Photographs (130 collections) SCUA

Klaw, Alonzo

Alonzo Klaw Photograph Collection, 1929-1931.

3 boxes (1.5 linear feet).
Call no.: PH 048
New York street scene, ca.1931
New York street scene, ca.1931

A landscape painter and photographer, Alonzo “Lon” Klaw was born in 1885 to Antoinette Morris and Marc Klaw, the attorney, theatrical impresario, and partner in the powerful Broadway production partnership of Klaw and Erlanger. Lon and his wife Alma (Ash) lived on a farm, Almalon, near Carmel, New York, but spent large parts of each year at their home in Santa Barbara, California, traveling frequently to Europe, particularly after his father’s retirement in 1927.

The several hundred photographic prints from Lon Klaw reflect his interests in landscape and travel and the influence on his work of the Photo Secession on his aesthetic. Approximately half of the collection consists of American views, primarily from southern California, depicting bucolic scenery, grazing cattle, and trees, but there are occasional portraits and views of the built environment in California and street scenes from New York. Taken during a European trip in 1929 or 1930, the remainder of the collection includes images of Cannes and Paris. Klaw typically printed each image several times to produce different visual effects.


  • California--Photographs
  • Cannes (France)--Photographs
  • Cows--Photographs
  • Paris (France)--Photographs
  • Trees--Photographs


  • Klaw, Alonzo

Types of material

  • Photographs

Kleckner, Susan

Susan Kleckner Papers, ca.1970-2010.

65 (ca.100 linear feet).
Call no.: MS 725
Greenham Commons
Greenham Commons

A feminist, filmmaker, photographer, performance artist, writer, and New Yorker, Susan Kleckner helped to define the Feminist Art Movement. Born in 1941, Kleckner was instrumental in uniting Women Artists in Revolution (WAR) with Feminists in the Arts in 1969, and in 1970 she became a founder of the Women’s Interart Center, which still fosters women artists in the performing, visual, and media arts. A talented and prolific visual artist, she produced several important video documentaries during her career, beginning with Three Lives (made in collaboration with Kate Millet in 1970), which is considered the first all-women produced feature documentary. Her work often reflected a feminist commitment to the cause of peace: she participated in and photographed the Greenham Common Women’s Peace Camp in England during the mid-1980s and in 1987, she curated a major year-long installation on Broadway called WindowPeace. A brilliant teacher, Kleckner was the first woman to teach photography at the Pratt Institute and she worked at the International Center for Photography in New York from 1982 until her death in July 2010.

A wide ranging and highly diverse collection, the Kleckner Papers document a life in art and activism. The diaries, letters, notes, and essays in the collection are augmented by hundreds of photographic prints and artwork in a variety of media.


  • Antinuclear movements
  • Feminists--New York (State)
  • Greenham Common Women’s Peace Camp
  • Peace movements
  • Performance artists--New York (State)
  • Photographers--New York (State)
  • Women's Interart Center


  • Kleckner, Susan

Types of material

  • Drawings (Visual works)
  • Photographs

Knowlton Brothers

Mill River Flood Stereographs, 1874.

19 items (0.25 linear feet).
Call no.: PH 019
Ruins of Stone Bridge, Leeds
Ruins of Stone Bridge, Leeds

The Mill River flood of 1874 was one of the great man-made disasters of late nineteenth century western Massachusetts. Following the collapse of an earthenwork dam on May 16 of that year, 600,000,000 gallons of water coursed through Williamsburgh, Skinnerville, and Leeds, destroying factories and homes, bridges and roads, and leaving 139 deaths in its wake.

The nineteen images in the Mill River Flood collection are a small sampling of a series of 110 stereographs taken by the Knowlton Brothers of Northampton to document the devastation caused by the flood of May 1874. The collection also includes one view taken by F. J. Moore of Westfield, who issued his own series of 21 stereographs, and one by an unidentified photographer.


  • Floods--Massachusetts--Mill River Valley (Hampshire County)--Photographs
  • Haydenville (Mass.)--Photographs
  • Leeds (Mass.)--Photographs
  • Mill River Valley (Hampshire County, Mass.)--Photographs
  • Skinnerville (Mass.)--Photographs
  • Williamsburgh (Mass.)--Photographs


  • Knowlton Brothers
  • Moore, F. J.

Types of material

  • Photographs
  • Stereographs

Lesinski-Rusin family

Lesinski-Rusin Family Papers, ca.1910-1925.

2 boxes (1 linear feet).
Call no.: MS 131

The Lesinski and Rusin families represent the average working-class Polish family settled in the Pioneer Valley during the early twentieth century. Numerous family photographs document important occasions for the families, such as baptisms, first communions, and weddings, while photographic postcards and commercial postcards document their relationships, interests, and travel. The collection also includes Polish-language textbooks and a Polish-English dictionary, which suggest that learning English may have been both a challenge as well as a priority.


  • Lesinski family
  • Rusin family

Types of material

  • Photographs
  • Postcards
  • Scrapbooks

Levy, Donald

The American Revolution Documentary Collection

Donald Levy Papers, 1966-1987.

2 boxes (2 linear feet).
Call no.: MS 878
Richie Havens at Krackerjacks, ca. 1968
Richie Havens at Krackerjacks, ca. 1968

The co-owner with Alan Peterson of Krackerjacks, a psychedelic clothing store in Boston, Donald “Jack” Levy grew the boutique he started in 1966 into a staple of the counterculture in the Boston area and eventually a franchise. Levy was at the center of a controversy in Cambridge when the city tried to ban “obscene” buttons. Though several stores removed the buttons, Levy refused and with community support, fought the city’s ban. Levy also opened several clothing stores in the Boston-area: Garbo, a women’s clothing store; Dazzle in 1973, a vintage clothing store; Goods in 1976, a natural fiber and novelty store; and purchased and refurbished the Blue Diner in 1986 (now the South Street Diner). He currently owns diners in Newton, Framingham, and Watertown Mass.

The Donald Levy Papers contain ephemera, photographs, and clippings primarily documenting Krackerjacks as well as Levy’s other clothing stores and the opening of Blue Diner. Of particular interest is a petition circulated by Levy during the city’s attempt to ban “obscene” buttons. Included among the signatures is a 15-year-old Jonathan Richman, who called the button ban, “an example of lingering Victorianism.”


  • Counterculture--United States--20th century
  • Fashion--United States--20th century
  • Massachusetts--Cambridge--History--20th century
  • Stores, Retail--Massachusetts


  • Richman, Jonathan (Vocalist)

Types of material

  • Clippings
  • Petitions
  • Photographs

Lewis, Gertrude Minnie, 1896-

Gertrude M. Lewis Papers, ca.1920-2001.

6 boxes (3 linear feet).
Call no.: FS 096
Gertrude "Jean" Lewis, ca.1935

Overcoming a deeply impoverished childhood, Gertrude Lewis struggled to build a career in education, putting herself through college and graduate school. At the age of 32, she earned a bachelor’s degree from Ohio State, continuing on to a masters degree at New York University (1933), and finally, at age 51, a PhD from Yale (1947). For many years after receiving her doctorate, Lewis was employed as a Specialist for Upper Grades with the U.S. Office of Education in Washington. Among other career highlights, Lewis spent two years in Japan (1950-1951) as a Consultant in Elementary Education in the Education Section of the Allied Occupation government (SCAP). Lewis outlived her life partner, Ruth Totman, dying at home on December 10, 1996, a few months after her one hundredth birthday.

The Lewis Papers document the work and life of an educator of the masses, a traveler of the world, and a woman of the twentieth century. Documents pertaining to her work as an educator of both young students and veteran teachers show the changes within the theory and practice of pedagogy over time, over various geographic locales, and also highlight her role in that change. This collection also documents the numerous on-going side projects on which Lewis worked, including fostering creativity in schoolchildren, a biography of Franklin D. and Eleanor Roosevelt, and her own poetry and prose.


  • Education, Elementary--Japan
  • Education, Elementary--United States--History
  • Education--Evaluation
  • Education--United States--History
  • Health Education--United States
  • Japan--Civilization--American influences
  • Students--Health and hygiene


  • Lewis, Gertrude Minnie, 1896-
  • Totman, Conrad D
  • Totman, Ruth J

Types of material

  • Motion pictures (Visual work)
  • Photographs

Lewis, Patricia Lee, 1937-

Patricia Lee Lewis Photograph Collection, 1977-1979.

3 boxes (2 linear feet).
Call no.: PH 059
Cotton Mill no. 2, Beijing, 1977
Cotton Mill no. 2, Beijing, 1977

A co-founder of the Valley Women’s Center and the Everywoman’s Center at UMass Amherst, Patricia Lee Lewis has been an important part of the vibrant activist culture in the Pioneer Valley since her graduation from Smith College in 1970, advocating for women, civil rights, peace, the environment, for small farms and rural communities, and for art. Her varied career has included service as Supervisor of Community Development for the Massachusetts Office for Children (1974-1976), as Rural Development Specialist for the Massachusetts Cooperative Extension Service, and as County Commissioner for Hampshire County (1984-1988). After receiving an MFA from Vermont College, she founded Patchwork Farm Writing Retreat in Westhampton in 1992, which offers workshops and retreats in creative writing and yoga.

As a member of a National Women’s Delegation, Lewis visited the People’s Republic of China in 1977. Having been invited by the All China Women’s Federation, Lewis and her colleagues toured the country, seeing the sights and examining the role of women, education, and agriculture, visiting Beijing, Shanghai, Nanjing, Tachai, and Guilin. The many hundreds of photographs she took during the tour are a powerful visual record of the country only a few months after the Gage of Four were arrested and the Cultural Revolution declared ended. The collection also includes approximately 100 photographs taken of agriculture and rural life in Louisiana and Texas in 1979.


  • China--Photographs
  • Louisiana--Photographs
  • Texas--Photographs

Types of material

  • Photographs

Libera, John

John Libera Collection, 1934-1988.

1 flat box (0.25 linear feet).
Call no.: MS 048
Polish Tigers baseball team, ca.1935
Polish Tigers baseball team, ca.1935

A member of the Polish community in Southbridge, Mass., John Libera (1919-2007) was a long-time employee of American Optical Company, but was best known as a promoter of polka music and dancing. A performer, song writer, and host of a radio show for over thirty years, Libera was inducted into the Polka Music Hall of Fame in 1982 and invited to perform at the American Folklife Festival in 1988.

The Libera collection consists of four photographs of the Polish community in Southbridge during the 1930s along with fourteen photos, a videotape, and some correspondence and ephemera relating to the American Folklife Festival.


  • Baseball teams--Massachusetts--Southbridge--Photographs
  • Polish Americans--Massachusetts--Southbridge--Photographs
  • Southbridge (Mass.)
  • Women--Societies and clubs--Massachusetts--Southbridge--Photographs


  • Libera, John

Types of material

  • Photographs

Lipshires, Sidney

Sidney Lipshires Papers, 1932-2012.

7 boxes (3.5 linear feet).
Call no.: MS 730
Sidney Lipshires
Sidney Lipshires

Born on April 15, 1919 in Baltimore, Maryland to David and Minnie Lipshires, Sidney was raised in Northampton, Massachusetts where his father owned two shoe stores, David Boot Shop and The Bootery. He attended the Massachusetts State College for one year before transferring to the University of Chicago and was awarded a BA in economics in 1940. His years at the University of Chicago were transformative, Lipshires became politically active there and joined the Communist Party in 1939. Following graduation in 1941, he married Shirley Dvorin, a student in early childhood education; together they had two sons, Ellis and Bernard. Lipshires returned to western Massachusetts with his young family in the early 1940s, working as a labor organizer. He served in the United States Army from 1943 to 1946 working as a clerk and interpreter with a medical battalion in France for over a year. Returning home, he ran for city alderman in Springfield on the Communist Party ticket in 1947. Lipshires married his second wife, Joann Breen Klein, in 1951 and on May 29, 1956, the same day his daughter Lisa was born, he was arrested under the Smith Act for his Communist Party activities. Before his case was brought to trial, the Smith Act was ruled unconstitutional by the U.S. Supreme Court. Disillusioned with the Communist Party, he severed his ties with it in 1957, but continued to remain active in organized labor for the rest of his life. Earning his masters in 1965 and Ph.D. in 1971, Lipshires taught history at Manchester Community College in Connecticut for thirty years. During that time he worked with other campus leaders to establish a statewide union for teachers and other community college professionals, an experience he wrote about in his book, Giving Them Hell: How a College Professor Organized and Led a Successful Statewide Union. Sidney Lipshires died on January 6, 2011 at the age of 91.

Ranging from an autobiographical account that outlines his development as an activist (prepared in anticipation of a trial for conspiracy charges under the Smith Act) to drafts and notes relating to his book Giving Them Hell, the Sidney Lipshires Papers offers an overview of his role in the Communist Party and as a labor organizer. The collection also contains his testimony in a 1955 public hearing before the Special Commission to Study and Investigate Communism and Subversive Activities, photographs, and biographical materials.


  • Communism--United States--History
  • Communists--Massachusetts
  • Jews--Massachusetts--Northampton--History
  • Jews--Political activity--United States--History--20th century
  • Labor movement--United States--History--20th century
  • Labor unions--United States--Officials and employees--Biography


  • Lipshires, David M
  • Lipshires, Joann B
  • Lipshires, Sidney

Types of material

  • Autobiographies
  • Photographs
  • Testimonies

Ludwig, Allan I.

Association for Gravestone Studies Collection

Allan I. Ludwig Collection, 1956-1966.

10 boxes (10 linear feet).
Call no.: PH 034

An historian and photographer, Allan I. Ludwig’s book Graven Images: New England Stonecarving and Its Symbols, 1650-1815 (1966) played a critical role in the rise in interest in gravestone studies in the 1960s. Born in Yonkers, N.Y., in 1933, Ludwig received his PhD in art history from Yale in 1964 and became involved with the Association for Gravestone Studies beginning with the initial Dublin Seminar for New England Folklife in 1976. He received the AGS Forbes Award in 1980 in recognition of his contributions to gravestone studies. He has been a professor of art history at Dickinson College, Bloomfield College, Rhode Island School of Design, Yale University, and Syracuse University. In addition to his books Reflections Out of Time: A Portfolio of Photographs (1981) and Repulsion: Aesthetics of the Grotesque (1986), Ludwig has curated numerous art exhibitions and exhibited his own photographs worldwide.

The Ludwig Collection consists of many hundreds of photographs of New England and English gravemarkers organized either by the deceased’s name or by the town, as well as copies of all photos used in Graven Images. Also included in the collection is a copy of Ludwig’s dissertation on gravestone iconography and offprints of several of his articles.


  • Sepulchral monuments--New England


  • Association for Gravestone Studies
  • Ludwig, Allan I

Types of material

  • Photographs
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