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Collecting area: Women & feminism (Page 5 of 6)

Seneca Women’s Encampment for a Future of Peace and Justice

Seneca Women's Encampment for a Future of Peace and Justice Collection

1979-1992
1 box 0.5 linear feet
Call no.: MS 839
Depiction of

Concerned women in upstate New York joined together in the summer 1983 to form the Seneca Women’s Encampment for a Future of Peace and Justice, occupying a site near the Seneca Army Depot in Romulus, N.Y., where nuclear weaponry was stored. Taking a radical stance against militarism, violence, and oppression and modeling their approach after the women’s encampment at Greenham Common in England, the Seneca Encampment drew participants from a large number of women’s peace groups. In 1994, the Encampment transitioned into the Women’s Peace Land, remaining an active center of resistance to militarism and nuclear power for several years.

Maintained by attorney Alaine T. Espenscheid, the collection consists primarily of legal records relating to the Seneca Encampament, including filings documenting health and saftey, sanitation, water, and finances and materials relating to the arrest of several women for civil disobedience in 1985. Also included is a folder of ephemera and clippings on the Encampment from local media.

Subjects

Antinuclear movements--New York (State)Peace movements--New York (State)

Contributors

Espenscheid, Alaine T.
Shaw, Carolyn Martin, 1944-

Carolyn Martin Shaw Papers

1962-2017 Bulk: 1972-2010
10 boxes 12.5 linear feet
Call no.: MS 974
Depiction of Carolyn Martin Shaw in Kenya, ca.1972
Carolyn Martin Shaw in Kenya, ca.1972

From a childhood spent in a tenement in Norfolk, Va., Carolyn Martin Shaw went on to enjoy a distinguished career as a pioneer in Black Feminist anthropology. Educated in segregated schools, she was an outstanding student, winning scholarship funding to Michigan State University, where she received both her BS (1966) and PhD (1975). Shaw’s dissertation on Kikuyu kinship morality marked several themes that she developed through subsequent research projects in Kenya and Zimbabwe. Based in the Department of Anthropology at UC Santa Cruz throughout her career, she was a productive scholar, publishing dozens of articles and chapters, and two important monographs, Colonial Inscriptions: Race, Class and Sex in Kenya (1995) and Women and Power in Zimbabwe: Promises of Feminism (2015), and she filled a variety of administrative posts, including department chair, Provost of the Kresge residential college, and Chair of the UC system-wide Committee on Privilege and Tenure. She has received numerous awards in her career, including a Fulbright Fellowship to the University of Zimbabwe in 1983-1984, a Danforth Award for Excellence in Undergraduate Teaching, and a McHenry Award for Service to the Academic Senate at UCSC. Shaw retired from UCSC in 2010.

Documenting her work in Black feminist anthropology, the Carolyn Martin Shaw collection includes published and unpublished writing, correspondence, and a wealth of information on her research in Kenya and Zimbabwe. Along with her fieldnotes, research data, and photographs, the collection also includes records of her faculty service at USCS, and awards received for teaching and university service.

Gift of Carolyn Martin Shaw, May 2017

Subjects

Anthropologists--CaliforniaEthnology--KenyaEthnology--ZimbabweFeminismUniversity of California Santa Cruz--FacultyWomen--Africa
Sleeveless Theater Company

Sleeveless Theater Company Records

1989-1996
1 box 1.5 linear feet
Call no.: MS 1087
Depiction of Channer, Nugent, Halpin and Futtner (from left), ca.1992. Photo by K.D.Halpin
Channer, Nugent, Halpin and Futtner (from left), ca.1992. Photo by K.D.Halpin

The Sleeveless Theatre Company was an innovative political theater company with a strong feminist slant. Founded in 1989 by UMass Amherst alumnae Lisa Channer, Maureen Futtner, K. D. Halpin, and Kate Nugent, and Smith alumna, Terianne Falcone, Sleeveless was an actor-centered, highly collaborative ensemble company that wielded humor in staging original, socially- and politically-charged theater. Based in Northampton, Mass., the company toured nationally and internationally, presenting sometimes controversial works on themes ranging from reproductive rights to the Gulf War. As they evolved, they refined their mission to focus on telling stories about the lives and perspectives of women, but under the strains of growing within their collaborative model, they made the decision to disband in 1997.

In addition to minutes for the company’s formative years (1989-1992), the records of Sleeveless Theater Company include a small selection of production notes, background research, fliers, reviews and newsclippings, and a handful of publicity photos. Among the plays represtened are Womb for Rent (1989), War: The Comedy (1991), The F Word (1992), Emily Unplugged (1995), and Mill America (1996).

Gift of Lisa Channer, Maureen Futtner, K. D. Halpin, and Kate Nugent, June 2019 (2019-093).

Subjects

Feminist theater--Massachusetts--NorthamptonTheatrical companies--Massachusetts--Northampton

Types of material

Fliers (Printed matter)Photographs
Slonecker, Blake, 1981-

Blake Slonecker Collection

2008
4 items 0.25 linear feet
Call no.: MS 795

An historian of twentieth century social movements, Blake Slonecker received his doctorate at the University of North Carolina in 2009 and joined the history faculty at Waldorf College soon thereafter. In a dissertation examining the utopian impulses of the New Left (published in 2012 as A new dawn for the New Left: Liberation News Service, Montague Farm, and the long sixties), Slonecker explored how the political and cultural activism of the 1960s helped reshape American political culture in the decade following.

In June 2008, Slonecker conducted oral historical interviews with four individuals who were part of the extended community centered on the Montague Farm and Packer Corners communes during the late 1960s: Tom Fels, Charles Light, Sam Lovejoy, and Richard Wizansky. In wide-ranging interviews, the former communards discuss topics ranging from the fraught politics of the era, political and cultural activism, gender roles and sexuality, and daily life on the communes.

Gift of Blake Slonecker, Aug. 2013

Subjects

Amherst CollegeBabbitt, Elwood, 1922-Bloom, Marshall, 1944-1969Brotherhood of the Spirit (Commune)Clamshell AllianceGreen Mountain Post FilmsJohnson Pasture Community (Vt.)Liberation News Service (Montague, Mass.)Montague Farm Community (Mass.)Musicians United for Safe EnergyPacker Corners Community (Vt.)Students for a Democratic Society (U.S.)

Contributors

Fels, Thomas WestonLight, CharlesLovejoy, SamWizansky, Richard

Types of material

AudiocassettesOral histories (document genres)
Social Change Collection

Social Change Collection

1937-2008
5 boxes 2.5 linear feet
Call no.: MS 457
Depiction of Join the SMC, 1970
Join the SMC, 1970

The term social change is used in SCUA to refer to individuals and organizations who actively seek to better the world around them, as well as to individuals experiencing shifts in economic, cultural, and social life. Few movements for change exist in isolation. Following W.E.B. Du Bois, we recognize that seemingly disparate issues in social justice are often intrinsically and deeply interconnected, so that to create change in one area requires close attention to others. It is the flow of ideas, people, and organizations that constitutes the warp and weft of social change in the twentieth century.

Created to collocate small groups of manuscripts, documents, letters, and other unpublished materials relating to the history and experience of social change, the Social Change Collection is focused largely on movements of the 1960s and after. While entirely miscellaneous, the collection includes interesting material relating to the peace and antiwar movements during the 1960s, Students for a Democratic Society (SDS), the conflict in Vietnam, antiimperialist movements in Central and South America, and a small number of items relating to sexuality, gender, and feminism.

Acquired variously.

Subjects

Anti-imperialist movementsCommunismFeminismPeace movementsVietnam War, 1961-1975--Protest movements

Contributors

Students for a Democratic Society (U.S.)
Social Change Periodicals

Social Change Periodicals Collection

1969-2006
14 boxes 21 linear feet
Call no.: MS 306
Depiction of Peace and Freedom, Mar. 1980
Peace and Freedom, Mar. 1980

Assembled to bring together short and broken runs of periodicals produced by activists and movements for social justice, the Social Change Periodicals Collection touches on a wide variety of topics. Much of the original collection came from subscriptions held by the Everywoman’s Center at UMass Amherst, however the collection has grown to include materials supplied by many other donors. The bulk of periodicals come from the period 1965-1990 and the subjects covered range from feminism to gay rights, and political radicalism, to peace, prison, labor, antiracism, and the counterculture more generally. The collection has been organized thematically into 19 series.

Subjects

African Americans--Suffrage--PeriodicalsCentral America--Politics and government--PeriodicalsDisarmament--PeriodicalsFeminism--PeriodicalsGay liberation movement--PeriodicalsLabor--United States--PeriodicalsLesbians--PeriodicalsNonviolence--PeriodicalsPeace--PeriodicalsPrisons--United States--PeriodicalsRadicalism--United States--PeriodicalsSocialism--PeriodicalWomen--Periodical

Types of material

Periodicals
Stinson, Mary B.

Mary B. Stinson Collection

1974-1981
2 boxes 1.25 linear feet
Call no.: MS 824
Depiction of

Throughout the 1970s, Mary B. Stinson (formerly Lindblom) was an active member of the National Organization for Women (NOW) in California and served as a delegate to the First National Women’s Conference in Houston.

The collection includes several ephemeral objects reflecting Stinson’s activism including IWY pendant necklaces and an ERA license plate frame, along with published reports and articles relating to the IWY and a 1979 NOW conference in California.

Gift of Mary B. Stinson, May 2014

Subjects

Equal rights amendmentsFeminism--United StatesInternational Women's Year ConferenceNational Organization for WomenWomen's rights--United States

Contributors

Stinson, Mary B.
Stokes, Daniel M. J.

Daniel M. J. and Joyce Stokes Papers

1984-1996
3 boxes 1.25 linear feet
Call no.: MS 661

From 1987 through early 1988, Daniel and Joyce Stokes published Into the Night, “a newsletter for freedom for political prisoners held in the United States.” Based in Brooklyn, N.Y., this simply-produced publication offered updates and commentary on Americans imprisoned for politically-motivated acts. Reflecting both the legacy of 1960s radicalism and the resurgent activism associated with U.S. imperialism in Central America, Into the Night offered news on the Ohio 7 sedition trial, the MOVE organization, and the fate of Plowshares war resisters.

The Stokes collection contains correspondence from subscribers and supporters of Into the Night, fleshing out their political philosophy and the conditions of imprisonment. Drawn from groups including the MOVE organization, the United Freedom Front, Black Liberation Army, and Plowshares, the correspondents include Ramona Africa, Alberto Aranda, Philip Berrigan, Marilyn Buck, Carl Kabat, Ray Luc Levasseur, Ruchell Cinque Magee, and Carol Manning. The collection also includes copies of other radical publications and a complete run of Into the Night itself.

Subjects

African American prisonersAfrican American radicalsAnti-imperialist movementsCommunistsInto the NightMOVE (Group)Ohio 7PlowsharesPolitical prisonersPrisonersRadicalsRevolutionariesUnited Freedom Front

Contributors

Africa, RamonaAranda, AlbertoBerrigan, PhilipBuck, MarilynGelabert, Ana LuciaHernandez, Alvaro LKabat, CarlLevasseur, Ray LucMagee, Ruchell CinqueStokes, Daniel M. J.Stokes, Joyce

Types of material

Newsletters
Taylor, Katya Sabaroff

Katya Sabaroff Taylor Papers

1959-2015
2 boxes 3 linear feet
Call no.: MS 871
Depiction of Katya Sabaroff Taylor, 2015
Katya Sabaroff Taylor, 2015

Earning a B.A. in Literature from Antioch College and an M.A. in Education from Columbia University, Katya Sabaroff Taylor has worked as a journalist and editor, health educator, women’s studies instructor, massage therapist, yoga teacher and workshop facilitator. In 1980 she founded Creative Arts and Healing workshops, classes, and retreats to nurture the link between creativity and the healing process.

The collection features a wide range of Taylor’s work, reflecting her life-long love of writing and teaching. Her poetry, essays, and fiction are included along with her memoirs and personal accounts, the collected writings of several classes of prison inmates enrolled in Taylor’s creative writing workshops, and the recollections of former members of the Liberation News Service.

Subjects

DiaristsLiberation News Service (New York, N.Y.)Prison educatorsWomen authors

Types of material

EssaysMemoirsPoemsShort stories
The American Revolution Documentary Collection

The American Revolution Documentary Collection

ca.1968-2010
Call no.: MS 788
Depiction of

On March 15, 1968, a failing classical music station, WBCN-FM, was reinvented as Boston’s first voice in radical underground radio, and its influence quickly spread nationally. Its characteristic blend of cultural chaos, including rock, folk, blues, and jazz, interspersed with news, radical politics, and community programming, provided a soundtrack for a generation fighting to remake its world. WBCN earned its nickname, “The American Revolution.” The station’s eclectic and unpredictable broadcasts included music from little-known performers who would emerge into the biggest acts of the day; regularly scheduled live musical performances from local clubs; trenchant political analysis and newscasts of the major events of the day; interviews with legendary cultural figures; and innovative new shows including one of the first women’s programs and the Lavender Hour, the nation’s first regularly broadcast LGBT radio show. Music, politics, culture, and community were intensely interconnected through WBCN, while its “listener line,” which took calls and answered questions on any subject, helped make it a virtual two-way hub for countercultural Boston.

While producing a documentary film about WBCN, and the music, politics, and social change during the period 1968-1974, former WBCN newscaster and announcer Bill Lichtenstein recognized the importance of archiving the wealth of primary materials that told the story of WBCN, its community and the dramatic changes of the era. The American Revolution Documentary Collection is the product of Lichtenstein’s energy, serving as an umbrella for a suite of interrelated collections focused on the impact of underground media in the Boston area and the profound social, political, and cultural changes of that time. These collections include the work of photographers, journalists, and writers who would go on to prominence, as well as activists, artists, and everyday people who witnessed and took part in an extended public conversation on the direction of our nation during the period of profound social, political, and cultural upheaval and who used media to help change it.

TAR collections include:

Selected recordings from the American Revolution Documentary Collection are available to stream through Airtime Pro, a web-based radio platform. ​Hear the music, news reports, ads, rare live musical broadcasts, station ID’s, interviews, zaniness, and more, as broadcast from WBCN-FM’s launch in 1968 and over the next seven years. You can listen using the player below or go directly to the Airtime Pro site, here: https://amrev.airtime.pro/

Subjects

Alternative radio broadcasting--MassachusettsBoston (Mass.)--History--20th centuryCambridge (Mass.)--History--20th centuryNineteen sixtiesRock musicVietnam War, 1961-1975--Protest movementsWBCN (Radio station : Boston, Mass.)

Types of material

PhotographsSound recordings