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Burt V Brooks image of family
Alton Blackington image of cat
Burt V Brooks image of farmstead
Alton Blackington image of Cleo the monkey
Burt V Brooks image of young woman
Alton Blackington image of woman with feathered hat
Alton Blackington image of woman selling walnuts
Alton Blackington image of young woman
Alton Blackington image of crystal gazer
Burt Brooks image of young woman
Alton Blackington image of woman and parrot
Burt V Brooks image of dog on porch
SCUA

Photographs (137 collections) SCUA

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Double Edge Theater

Finding aid

Double Edge Theatre Records, 1970-2002.

28 boxes (15.5 linear feet).
Call no.: MS 455
Bold Stroke for a Wife
Bold Stroke for a Wife

Since its founding, Double Edge Theatre has embraced a two-fold mission: to develop and promote the highest quality of original theatre performance, and to create a permanent center of performance, practice, training research, and cultural exchange.

The collection documents the Theatre’s focus on research, international collaboration, and the elevation of artistic performance above and beyond stage work into the realm of cultural exchange.

Subjects

  • Experimental theater
  • Theater and society
  • Theatrical companies--Massachusetts

Contributors

  • Arnoult, Philip
  • Double Edge Theatre
  • Durand, Carroll
  • Klein, Stacy
  • Odin teatret
  • Staniewski, Wlodzimierz
  • Stowarzyszenie Teatralne "Gardzienice"

Types of material

  • Photographs
  • Posters
  • Programs

Drucker, Jeffrey I.

Digital (+)Finding aid

Jeffrey Drucker Photograph Collection, 1966-1969.

387 photographs
Call no.: RG 50/6 D78
Simon and Garfunkel at the Curry Hicks Cage, Dec. 3, 1967
Simon and Garfunkel at the Curry Hicks Cage, Dec. 3, 1967

Jeffrey Drucker was a student and photographer at the University of Massachusetts Amherst from 1966 to 1969, where he majored in production management and was the WMUA station engineer. As a student, Drucker was a photography enthusiast, taking snapshots of events across campus, thoroughly documenting his years as an undergraduate at UMass in the late-sixties.

The Jeffrey Drucker Photograph Collection contains 387 photographs of a diverse array of campus events, including the Dow Chemical protest in 1968, parades, Roister Doisters productions, musicians like Stevie Wonder and Simon and Garfunkel performing at on-campus concerts, and iconic campus buildings. Many of Drucker’s photographs were printed in the Index yearbook as well as the University of Massachusetts Daily Collegian and give a clearly student perspective to life on campus.

Subjects

  • Protests and demonstrations--Photographs
  • Rock concerts--Massachusetts--Amherst--Photographs
  • Roister Doisters (University of Massachusetts Amherst)--Photographs
  • University of Massachusetts Amherst--Photographs
  • University of Massachusetts Amherst--Students and alumni--Photographs

Types of material

  • Black-and-white negatives
  • Gelatin silver prints

Ebert, Siegried

Finding aid

Siegfried Ebert Papers, 1933-1986.

2 boxes (0.75 linear feet).
Call no.: MS 576
Ebert in his studio, ca.1965
Ebert in his studio, ca.1965

The graphic artist Siegfried Ebert had an important influence on the visual language of East German television and animated motion pictures. Born in Eibau on July 20, 1926, Ebert was drafted into the Luftwaffe in 1943, but shortly after going on active duty, he was severely wounded and taken prisoner by the English. After his release, Ebert shifted course in life, studying commercial art at the Kunstgewerbeschule Zittau and film at the Hochschule für bildende und angewandte Kunst in Wiessensee. He became one of the earliest artists to specialize in the new medium of television, working for Deutscher Fernsehfunk, doing graphic design and animation. A member of the Verband Bildender Künstler Deutschlands, he later worked on animated films for the DEFA studios. Suffering from ill health for the last several years of his life, Ebert suffered a heart attack in November 1985, and died at home shortly after his sixtieth birthday in 1986.

The Ebert Collection includes a small assortment of correspondence, awards, and biographical materials, along with examples of his graphic work for television and film. Among other unusual items in the collection are attractive handbills (small posters) for Progress and DEFA films, some original sketches, photographs and mockups of his artwork for television, and an assortment of personal and professional ephemera.

Subjects

  • Germany, East--Social life and customs
  • Graphic artists--Germany, East
  • Motion pictures--Germany, East
  • Prisoners of War--Germany
  • Television--Germany, East
  • World War, 1939-1945

Contributors

  • Ebert, Siegfried
  • Thorndike, Andrew

Types of material

  • Animation drawings
  • Ephemera
  • Handbills
  • Photographs
  • Posters

Enfield (Mass.)

DigitalFinding aid

Enfield (Mass.) Collection, 1800-1939.

8 boxes (4 linear feet).
Call no.: MS 010
Birdseye view of Enfield, ca.1915
Birdseye view of Enfield, ca.1915

Situated at the confluence of the east and west branches of the Swift River in western Massachusetts, Enfield was the largest and southernmost of the four towns inundated in 1939 to create the Quabbin Reservoir. Incorporated as a town in 1816, Enfield was relatively prosperous in the nineteenth century on an economy based on agriculture and small-scale manufacturing, reaching a population of just over 1,000 by 1837. After thirty years of seeking a suitably large and reliable water supply for Boston, the state designated the Swift River Valley as the site for a new reservoir and with its population relocated, Enfield was officially disincorporated on April 28, 1938.

The records of the town of Enfield, Mass., document nearly the entire history of the largest of four towns inundated to create the Quabbin Reservoir. The core of the collection consists of records of town meetings and of the activities of the town Selectmen, 1804-1938, but there are substantial records for the Enfield Congregational Church. The School Committee, Overseers of the Poor, the town Library Association, and groups such as the local chapter of the Daughters of the American Revolution and the Bethel Masonic Lodge.

Subjects

  • Enfield (Mass.)--History
  • Enfield (Mass.)--Politics and government
  • Enfield (Mass.)--Religious life and customs
  • Enfield (Mass.)--Social life and customs
  • Quabbin Reservoir Region (Mass.)--History
  • Quabbin Reservoir Region (Mass.)--Social life and customs
  • Women--Societies and clubs

Contributors

  • Daughters of the American Revolution. Captain Joseph Hooker Chapter (Enfield, Mass.)
  • Enfield (Mass. : Town)
  • Enfield (Mass. : Town). Overseers of the Poor
  • Enfield (Mass. : Town). Prudential Committee
  • Enfield (Mass. : Town). School Committee
  • Enfield Congregational Church (Enfield, Mass.)
  • Enfield Congregational Church (Enfield, Mass.). Women's Auxiliary
  • Enfield Congregational Church (Enfield, Mass.). Women's Missionary Society

Types of material

  • Account books
  • Church records
  • Photographs
  • Sermons

Entin, David Hudson

Finding aid

David Entin Papers, 1966-2015 (Bulk: 1966-1968).

1 box (0.5 linear feet).
Call no.: MS 876
Vietnamese children
Vietnamese children

A worker in the struggle against poverty and racism for five decades, David Entin was raised in Queens, N.Y., but moved to Jacksonville, Florida, with his family in 1953. As a student at the University of North Carolina in 1964, Entin took part in antipoverty work with the North Carolina Volunteers, parlaying that experience into a position with the Durham County Welfare Department and then with antipoverty groups in Jacksonville. His new career, however, was interrupted by Vietnam War service with the United States Agency for International Development (USAID). Stationed in Quang Ngai Province, a Vietcong stronghold, and Da Nang between 1966 and 1968, Entin oversaw redevelopment projects and while not caught up in the fight itself, he was charged with assessing damage in Region One following the Tet Offensive. After returning home to Florida, Entin resumed his antipoverty work.

The collection centers around 51 detailed letters describing the two years that David Entin spent in Vietnam working with USAID; these letters serve as a diary recording Entin’s daily activities and observations and accompany several hundered slides and photosgraphs. Also included in the collection are a series of short autobiographical essays that detail his childhood, early career, and service in Vietnam.

Subjects

  • Economic assistance, American--Vietnam
  • Technical assistance, American--Vietnam
  • United States. Agency for International Development
  • Vietnam War, 1961-1975--Children--Photographs
  • Vietnam War, 1961-1975--Civilian relief
  • Vietnam War, 1961-1975--Personal narratives

Contributors

  • Entin, David Hudson

Types of material

  • Color slides
  • Photographs
  • Slides (Photographs)

Finestone, Roy

DigitalFinding aid

Roy Finestone Photograph Collection, 1969-1990.

239 images
Call no.: PH 005
Nina, Smoky, Chuck, Janis (Smoky and Nina on bikes)
Nina, Smoky, Chuck, Janis (Smoky and Nina on bikes)

A wave of experimentation in communal living in New England reached a peak in the late 1960s and early 1970s, with dozens of communities spread across the landscape of western Massachusetts and Vermont. Nina Finestone joined the Johnson Pastures in Guilford , Vermont, in 1969, however after the main house there went up in flames on April 16, 1970, killing four people, she joined a number of its residents who moved to the nearby Montague Farm in Montague, Massachusetts. Nina married a fellow Montague farmer, Daniel Keller, and the couple moved to Wendell in 1980.

Providing exceptional visual documentation of life at Johnson Pasture, the Montague Farm, and Wendell Farm between 1969 and 1990, the Finestone collection is centered on the lives and family of Daniel and Nina Keller. All images were taken by Roy Finestone, Nina’s father, with a medium format camera using color transparency film.

Subjects

  • Communal living--Massachusetts
  • Communal living--Vermont
  • Johnson Pasture Community (Vt.)
  • Keller, Daniel
  • Keller, Nina
  • Montague Farm Community (Mass.)
  • Wendell Farm Community (Mass.)

Contributors

  • Finestone, Roy

Fischer, Britta

Digital (+)Finding aid

Britta Fischer, U.S.-China Peoples Friendship Association Photograph Collection, 1978.

449 items (1 linear feet).
Call no.: PH 054

Founded in 1974, the U.S.-China Peoples Friendship Association was among the first American organizations devoted to fostering people-to-people diplomacy between the United States and the People’s Republic of China. The vision of veteran civil rights activist Unita Blackwell, the USCPFA sponsored speakers, seminars, and cultural exchanges, and in the 1970s, was among the first groups to organize tours from the United States to the People’s Republic.

The 449 color slides (35 mm.) that comprise the U.S.-China Peoples Friendship Association collection document one of the group’s early tours, undertaken at the height of the agitation over the Gang of Four. Beyond simple touristic scenes, the collection depicts a state-sponsored version of everyday life in China during the early post-Mao era.

Subjects

  • Beijing (China)--Photographs
  • Children--China--Photographs
  • China--Photographs
  • Factories--China--Photographs
  • Great Wall of China (China)--Photographs
  • Jinan (China)--Photographs
  • Shanghai (China)--Photographs
  • Tian'an Men (Beijing, China)--Photographs
  • Yangzhou (China)--Photographs

Types of material

  • Photographs

Forestry and Lumbering

Forestry and Lumbering Photograph Collection, 1924-1970.

1 box (0.5 linear feet).
Call no.: MS 159

Foresty and lumbering have been substantial sectors of the Massachusetts economy for more than 300 years. This collection includes photographs of forests throughout New England and New York, lumbering and related occupations, tools of forestry, and distinguished foresters. Together these images capture the history and traditions of forestry and lumbering in Massachusetts from mill work to Christmas trees.

Subjects

  • Forests--Massachusetts

Contributors

  • Photographs

Freeman, William H.

Finding aid

William H. Freeman Collection, 1937-1946.

2 vols., 1 letter (0.25 linear feet).
Call no.: PH 068
William H. Freeman, ca.1940
William H. Freeman, ca.1940

Attached to the 20th Air Base Group in 1941, Athol-native Bill Freeman was a first-hand witness to the beginnings of the war in the Pacific. Enlisting in the Army Air Corps in 1940, Freeman was stationed at Nichols Field in the Philippines when the Japanese invaded, and after taken as prisoner or war, he was forced on the Bataan Death March. Freeman died of malaria in Cabanatuan Prison Camp in July 1942.

The Freeman scrapbook and photograph album that Bill Freeman kept offer a visually-intensive perspective on the brief life of an American serviceman in the Second World War. Kept during and immediately after high school, the scrapbook includes notices of his musical performances and other activities; the extensive photograph album documents his service in the Army Air Corps from the start of deployment through his travels in Hawaii and Guam to the early months of his service in the Philippines. The collection also includes a letter written from the Philippines during the summer 1941.

Subjects

  • Guam--Photographs
  • Hawaii--Photographs
  • Philippines--Photographs
  • United States. Army. Air Corps
  • World War, 1939-1945

Types of material

  • Photographs

Geisler, Bruce

Bruce Geisler Collection, 1969-1984.

14 boxes (21 linear feet).
Call no.: PH 049
Renaissance Community, ca.1974
Renaissance Community, ca.1974

In the early 1970s, the documentary filmmaker Bruce Geisler dropped out of Pomona College one semester short of graduation, drove across country, and joined the Brotherhood of the Spirit commune, then the largest commune in the eastern United States. During his four years living with the Brotherhood, later renamed the Renaissance Community, Geisler learned the craft of filmmaking, before returning west to earn an MFA at the film school of the University of Southern California. Geisler has received a number of awards as a screenwriter and filmmaker including the Grand Prize for Best Screenplay from Worldfest Houston and the Dominique Dunne Memorial Prize for Filmmaking, and, in 2007, he released his feature-length documentary, Free Spirits, about the Brotherhood of the Spirit/Renaissance Community and its ill-fated founder, Michael Metelica Rapunzel. Geisler is currently a Senior Lecturer in the UMass Amherst Department of Communication.

Documenting everyday life in a Massachusetts commune and performances by the commune bands (Spirit in Flesh and Rapunzel), the Geisler collection was assembled in conjunction with the making of the film Free Spirits. In addition to many hours of both raw and edited film footage taken by members of the Brotherhood of the Brotherhood of the Spirit and Renaissance Community, the collection includes a rich assemblage of still photographs, ephemera, and newspaper clippings relating to the commune.

Subjects

  • Brotherhood of the Spirit (Commune)
  • Communal living--Massachusetts
  • Renaissance Community (Commune)

Contributors

  • Geisler, Bruce

Types of material

  • Photographs
  • Videotapes
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