Daughter of a writer and diplomat, and graduate of Wellesley College, Beth Hapgood has been a spiritual seeker for much of her life. Her interests have led her to become an expert in graphology, a student in the Arcane School, an instructor at Greenfield Community College, and a lecturer on a variety of topics in spiritual growth. Beginning in the mid-1960s, Hapgood befriended Michael Metelica, the central figure in the Brotherhood of the Spirit (the largest commune in the eastern states during the early 1970s) as well as Elwood Babbitt, a trance medium, and remained close to both until their deaths.
The Hapgood Papers contain a wealth of material relating to the Brotherhood of the Spirit and the Renaissance Community, Metelica, Babbitt, and other of Hapgood’s varied interests, as well as 4.25 linear feet of material relating to the Hapgood family.
A granting agency that advises and provides funding for grass roots, non-profit projects and organizations in order to bring about broad social change by addressing local issues and community needs. Records include minutes, reports, correspondence, successful and unsuccessful grant applications from Western Massachusetts organizations, grant source information, and grantee materials including organization reports, publications, member lists, clippings, and other materials.
A multi-talented performer, the African American expatriate Gordon Heath was variously a stage and film actor, musician, director, producer, founder of the Studio Theater of Paris, and co-owner of the Parisian nightclub L’Abbaye. Born in New York City, Heath became involved in acting as a teenager and enjoyed a career that spanned post-World War II Broadway to the Black Arts Movement of the 1970s. In addition to his many roles on film and stage, he and his partner Lee Payant enjoyed success as recording artists in the 1950s and 1960s.
The Heath collection includes personal and professional correspondence, scrapbooks containing photos and clippings from assorted television and film productions in addition to songs, poetry, and reviews of plays or playbills from productions he attended. The Papers also contain art work, sheet music, personal and production photographs, and drafts of his memoirs.
Abbaye (Nightclub : Paris, France)
African American actors--France--Paris--History
African American singers--France--Paris--History
African Americans in the performing arts--History
African-American theater--History--20th century
Baldwin, James, 1924-
Dodson, Owen, 1914-
Hughes, Langston, 1902-1967
Paris (France)--Intellectual life--20th century
Rive gauche (Paris, France)--Intellectual life--20th century
Studio Theater of Paris
Theater--Production and direction--France--Paris--History
In 1960, William K. Hefner (1915-1993) became one of the first of new breed of radical pacifists to run for elective office, when he ran as a peace candidate for Congress in the 1st district of Massachusetts. An accountant from Greenfield, Hefner was involved at a national level with movements for peace and civil rights. An early member of SANE, a founder of Political Action for Peace in 1959 (now CPPAX) and the Greenfield Peace Center (1963), and an active member of the American Friends Service Committee, War Resisters League, Turn Toward Peace, and the World Without War Conference, Hefner was an energetic force in the movements for peace and disarmament, civil rights, and a more just economic system. He ran unsuccessfully for office in three elections between 1960 and 1964, and supported peace candidate H. Stuart Hughes in his bid for election to the U.S. Senate in 1962.
The Hefner papers offer a remarkable record of politically-engaged activism for peace and social justice in the early 1960s. With an intensely local focus, Hefner was tied in to the larger movements at the state and national level, corresponding with major figures such as A.J. Muste, Bayard Rustin, Benjamin Spock, and Arthur Springer. The collection includes particularly rich documentation of the early years of Political Action for Peace, which Hefner helped found, with correspondence, minutes of meetings, and publications, as well as equally rich materials on Hefner’s bids for congress in 1960 and 1962.
American Friends Service Committee Western Massachusetts
A farmer, activist, and writer, Elizabeth Henderson has exerted an enormous influence on the movement for organic and sustainable agriculture since the 1970s. Although Henderson embarked on an academic career after completing a doctorate at Yale on the Russian poet Vladimir Mayakovsky in 1974, by 1980, she abandoned academia for Unadilla Farm in Gill, Mass., where she learned organic techniques for raising vegetables. Relocating to Rose Valley Farm in Wayne County, NY, in 1989, she helped establish Genesee Valley Organic CSA (GVOCSA), one of the first in the country, and she continued the relationship with the CSA after founding Peacework Organic Farm in Newark, NY, in 1998. Deeply involved in the organic movement at all levels, Henderson was a founding member of the Northeast Organic Farming Association (NOFA) in Massachusetts, has served on the Board of Directors for NOFA NY, the NOFA Interstate Council, SARE (Sustainable Agriculture Research and Education) Northeast, and many other farming organizations at the state, regional, and national level, and she has been an important voice in national discussions on organic standards, fair trade, and agricultural justice. Among other publications, Henderson contributed to and edited The Real Dirt: Farmers Tell about Organic and Low-Input Practices in the Northeast and co-wrote Sharing the Harvest: A Citizen’s Guide to Community Supported Agriculture (1999, with Robyn Van En) and A Manual of Whole Farm Planning (2003, with Karl North).
Offering insight into the growth of the organic agriculture movement and the organizations that have sustained it, the Henderson Papers document Henderson’s involvement with NOFA, SARE, and the GVOCSA, along with her work to establish organic standards and promote organic practices. Henderson’s broad social and political commitments are represented by a rich set of letters from her work educating prisoners in the late 1970s, including correspondence with Tiyo Atallah Salah El and John Clinkscales, and with the American Independent Movement in New Haven during the early 1970s, including a nearly complete run of the AIM Bulletin and its successor Modern Times.
American Independent Movement (Conn.)
Community Supported Agriculture
Genesee Valley Organic
Northeast Organic Farming Association
Peacework Organic Farm (Newark, N.Y.)
Sustainable Agriculture Research and Education Program
Recognized for her coverage of historic events and personalities, the photographer Diana Mara Henry took the first steps toward her career in 1967 when she became photo editor for the Harvard Crimson. After winning the Ferguson History Prize and graduating from Harvard with a degree in government in 1969, Henry returned to New York to work as a researcher with NBC News and as a general assignment reporter for the Staten Island Advance, but in 1971 she began to work as a freelance photographer. Among many projects, she covered the Democratic conventions of 1972 and 1976 and was selected as official photographer for both the National Commission on the Observance of International Women’s Year and the First National Women’s Conference in 1977, and while teaching at the International Center for Photography from 1974-1979, she developed the community workshop program and was a leader in a campaign to save the Alice Austin House. Her body of work ranges widely from the fashion scene in 1970s New York and personal assignments for the family of Malcolm Forbes and other socialites to political demonstrations, cultural events, and photoessays on one room schoolhouses in Vermont and everyday life in Brooklyn, France, Nepal, and Bali. Widely published and exhibited, her work is part of permanent collections at institutions including the Schlesinger Library, the Library of Congress, Smithsonian, and the National Archives.
The Henry collection is a rich evocation of four decades of political, social, and cultural change in America beginning in the late 1960s as seen through the life of one photojournalist. This diverse body of work is particularly rich in documenting the women’s movement, second wave feminism, and the political scene in the 1970s. Henry left a remarkable record of women in politics, with dozens of images of Bella Abzug, Elizabeth Holtzman, Shirley Chisholm, Liz Carpenter, Betty Friedan, Jane Fonda, and Gloria Steinem. The collection includes images of politicians at all levels of government, celebrities, writers, and scholars, and coverage of important events including demonstrations by Vietnam Veterans Against the War, the Women’s Pentagon Action, and marches for the ERA. The many hundreds of exhibition and working prints in the collection are accompanied by the complete body of Henry’s photographic negatives and slides, along with an array of ephemera, correspondence, and other materials relating to her career.
William E. Heronemus underwent a radical transformation during his tenure as Professor of Civil Engineering at the University. After serving in the U.S. Navy, engineering the construction of submarines from 1941 until his retirement in 1965, Heronemus disavowed his work with nuclear energy and joining the University faculty in 1967, dedicated his life to the study of alternative energy. Born in Madison, Wisconsin, Heronemus earned his B.S. from then United States Naval Academy and two M.S.s (Naval Architecture and Marine Engineering), from the Massachusetts Institute of Technology. Heronemus was invited to the University to help develop a research program in Ocean Engineering and focused his work on alternative energy to sources that could make use of oceanic power. William Heronemus retired from the University in 1978 and died of cancer on November 2, 2002.
The William E. Heronemus Papers document his research in alternative energy and his quest for harnessing wind and thermal power from the ocean through technical reports on alternative energy systems written from 1972 to 1974.
University of Massachusetts Amherst--Faculty
University of Massachusetts Amherst. Department of Civil Engineering
The self-styled “insane architect” Aurin F. Hill (b. 1853) was a free thinking carpenter and architect in Boston who waged a concerted campaign for his vision of social reform at the turn of the twentieth century. A Spiritualist, social radical, and union man, Hill carried the torch for issues ranging from the nationalization of railroads and corporations to civil rights and women’s rights, and joined in opposition to vaccination, Comstockery and censorship, capital punishment, and lynching. A writing medium, married to the Spiritual evangelist Izetta Sears-Hill, he became President of the National Spiritual Alliance in 1915, a Spiritualist organization based in Lake Pleasant, Mass.
Esoteric, rambling, and often difficult to follow, the Hill papers provide profound insight into the eclectic mind of an important Boston Spiritualist and labor activist at the turn of the twentieth century. Whether written as a diary or scattered notes, a scrapbook, essays, or letters to the editor, Hill’s writings cover a wide range of topics, from spirit influence to labor law, from his confinements for insanity to police strikes, hypnotism, reincarnation, and housing. More than just a reflection of one man’s psychology, the collection reveals much about broader social attitudes toward gender and race, sexuality, urban life, politics, and religion, and the collection is a particularly important resource for the history of the American Spiritualist movement between 1890 and 1920.
Lake Pleasant (Mass.)--History
National Spiritual Alliance
United Brotherhood of Carpenters and Joiners of America
Born in New Zealand in 1907, Bill Holland first traveled to Japan at the age of 21 to take part in the conference of the Institute of Pacific Relations, beginning over thirty years of association with the organization. During his time at IPR, Holland held a number of leadership positions, including Research Secretary (1933-1944), Secretary-General (1946-1960), and editor of its periodicals Far Eastern Survey and Pacific Affairs. He took leave from the IPR twice: to study for a MA in economics under John Maynard Keynes at Cambridge (1934) and, during the Second World War, to become acting director of the Office of War Information in Chungking, China. Founded on an internationalist philosophy as a forum to discuss relations between Pacific nations, the IPR was targeted under the McCarthy-era McCarran act during the 1950s, accused of Communist sympathies. After political pressure led the IPR to disband in 1960, Holland accepted a position on faculty with the newly created Department of Asian Studies at the University of British Columbia (1961-1972), helping to lead that department to international prominence. He remained in BC until the death of his wife Doreen in 1990, after which he settled in Amherst to live with his only child, Patricia G. Holland. Holland died in Amherst in May 2008.
The Holland Papers are a dense assemblage of correspondence of Bill Holland, his wife Doreen, and their family, from his first trip abroad in the 1920s through the time of his death. Although largely personal in nature, the letters offer important insight into Holland’s travel in pre-war Asia, his work with the IPR, the war, and the of the 1950s. The collection also includes a wealth of photographs, including two albums documenting trips to Japan, China, and elsewhere 1929-1933.
A peace activist since the 1960s, Margaret Goddard Holt not only demonstrated against war, she led efforts to educate others about the effects of war. A member of the Gray Panthers of the Pioneer Valley and a co-founder along with her husband, Lee Holt, of the Amherst Vigil for a Nuclear Free World, she was sent as a delegate to Rome, Italy to visit Pope John XXIII advocating for a world without war. In addition to her dedication to peace and nuclear disarmament, Holt’s concern for prisoners developed into an involvement in prison-related issues.
The Holt collection of publications, brochures, news clippings, and correspondence reveals her interests and documents her role as a community activist during the 1980s.