Collecting area: UMass history

David R. Inglis enjoyed a distinguished career in nuclear physics that ranged from theoretical work on the structure of the nucleus in the 1930s to the development of the atomic bomb in the 1940s and work on renewable energy in the 1960s and 1970s. A Professor of Physics at UMass from 1969-1975, Inglis was a founding member of the Federation of American Scientists and from the mid-1940s on, he dedicated himself to informing public policy on the dangers of nuclear technologies.

The Inglis Papers offer a perspective on the life and career of a theoretical physicist who grew from an early involvement in the Manhattan Project to becoming a committed critic of nuclear weaponry and nuclear power. Although the collection is relatively sparse in unpublished scientific work, it includes valuable correspondence relating to Inglis’s efforts with the Federation of American Scientists and other organizations to influence public policy on issues relating to disarmament and nuclear power.

The Irma McClaurin Black Feminist Archive (BFA) is an archival home for Black women and their allies. Founded by Dr. Irma McClaurin, Black feminist anthropologist, academic administrator, award-winning poet and author, past president of Shaw University and leader in higher education, the BFA seeks to identify Black women from all walks of life who are artists, activists, and academics but may not be well known, and document their wide array of contributions at many levels: community, state, national, and global. In addition to being an ongoing resource for academic and community researchers, the BFA also aims to be a training center, where Black archivists can actively participate in their own history and uplift and protect the endangered legacy of Black women. Articles about Dr. McClaurin and the BFA have appeared in the Massachusetts Daily Collegian, UMass Magazine and on the the Black Presence website.

The BFA is an umbrella collection, made up of a growing and diverse group of collections documenting Black women, allies, movements, and organizations. Highlights include the papers of renown anthropologists Sheila Walker and Carolyn Martin Shaw; Belizean writer Zee Edgell; activist and educator Cheryl Evans, who founded the Black Pioneers Project documenting the experience of Black students at UMass Amherst during the late 1960s; Lawrence (Larry) Paros, a UMass alum and forerunner of the Alternative Education movement in America, past director of the 1968 Yale Summer High School (YSHS); and the papers of Dr. Irma McClaurin, BFA founder, which include her photographs of iconic Black figures. The development of the BFA has been supported by two grants from the Wenner Gren Foundation: The Historical Archive Grant and The Global Initiative Grant (GIG) for “The Black Feminist Archive Pandemic Preservation Project of Black Women Practicing Anthropologists” project

Collections include:

• Zee Edgell Papers
• Cheryl Evans Papers
• Irma McClaurin Collection
• Lawrence Paros Papers
• Carolyn Martin Shaw Papers
• Sheila Walker Papers
• Mae Upperman Collection

Beginning with his dissertation in theoretical astrophysics “Local irregularities in a universe satisfying the cosmological principle” (Harvard, 1961), William M. Irvine enjoyed a distinguished career as an astronomer and a role as one of the primary figures in developing astronomy at the Five Colleges. Arriving at UMass in 1966, Irvine helped build the graduate program in astronomy and beginning in 1969, he was a motive force in establishing the Five College Radio Astronomy Observatory. Focused largely on the chemistry of dense interstellar clouds and the physics and chemistry of comets, and with a broad interest in bioastronomy/astrobiology, Irvine has been a prolific contributor to his field, and has served as President of the Commission on Bioastronomy at the International Astronomical Union, Chair of the Division for Planetary Sciences at the American Astronomical Society, a Councillor of the International Society for the Study of the origin of Life, and a member of the Royal Astronomical Society.

The Irvine Papers offer a thorough record of the establishment of the Five College Radio Astronomy Observatory from 1969 through its dedication in Oct. 1976, along with insights into the growth of astronomy at UMass. Correspondence, memoranda, grant applications, and many dozens of photographs offer insight into the financial and political challenges of building the Observatory in the Quabbin watershed. The collection also includes notes for teaching Astronomy 101 and 223 (planetary science). His history of the department, Reflections on the Growth of Astronomy at the University of Massachusetts and the Five College Astronomy Department (2006), is filed with the Physics and Astronomy Department records and a copy is included in this collection. Irvine’s published works are listed in the Libraries’ ScholarWorks author gallery.

An historian of economics specializing in American agriculture, Lorian Pamela Jefferson was one of the first women in the field and became an expert on New England agricultural industry. Born in 1871 near Necedah, Wisconsin, Jefferson earned her B.L. from Lawrence University in 1892 and her M.A. from the University of Wisconsin in 1907, continuing on to study towards her PhD though she never finished her research. Jefferson began working at the University in 1912 as an expert in the Division of Rural Social Science and became a professor of Agricultural Economics in 1915. Known as “Miss J”, Jefferson was a dedicated teacher and published extensively on various aspects of agricultural industry and marketing, including the McIntosh apple market and the agricultural labor movement. Illness forced Jefferson’s retirement from the University in 1935 and she died shortly thereafter.

Industry reports, farm and community market assessments, and many of her published articles make up the majority of the collection. There is also a bound volume of correspondence and pamphlets by Jefferson from 1914 titled “Letters Relating to economic Entomology in the United States.” Among the published work is a copy of the magazine Farm and Garden from April, 1924.

Frederick Painter Jeffrey was born in the coal mining town of Trauger, Pennsylvania in February 1911. Jeffrey received a BA in poultry husbandry at Pennsylvania State College in 1932 and then an MS in poultry genetics at Massachusetts State College in 1934. Jeffrey became a professor of Poultry Science at Rutgers University from 1935-1944; after leaving Rutgers, Jeffrey became a professor in the Poultry Science Department at the University of Massachusetts, a department he later headed. In 1954 he became the Dean of the Stockbridge School of Agriculture, a position he held until his retirement in 1971. Frederick Painter Jeffrey died in September 1997.

The Frederick Painter Jeffrey Papers include materials about his work with Bantam chickens and document his tenure at the University of Massachusetts Amherst. There are also limited materials related to his family and schooling.

Known among his peers for his wit, “Gerry” Jones was an active presence on campus as Secretary and Treasurer for the class of 1903, and as a member of the QTV Fraternity, the staff of the Index, and the class football and baseball teams. Jones went on to become a well-respected figure in the Amherst community, serving on the board of investment for the Amherst Savings Bank during the mid-1930s and as a representative to the General Court from Hampshire County.

The papers of Gerry Jones contain a mix of ephemera dating from his days as one an active member of the MAC Class of 1903. Beginning with a fine record book documenting meetings of the class from their freshman year through graduation, the collection includes menus, programs, and dance cards related to class events. Of particular interest is a menu from the first football banquet in 1902, celebrating one of the most successful teams of the MAC era, the one-loss team of 1901.

Over the course of his esteemed dance career, Richard Jones performed with Eleo Pomare Company, the Miguel Godreau Dance Company, and the Xochipillian Dance Group. Jones was appointed to the staff of the University of Massachusetts on September 1, 1973, and remained with the department until his death in 1991. While at the University, Jones was the founding artistic director of the Amdans Theater, and was the artistic director of the University Dancers from 1979 to 1991.

The Jones Papers are a collection of photographs and reviews of Jones’s choreography during the 1970s and 1980s. A copy of Jones’s original essay, “Costuming for Three Styles of Dance,” (circa 1975) appears in the collection, as do photographs, playbills, posters, Amdans Theatre and University Dancers reviews. The Papers also contain letters to Jones from the Boston Ballet and the American College Dance Festival, as well as reviews of Jones’s choreography for professional companies outside the University.

A poet, expert on the works of Ernest Hemingway, Robert Francis, and D.H. Lawrence, and a 1953 graduate of the University of Massachusetts, Donald Junkins directed the Master of Fine Arts in English program from 1966. Junkins juggled his career as a poet with his work at the University, focusing his teaching energy on literature, not creative writing, to save his creative resources. Before turning to poetry, Junkins studied theology at Boston University School of Theology. Through meeting poet Robert Francis and taking courses with Robert Lowell, Junkins discovered his love of poetry, and his life path was forever changed. After leaving Boston University, Junkins taught creative writing at Chico State University before returning to UMass to teach.

The Donald Junkins Papers document his youth in Saugus, Mass., his experiences as a student at UMass, and his professional and creative life. The collection includes correspondence with his family throughout his life, photographs documenting his family in Eastern Mass., his records as head of the MFA in English program, and his personal and professional correspondence.

Access restrictions: Temporarily stored offsite; contact SCUA in advance to request materials from this collection.

An eminent scholar of African American history and activist, Sidney Kaplan was raised in New York City and graduated from City College in 1942. After wartime service as a Lieutenant in the Army, Kaplan returned to his education, completing an MA in history from Boston University (1948) and PhD at Harvard (1960), taking up the study of African American history at a time when few white scholars showed interest. Joining the English Department at UMass in 1946, Kaplan’s influence was widely felt at UMass Amherst and in the local community: he was among the founders of the Department of Afro-American Studies, a founder of the UMass Press, a founder and editor of the Massachusetts Review, and he was the editor of Leonard Baskin’s Gehenna Press. Over more than thirty years at UMass, he worked on diverse projects in history, literature, and the arts, often in partnership with his wife Emma Nogrady, a librarian at Smith College whom he married in 1933, ranging from studies of Poe and Melville to a biographical dictionary of African Americans and a study of Shays’ Rebellion. In 1973, they were co-authors of the first comprehensive study of depictions of African Americans in the visual arts, The Black Presence in the Era of the American Revolution (based on an exhibition planned for the National Portrait Gallery), and in 1991, the UMass Press published a collection of Sidney’s essays, American Studies in Black and White. A Fulbright lecturer in Greece and Yugoslavia and exchange Professor at the University of Kent, Kaplan was the recipient of the Bancroft Award from the Association for the Study of Negro Life and History for best article of the year in the Journal of Negro History, and he was awarded the UMass Amherst Chancellor’s Medal in 1979, one year after his retirement. Sidney Kaplan died in 1993 at age 80 and was followed by Emma in 2010.

The Kaplan Papers document a long career devoted to the study of African American history and life. The extensive correspondence, research notes, and drafts of articles and other materials offer important insight into the growth of African American studies from the 1950s through 1970s as well as the growth of UMass Amherst into a major research university.

Barbara Kerewsky Halpern was an adjunct professor of anthropology at the University of Massachusetts. She was also a prodigious writer, researcher, and lecturer. After earning a bachelors in geography from Barnard College (1953), she accompanied her new husband, Joel M. Halpern, to Serbia, helping him with his field project which would later result in his Ph.D. thesis and book, A Serbian Village (1958). She continued to work with her husband on numerous projects. After her youngest daughter was school age, she went back to college, earning a Master of Arts degree in Linguistics from the University of Massachusetts, followed by a Ph.D. in Anthropology in 1979. In 1983, she published a book entitled “These Are Your Neighbors” published by the Cambridge Book Company. She was diagnosed with Multiple Sclerosis in the mid-1970’s, which motivated her to investigate various medical issues within Anthropology, eventually becoming a medical anthropologist. She became a certified practitioner of the Feldenkrais method, establishing her own practice under the name, “Mind Over Movement”. She gave presentations throughout her life, lecturing on various topics. In 1992, she served as an expert witness in the trial of Sadri Krasniqi, an Albanian man falsely accused of sexually molesting his daughter. In 1995, she was interviewed on the television program 20/20 by Hugh Downs about the case.

The Barbara Halpern Papers consists of many letters received from her childhood pen pals, college friends and family members. Documents from her early schooling as well as those of college and professional work as a lecturer and Feldenkrais practitioner form the bulk of the collection. Correspondence with Ethel (nee Russell) Breen, a young British girl, began in 1942 and continued to Breen’s death in 1996. The bulk of these letters, dated from 1942 to 1952, mention World War II, and other elements of daily life at that period.