Copies of letters written by Harding to Carrie Phillips between 1909 and 1920, as well as copies of the correspondence of Nan Britton, who allegedly had a child with the President, including letters between her and the collector, Dean Albertson, that discuss the book she authored about her relationship with Harding, The President’s Daughter.
Correspondence of Carrie Phillips with Harding was restricted until 2014 by order of an Ohio court.
Mary Frances Healy, a young schoolteacher from Springfield, Mass., volunteered to serve with the National Catholic War Council in the waning days of the First World War. Stationed for sixth months at the Etoile Club in Paris in 1919, Healy helped provide meals, entertainment, and support for Catholic American serviceman awaiting demobilization. After returning home to Springfield, she resumed her teaching career at the Chestnut Street Junior High School.
This slender photograph album contains 53 photographs from Mary Healy’s time working with at the National Catholic War Council’s Etoile Club in Paris in 1919. Healy included a handful of images of the Club’s interior taken by a professional photographer, but also includes her own images depicting the staff and the area around the Club along with side trips to the scene of American military action at Belleau Wood and Chateau Thierry, the American military cemetery there and the devastation inflicted on the nearby town of Bouresches, and scenes in the streets of Paris, Rheims, and in the Haute Pyrenees.
Recognized for her coverage of historic events and personalities, the photographer Diana Mara Henry took the first steps toward her career in 1967 when she became photo editor for the Harvard Crimson. After winning the Ferguson History Prize and graduating from Harvard with a degree in government in 1969, Henry returned to New York to work as a researcher with NBC News and as a general assignment reporter for the Staten Island Advance, but in 1971 she began to work as a freelance photographer. Among many projects, she covered the Democratic conventions of 1972 and 1976 and was selected as official photographer for both the National Commission on the Observance of International Women’s Year and the First National Women’s Conference in 1977, and while teaching at the International Center for Photography from 1974-1979, she developed the community workshop program and was a leader in a campaign to save the Alice Austen House. Her body of work ranges widely from the fashion scene in 1970s New York and personal assignments for the family of Malcolm Forbes and other socialites to political demonstrations, cultural events, and photoessays on one room schoolhouses in Vermont and everyday life in Brooklyn, France, Nepal, and Bali. Widely published and exhibited, her work is part of permanent collections at institutions including the Schlesinger Library, the Library of Congress, Smithsonian, and the National Archives.
The Henry collection is a rich evocation of four decades of political, social, and cultural change in America beginning in the late 1960s as seen through the life of one photojournalist. This diverse body of work is particularly rich in documenting the women’s movement, second wave feminism, and the political scene in the 1970s. Henry left a remarkable record of women in politics, with dozens of images of Bella Abzug, Elizabeth Holtzman, Shirley Chisholm, Liz Carpenter, Betty Friedan, Jane Fonda, and Gloria Steinem. The collection includes images of politicians at all levels of government, celebrities, writers, and scholars, and coverage of important events including demonstrations by Vietnam Veterans Against the War, the Women’s Pentagon Action, and marches for the ERA. The many hundreds of exhibition and working prints in the collection are accompanied by the complete body of Henry’s photographic negatives and slides, along with an array of ephemera, correspondence, and other materials relating to her career.
Professor of Physical Education at the University of Massachusetts Amherst when it was known as Massachusetts Agricultural College who established the physical education program for women and helped to create the women’s gymnasium and athletic field. In her retirement she composed music that was performed by the University of Arizona orchestra.
Includes musical scores, lesson-plan photographs illustrating instruction in modern dance, correspondence, printed programs for performance of the musical compositions, text of an address, a history of physical education for women at Massachusetts State College by Mrs. Hicks, personnel records, and brief biographical items.
A member of the Massachusetts State College Class of 1936, Leonta Gertrude Horrigan was affiliated with UMass Amherst throughout her long career in academia. After receiving he MA from Smith College in 1942 for a thesis on DeQuincy and Milton, Horrigan taught creative writing, composition, among writing classes, to UMass undergraduates, and was frequently singled out as a favorite instructor on campus. In 1964, she was appointed Assistant Dean in the College of Arts and Sciences, and retired to emeritus status in 1986.
The Horrigan Papers contain nearly a half century record of instruction in writing education at UMass, with a wide array of other materials relating to Horrigan’s varied interest, events on campus, and to the evolution of the university in the post-war years.
University of Massachusetts Amherst--Faculty
University of Massachusetts Amherst. Department of English
An historian of economics specializing in American agriculture, Lorian Pamela Jefferson was one of the first women in the field and became an expert on New England agricultural industry. Born in 1871 near Necedah, Wisconsin, Jefferson earned her B.L. from Lawrence University in 1892 and her M.A. from the University of Wisconsin in 1907, continuing on to study towards her PhD though she never finished her research. Jefferson began working at the University in 1912 as an expert in the Division of Rural Social Science and became a professor of Agricultural Economics in 1915. Known as “Miss J”, Jefferson was a dedicated teacher and published extensively on various aspects of agricultural industry and marketing, including the McIntosh apple market and the agricultural labor movement. Illness forced Jefferson’s retirement from the University in 1935 and she died shortly thereafter.
Industry reports, farm and community market assessments, and many of her published articles make up the majority of the collection. There is also a bound volume of correspondence and pamphlets by Jefferson from 1914 titled “Letters Relating to economic Entomology in the United States.” Among the published work is a copy of the magazine Farm and Garden from April, 1924.
University of Massachusetts Amherst--Faculty
University of Massachusetts Amherst. Department of Agricultural Economics
An eighteen year old girl when she began keeping her diary, Ellen Jones was living in the towns of Keeseville and Jay, both in upstate New York. She attended school in Keeseville, and many of her early entries focus on her schoolwork and on church services. Later entries reveal her growing concern about her ill health. The diary also includes a few entries that mention the Civil War and the boys and men she knew who were serving in the Union Army.
New York (N.Y.)--Social life and customs--19th century
The family of Roxana Kingsbury Gould (nee Weed) farmed the rocky soils of western New England during the late nineteenth century. Roxana’s first husband Ambrose died of dysentery shortly after the Civil War, leaving her to care for their two infant sons, and after marrying her second husband, Lyman Gould, she relocated from southwestern Vermont to Cooleyville and then (ten years later) to Shelburne, Massachusetts. The Goulds added a third son to their family in 1869.
A rich collection of letters and photographs recording the history of the Kingsbury-Gould families of Shelburne, Massachusetts. The bulk of the letters are addressed to Roxana Kingsbury Gould, the strong-willed matriarch at the center of the family, and to her granddaughter, May Kingsbury Phillips, the family’s first historian. In addition to documenting the complicated dynamics of a close-knit family, this collection is a rich source for the study of local history, rural New England, and the social and cultural practices at the end of the 19th and beginning of the 20th centuries.
A feminist, filmmaker, photographer, performance artist, writer, and New Yorker, Susan Kleckner helped to define the Feminist Art Movement. Born in 1941, Kleckner was instrumental in uniting Women Artists in Revolution (WAR) with Feminists in the Arts in 1969, and in 1970 she became a founder of the Women’s Interart Center, which still fosters women artists in the performing, visual, and media arts. A talented and prolific visual artist, she produced several important video documentaries during her career, beginning with Three Lives (made in collaboration with Kate Millet in 1970), which is considered the first all-women produced feature documentary. Her work often reflected a feminist commitment to the cause of peace: she participated in and photographed the Greenham Common Women’s Peace Camp in England during the mid-1980s and in 1987, she curated a major year-long installation on Broadway called WindowPeace. A brilliant teacher, Kleckner was the first woman to teach photography at the Pratt Institute and she worked at the International Center for Photography in New York from 1982 until her death in July 2010.
A wide ranging and highly diverse collection, the Kleckner Papers document a life in art and activism. The diaries, letters, notes, and essays in the collection are augmented by hundreds of photographic prints and artwork in a variety of media.
Mary W. Lauman, a 1937 graduate of Cornell University, served in the United States Marine Corps from March 1944 through December 1945. During her 10 months of active duty, Mary wrote numerous letters to her mother detailing her everyday life from boot camp in Lejeune, North Carolina, to her work with the United States Army Personnel Department.
The Lauman letters contain interesting insights into the life of a woman Marine during World War II, including behavior, dress, and social interactions.