Collection area: Women & feminism (page 3 of 6)

Henry, Diana Mara

Diana Mara Henry Collection (20th Century Photographer)

75 linear feet
Call no.: PH 051
Image of Diana Mara Henry at the Harvard Crimson, 1967<br/>Photo by Charles Hagen
Diana Mara Henry at the Harvard Crimson, 1967
Photo by Charles Hagen

Recognized for her coverage of historic events and personalities, the photographer Diana Mara Henry took the first steps toward her career in 1967 when she became photo editor for the Harvard Crimson. After winning the Ferguson History Prize and graduating from Harvard with a degree in government in 1969, Henry returned to New York to work as a researcher with NBC News and as a general assignment reporter for the Staten Island Advance, but in 1971 she began to work as a freelance photographer. Among many projects, she covered the Democratic conventions of 1972 and 1976 and was selected as official photographer for both the National Commission on the Observance of International Women’s Year and the First National Women’s Conference in 1977, and while teaching at the International Center for Photography from 1974-1979, she developed the community workshop program and was a leader in a campaign to save the Alice Austen House. Her body of work ranges widely from the fashion scene in 1970s New York and personal assignments for the family of Malcolm Forbes and other socialites to political demonstrations, cultural events, and photoessays on one room schoolhouses in Vermont and everyday life in Brooklyn, France, Nepal, and Bali. Widely published and exhibited, her work is part of permanent collections at institutions including the Schlesinger Library, the Library of Congress, Smithsonian, and the National Archives.

The Henry collection is a rich evocation of four decades of political, social, and cultural change in America beginning in the late 1960s as seen through the life of one photojournalist. This diverse body of work is particularly rich in documenting the women’s movement, second wave feminism, and the political scene in the 1970s. Henry left a remarkable record of women in politics, with dozens of images of Bella Abzug, Elizabeth Holtzman, Shirley Chisholm, Liz Carpenter, Betty Friedan, Jane Fonda, and Gloria Steinem. The collection includes images of politicians at all levels of government, celebrities, writers, and scholars, and coverage of important events including demonstrations by Vietnam Veterans Against the War, the Women’s Pentagon Action, and marches for the ERA. The many hundreds of exhibition and working prints in the collection are accompanied by the complete body of Henry’s photographic negatives and slides, along with an array of ephemera, correspondence, and other materials relating to her career.

Connect to another siteSee the exhibit Photographer: DMH
  • Abzug, Bella S., 1920-1998--Photographs
  • Chisholm, Shirley, 1924-2005--Photographs
  • Democratic National Convention (1972 : Miami Beach, Fla.)--Pictorial works
  • Democratic National Convention (1976 : New York, N.Y.)--Pictorial works
  • Feminism--Photographs
  • Harvard University--Students--Photographs
  • International Women's Year, 1975--Pictorial works
  • National Women’s Conference--Photographs
Types of material
  • Clippings (information artifacts)
  • Exhibition catalogs
  • Negatives (photographic)
  • Photographs
  • Political posters
  • Press releases
  • Slides (photographs)
Restrictions: Copyright for Henry's images are retained by her until 2037.

International Women’s Year Conference

International Women's Year Conference Collection

6 boxes 2.75 linear feet
Call no.: MS 510
Image of

After 1975 was designated as the first International Women’s Year by the United Nations, later extended to a decade, President Carter created a National Commission on the Observance of International Women’s Year. A national women’s conference was proposed and funded by the U.S.Congress, the first and only time the federal government funded a nationwide women’s conference. A series of state meetings were held throughout 1977 to elect delegates to the national conference and to identify goals for improving the status of women over the next decade.

This collection consists of state reports prepared and submitted to the National Commission for the Observance of International Women’s Year. Reports include details about the election of national delegates, topics of workshops held at the meetings, and resolutions adopted by individual states.

  • Feminism--United States
  • International Women's Year Conference
  • Women's rights--United States

King, Anita

Anita King Papers

3 boxes 4.5 linear feet
Call no.: MS 727

A lifelong activist and organizer, King graduated from Smith College in 1937 and completed her master’s in social work at Columbia University. By the 1960s she was active with the Women’s International League for Peace and Freedom and later went on to work as an administrator with the National Institute of Mental Health. In 1988, King returned to the Pioneer Valley and opened up a small family therapy practice from her home in Williamsburg. Soon after, she began her affiliation with the Sierra Club’s population program recruiting students as interns and volunteers from her alma mater. After volunteering as the chair of the Massachusetts Sierra Club population committee for 19 years, Anita King retired at the age of 95 in 2011.

Part of the Global Population and Environmental Program of Sierra Club, the population program was headed by Anita King for nearly two decades. During that time she organized 20 lectures with speakers from a variety of organizations, such as Thoraya Obaid and Margaret Catley-Carlson. Her papers contain correspondence, speeches, administrative and subject files she kept on various issues through the early 2000s.

Gift of Anita King, Dec. 2011
  • Overpopulation
  • Sierra Club. Massachusetts Chapter
  • King, Anita

Kleckner, Susan

Susan Kleckner Papers

ca. 1870-2010 Bulk: 1970-2010
89 ca. 180 linear feet
Call no.: MS 725
Image of Greenham Commons
Greenham Commons

A feminist, filmmaker, photographer, performance artist, writer, and New Yorker, Susan Kleckner helped to define the Feminist Art Movement. Born in 1941, Kleckner was instrumental in uniting Women Artists in Revolution (WAR) with Feminists in the Arts in 1969, and in 1970 she became a founder of the Women’s Interart Center, which still fosters women artists in the performing, visual, and media arts. A talented and prolific visual artist, she produced several important video documentaries during her career, beginning with Three Lives (made in collaboration with Kate Millet in 1970), which is considered the first all-women produced feature documentary. Her work often reflected a feminist commitment to the cause of peace: she participated in and photographed the Greenham Common Women’s Peace Camp in England during the mid-1980s and in 1987, she curated a major year-long installation on Broadway called WindowPeace. A brilliant teacher, Kleckner was the first woman to teach photography at the Pratt Institute and she worked at the International Center for Photography in New York from 1982 until her death in July 2010.

A wide ranging and highly diverse collection, the Kleckner Papers document a life in art and activism. The diaries, letters, notes, and essays in the collection are augmented by hundreds of photographic prints and artwork in a variety of media.

Gift of Linda Cummings and Susan Jahoda, Dec. 2011
  • Antinuclear movements
  • Feminists--New York (State)
  • Greenham Common Women’s Peace Camp
  • Peace movements
  • Performance artists--New York (State)
  • Photographers--New York (State)
  • Women's Interart Center
  • Kleckner, Susan
Types of material
  • Artists' films
  • Drawings (Visual works)
  • Photographs

Kramer, Susan

Kramer-Mathews-Gyorgy Collection

1 box 0.25 linear feet
Call no.: PH 080
Image of The Farm in fall color, Oct. 1980
The Farm in fall color, Oct. 1980

Founded in August 1968 by Marshall Bloom and a group of colleagues from the Liberation News Service. From the outset, the Montague Farm Commune was a center of political and cultural (and countercultural) creatvity. In its first year, it was the headquarters for the Montague branch of the Liberation News Service and Farmers were involved in a range of other causes. Most famously, in 1974, Farmers lit the fuse of the antinuclear movement. Rallying against a proposed nuclear power plant in Montague and Farmer Sam Lovejoy’s act of civil disobedience that felled a weather monitoring tower set up in preparation, the Farmers carried waged a campaign of non-violent direct action that became the hallmark of antinuclear groups across the country. Their actions against the Yankee Rowe and Seabrook (N.H.) power plants were instrumental in dampening further development of nuclear power in the United States. In 2003, the Farm community agreed to sell the Farm property to Zen Peacemakers.

The photographs in this collection were taken by three members of the Montague Farm Commune: early members Anna Gyorgy and Tony Mathews, and Tony’s wife Susan Kramer. The photos depict daily life on the Farm and its residents, primarily in he period between 1978 and 1981, including farm work, sugaring, domestic chores, family and children, holidays, and celebrations, such as May Day. A handful of images, mostly by Mathews, go back to the earliest days of the Farm, and there are later images from the 20th and 25th reunions. Of special notes are over 100 images taken by Kramer during the occupation of the Seabroon Nuclear Power Plant in May 1977, at which 1,414 occupiers were arrested.

Gift of Susan Kramer and Anna Gyorgy. Jan. 2018
  • Antinuclear movement--New Hampshire--Photographs
  • Communal living--Massachusetts--Montague--Photographs
  • Demonstrations--New Hampshire--Seabrook--Photographs
  • Montague Farm Community--Photographs
  • Organic farming--Massachusetts--Montague--Photographs
  • Seabrook Nuclear Power Plant (N.H.)--Photographs
  • Gyorgy, Anna
  • Mathews, Tony
Types of material
  • Photographs

Lederer, Karen

Karen Lederer Papers

1 box 1.5 linear feet
Call no.: FS 167
Image of Karen Lederer (r) with Arlene Akavian in 1997
Karen Lederer (r) with Arlene Akavian in 1997

A graduate of the University of Massachusetts’ Social Thought and Political Economy program in 1981, Karen Lederer has held many important roles in the Department of Women, Gender, and Sexuality Studies since she started in 1986, including, Undergraduate Advisor and Undergraduate Field Work Coordinator, and has taught courses women’s careers and life choices. In addition to her work at the University, Lederer has been an activist for peace, labor, and women’s movements.

This small collection consists of departmental administrative files, Lederer’s course materials, several issues of New Roots magazine and other publications, and memorabilia from the Department of Women, Gender, and Sexuality Studies.

  • Feminism
  • University of Massachusetts Amherst--Staff
  • University of Massachusetts Amherst. Department of Women, Gender, and Sexuality Studies

Maland, Jeanine

Jeanine Maland Papers

24 boxes 36 linear feet
Call no.: MS 467

Born in 1945 in Iowa, Jeanine Maland attended Iowa State University before enrolling at UMass Amherst to pursue a second bachelor’s degree in women’s studies in 1978. While in Western Massachusetts, Maland continued the advocacy work she began at the Rhode Island Women’s Health Collective. Throughout the 1970s-1990s Maland was involved in countless organizations representing a variety of activist movements from prison reform and labor to disarmament and peace.

Jeanine Maland’s papers represent a wide sampling of the activity and career of a lifelong activist, spanning the years 1951-2007. Although the collection contains limited personal information, these materials reflect Maland’s passion and commitment to social justice and social action. Her interests intersect with a number of the major social movements since the 1960s, ranging from the peace and antinuclear movements to critiques of the growing Prison Industrial Complex. While much of Maland’s activism took place on a local level, her efforts were often coordinated with national and international interests and movements.

Gift of Jeanine Maland, 2005
  • Antinuclear movement--Massachusetts
  • Iraq War, 2003-
  • Labor unions--Massachusetts
  • Persian Gulf War, 1991
  • Political activists--Massachusetts--History
  • Prisoners--Massachusetts
  • Racism
  • United States--Foreign relations--Central America
  • University of Massachusetts Amherst
  • Maland, Jeanine

Mann, Eric

Eric Mann and Lian Hurst Mann Papers

22 boxes 11 linear feet
Call no.: MS 657
Image of Eric Mann, Dec. 1969<br />Photo by Jeff Albertson
Eric Mann, Dec. 1969
Photo by Jeff Albertson

Revolutionary organizers, writers, and theorists, Eric Mann and Lian Hurst Mann have been active in the struggle for civil rights for decades. The son of Jewish Socialist and labor organizer from New York, Mann came of age during the early phases of the Civil Rights movement and after graduating from Cornell (1964), he became field secretary for the Congress of Racial Equality. Increasingly radicalized through exposure to Black revolutionary nationalists, Mann took part in the Newark Community Union Project and became a leader in anti-imperialist opposition to the war in Vietnam as a New England regional coordinator for the Students for a Democratic Society (SDS) and later with the Revolutionary Youth Movement I — the Weatherman above-ground tendency of SDS. Following a militant demonstration at the Harvard Center for International Affairs late in 1969, Mann was convicted of assault on the basis of perjured testimony and sentenced to two years in prison. An organizer of his fellow prisoners even behind bars, he was “shipped out” often in the middle of the night, from prison to prison, spending the last year at Concord State Prison. After being released early in July 1971, he continued his prison activism through the Red Prison Movement. At the same time, as a writer, he earned a national audience for his book Comrade George: an account of the life, politics, and assassination of Soledad Brother George Jackson. Feeling himself at a low point in his radical career, Mann met Lian Hurst while vacationing in Mexico during the summer 1974. Hurst, a leader in the Berkeley Oakland Women’s Union, architect, and a strong Socialist Feminist, soon became his partner in life and politics, and Mann left Massachusetts to join with her in Berkeley. Hurst lead a group of women from BOWU who formed a “Thursday night group” and left the organization with the polemic, “socialist feminism is bourgeois feminism” all of whom moved towards integrating women’s liberation and Marxism-Leninism. At her urging, the two took part in Marxist Leninist party building, becoming union organizers with the United Auto Workers, and eventually moving to Los Angeles. Hurst was elected shop steward by her fellow workers as a known revolutionary. There, Mann led a campaign to keep the Van Nuys assembly plant open (1982-1992) — captured in his book, Taking on General Motors. They joined the August 29th Movement and its successor, the League of Revolutionary Struggle. They left LRS in 1984. In 1989, Mann and veterans of the GM Van Nuys Campaign formed the Labor/Community Strategy Center, which has been a primary focal points for their work ever since, helping to build consciousness, leadership, and organization within communities of color. Hurst became editor of AhoraNow, an innovative bilingual left publication that featured articles by Black and Latino working class leaders and helped initiate the center’s National School for Strategic Organizing. In 2003 Hurst wrote, “Socialist Feminism: Thoughts After 30 Years” for AhoraNow, a critical re-engagement of those important debates from an historical perspective after a 30 year reunion of BOWU’s key leaders. Mann’s latest book is Playbook For Progressives: 16 Qualities of the Successful Organizer. Hurst and Mann continue to write and agitate in the cause of revolutionary change, particularly for oppressed communities of color.

The Mann-Hurst collection contains the records of two lives intertwined with one another with the cause of liberation of Black and Latino communities, women, and an internationalist pro-socialist anti-imperialism. Containing a nearly complete set of publications, the collection also contains early materials on Lian Hurst’s work with BOWU and the both Eric and Lian’s time as organizers for the UAW and their participation in the August 29th Movement and League of Revolutionary Struggle. Of particular interest are a series of letters home written by Eric during his imprisonment. The collection contains comparatively little on Hurst and Manns’ more recent work with the Labor/Strategy Strategy Center or Bus Riders Union

  • August 29th Movement
  • Berkeley Oakland Women's Union
  • Communists--California
  • Feminism
  • International Union, United Automobile, Aerospace, and Agricultural Implement Workers of America
  • Labor unions--California
  • League of Revolutionary Struggle (M-L)
  • Prisoners--Massachusetts
  • Red Prison Movements
  • Students for a Democratic Society (U.S.)
  • Mann, Lian Hurst

Marino, Michella M.

Michella Marino Oral History Collection

23 items
Call no.: MS 812

Michella Marino received her doctorate from the Department History of at UMass Amherst in May 2013. Her dissertation, Sweating femininity: women athletes, masculine culture, and American inequality from 1930 to the present, drew on extensive oral historical and archival research to examine how feminist women negotiated the cultural boundaries surrounding gender to carve out identities as women, athletes, and mothers. Focusing on women’s participation in two sports, basketball and roller derby, Marino wrote that her goal was to “explain the tension between women’s representation and agency, between cultural constructs and women’s lives, between images of women and their individual identities.”

The Marino Collection consists of 23 oral historical interviews with female and male participants in roller derby and basketball.

Gift of Michella Marino, Feb. 2014
  • Roller derby
  • Sex discrimination in sports--History
  • Sports for women
  • Women athletes
  • Women's basketball
Types of material
  • Oral histories

McQueen, Madge

Madge McQueen Papers

ca.1935-2017 Bulk: 1975-2017
100 linear feet
Call no.: MS 825
Image of Madge McQueen and her papers <br> Photo by Laura Wulf
Madge McQueen and her papers
Photo by Laura Wulf

I was born in Washington, D.C., in an unwed mother’s home. I spent my earliest months living with my maternal grandmother and two teenage aunts–one of whom was abusive. My mother married my step-father in 1960; I was eleven years old when I discovered he was not my biological father. My mother suffered from psychotic schizophrenia; my step-father was frequently violent in our home; my younger, half-brother struggled with a severe learning disability, early drug addiction, and later untreated paranoid schizophrenia. After years of physical and sexual abuse, I escaped my destructive, troubled family when I was fourteen–having previously run away twice. I became a ward of the state of Maryland (my family had moved into Prince George’s County when I was much younger). I lived with three foster families until I was nineteen. I was determined to use education as a way out of poverty and violence. I attended Prince George’s Community College, then the University of Maryland in College Park where I earned a BA in Hearing and Speech Sciences in 1982. I worked at the radical Maryland Food Collective from 1981 to 1984 which profoundly impacted my life: politically, socially, and sexually. In 1985, I moved to Plainfield, Vermont, where I attended graduate school at Goddard College, receiving an MFA in Writing and Women’s Literature in 1987. After teaching for five years in Boston, at Fayerweather Street School and at the Jamaica Plain Community Centers–Adult Learning Program, I went to Massachusetts College of Art, earning a BFA in Three Dimensional Fibers in 1997. I lived for a year in Germany, 1980-1981, and in Honduras, 1997-1998, where I taught cognitively disabled adults and 8th graders, respectively. In 2002, after living in Boston for four more years, I moved to Twin Oaks Community in Louisa, Virginia. During my long membership, I left twice for extended periods. In 2006-2007, I traveled for eight months in the U.S. and in New Zealand. In 2014, I spent seven months in Amherst and in Boston working on my papers, followed by four months of travel across country and back visiting loved ones as I wrote my autobiography. In the beginning of 2015, I again made Twin Oaks my home.

My collection consists of nearly 300 journals (which include copies of my letters sent), all correspondence received since 1972, many of my artist books, as well as some of my other art work. My bequest is also comprised of my educational documents, my personal health records, my photographs, some family papers, Twin Oaks ephemera, a family tree, a friendship web, a few favorite books, two interviews, etc. What I have written and saved since I was twelve years old fills 84 linear feet: it is my life’s work. I have given, and will continue to give, my papers to UMass Amherst for safekeeping and so that my life–as an incest and battering survivor, as someone raised working class, as a daughter of a mentally-ill mother, as a radical feminist, as a diarist, as an avid letter writer, as an artist, as a bisexual, as a woman who chose neither to be a wife nor a mother, as an attentive niece, as a communitarian, as a traveler, and as a devoted friend–will not be erased.

  • Adult children abuse victims
  • Communal living--Virginia
  • Diarists
  • Family violence
  • Twin Oaks (Louisa, Va.)
  • Women artists
Types of material
  • Artists' books (Books)
  • Correspondence
  • Journals (Accounts)
  • Photographs
  • Textile art (Visual works)