Collecting area: Social change

A theoretical physicist at University of the Sciences in Philadelphia, Paul Halpern is the author of a dozen popular books on science and dozens of scholarly articles. After spending his undergraduate years at Temple University, Halpern received a doctorate at SUNY Stony Brook, and has since written on complex and higher-dimensional solutions in general relativity theory and the nature of time as well as the history of the modern physical sciences. He has been a Fulbright Scholar and fellow of the John Simon Guggenheim Foundation.

The hundreds of ephemeral publications, fliers, and handbills in the Halpern Collection provide a window into political and social activism in Philadelphia during the late 1970s and early 1980s. The content ranges widely from publications produced by peace and disarmament groups to the literature of anti-imperialist (e.g. CISPES), antinuclear groups (SANE and post-Three Mile Island mobilization), radical political parties, and religious organizations including the Unification Church and the Church of Scientology.

Phyllis Hamilton was a recently divorced mother of a young daughter when she joined the Brotherhood of the Spirit in 1970. Encouraged to visit the commune by two young friends, Phyllis was attracted to the spiritual values of the group and relocated herself and her daughter from Worcester to Heath, making her at the age of 40 one of the oldest members of the community. She quickly used her more mature demeanor and appearance to the group’s advantage. In an area where realtors were increasingly reluctant to work with “hippies,” Phyllis was able to negotiate and purchase the Warwick property with the assistance of another member; together they signed the deed over to the Brotherhood after the sale was final. Her age was not her only distinction, however, she was also an artist, and used her artistic capabilities to capture the familiar faces of her fellow commune members.

The collection consists of 146 sketches of members of the Brotherhood of the Spirit (renamed the Renaissance Community in 1974) from 1970-1989. About half of the drawings were identified by the artist’s daughter, the others are of unidentified individuals.

Tim Hammond’s pioneering contributions to the genital autonomy movement began in 1989 with the co-founding of the National Organization of Restoring Men and includes founding NOHARMM, producing “Whose Body, Whose Rights?”, publishing two large scale circumcision harm documentation surveys and a survey of 1,800 foreskin restorers, webmaster for the Global Survey of Circumcision Harm, co-founding the Children’s Health & Human Rights Partnership/Canada. Hammond is an Honorary Member of the Brussels Collaboration on Bodily Integrity and is honored to be the first Board president of the Genital Autonomy Legal Defense and Education Fund.

Vast collection of materials documenting the movement for genital autonomy including published works, interviews, photographs, videos, banners, shirts, and organizational records from American Academy of Pediatrics, Children’s Health & Human Rights Partnership, Amnesty International, Attorneys for the Rights of the Child, Bloodstained Men, and International Council on Genital Autonomy among others. For materials in the collection that are available online, URLs are provided within the finding aid. Many other items are available electronically and can be requested by contacting the department at scua@library.umass.edu or Tim Hammond at circharmsurvey@gmail.com.

A private, non-profit corporation founded in 1965 in Northampton, Massachusetts to finance community action programs for eliminating poverty and assisting low income people. Programs included day care centers, Neighborhood Youth Corps, Summer Head Start, a drug addiction clinic at the jail, Legal Services, and the Foster Grandparent Program.

Records comprise bylaws and organizational charts, annual reports, board of directors minutes; administrative directors’ records, including correspondence with the federal agencies and state agencies granting funds, grant applications and awards, program plans, financial and legal documents, personnel records and staff training directives; the agency newsletter County Voice, Noticero Latina; and newsclippings about welfare programs.

Jacqueline Hansen (born November 20, 1948) is a former long-distance runner from the United States who is recognized by the International Association of Athletics Federations as having set a world best in the marathon on two occasions. At California State University Northridge she became serious about long distance running and soon won 12 of her first 15 marathons. Among these victories, she won the prestigious Boston Marathon in 1973, the Honolulu Marathon in 1975, and the Avenue of the Giants Marathon in 1976. At age 36 she qualified for the 1984 Olympic Marathon Trials. Hansen was the president of the International Runners Committee from 1979-1986, which lobbied the International Olympic Committee to add women’s marathon and then sued them to include the 5,000 meter and 10,000 meters races for women. In 2009 she participated in a lawsuit against the Vancouver Organizing Committee to include women’s ski jumping at the 2010 Winter Olympics.

The Jacqueline Hansen Papers are primarily composed of documents and legal papers related to International Runners Committee and it’s lawsuit with the IOC in the early 1980s. Some files include Nike’s support of the International Runners Committee. Other materials include research files on the history of road racing for Hansen’s published and unpublished books and articles, programs and newspapers from the 1977 National Women’s Conference in Houston, Texas, and photographs and training journals of her running career.

Daughter of a writer and diplomat, and graduate of Wellesley College, Beth Hapgood has been a spiritual seeker for much of her life. Her interests have led her to become an expert in graphology, a student in the Arcane School, an instructor at Greenfield Community College, and a lecturer on a variety of topics in spiritual growth. Beginning in the mid-1960s, Hapgood befriended Michael Metelica, the central figure in the Brotherhood of the Spirit (the largest commune in the eastern states during the early 1970s) as well as Elwood Babbitt, a trance medium, and remained close to both until their deaths.
The Hapgood Papers contain a wealth of material relating to the Brotherhood of the Spirit and the Renaissance Community, Metelica, Babbitt, and other of Hapgood’s varied interests, as well as 4.25 linear feet of material relating to the Hapgood family.

View the Hapgood books

Charles Hutchins Hapgood (1904-1982) was working toward a doctorate in French history at Harvard when the Great Depression derailed his plans. After a succession of jobs and wartime service, however, Hapgood returned to the academy, teaching history at Springfield College and Keene State for over three decades. He is best remembered as an advocate of several scientifically heterodox ideas, arguing that the earth’s outer crust shifts on geological time scales, displacing continents, and that the earth’s rotational axis has shifted numerous times in geological history. A long time friend and supporter of the medium Elwood Babbitt, he was author of several books, including The Earth’s Shifting Crust (1958), Maps of the Ancient Sea Kings (1966), The Path of the Pole (1970), and Voices of Spirit : Through the Psychic Experience of Elwood Babbitt (1975). Hapgood died in Fitchburg, Mass., on Dec. 21, 1982, after being struck by an automobile.

The Hapgood Papers contain a small grouping of correspondence and writings that offer a glimpse into some of Charles Hapgood’s late-career interests. Although the correspondence is relatively slight, relating primarily to publications in the last two or three years of his life, the collection is a rich resource for the lectures and writings of Elwood Babbitt.

A granting agency that advises and provides funding for grass roots, non-profit projects and organizations in order to bring about broad social change by addressing local issues and community needs. Records include minutes, reports, correspondence, successful and unsuccessful grant applications from Western Massachusetts organizations, grant source information, and grantee materials including organization reports, publications, member lists, clippings, and other materials.

Since it was first proposed in 1977, controversy surrounded Waste Technologies Industries’ plans to operate a hazardous waste incinerator in East Liverpool, Ohio. Particularly after construction on the plant began in 1990, grassroots opposition swelled citing concerns over pollution from cement kiln dust, dioxins, and other environmental toxins. With the support of organizations such as Work on Waste and Greenpeace, local activists waged a years-long campaign against the incinerator, ultimately losing out to the industry’s greater political power.

A small and somewhat heterogenous assemblage, this collection documents public opposition to hazardous waste incineration centered on the Waste Technologies Industries plant in Ohio and sites in Calvert City, Ky., and Illinois. In addition to selected legal filings and technical information, the collection documents public responses and support from Greenpeace America and Work on Waste.

A multi-talented performer, the African American expatriate Gordon Heath was variously a stage and film actor, musician, director, producer, founder of the Studio Theater of Paris, and co-owner of the Parisian nightclub L’Abbaye. Born in New York City, Heath became involved in acting as a teenager and enjoyed a career that spanned post-World War II Broadway to the Black Arts Movement of the 1970s. In addition to his many roles on film and stage, he and his partner Lee Payant enjoyed success as recording artists in the 1950s and 1960s.

The Heath collection includes personal and professional correspondence, scrapbooks containing photos and clippings from assorted television and film productions in addition to songs, poetry, and reviews of plays or playbills from productions he attended. The Papers also contain art work, sheet music, personal and production photographs, and drafts of his memoirs.