Collecting area: Photographs Page 9 of 17
Kleckner, Susan

Susan Kleckner Papers

ca. 1870-2010 Bulk: 1970-2010
89 ca. 180 linear feet
Call no.: MS 725
Image of Greenham Commons
Greenham Commons

A feminist, filmmaker, photographer, performance artist, writer, and New Yorker, Susan Kleckner helped to define the Feminist Art Movement. Born in 1941, Kleckner was instrumental in uniting Women Artists in Revolution (WAR) with Feminists in the Arts in 1969, and in 1970 she became a founder of the Women’s Interart Center, which still fosters women artists in the performing, visual, and media arts. A talented and prolific visual artist, she produced several important video documentaries during her career, beginning with Three Lives (made in collaboration with Kate Millet in 1970), which is considered the first all-women produced feature documentary. Her work often reflected a feminist commitment to the cause of peace: she participated in and photographed the Greenham Common Women’s Peace Camp in England during the mid-1980s and in 1987, she curated a major year-long installation on Broadway called WindowPeace. A brilliant teacher, Kleckner was the first woman to teach photography at the Pratt Institute and she worked at the International Center for Photography in New York from 1982 until her death in July 2010.

A wide ranging and highly diverse collection, the Kleckner Papers document a life in art and activism. The diaries, letters, notes, and essays in the collection are augmented by hundreds of photographic prints and artwork in a variety of media.

Gift of Linda Cummings and Susan Jahoda, Dec. 2011

Subjects

  • Antinuclear movements
  • Feminists--New York (State)
  • Greenham Common Women’s Peace Camp
  • Peace movements
  • Performance artists--New York (State)
  • Photographers--New York (State)
  • Women's Interart Center

Contributors

  • Kleckner, Susan

Types of material

  • Artists' films
  • Drawings (Visual works)
  • Photographs
Knowlton Brothers

Mill River Flood Stereographs

1874
19 items 0.25 linear feet
Call no.: PH 019
Image of Ruins of Stone Bridge, Leeds
Ruins of Stone Bridge, Leeds

The Mill River flood of 1874 was one of the great man-made disasters of late nineteenth century western Massachusetts. Following the collapse of an earthenwork dam on May 16 of that year, 600,000,000 gallons of water coursed through Williamsburgh, Skinnerville, and Leeds, destroying factories and homes, bridges and roads, and leaving 139 deaths in its wake.

The nineteen images in the Mill River Flood collection are a small sampling of a series of 110 stereographs taken by the Knowlton Brothers of Northampton to document the devastation caused by the flood of May 1874. The collection also includes one view taken by F. J. Moore of Westfield, who issued his own series of 21 stereographs, and one by an unidentified photographer.

Gift, 1994

Subjects

  • Floods--Massachusetts--Mill River Valley (Hampshire County)--Photographs
  • Haydenville (Mass.)--Photographs
  • Leeds (Mass.)--Photographs
  • Mill River Valley (Hampshire County, Mass.)--Photographs
  • Skinnerville (Mass.)--Photographs
  • Williamsburgh (Mass.)--Photographs

Contributors

  • Knowlton Brothers
  • Moore, F. J.

Types of material

  • Photographs
  • Stereographs
Kramer, Susan

Kramer-Mathews-Gyorgy Collection

1969-1988
1 box 0.25 linear feet
Call no.: PH 080
Image of The Farm in fall color, Oct. 1980
The Farm in fall color, Oct. 1980

Founded in August 1968 by Marshall Bloom and a group of colleagues from the Liberation News Service. From the outset, the Montague Farm Commune was a center of political and cultural (and countercultural) creatvity. In its first year, it was the headquarters for the Montague branch of the Liberation News Service and Farmers were involved in a range of other causes. Most famously, in 1974, Farmers lit the fuse of the antinuclear movement. Rallying against a proposed nuclear power plant in Montague and Farmer Sam Lovejoy’s act of civil disobedience that felled a weather monitoring tower set up in preparation, the Farmers carried waged a campaign of non-violent direct action that became the hallmark of antinuclear groups across the country. Their actions against the Yankee Rowe and Seabrook (N.H.) power plants were instrumental in dampening further development of nuclear power in the United States. In 2003, the Farm community agreed to sell the Farm property to Zen Peacemakers.

The photographs in this collection were taken by three members of the Montague Farm Commune: early members Anna Gyorgy and Tony Mathews, and Tony’s wife Susan Kramer. The photos depict daily life on the Farm and its residents, primarily in he period between 1978 and 1981, including farm work, sugaring, domestic chores, family and children, holidays, and celebrations, such as May Day. A handful of images, mostly by Mathews, go back to the earliest days of the Farm, and there are later images from the 20th and 25th reunions. Of special notes are over 100 images taken by Kramer during the occupation of the Seabroon Nuclear Power Plant in May 1977, at which 1,414 occupiers were arrested.

Gift of Susan Kramer and Anna Gyorgy. Jan. 2018

Subjects

  • Antinuclear movement--New Hampshire--Photographs
  • Communal living--Massachusetts--Montague--Photographs
  • Demonstrations--New Hampshire--Seabrook--Photographs
  • Montague Farm Community--Photographs
  • Organic farming--Massachusetts--Montague--Photographs
  • Seabrook Nuclear Power Plant (N.H.)--Photographs

Contributors

  • Gyorgy, Anna
  • Mathews, Tony

Types of material

  • Photographs
Lapolice, Aubrey D.

Aubrey D. Lapolice Collection

1910-1981
1 box 0.25 linear feet
Call no.: PH 070
Image of 'Our first students, 1921'
'Our first students, 1921'

Born in Chicopee Falls, Mass., Aubrey D. Lapolice (1893-1981) was a maintenance superintendent at the Belchertown State School for a forty year period, from the time of its establishment through his retirement in 1961. A veteran of the First World War, he oversaw a campus of nearly 850 acres and a physical plant of nearly one hundred buildings and structures. He died in February 1981.

The Lapolice collection includes 35 images of the physical plant and construction projects at the Belchertown State School during its first two decades of operation and 21 images of the welcome home parade in Belchertown in 1946 for returning American troops.

Gift of Dani McGrath, Feb. 2016

Subjects

  • Belchertown State School--Photographs
  • Construction projects--Massachusetts--Belchertown--Photographs
  • Hampden Railroad--Photographs
  • Mentally disabled--Massachusetts--Belchertown
  • Parades--Massachusetts--Belchertown--Photographs
  • Psychiatric hospitals--Massachusetts--Belchertown--Photographs
  • World War, 1939-1945--Veterans

Types of material

  • Photographs
Le, Van Khoa

Le Van Khoa Photograph Collection

Undated
7 items 0.1 linear feet
Call no.: MS 170
Image of Going home
Going home

The composer, photographer, and educator, Le Van Khoa arrived in the United States as a war refugee from Vietnam in May 1975. Largely self-taught as a photographer, he was co-founder of the Artistic Photography Association of Vietnam and has published three books of his work. He holds the distinction of being the first Vietnamese photographer to mount an exhibition at the U.S. Congress building.

The seven photographs in the Le Van Khoa collection are artistic reflections of life in Vietnam, including four taken in the imperial city, Hue.

Subjects

  • Vietnam--Photographs

Types of material

  • Photographs
Lesinski-Rusin family

Lesinski-Rusin Family Papers

1908-1925
2 boxes 1 linear feet
Call no.: MS 131
Image of Nun and two girls at first communion, ca.1920
Nun and two girls at first communion, ca.1920

Polish immigrants Jan Lesinski and his wife Weronika (Rusin) settled in Easthampton, Massachusetts, in 1909 and worked in the textile mills there for decades. Married in 1922, the couple raised a son and daughter in their home on Franklin Street. Weronika Lesinski died in Northampton in 1961, her husband following twelve years later.

The Lesinski and Rusin family collection reflect the lives of an average working-class Polish family from Easthampton, Mass., during the early twentieth century. Numerous family photographs document important occasions for the families, such as baptisms, first communions, and weddings, and the photographic postcards and commercial postcards document their relationships, interests, and travel.

Gift of Mary Ryan, June 1990
Language(s): Polish

Subjects

  • Lesinski family
  • Polish Americans--Massachusetts--Easthampton
  • Rusin family
  • Soldiers--Massachusetts--Easthampton--Photographs
  • World War, 1914-1918--Photographs

Types of material

  • Photographs
  • Postcards
  • Scrapbooks
Levy, Donald

Donald Levy Papers

1966-1987
2 boxes 2 linear feet
Call no.: MS 878
Image of Richie Havens at Krackerjacks, ca. 1968
Richie Havens at Krackerjacks, ca. 1968

The co-owner with Alan Peterson of Krackerjacks, a psychedelic clothing store in Boston, Donald “Jack” Levy grew the boutique he started in 1966 into a staple of the counterculture in the Boston area and eventually a franchise. Levy was at the center of a controversy in Cambridge when the city tried to ban “obscene” buttons. Though several stores removed the buttons, Levy refused and with community support, fought the city’s ban. Levy also opened several clothing stores in the Boston-area: Garbo, a women’s clothing store; Dazzle in 1973, a vintage clothing store; Goods in 1976, a natural fiber and novelty store; and purchased and refurbished the Blue Diner in 1986 (now the South Street Diner). He currently owns diners in Newton, Framingham, and Watertown Mass.

The Donald Levy Papers contain ephemera, photographs, and clippings primarily documenting Krackerjacks as well as Levy’s other clothing stores and the opening of Blue Diner. Of particular interest is a petition circulated by Levy during the city’s attempt to ban “obscene” buttons. Included among the signatures is a 15-year-old Jonathan Richman, who called the button ban, “an example of lingering Victorianism.”

Subjects

  • Counterculture--United States--20th century
  • Fashion--United States--20th century
  • Massachusetts--Cambridge--History--20th century
  • Stores, Retail--Massachusetts

Contributors

  • Richman, Jonathan (Vocalist)

Types of material

  • Clippings
  • Petitions
  • Photographs
Lewis, Gertrude Minnie, 1896-

Gertrude M. Lewis Papers

ca.1920-2001
6 boxes 3 linear feet
Call no.: FS 096
Image of Gertrude
Gertrude "Jean" Lewis, ca.1935

Overcoming a deeply impoverished childhood, Gertrude Lewis struggled to build a career in education, putting herself through college and graduate school. At the age of 32, she earned a bachelor’s degree from Ohio State, continuing on to a masters degree at New York University (1933), and finally, at age 51, a PhD from Yale (1947). For many years after receiving her doctorate, Lewis was employed as a Specialist for Upper Grades with the U.S. Office of Education in Washington. Among other career highlights, Lewis spent two years in Japan (1950-1951) as a Consultant in Elementary Education in the Education Section of the Allied Occupation government (SCAP). Lewis outlived her life partner, Ruth Totman, dying at home on December 10, 1996, a few months after her one hundredth birthday.

The Lewis Papers document the work and life of an educator of the masses, a traveler of the world, and a woman of the twentieth century. Documents pertaining to her work as an educator of both young students and veteran teachers show the changes within the theory and practice of pedagogy over time, over various geographic locales, and also highlight her role in that change. This collection also documents the numerous on-going side projects on which Lewis worked, including fostering creativity in schoolchildren, a biography of Franklin D. and Eleanor Roosevelt, and her own poetry and prose.

Subjects

  • Education, Elementary--Japan
  • Education, Elementary--United States--History
  • Education--Evaluation
  • Education--United States--History
  • Health Education--United States
  • Japan--Civilization--American influences
  • Students--Health and hygiene

Contributors

  • Lewis, Gertrude Minnie, 1896-
  • Totman, Conrad D
  • Totman, Ruth J

Types of material

  • Motion pictures (Visual work)
  • Photographs
Lewis, Patricia Lee, 1937-

Patricia Lee Lewis Photograph Collection

1977-1979
3 boxes 2 linear feet
Call no.: PH 059
Image of Cotton Mill no. 2, Beijing, 1977
Cotton Mill no. 2, Beijing, 1977

A co-founder of the Valley Women’s Center and the Everywoman’s Center at UMass Amherst, Patricia Lee Lewis has been an important part of the vibrant activist culture in the Pioneer Valley since her graduation from Smith College in 1970, advocating for women, civil rights, peace, the environment, for small farms and rural communities, and for art. Her varied career has included service as Supervisor of Community Development for the Massachusetts Office for Children (1974-1976), as Rural Development Specialist for the Massachusetts Cooperative Extension Service, and as County Commissioner for Hampshire County (1984-1988). After receiving an MFA from Vermont College, she founded Patchwork Farm Writing Retreat in Westhampton in 1992, which offers workshops and retreats in creative writing and yoga.

As a member of a National Women’s Delegation, Lewis visited the People’s Republic of China in 1977. Having been invited by the All China Women’s Federation, Lewis and her colleagues toured the country, seeing the sights and examining the role of women, education, and agriculture, visiting Beijing, Shanghai, Nanjing, Tachai, and Guilin. The many hundreds of photographs she took during the tour are a powerful visual record of the country only a few months after the Gage of Four were arrested and the Cultural Revolution declared ended. The collection also includes approximately 100 photographs taken of agriculture and rural life in Louisiana and Texas in 1979.

Gift of Patricia Lee Lewis, Mar. 2014

Subjects

  • China--Photographs
  • Louisiana--Photographs
  • Texas--Photographs

Types of material

  • Photographs
Libera, John

John Libera Collection

1934-1988
1 flat box 0.25 linear feet
Call no.: MS 048
Image of Polish Tigers baseball team, ca.1935
Polish Tigers baseball team, ca.1935

A member of the Polish community in Southbridge, Mass., John Libera (1919-2007) was a long-time employee of American Optical Company, but was best known as a promoter of polka music and dancing. A performer, song writer, and host of a radio show for over thirty years, Libera was inducted into the Polka Music Hall of Fame in 1982 and invited to perform at the American Folklife Festival in 1988.

The Libera collection consists of four photographs of the Polish community in Southbridge during the 1930s along with fourteen photos, a videotape, and some correspondence and ephemera relating to the American Folklife Festival.

Subjects

  • Baseball teams--Massachusetts--Southbridge--Photographs
  • Polish Americans--Massachusetts--Southbridge--Photographs
  • Southbridge (Mass.)
  • Women--Societies and clubs--Massachusetts--Southbridge--Photographs

Contributors

  • Libera, John

Types of material

  • Photographs