chamber music, and in the African American spiritual tradition, drawing upon a wide range of cultural references. After teaching at Wiley, Grambling, and Kentucky State in the 1960s, Tillis was recruited to UMass in 1970 by his former adviser at Iowa, Philip Bezanson, to teach music composition and theory. Earning promotion to Professor in 1973, Tillis was appointed Director of the Fine Arts Center in 1978, helping to jump start some of the most successful arts initiatives the university has seen, including the the Afro American Music and Jazz program, the New World Theater, Augusta Savage Gallery, Asian Arts and Culture Program, and Jazz in July. Upon retirement from UMass in 1997, he was appointed Emeritus Director of the Fine Arts and remains active as a musician and poet.

The Tillis papers document an extraordinary career in the arts, focused on Fred Tillis’s work as a composer. Consisting primarily of musical scores along with an assortment of professional correspondence relating to his publishing and miscellaneous notes, the collection offers insight into the evolution of Tillis’s musical vision from the 1970s into the new millennium.

Subjects
  • African American composers
  • African American musicians
  • Fine Arts Center (University of Massachusetts Amherst)
  • Jazz
  • University of Massachusetts Amherst--Faculty
  • University of Massachusetts Amherst. Department of Music and Dance
Contributors
  • Tillis, Frederick, 1930-
Types of material
  • Scores
  1. Pages:
  2. 1
  3. ...
  4. 7
  5. 8
  6. 9
  7. 10
  8. 11
  9. 12
  10. 13
  11. 14

© 2017 * SCUA * UMass Amherst Libraries

Site policies