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Collecting area: Photographs (Page 5 of 18)

Davis, Bobby

Bobby Davis Photograph Collection

1980-1983
1 box 0.2 linear feet
Call no.: PH 065

A native of Providence, R.I., Bobby Davis arrived in Amherst in 1977 and soon afterward entered the University Without Walls program at UMass to earn his college degree. A talented jazz musician, Davis became immersed in the vibrant local arts scene, learning photography while writing for the student publications Nummo News and the Collegian, and covering performances by a steady stream of jazz and R&B acts touring through the area. Working later as a photographer for Smith College and traveling for the yearbook company, Delmar Studios, Davis eventually settled in Northampton, where he remains active as a photographer.

The Davis collection contains ten exhibition prints of jazz musicians performing in Amherst, including Art Blakey, Angela Bofill, Ray Charles, Miles Davis, Dizzy Gillespie, Yusef Lateef, Oscar Peterson, Max Roach, Gil Scott-Heron, and Archie Shepp.

Gift of Bobby Davis, Jan. 2015

Subjects

Jazz musicians--Photographs

Types of material

Photographs
Delevingne, Lionel

Lionel Delevingne Photograph Collection

ca.1975-1995
9 boxes 4 linear feet
Call no.: PH 047
Depiction of Joan of Seabrook
Joan of Seabrook

Born and raised in France, the photojournalist Lionel Delevingne studied education at l’Ecole Normale in Paris, but settled permanently in the United States in 1975. Based at first in Northampton, Mass., he became a prolific photographer of American social movements while working for the Valley Advocate and other publications, covering the early years of the Clamshell Alliance and the antinuclear movement in considerable depth. His work has been exhibited frequently and published widely in the mainstream and alternative press, including the New York Times, Le Figaro Magazine, Die Zeit, Newsweek, Washington Post Magazine, Mother Jones, and Vanity Fair.

The Delevingne collection includes remarkable visual documentation of the antinuclear movement of the 1970s and beyond, including some of the its most iconic images. Beginning with coverage of the Seabrook occupation, Delevingne covered the movement as it spread throughout the northeastern U.S. and internationally. The collection includes exhibition prints, prints for publication, and digitized images ranging in date from the mid-1970s through 1990s. Copyright in the images has been retained by Delevingne.

Subjects

Antinuclear movement--United StatesClamshell AlliancePhotojournalistsSeabrook Nuclear Power Plant (N.H.)

Contributors

Delevingne, Lionel

Types of material

Photographs
Denny, Walter A.

Thin Veneer: The People of Bosnia and Their Disappearing Cultural Heritage

1953-1996
2 boxes 0.5 linear feet
Depiction of Bosnian baker at his shop, ca.1955
Bosnian baker at his shop, ca.1955

UMass Amherst faculty members Walter Denny (Art History) and Joel M. Halpern (Anthropology) collaborated in 1997 on an exhibition in the University Gallery exploring Bosnian multiculturalism prior the Yugoslav civil war. Denny, a specialist in Islamic art, and Halpern, an ethnographer whose research in the Balkans began in the early 1950s, assembled dozens of images from eight photographers depicting Bosnia from the nineteenth century to the start of the civil war, illustrating both the past history of the region and then-current attempts to erase that history in the name of cultural purity. The final part of the exhibition included a set of prints first exhibited in Sarajevo in 1992 comprising creative reactions to the war by Bosnian artists.

This small collection consists of 38 matted prints, 20×24″, that were part of the Thin Veneer exhibition in April through June 1997. All were taken by Halpern during field work in Bosnia betwee 1953 and 1996.

Gift of Betty Siersma, Jan. 2008

Subjects

Bosnia--Photographs

Contributors

Halpern, Joel M. (Joel Martin), 1929-

Types of material

Photgraphs
Dickinson, Walter Mason, 1856-1898

Walter Mason Dickinson Papers

1858-1900
1 box 0.25 linear feet
Call no.: FS 173
Depiction of Walter Mason Dickinson, ca.1880
Walter Mason Dickinson, ca.1880

Originally a member of the Massachusetts Agricultural College Class of 1876, Walter Mason Dickinson left after his junior year to enter the U.S. Military Academy at West Point. During his military career, Dickinson saw service in the southwest and as a military instructor at MAC (1891-1896). As a Captain and Quartermaster in the 17th Infantry, he was called to active duty during the Spanish-American War and was killed in action at the Battle of El Caney. He was the first man associated with MAC to die in military service.

This small collection of photographs and letters centers on the death and family of Walter M. Dickinson, the first person associated with Massachusetts Agricultural College to die in combat. In addition to two of the last letters he wrote as he was heading off to war in Cuba, the collection contains three formal portraits of Dickinson at different points in his military career, images of his wife and family, and two images of the scene of his death at El Caney and one of his temporary grave.

Gift of Alex Kingsbury, Jan. 2016

Subjects

Dickinson, Asa Williams--PhotographsDickinson, Charles--PhotographsDickinson, Marquis F. (Marquis Fayette), 1814-1901--PhotographsDickinson, Marquis F. (Marquis Fayette), 1840-19215--PhotographsDickinson, Martha E.--PhotographsDickinson, Walter Mason, 1856-1898--PhotographsDwellings--Massachusetts--Amherst--PhotographsEl Caney (Cuba)--PhotographsFarms--Massachusetts--Amherst--PhotographsSoldiers' bodies, Disposition of--Cuba--PhotographsSoldiers--United States--PhotographsSpanish-American War, 1898

Types of material

AmbrotypesCorrespondencePhotographs
Donahue, Maurice

Maurice A. Donahue Papers

1960-1971
19 boxes, 89 vols. 29 linear feet
Call no.: MS 311

Maurice A. Donahue was elected to the Massachusetts House of Representatives in 1948 as part of its first Democratic majority. In 1950, he was elected to the Massachusetts Senate, became Senate Majority Leader in 1958, and in 1964, became Senate President, a position he held until 1971 when he took the position of Professor of Political Science and Director of the Institute for Governmental Services at the University of Massachusetts. Legislation he sponsored while in the Senate established the Willis-Harrington Commission on Education, the University of Massachusetts Boston campus and Medical School, state scholarships for needy students, commissions to improve vocational education, study problems of urban school systems, and extend educational facilities in Massachusetts.

Correspondence, speeches, press releases, appointment books, constituent courtesy files, memorabilia, scrapbooks of clippings, audio recordings of radio talks and speeches, and photographs pertaining to Donahue’s activities and functions as state legislator of Massachusetts.

Gift of Maurice Donahue, July 1974

Subjects

Massachusetts--Politics and government--1951-Massachusetts. HouseMassachusetts. Senate

Contributors

Donahue, Maurice A

Types of material

Letters (Correspondence)PhotographsScrapbooksSound recordings
Double Edge Theater

Double Edge Theatre Records

1970-2002
28 boxes 15.5 linear feet
Call no.: MS 455
Depiction of Bold Stroke for a Wife
Bold Stroke for a Wife

Since its founding, Double Edge Theatre has embraced a two-fold mission: to develop and promote the highest quality of original theatre performance, and to create a permanent center of performance, practice, training research, and cultural exchange.

The collection documents the Theatre’s focus on research, international collaboration, and the elevation of artistic performance above and beyond stage work into the realm of cultural exchange.

Subjects

Experimental theaterTheater and societyTheatrical companies--Massachusetts

Contributors

Arnoult, PhilipDouble Edge TheatreDurand, CarrollKlein, StacyOdin teatretStaniewski, WlodzimierzStowarzyszenie Teatralne "Gardzienice"

Types of material

PhotographsPostersPrograms
Drucker, Jeffrey I.

Jeffrey Drucker Photograph Collection

1966-1969
387 photographs
Call no.: RG 50/6 D78
Depiction of Roger McGuinn being interviewed, Feb. 25, 1968
Roger McGuinn being interviewed, Feb. 25, 1968

Jeffrey Drucker was a student and photographer at the University of Massachusetts Amherst from 1966 to 1969, where he majored in production management and was the WMUA station engineer. As a student, Drucker was a photography enthusiast, taking snapshots of events across campus, thoroughly documenting his years as an undergraduate at UMass in the late-sixties.

The Jeffrey Drucker Photograph Collection contains 387 photographs of a diverse array of campus events, including the Dow Chemical protest in 1968, parades, Roister Doisters productions, musicians like Stevie Wonder and Simon and Garfunkel performing at on-campus concerts, and iconic campus buildings. Many of Drucker’s photographs were printed in the Index yearbook as well as the University of Massachusetts Daily Collegian and give a clearly student perspective to life on campus.

Subjects

Protests and demonstrations--PhotographsRock concerts--Massachusetts--Amherst--PhotographsRoister Doisters (University of Massachusetts Amherst)--PhotographsUniversity of Massachusetts Amherst--PhotographsUniversity of Massachusetts Amherst--Students and alumni--Photographs

Types of material

Black-and-white negativesGelatin silver prints
Ebert, Siegfried

Siegfried Ebert Papers

1933-1986
2 boxes 0.75 linear feet
Call no.: MS 576
Depiction of Ebert in his studio, ca.1965
Ebert in his studio, ca.1965

The graphic artist Siegfried Ebert had an important influence on the visual language of East German television and animated motion pictures. Born in Eibau on July 20, 1926, Ebert was drafted into the Luftwaffe in 1943, but shortly after going on active duty, he was severely wounded and taken prisoner by the English. After his release, Ebert shifted course in life, studying commercial art at the Kunstgewerbeschule Zittau and film at the Hochschule für bildende und angewandte Kunst in Wiessensee. He became one of the earliest artists to specialize in the new medium of television, working for Deutscher Fernsehfunk, doing graphic design and animation. A member of the Verband Bildender Künstler Deutschlands, he later worked on animated films for the DEFA studios. Suffering from ill health for the last several years of his life, Ebert suffered a heart attack in November 1985, and died at home shortly after his sixtieth birthday in 1986.

The Ebert Collection includes a small assortment of correspondence, awards, and biographical materials, along with examples of his graphic work for television and film. Among other unusual items in the collection are attractive handbills (small posters) for Progress and DEFA films, some original sketches, photographs and mockups of his artwork for television, and an assortment of personal and professional ephemera.

Gift of James and Sibylle Fraser, 2007
Language(s): German

Subjects

Germany, East--Social life and customsGraphic artists--Germany, EastMotion pictures--Germany, EastPrisoners of War--GermanyTelevision--Germany, EastWorld War, 1939-1945

Contributors

Ebert, SiegfriedThorndike, Andrew

Types of material

Animation drawingsEphemeraHandbillsPhotographsPosters
Econosmith

Econosmith Collection

1969-2019
1 box, digital files 0.5 linear feet
Call no.: PH 089
Depiction of Pete Seeger, 2006
Pete Seeger, 2006

A wife and husband team of photographers based in Provincetown, Mass., Maxine Smith and John Economos, known collectively as Econosmith, are photographers of the folk music scene, social action, and the landscape and people of outer Cape Cod. Social activists themselves, the Econosmiths were photographers for Pete Seeger during the last decade of his life and headed up the photography team at the Clearwater Festival, giving them unusual access to dozens of performers.

With compelling images of musicians in performance, the Economsmith collection is a rich visual record of the contemporary folk scene, with a special focus on Pete Seeger and the Clearwater Festival (also known as the Great Hudson River Revival). Over 90% of the images were born digital, with the remainder split between color negatives and 35mm. slides. The collection also includes photographs of antiwar demonstrations sparked by the Iraq War and images of the scenery and people of Provincetown and outer Cape Cod.

Gift of John Economos and Maxine Smith, April 2019

Subjects

Cape Cod (Mass.)--PhotographsClearwater Festival--PhotographsDemonstrations--New York (State)--New York--PhotographsDemonstrations--Washington (D.C.)--PhotographsFolk musicFolk musicians--PhotographsIraq War, 2003-2011--Protest movements--PhotographsPeace movements--PhotographsSeeger, Pete, 1919-2004--Photographs

Contributors

Economos, JohnSmith, Maxine

Types of material

Photographs
Emery, George

George Emery Papers

1875-1977 Bulk: 1930-1977
12 boxes 15.5 linear feet
Call no.: MS 982
Depiction of Tri-County Fair, ca.1920
Tri-County Fair, ca.1920

After graduating from Massachusetts Agricultural College in 1924, George Edward “Red” Emery taught high school briefly and held a handful of other jobs before deciding to fulfill a childhood dream. Born in Marlboro, Mass., in 1904, Emery turned his love for the circus into a life touring the country as a white-face circus clown. After marrying Virginia Link, a Smith College student, in 1932, he settled down to a stable job in the Alumni Office at his alma mater, later filling in as Veterans Coordinator and as a staff member in the Student Placement Office until his retirement in 1972. Emery never left the circus behind entirely. Throughout his years in Amherst he continued to talk and write about the history of the circus and his personal experiences, and from the late 1940s through early 1960s, he used his show business connections to book talent for the Tri-County Fair. Longtime residents of Leverett, Mass., he and his wife died within a year of one another, Virginia in 1974 and George in 1975.

With his passion for the circus, George Emery’s papers contain material not only from his career as a circus clown in the 1920s but also from his later writings about the history of the circus, his work with the Tri-County Fair, and his long association with UMass Amherst. The collection includes correspondence with friends and family; circus toys and games; posters, photographs, and ephemera; and a library of books on circus history. Of special note are some exceptional photographs, a few posters, and a thick sheaf of material from the Tri-County Fair.

Gift of Chris Emery, July 2017

Subjects

Circus performersCircus--HistoryClownsPigsTri-County FairUniversity of Massachusetts Amherst--AlumniUniversity of Massachusetts Amherst--Staff