Collecting area: New England

The Rodney Hunt Company Records document the operation of one of the region’s major producers of textile machinery, water wheels, turbines, and other specialty industrial products. Founded in Orange, Massachusetts, in 1840, the company was incorporated in 1873. Still an active concern, it continues to sell its products in international markets.

Due to a fire in 1882, and several floods, relatively few early records of the Rodney Hunt Company survive, but from the time of its incorporation in 1873, documentation improves, with nearly complete coverage from the period 1883–1914. The collection provides an excellent introduction to the history of technology and industry in 19th- and 20th-century Massachusetts. Of particular note is the incoming correspondence from 1876 to 1903, which is nearly complete. Other materials include company histories, correspondence, board minutes, blueprints, installation drawings, sketchbook drawings, patents, payroll ledgers, account books, price lists, sales books, brochures, catalogs, newsletters, subject files and photographs.

A producer, performer, writer, and pioneer in Americana music, Jim Rooney was born in Boston on January 28, 1938 and raised in Dedham. Inspired to take up music by the sounds of Hank Williams and Leadbelly he heard on the radio, he began performing at the Hillbilly Ranch at just 16 years old, taking to music full time after an undergraduate degree in classics at Amherst College and an MA at Harvard. As manager of Club 47, Rooney was at the epicenter of the folk revival in Boston, becoming director and talent coordinator for the Newport Folk Festival beginning in 1963, a tour manager for jazz musicians in the late 1960s, and by 1970, a producer. After managing Bearsville Sound Studios in Woodstock, NY, for Albert Grossman, he moved to Nashville, where he has produced projects by Hal Ketchum, Townes Van Zandt, Iris DeMent, John Prine and Bonnie Raitt, among others, winning a Grammy award in 1993 for his work with Nanci Griffith.
Documenting a varied career in American music, the Rooney collection contains material from two of Rooney’s books on the history of American music, Bossmen: Bill Monroe and Muddy Waters (1971) and Baby, Let Me Follow You Down (1979), his autobiography In It For the Long Run (2014). In addition to correspondence and other content relating to his collaborations with key Americana musicians and his record production career in Nashville, the collection includes valuable interview notes, photographs, recordings, and news clippings.

Temporarily stored offsite; contact SCUA to request materials from this collection.

Graduating from the University of Massachusetts Amherst in 1977, Stan Rosenberg began his career in politics as an aide to state Senator John Olver from 1980-1983. By 1986 he was elected to the Massachusetts House of Representatives where he served until 1991 when he was elected to the state Senate, a seat vacated by U.S. Congressmen John Olver. The Democratic Senator has served in the Senate ever since, assuming a number of leadership positions from chair of the Senate Committee on Ways and Means to President Pro Tem of the Massachusetts Senate. Representing towns in Hampshire and Franklin counties, Senator Rosenberg was a moving force behind a campaign finance reform bill that reduced the role of private money in the state’s political system.

Although the collection continues to grow, it currently consists of correspondence, publications, and subject files relating to particular initiatives led by Rosenberg.

Born in the coal mining town of Blossburg, Pa., in 1913, Laura Ross (nee Kaplowitz) grew up in poverty as one of seven children of Lithuanian immigrants. In about 1932, Ross married Harry Naddell, a wine merchant, and settled into a comfortable life Brooklyn, N.Y., raising a son and daughter. During the Second World War, however, she became intensely politicized through her work with Russian War Relief, joining the Communist Party and eventually divorcing her les radical husband. Moving to the Boston area, she married Max Ross in 1963, an attorney for the Massachusetts Bay Transportation Authority, and became a noted presence in a wide range of political activities, working for civil rights, the antiwar movement, and for many years, helping to run the Center for Marxist Education in Central Square , Cambridge. Perhaps most notably, between 1974 and 1984, Ross ran for Congress three times on the Communist Party ticket, taking on the powerful incumbent Tip O’Neill and winning almost a quarter of the vote. An activist to the end, Ross died in Cambridge on August 5, 2007.

The Ross papers are the legacy of a highly visible activist, organizer, educator, and member of the Communist Party USA. Heavily concentrated in the period 1967-1990, the collection includes material relating to her affiliation with CPUSA and her work with the Center for Marxist Education in Cambridge, Mass., including information on party membership, platforms, and conventions, minutes from various district committee meetings, material relating to the People’s Daily World, and course information and syllabi. Scattered throughout the collection are materials pertaining to contemporary political issues and elections, particularly the policies associated with Ronald Reagan. Ross was a vocal and persistent opponent of Reaganomics and the nuclear arms race that Reagan accelerated.

A long-time member of the English Department at the University of Albany, Barbara Rotundo was a 1942 graduate in economics at Mount Holyoke College. After the death of her husband, Joseph in 1953, Rotundo became one of the first female faculty members at Union College, and after earning a master’s degree in English at Cornell University and a doctorate in American Literature from Syracuse University, she served as an associate professor of English at the University of Albany, where she founded one of the first university writing programs in the United States. Avocationally, she was a stalwart member of the Association for Gravestone Studies, helping to broaden its scope beyond its the Colonial period to include the Victorian era. Her research included the rural cemetery movement, Mount Auburn Cemetery, white bronze (zinc) markers, and ethnic folk gravestones. Her research in these fields was presented on dozens of occasions to annual meetings of AGS, the American Culture Association, and The Pioneer America Society. In 1989, after residing in Schenectady for forty-six years, she retired to Belmont, NH, where she died in December 2004.

Consisting primarily of thousands of color slides (most digitized) and related research notebooks, the Rotundo collection is a major visual record of Victorian grave markers in the United States. The notebooks and slides are arranged by state, with an emphasis on the eastern states, and white bronze (zinc) markers also are represented in photographs and a separate research notebook. The collection also includes several rare or privately published books.

Founded as a Unitarian camp in 1924 for high school students and later adding a junior high component in 1947, the Rowe Camp and Conference Center now offers retreat programs in a variety of areas, including health care, exploration of rituals and dreams, astronomy, and workshops for families, couples, men and women.

This collection consists of newspaper clippings and the Rowe Conference Center and camp annual bulletin.

The Roxbury Action Program and Black Panther Party of Boston were both founded in the Roxbury section of Boston following the riots of 1968. RAP pursued community revitalization through Black self-determination and enjoyed success in its housing initiatives and in providing social services ranging from support for Black businesses to Black draft counseling, health and legal referrals, a Black library, and community awareness program.

Although the exact provenance of this small collection is uncertain, the materials appear to have been collected by an individual, possibly a woman, associated with the early days of the Roxbury Action Program and Boston branch of the Black Panther Party. Steeped in Black Power ideology, the collection includes publications of the Black Panther Party, the Nation of Islam, and other organizations, as well as an insightful series of transcripts of Roxbury Action Program meetings held during its first few months of operation.

A teamster from Newburyport, Mass., Samuel H. Rundlett operated a substantial business as a teamster and “truckman” from the 1830s through 1880s.

The three daybooks in this collection document Rundlett’s work for local businesses, including hauling bales of raw cotton and finished cloth, delivering coal, produce, fertilizer, and goods; as well as prices paid for freight handling and forms of payment (cash, credit at a store, and produce from a local farmer). Of note is Rundlett’s delivery of goods to the Newburyport branch of the Sovereigns of Industry, a workingmen’s cooperative association.

Rural Lives was a 13 part audio documentary series that aired on WFCR in the early 1980s and focused on rural communities throughout Western Massachusetts. Sponsored by the UMass Cooperative Extension Service, each episode focused on various aspects of rural life such as local business, jobs, the country fair, farming, the impact of development, etc. Some episodes featured local towns such as Hadley or the lost towns of the Quabbin Reservoir. The show was produced by Pat Lewis Zachary, Robbie Leppzer, and Gail Fuhrer.

Although printing requires a substantial capital investment in equipment before any hope of profitability can be entertained, there have been numerous attempts over the years to set up printing houses in communities with astonishingly small population bases. In even the most remote Massachusetts towns, people like John Metcalf (Wendell), Ezekiel Terry (Palmer), and John and Solomon Howe (Enfield and Greenwich) operated as printers during the nineteenth century, specializing in a quotidian array of broadsides, song sheets, almanacs, toy books, and printed forms, hoping to supplement, or provide, a decent living.

This small, but growing collection consists of materials printed prior to the twentieth century in small Massachusetts towns, defined as towns with populations less than about 2,500. Although few of these houses survived for long, they were important sources for rural communities. Typically simple in typography, design, and binding, even crude, the output of such printers provides an important gauge of the interests and tastes of New England’s smallest and often poorest communities.

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