The Department of Special Collections and University Archives houses over 35,000 volumes reflecting an evolving history of collecting at UMass Amherst. Beginning in the late 1860s with a focus on agriculture and the natural sciences, SCUA has developed into a resource for the study of regional and local history in New England, emphasizing our varied cultural, social, religious, and political histories.
Beyond New England, SCUA has built strength in several distinct areas, ranging from the history of social change to the extraordinary collection of Japanese rarities collected by the geologist Benjamin Smith Lyman during the Meiji era. Other noteworthy collections include those pertaining to the culture of the Cold War: a growing collection of books printed in East Germany and one of the largest collections of materials in the United States from the Solidarity movement in Poland.
All books and periodicals held by SCUA are cataloged in the Library’s online catalog and summary descriptions of most major book collections, but not individual titles, are included in SCUA’s own online catalog, UMarmot.
Selected areas of collecting interest:
Agriculture, horticulture, natural history
The library holds key works in apiculture, entomology, gardening, landscape design, organic agriculture, pomology, sustainability, and viticulture, with numerous works in animal husbandry. Materials date back to the 16th century, however the strength of the collections lies in the late 18th and 19th centuries.
Cookery in New England
The collections of Beatrice A. McIntosh, Athena Savas, and Lynette Foucher, among others, include books, pamphlets, and ephemera relating to the culinary history of New England, including many thousands of cookbooks published by church and community organizations.
European history and culture
Diverse collections ranging from materials on Revolutionary-era Europe, 1789-1848 (the Binet and Brabançonne Collections); Anglo-American Political Economy; twentieth century German history (the Harold Gordon Collection on the Interwar period and the Hans Joachim Ring Collection on East German cinema); and Communist-era Poland (Basia Jakubowska Schlatner Solidarity Collection).
Gay and Lesbian Literature
The centerpiece extensive of our holdings is the collection of gay rights pioneer Barbara Gittings and her partner, Kay Tobin Lahusen, which includes books on the history of homosexuality in America, works by and about gay writers, gay activism, and related topics.
Books by and about Robert Francis, Archibald MacLeish, William Manchester, William Lederer, and the Broadside Press, among others, as well as the poetry libraries of Francis, Wallace Stevens, and Anne Halley. Although the literary collections focus largely on New England writers, SCUA houses fine collections of the works of William Morris and William Butler Yeats, signed first editions of works by Thomas Mann, and collections of French and Scottish writers.
New England history and culture
Local and regional histories, novels, and other writing about Massachusetts from the eighteenth century to the present. These include an array of election, ordination, installation, dedication, fast-day, mission, farewell, and funeral sermons; Fourth of July orations; and addresses to or by benevolent, cultural, and civic organizations in the Commonwealth. SCUA also collects works printed in small towns and rural districts of Massachusetts from the eighteenth and nineteenth centuries.
Valuable collections for the history of antislavery in New England and politics of the left. The John P. Roche and Steven Siteman Collections focus on the American left from the late 19th century through the 1950s, with some European materials and materials from the political right.
John P. Roche Collection, 1886-1965.
Call no.: RB 008
A political scientist, writer, and government consultant, John P. Roche was born in Brooklyn, N.Y., on May 7, 1923, the son of a salesman. A liberal Social Democrat and fervent anti-Communist, Roche spent his academic career at Haverford College and Brandeis and Tufts Universities, writing extensively on American foreign policy, constitutional law, and the history of political thought in America, and maintaining a strong interest in the history of the American left. During the 1960s and early 1970s, he served as an adviser to the Kennedy, Johnson, and Nixon administrations.
The Roche Collection consists of over 300 publications pertaining to the political left in the United States, with a smaller number of works from the radical right and from European Socialists and Communists. Concentrated in the years spanning the Great Depression, the Second World War, and the McCarthy hearings, many of the works were produced by formal political parties in response to particular political campaigns, current events, or social issues, with other works geared primarily toward consciousness raising and general political education on trade unionism, fascism, war and peace, American foreign policy, and freedom of speech and the press.
- United States--Foreign policy--20th century
- World War, 1939-1945
- Coughlin, Charles E. (Charles Edward), 1891-1979
- Roche, John P.
Barbara Rotundo Photograph Collection, ca.1970-2004.
Call no.: PH 050
A long-time member of the English Department at the University of Albany, Barbara Rotundo was a 1942 graduate in economics at Mount Holyoke College. After the death of her husband, Joseph in 1953, Rotundo became one of the first female faculty members at Union College, and after earning a master’s degree in English at Cornell University and a doctorate in American Literature from Syracuse University, she served as an associate professor of English at the University of Albany, where she founded one of the first university writing programs in the United States. Avocationally, she was a stalwart member of the Association for Gravestone Studies, helping to broaden its scope beyond its the Colonial period to include the Victorian era. Her research included the rural cemetery movement, Mount Auburn Cemetery, white bronze (zinc) markers, and ethnic folk gravestones. Her research in these fields was presented on dozens of occasions to annual meetings of AGS, the American Culture Association, and The Pioneer America Society. In 1989, after residing in Schenectady for forty-six years, she retired to Belmont, NH, where she died in December 2004.
Consisting primarily of thousands of color slides (most digitized) and related research notebooks, the Rotundo collection is a major visual record of Victorian grave markers in the United States. The notebooks and slides are arranged by state, with an emphasis on the eastern states, and white bronze (zinc) markers also are represented in photographs and a separate research notebook. The collection also includes several rare or privately published books.
- Cemeteries--New York (State)
- Sepulchral monuments--New Jersey
- Sepulchral monuments--New York (State)
- Sepulchral monuments--Pennsylvania
- Rotundo, Barbara
Types of material
Roxbury Action Program Collection, 1944-1975 (Bulk: 1966-1974).
Call no.: MS 765
The Roxbury Action Program and Black Panther Party of Boston were both founded in the Roxbury section of Boston following the riots of 1968. RAP pursued community revitalization through Black self-determination and enjoyed success in its housing initiatives and in providing social services ranging from support for Black businesses to Black draft counseling, health and legal referrals, a Black library, and community awareness program.
Although the exact provenance of this small collection is uncertain, the materials appear to have been collected by an individual, possibly a woman, associated with the early days of the Roxbury Action Program and Boston branch of the Black Panther Party. Steeped in Black Power ideology, the collection includes publications of the Black Panther Party, the Nation of Islam, and other organizations, as well as an insightful series of transcripts of Roxbury Action Program meetings held during its first few months of operation.
- African Americans--Massachusetts--Boston
- Black Panther Party
- Black power
- Nation of Islam (Chicago, Ill.)
- Roxbury (Boston, Mass.)--History
- Morrison, George
Types of material
Emanuel Rubin Papers, 1964-2006.
Call no.: FS 155
Emanuel Rubin was a professor of Musicology and Judaic Studies at UMass Amherst from 1986 until his death in 2008. From 1986-1987 he served as Head of the Department of Music and Dance. In addition to teaching, he performed frequently as a soloist and an ensemble member on the French horn, Viola da Gamba, and as a choral member. He actively conducted and composed works for solo performers and ensembles. Rubin was originally from Pittsburgh, and attended Carnegie Mellon University for his undergraduate work. He received a Master’s Degree in Music composition from Brandeis University, and a doctorate in musicology from University of Pittsburgh. Prior to arriving at UMass Amherst, he taught at Ball State University, University of Milwaukee Wisconsin, and Bowling Green State University. His research interests were the relationship between Judaism and music, and the history of glees, which was the topic of his doctoral dissertation.
The Emanuel Rubin Papers contain records of extensive research in the area of Georgian glees, including historical background, scores, lyrics, and correspondence regarding the research. The collection also includes programs and newspaper clippings from many of Rubin’s performances throughout his career, manuscripts of his publications and compositions, as well as some teaching materials and course information from his time at UMass.
- Glees, catches, rounds, etc.--History and criticism
- University of Massachusetts Amherst--Faculty
- University of Massachusetts Amherst. Department of Judaic and Near Eastern Studies
- University of Massachusetts Amherst. Department of Music and Dance
- Rubin, Emanuel, 1935-
Types of material
Blake Slonecker Collection, 2008.
Call no.: MS 795
An historian of twentieth century social movements, Blake Slonecker received his doctorate at the University of North Carolina in 2009 and joined the history faculty at Waldorf College soon thereafter. In a dissertation examining the utopian impulses of the New Left (published in 2012 as A new dawn for the New Left: Liberation News Service, Montague Farm, and the long sixties), Slonecker explored how the political and cultural activism of the 1960s helped reshape American political culture in the decade following.
In June 2008, Slonecker conducted oral historical interviews with four individuals who were part of the extended community centered on the Montague Farm and Packer Corners communes during the late 1960s: Tom Fels, Charles Light, Sam Lovejoy, and Richard Wizansky. In wide-ranging interviews, the former communards discuss topics ranging from the fraught politics of the era, political and cultural activism, gender roles and sexuality, and daily life on the communes.
- Amherst College
- Babbitt, Elwood, 1922-
- Bloom, Marshall, 1944-1969
- Brotherhood of the Spirit (Commune)
- Clamshell Alliance
- Green Mountain Post Films
- Johnson Pasture Community (Vt.)
- Liberation News Service (Montague, Mass.)
- Montague Farm Community (Mass.)
- Musicians United for Safe Energy
- Packer Corners Community (Vt.)
- Students for a Democratic Society (U.S.)
- Fels, Thomas Weston
- Light, Charles
- Lovejoy, Sam
- Wizansky, Richard
Types of material
- Oral histories (document genres)
Each fall, the Department of Special Collections and University Archives sponsors a colloquium focusing on a topic in social change. Like SCUA’s collections, these colloquia cover a broad terrain, touching on a variety of issues in social justice, equality, and democracy.
Colloquia are free and open to the public.
November 3, 2014, from 4:00 p.m. to 5:30 p.m., Lower Level, W.E.B. Du Bois Library
“A Long and Winding Road: The legacy of the back-to-the-land communes of the 1960s,” will explore the nearly forty year history of some of the region’s best known communes: Montague Farm and Wendell Farms nearby in Massachusetts, and Packer Corners and Tree Frog Farms in neighboring southern Vermont. All were partners in the back-to-the-land movement of the late 1960s and early 1970s; all have survived into the current era. The colloquium’s four speakers, who have each spent much of the intervening years on or near one of the four farms, represent each of these idealistic enterprises, as well as offering their own specific views. What have they learned from their long years in service to their ideals? Was the altruism of the counterculture era borne out in the experiences they faced later? Would they recommend the route of alternative life to the youth and radicals of today?
The sources of inspiration that led to the creation of these communities and the evidence of their later influence are documented by SCUA. The Famous Long Ago archive was formed to collect, preserve, and make available materials relating to the communes at Montague Farm, Packer Corners, Johnson Pasture, Wendell Farm, and Tree Frog Farm. Collections range from from the papers of writers Steve Diamond, Raymond Mungo, and Jonathan Maslow to those of anti-war activists Randy Kehler and Betsy Corner; from the records of the Liberation News Service, the organization that spawned the farms, to the Alternative Energy Coalition, and Musicians United for Safe Energy, later enterprises of the region’s communal farmer-activists. It also includes the photographic collections of farm parent Roy Finestone, photojournalist Lionel Delevingne, and former head of a neighboring Montague ashram, Stephen Josephs.
Daniel Keller, filmmaker, farmer: Wendell Farm, Green Mountain Post Films
Verandah Porche, writer, teacher: Packer Corners Farm, Monteverdi Artists Collaborative
John Scagliotti, filmmaker, LGBT activist: Tree Frog Farm, Kopkind Colony
Susan Mareneck, artist, teacher, social worker: Early resident and longtime neighbor of Montague Farm, Montague Catholic Social Ministries
Timothy Miller, University of Kansas, scholar of intentional communities, author of The Hippies and American Values (1991), The Quest for Utopia in Twentieth-Century America (1998), The Sixties Communes: Hippies and Beyond (1999)
Verandah Porche, a forty-year resident of Packer Corners Farm (known to the reading public, through the works of Ray Mungo and others, as Total Loss Farm) works as a poet-in-residence, performer, and writing partner. Based in rural Vermont since 1968, she has published three volumes of poetry – Sudden Eden (Verdant Books), The Body’s Symmetry (Harper and Row) and Glancing Off (See Through Books) – and has pursued an alternative literary career, creating collaborative writing projects in nontraditional settings: literacy and crisis centers, hospitals, factories, nursing homes, senior centers, a 200 year-old Vermont tavern, and an urban working class neighborhood. Broad Brook Anthology, a play for voices, honors the lives of elders in her home town of Guilford, Vermont. Listening Out Loud documents her residency with Real Art Ways in Hartford, Connecticut. Come Over is a CD of songs written with her neighbor Patty Carpenter, performed by the Dysfunctional Family Jazz band. She has read her work on NPR stations, in the Vermont State House, and at the Guggenheim Museum. In 1998 the Vermont Arts Council presented her with its Award of Merit, and Marlboro College, in 2012, an honorary Doctor of Humane Letters.
Susan Mareneck arrived in the Pioneer Valley in the mid 1960s, and spent her college years engaged in civil rights and anti-war activities, majoring Art and Political Science. After experiencing Montague Farm for several months in its early days, she settled into an unrenovated 18th century farmhouse in nearby Leverett, a building without heat or running water. Improving it slowly but concertedly over the years, she returned regularly to the house for vacations and summers, and has remained a neighbor of Montague Farm and a member of its extended family ever since. Decamping after several years for a graduate degree in art, and finally a move to New York, she spent 30 years making art and teaching it at the Spence School and the Convent of the Sacred Heart, on New York’s upper east side, before returning to western Massachusetts in 2009 to work full time with families in Turners Falls as Executive Director at Montague Catholic Social Ministries. Living three blocks from Ground Zero, Susan saw her world change forever on 9/11. Her turn from education to social work reflects her long interest in non-profits and the role of faith in social change. Her work in that area has included projects directed toward employment, racism, educational policy, and prisons. She has exhibited, lectured, and published in the visual arts and historic preservation, and remains active in organizing the local history of her town, North Leverett, Mass.
John Scagliotti is an Emmy Award-winning American film director, producer, and radio broadcaster. He has received honors for his work on documentaries about LGBT issues including Before Stonewall and After Stonewall. During the 1970s, Scagliotti was the News and Public Affairs Director of the pioneering radio station WBCN-FM in Boston. For his work in radio, he was awarded two Major Armstrong Awards. In the early 1980s, he attended New York University Film School and went on to create In the Life for PBS, the first gay and lesbian national television series in the United States. The Scagliotti-produced documentary film Before Stonewall (1985) won the Audience Award at L.A. Outfest and two Emmies. Scagliotti directed a companion piece, After Stonewall, which won a Golden Eagle and the Audience Award at the Los Angeles Gay and Lesbian Film Festival. Scagliotti is openly gay. His partner for 24 years was the late, highly regarded journalist Andrew Kopkind. Together they produced the radio show The Lavender Hour. Scagliotti is a longtime resident of the Kopkind Colony, an activist community housed at Tree Frog Farm, a close neighbor to Packer Corners Farm in Guilford, Vermont. The Kopkind Colony holds an educational summer residency program for nonpartisan, independent journalists and community organizers. In addition, the Colony fosters public education through publication of its lectures and the hosting of open forums on contemporary issues held at Tree Frog Farm and in other educational centers around the country.
Daniel Keller, a founder of Wendell Farm, in Wendell Massachusetts, has lived there, keeping it a working organic farm, since its inception in 1969. In collaboration with Charles Light, a former communard of the Johnson Pasture and Montague Farm, Keller’s Green Mountain Post Films, with offices in nearby Turners Falls, has produced and distributed award-winning films for more than twenty-five years. GMP’s first documentary Lovejoy’s Nuclear War, released in 1975, about Montague Farm activist Sam Lovejoy, was one of the first films to question the nuclear energy policy of the United States. Since then GMP Films has continued to produce movies that explore social issues, Its films have been used as educational and organizational tools for activists working on peace, veteran, nuclear, environmental, and other related issues. GMP films include: The Last Resort (1978), and Save the Planet (1979), both on nuclear issues; The Secret Agent (1983), on Agent Orange; and Unknown Secrets (1990), on the reaction of artists and writers to the arrest, trial, and execution of accused spies Julius and Ethel Rosenberg. For Vietnam Experience Keller and Light teamed up with musician Country Joe McDonald to bring viewers closer to the reality of the Vietnam War. Cannabis Rising is an early investigation into the issues surrounding marijuana today so much in the news.
Timothy Miller is a longtime student of communal living, professor of religious studies at the University of Kansas, and author of The Hippies and American Values (1991), The Quest for Utopia in Twentieth-Century America (1998), The Sixties Communes: Hippies and Beyond (1999). His course offerings include a history of intentional communities in America; American religious history; and an overview of new and alternative religious movements in the United States. Miller’s major research focus is the history of intentional communities in America, especially in the twentieth century. For his work in this area, Professor Miller has been recognized by the Communal Studies Association as a distinguished scholar. Additional areas of research interest include American religious history, new and alternative religious movements in the United States, and religion in Kansas. Professor Miller also coordinates the Religion in Kansas Oral History Project. His most recent publications include The Encyclopedic Guide to American Intentional Communities (Richard Couper Press), Spiritual and Visionary Communities: Out to Save the World (Ashgate Publishing), as well as the second edition of The Hippies and American Values (University of Tennessee Press), and the second edition of Following In His Steps: A Biography of Charles M. Sheldon (University of Tennessee Press). Through Miller’s work on American communes, he has long been familiar with the extended farm family at the center of the current symposium. In a recent book review, taking in the larger field in which he is involved, he wrote, “…it can be safely said that Montague Farm has the best published record of any of the communes.”
Ray Ethan Torrey Papers, 1832-1983.
Call no.: FS 121
A plant morphologist and member of the Botany Department at Massachusetts Agricultural College, Ray Ethan Torrey was among the college’s most charismatic faculty members during the early twentieth century. Born in Leverett, Mass., and educated in the local public schools, Torrey graduated from MAC with the class of 1912, earning his PhD at Harvard six years later. After serving on the faculty of Grove City College and Wesleyan, he returned to his alma mater in 1919, where he remained for more than 36 years. A specialist in plant morphology and author or two widely used textbooks and numerous articles, Torrey’s introductory course in botany was among the most popular in the college. He was best known, however, for taking a broader, philosophical approach to science that encouraged students to explore the connections between philosophy, science, religion, and the humanities. Torrey died of leukemia in Boston on Jan. 16, 1956.
Correspondence, chiefly with former students and colleagues at other institutions; lecture notes and outlines; 27 pen and ink drawings; published writings and drawings; biographical material; class and laboratory notes taken by students; family and educational records (1832-1956); photographs, and other papers.
- Botany--Study and teaching
- University of Massachusetts Amherst--Faculty
- University of Massachusetts Amherst. Botany Department
- Torrey, Ray Ethan, 1887-
Types of material
- Pen and ink drawings
University of Massachusetts Amherst. Library, 1876-2007.
Call no.: RG 008
Beginning in a room in the first South College building, filled with books donated by faculty, staff, and students, the University Library has grown to include over three million items. After expanding into larger quarters in the Old Chapel Building in 1884 (the first campus building designed as a library), the library was relocated to Goodell Hall (1935) and the University Library tower (1973), named the W.E.B. Du Bois Library in 1996. Other library facilities on campus have included libraries for the biological sciences, physical sciences, and the Music Library, as well as the Integrated Science and Engineering Library in the Lederle Graduate Research Center.
The collection consists of basic administrative records of many library departments, the records of the Library Director (1924-1975), other materials that document the library, its staff and activities, and information about the design, construction, and dedication of the W.E.B. Du Bois Library tower, the Hampshire Inter-Library Center (HILC), and Five College cooperation.
- Academic libraries--Massachusetts
- University of Massachusetts Amherst. Library
Roberta Uno Collection of Asian American Women Playwrights' Scripts, 1924-2005.
Call no.: MS 345
Roberta Uno was the founder and long time artistic director of the New WORLD Theater at UMass Amherst, a theater in residence dedicated to the production of works by playwrights of color.
Established by Uno in 1993, the Asian American Women Playwrights Scripts Collection contains manuscripts of plays, but also production histories, reviews, and articles, along with biographies and audio and videotaped interviews with playwrights. Among the individuals represented are Brenda Wong Aoki, Jeannie Barroga, Marina Feleo Gonzales, Jessica Hagedorn, Velina Hasu Houston, Genny Lim, le thi diem thuy, Ling-Ai Li, Victoria Nalani Kneubuhl, Nobuko Miyamoto, Bina Sharif, and Diana Son.
- Asian American women authors
- New WORLD Theater
- Uno, Roberta, 1956-
Types of material
- Scripts (Documents)