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Dethier, V. G. (Vincent Gaston), 1915-1993

Vincent G. Dethier Papers, 1943-1993
8 boxes (12 linear feet)
Call no.: FS 168
Vincent G. Dethier Papers image
Vincent Dethier, 1978

The Gilbert L. Woodside Professor of Zoology at UMass Amherst from 1975-1993, Vincent Dethier was an authority on the biophysics of insect chemosensation and neuroethology. Born in Boston in 1915 into a family of accomplished musicians, Dethier received his doctorate at Harvard in 1939 for a study of the feeding behavior of swallowtail butterfly caterpillars. After service with the Army Air Corps in North Africa and the Middle East during the Second World War and a stint at the Army Chemical Center in Maryland, he resumed his academic career, joining the zoology faculty at Ohio State, Johns Hopkins (1947-1958), the University of Pennsylvania (1958-1967), and Princeton (1967-1975) in succession. His appointment at UMass marks the founding of the university’s program in Neuroscience and Behavior. In addition to over 170 scholarly papers and five scholarly monographs on insect physiology, Dethier wrote several popular works on natural history as well as short stories and children’s books. The recipient of numerous honors during his academic career, Dethier was elected to the American Academy of Arts and Sciences (1960), the National Academy of Sciences (1965), and the American Philosophical Society (1980), and was recipient of the Entomological Society of America’s Founders’ Memorial Award (1967) and the John Burroughs Medal (1993) for nature writing.

Documenting his post-World War II career, Vincent Dethier’s correspondence relates to scientific organizations, publishing, travel, and speaking engagements, with somewhat sparser information on his research. There are also a handful of photographs, including a series of lantern slides from Dethier’s work in Africa, as well as a scrapbook, a complete set of his publishing scientific papers, and a sampling of short stories and creative writing.

Subjects
  • Entomology
  • University of Massachusetts Amherst--Faculty
  • University of Massachusetts Amherst. Biology Department
Types of material
  • Photographs

Dickinson, Walter Mason, 1856-1898

Walter Mason Dickinson Papers, 1858-1900
1 box (0.25 linear feet)
Call no.: FS 173
Walter Mason Dickinson Papers image
Walter Mason Dickinson, ca.1880

Originally a member of the Massachusetts Agricultural College Class of 1876, Walter Mason Dickinson left after his junior year to enter the U.S. Military Academy at West Point. During his military career, Dickinson saw service in the southwest and as a military instructor at MAC (1891-1896). As a Captain and Quartermaster in the 17th Infantry, he was called to active duty during the Spanish-American War and was killed in action at the Battle of El Caney. He was the first man associated with MAC to die in military service.

This small collection of photographs and letters centers on the death and family of Walter M. Dickinson, the first person associated with Massachusetts Agricultural College to die in combat. In addition to two of the last letters he wrote as he was heading off to war in Cuba, the collection contains three formal portraits of Dickinson at different points in his military career, images of his wife and family, and two images of the scene of his death at El Caney and one of his temporary grave.

Subjects
  • Dickinson, Asa Williams--Photographs
  • Dickinson, Charles--Photographs
  • Dickinson, Marquis F. (Marquis Fayette), 1814-1901--Photographs
  • Dickinson, Marquis F. (Marquis Fayette), 1840-19215--Photographs
  • Dickinson, Martha E.--Photographs
  • Dickinson, Walter Mason, 1856-1898--Photographs
  • Dwellings--Massachusetts--Amherst--Photographs
  • El Caney (Cuba)--Photographs
  • Farms--Massachusetts--Amherst--Photographs
  • Soldiers' bodies, Disposition of--Cuba--Photographs
  • Soldiers--United States--Photographs
  • Spanish-American War, 1898
Types of material
  • Ambrotypes
  • Correspondence
  • Photographs

Duesing, Bill

Bill Duesing Collection, 1995-2000
14 items (1.5 linear feet)
Call no.: MS 760
Bill Duesing Collection image
Bill and Suzanne Duesing

A pioneer in organic agriculture in New England, Bill Duesing has been as an environmental educator, writer, artist, and lecturer over for four decades. After graduating from Yale University (1964), Duesing worked as a Cooperative Extension agent before turning to organic principles in the early 1970s. Emphasizing sustainability and greater local food sufficiency, he has been instrumental in developing organic standards for gardening and land care and he has served as both founding president and later executive director of the Northeast Organic Farming Association Connecticut and president of the NOFA Interstate Council. During the 1990s, Duesing produced two radio shows, “Living on the Earth” (WSHU) and “The Politics of Food” (WPKN), and he is author of Living on the Earth: Eclectic Essays for a Sustainable and Joyful Future (1993).

The Duesing collection consists of transcripts of his radio show, “Living on the Earth” (1990-2000) and fourteen recordings of “The Politics of Food,” which was broadcast monthly over WPKN (89.5 FM) in Bridgeport in 1997-1998. Each half hour segment of “Politics” included news, a fifteen minute interview, recipes, and tips, with interviewees including Mel Bristol, Jac Smit, Vincent Kay, John Wargo, Hugh Joseph, Joseph Kiefer, Julie Rawson, Michael Sligh, Kathy Lawrence, Lee Warren, and Elizabeth Henderson.

Subjects
  • Cookery, Health aspects
  • Living on the Earth
  • Natural foods--Certification
  • Organic farming
  • Organic farming--Law and legislation
  • Politics of food
  • Sustainable agriculture
Contributors
  • Henderson, Elizabeth, 1943-
  • Rawson, Julie
Types of material
  • Audiotapes

Ebert, Siegried

Siegfried Ebert Papers, 1933-1986
2 boxes (0.75 linear feet)
Call no.: MS 576
Siegfried Ebert Papers image
Ebert in his studio, ca.1965

The graphic artist Siegfried Ebert had an important influence on the visual language of East German television and animated motion pictures. Born in Eibau on July 20, 1926, Ebert was drafted into the Luftwaffe in 1943, but shortly after going on active duty, he was severely wounded and taken prisoner by the English. After his release, Ebert shifted course in life, studying commercial art at the Kunstgewerbeschule Zittau and film at the Hochschule für bildende und angewandte Kunst in Wiessensee. He became one of the earliest artists to specialize in the new medium of television, working for Deutscher Fernsehfunk, doing graphic design and animation. A member of the Verband Bildender Künstler Deutschlands, he later worked on animated films for the DEFA studios. Suffering from ill health for the last several years of his life, Ebert suffered a heart attack in November 1985, and died at home shortly after his sixtieth birthday in 1986.

The Ebert Collection includes a small assortment of correspondence, awards, and biographical materials, along with examples of his graphic work for television and film. Among other unusual items in the collection are attractive handbills (small posters) for Progress and DEFA films, some original sketches, photographs and mockups of his artwork for television, and an assortment of personal and professional ephemera.

Subjects
  • Germany, East--Social life and customs
  • Graphic artists--Germany, East
  • Motion pictures--Germany, East
  • Prisoners of War--Germany
  • Television--Germany, East
  • World War, 1939-1945
Contributors
  • Ebert, Siegfried
  • Thorndike, Andrew
Types of material
  • Animation drawings
  • Ephemera
  • Handbills
  • Photographs
  • Posters

Ege, Otto F., 1888-1951

Otto F. Ege, "Fifty Original Leaves From Medieval Manuscripts", 12th-14th century
1 box (0.25 linear feet)
Call no.: MS 570
Otto F. Ege,
Beauvais Missal

The scholar of book history Otto F. Ege disassembled works from his personal collection of medieval manuscripts to create forty portfolios of fifty leaves each, offering these sets for sale to individuals and institutions under the title “Fifty Original Leaves From Medieval Manuscripts.” Marketing his portfolios as a resource for study of the history of the book, book illustration, and paleography, Ege justified his biblioclastic enterprise as a means of sharing the beauties of Medieval books with a wider audience.

The majority of the texts scavenged for Otto Ege’s “Fifty Original Leaves From Medieval Manuscripts” (all but one in Latin) are liturgical in origin — Bibles, psalters, missals, breviaries, and Books of Hours — however Ege also included a few less common works such as the 15th-century manuscript of Livy’s History of Rome and a version of Thomas Aquinas’s Commentary on the Sentences of Peter Lombard. The leaves range in date from the late twelfth to the early sixteenth century and represent a number of distinctive regional styles in paleography and illumination from throughout western Europe, including Italy, France, Germany, the Low Countries, Switzerland, and England. The UMass Amherst set is number six of 40.

Subjects
  • Manuscripts, Medieval
  • Paleography
Contributors
  • Ege, Otto F., 1888-1951
Types of material
  • Books of hours
  • Breviaries
  • Missals

Enola Gay Controvery

Enola Gay Controversy Collection, 1995
2 boxes (1 linear feet)
Call no.: MS 615

On January 30, 1995, the National Air and Space Museum capitulated to popular and political pressure and scuttled an exhibit they had planned to coincide with the fiftieth anniversary of the end of the Second World War. Early in 1993, curators began to develop plans for an exhibit that would center around the Enola Gay, the B-29 Stratofortress bomber that dropped the atomic bomb on Hiroshima, but opposition from veterans’ groups rose almost immediately. By mid-summer, the Air Force Association and American Legion led opposition to the exhibit, fearing that it would not present a balanced view of the events and that it would focus exclusively on the “horrors of war” and an alleged “moral equivalence” between Japan and the United States. Although several attempts were made to rewrite the script of the exhibit, congressional and public pressure eventually led to the cancellation of the exhibit in January 1995 and to the resignation of the Director of the Museum, Martin Harwit, in May.

Collected by historian Waldo Heinrichs, the Enola Gay Controversy Collection contains the various versions of the scripts of the planned exhibition and copies of correspondence, memos, publications, and the three volumes of “Revisionism gone wrong: Analysis of the Enola Gay controversy” issued by the Air Force Association.

Subjects
  • Atomic bomb--Moral and ethical aspects
  • Enola Gay (Bomber)--Exhibitions--Political aspects
  • National Air and Space Museum--Exhibitions--Political aspects
Contributors
  • Heinrichs, Waldo

Experiential Training in Historic Information Resources (Ethir) is an initiative of the Department of Special Collections and University Archives in the UMass Amherst Libraries designed to provide students with structured, hands-on experience using and interpreting historical documentary resources. As part of our effort to integrate Special Collections more fully into the learning and research mission of the university, we offer an opportunity for select graduate students to work in the Department on a research project, while gaining first-hand experience in historical and archival praxis. Ethir fellows will take part in a range of activities in the digital humanities tied to primary source material, including curating exhibits, building digital corpora, or developing other interpretive materials.

Successful applicants will work with SCUA staff to identify a digital project that will make use of their interests and experience and that will provide a creative opportunity for building new digital skills. We ask students write a 1-2 page statement of interest outlining how their research interests might engage the department and the primary source material we collect.

Projects may include work with our collections in:

Or fellows can propose to work with a collection or topic of their choice.

Through the Ethir program, we also offer orientation for classes in any discipline that would benefit from exposure to the primary archival resources under our stewardship. Our staff are happy to work with the faculty to increase their students’ information literacy in a variety of legacy formats as well as with new digital media.

View past Ethir Fellows

Application information

Eligibility: Graduate students from any department enrolled at UMass Amherst.
Award: Graduate students from any department enrolled at UMass Amherst.
Evaluation criteria: Fellows will be selected from the pool of applicants on a competitive basis based upon: 1) a brief (1-2 page) statement of interest, 2) ability to contribute to the work of SCUA, and 3) a curriculum vita and letter of support.
Support & expectations: Fellows will receive an honorarium of $500, plus hourly compensation for 150 hours of work.
Deadline for submission: Applications must be received by April 17, 2015.
How to submit: Applications should be submitted electronically to scua [at] library.umass.edu with “ethir application” and your name in the subject line. Letters of recommendation should be sent separately to the same address.

InformationDownload the application form (rtf file).

Ethir Outcomes

For Fellows

  • Provide hands-on experience using and interpreting historical materials
  • Expose fellows to historical and archival standards and practices
  • Assist fellows in developing research projects based on primary resources
  • Increase access and provide additional scholarly layers for SCUA’s collections
  • Foster information literacy in legacy historical formats
  • Enhance learning and research at the university
  • Create web-accessible guides and exhibits that will enhance fellow’s portfolios
  • Fellows will produce tangible products for public consumption (e.g., finding aids, guides, digital collections, exhibits) based upon new or under-described collections, and they may assist in providing instruction for peers and classes

For Faculty

We will provide structured orientation for individuals and classes involving active learning, with an emphasis on:

  • Handling original materials (paleography, formats)
  • Interpreting historical content
  • Interpreting historically specific forms of information
  • Navigating the Department’s web resources
  • Translating research interests into usable queries
Tulip poplar leaves
Tulip poplar leaf Arthur Mange Collection

Drawing upon the unique materials under their care, the staff of the Department of Special Collections and University Archives organize two to three exhibits a year in their reading room and work regularly with their colleagues in the general library to prepare other exhibits for display on the Lower Level of the W.E.B. Du Bois Library.

Current Exhibit

Through The Photographer’s Eyes: The Diana Mara Henry Collection (20th Century Photographer)

August 19, 2016-January 13, 2017
Location: SCUA and Learning Commons, Du Bois Library

The work of photojournalist Diana Mara Henry spans four decades of political, social, and cultural change in America. After graduating from Harvard with a degree in government in 1969, Henry returned to New York to work as a researcher with NBC News and as a general assignment reporter for the Staten Island Advance, but in 1971 she began to work as a freelance photographer. Among many projects, she covered the Democratic conventions of 1972 and 1976 and was selected as official photographer for both the National Commission on the Observance of International Women’s Year and the First National Women’s Conference in 1977, and while teaching at the International Center of Photography in Manhattan from 1974-1979, she developed its community workshop program and was a leader in a campaign to save the Alice Austen House. Her body of work ranges widely from the fashion scene in 1970s New York and personal assignments for the family of Malcolm Forbes and other socialites to political demonstrations, cultural events, and photoessays on one room schoolhouses in Vermont and Ulster County, NY, and everyday life in Brooklyn, France, Nepal, and Bali

Henry’s photographs have appeared in government documents, magazines, books such as Newsweek’s Pictures of the Year 1977, and the 1989 Pulitzer and Tony award-winning play The Heidi Chronicles. They have been exhibited in many locations including a one-woman show at the Women’s Hall of Fame in Seneca Falls, NY; The Park Avenue Armory, NYC; and The American Civil War Center at Historic Tredegar, Richmond, VA. In addition to the UMass Amherst Libraries, Henry’s photographs are in the collection of the National Archives.

The exhibit features photographs taken by Henry along with a rich array of related materials—including speeches, press releases, brochures, and her own notes—collected over the years; taken together they document the political and cultural scene of the second half of the twentieth century. Items on display cover a wide range of topics from the Vietnam Veterans Against the War, The Women’s Pentagon Action, the McGovern campaign, the New York State Women’s Meeting and First National Women’s Conference to Permaculture, New York politics, and New York society.

Upcoming Exhibits

New England Yearly Meeting of Friends Records

January 20, 2017-June 2017
Location: SCUA and Learning Commons, Du Bois Library

Consolidated beginning in the 1960s, the NEYM collection contains the official records of the New England Yearly Meeting from its founding in the seventeenth century to the present, along with records of most of its constituent Quarterly, Monthly, and Preparative Meetings and records of Quaker schools and trusts. As varied as the Quaker practice they document, these records include minutes of meetings for business; committee records; newsletters, financial records; some personal papers; printed books and serials; and an assortment of photographs, audiovisual materials, microfilm, and electronic records. Of particular note are the vital statistics recorded by the Monthly Meetings, including general information on births, deaths, marriages, membership, and obituaries, and specifically-Quaker information on removals (formal letters written as members moved from one meeting to another), denials, testimonies (beliefs and convictions), and sufferings (penalties Quakers suffered for following testimonies).

The collection also includes several thousand Quaker books and pamphlets, including the libraries of Moses and Obadiah Brown and several individual monthly meetings.

Brother David Steindl-Rast Papers

August 2017-January 2018
Location: SCUA and Learning Commons, Du Bois Library

Brother David is one of the most important figures in the modern interfaith dialogue movement, leaving Mount Savior in the mid-1960s to study Zen Buddhism with Hakuun Yajutami, Shunayu Suzuki, and Soen Nakagawa. He was the first Benedictine to learn directly from Buddhist teachers and received Vatican support for his bridge-building work in 1967. When not in seclusion, Brother David has served as a teacher of contemplative prayer, the intersection of Zen and Catholicism, and gratefulness as a spiritual practice. Through many books and articles, lectures, and residencies in spiritual centers like Tassajara and the Esalen Institute, Brother David has developed an influential philosophy and much of the current popularity of mindfulness and Zen-influenced living and activism owes a debt to his teachings.

The Brother David Steindl-Rast Papers include Brother David’s extensive published and unpublished writings, sermons, memoirs, personal journals, correspondence, photographs, recordings, and videos of his teachings. His papers extend back to his youth in Vienna, documenting his childhood and experience during the war, including a complete run of Die Goldene Wagen, the children’s magazine published by Brother David’s mother Elisabeth Rast.

Exhibits online
100 photos: Arthur Mange
Arthur Mange

Photographs from the collection of Arthur Mange.

Photographer: DMH
Diana Mara Henry Photographs

Photographs from the collection of Diana Mara Henry. An exhibit by Chuck Abel.

E.D. Hudson

An examination of social reform and antislavery in Antebellum New England. An exhibit by Charles Weisenberger.

Rhetoric or Research
Rhetoric or research

interprets student protests against CIA recruitment at UMass Amherst during the 1980s through a selection of images taken by student photojournalists.
By Tom Hohenstein (ETHIR recipient, 2011).

Gordon Heath

A digital curriculum for teaching U.S. history using archival resources. An exhibit by Emily Oswald (ETHIR recipient, 2011).

Behold And See As You Pass By
I see dead people

An online exhibit on gravestones and mortuary art in Early New England drawn from the Association for Gravestones Studies Collections. By Molly Campbell (ETHIR recipient, 2011)

Robot reader

Science fiction readership in the Cold War and beyond. An exhibit by Morgan Hubbard.

Fifteen letters
Letters home

Conrad D. Totman’s letters home from Korea, 1954-1955. An exhibit by Alex McKenzie.

Du Bois photographs

An online exhibit on the life and legacy of W.E.B. Du Bois based on his papers.

Herbals and Insects
A scarab beetle

A selection of rare botanical and entomological books from the SCUA collections.

A bee

Books on bees and beekeeping. An exhibit by Richard A. Steinmetz.

Farber, Daniel

Daniel and Jessie Lie Farber Photograph Collection, 1973
9 boxes (5.75 linear feet)
Call no.: PH 022
Daniel and Jessie Lie Farber Photograph Collection image
Jonathan Butterfield, Chelmsford, 1750

A businessman from Worcester, Mass., Daniel Farber (1906-1998) was among the best known photographers of early American gravestone art. Over the course of twenty years beginning in about 1970, he and his wife Jessie Lie Farber (a faculty member at Mount Holyoke College) took thousands of photographs of gravestones throughout New England and the eastern United States, eventually extending their work internationally. Interested in both the artistic and cultural value of gravestones, the Farbers were founding members of the Association for Gravestone Studies in 1976 and influenced a generation of fellow researchers in gravestone studies.

Printed in 1973, the Farber Collection includes 326 black and white prints (5×7″),mounted on rag board, of of colonial and early national gravestones in Massachusetts. The towns represented, most by multiple images, include Auburn, Billerica, Boylston, Brookfield, Cambridge, Charlestown, Chelmsford, Concord. Holden, Leicester, Lexington, Marlboro, Northboro, North Brookfield, Oxford, Paxton, Rutland, Shrewsbury, Sudbury, Watertown, Wayland, and Westboro.

Subjects
  • Gravestones--Massachusetts
Contributors
  • Association for Gravestone Studies
  • Farber, Daniel
  • Farber, Jessie Lie
Types of material
  • Photographs

Feinberg, Kenneth R., 1945-

Kenneth R. Feinberg Collection of Classical Music Programs, 1967-2015
6 boxes (9 linear feet)
Call no.: MS 766
Kenneth R. Feinberg Collection of Classical Music Programs image
Program, Metropolitan Opera, 1969

Attorney and UMass alumnus Kenneth R. Feinberg, well known as a mediator, special master of compensation funds, and dedicated public servant, is a longtime devotee of opera and classical music. Since his days as a law student in New York in the late 1960s, continuing through his career practicing law in Washington, D.C., Feinberg has regularly attended operas, concerts, musical theater, and other musical performances. He has also served as president of the Washington National Opera and led a private opera appreciation group.

This extensive collection of more than 1,000 items encompasses a wide range of composers, productions, concerts, companies, and venues, mainly in the United States, with some European performances represented. Documenting more than four decades of concert- and opera-going, and arranged in rough chronological order according to Feinberg’s numbering system, the programs are searchable by composer in an accompanying card index. There is also a small amount of related ephemera, including some vintage programs. Additions to the collection are expected.

Subjects
  • Music
  • Musical theater
  • Opera
  • Symphony orchestras
Contributors
  • Feinberg, Kenneth R., 1945-
Types of material
  • Card files
  • Ephemera
  • Playbills
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