Collecting area: Visual culture

Broadside

Broadside and Poster Collection

1798-2012
5 folders, tube 1 linear feet
Call no.: RB 034
Depiction of Advertisement for E. S. Hayden's daguerreotypes, ca.1850
Advertisement for E. S. Hayden's daguerreotypes, ca.1850

Printers and bibliographers use a bevy of terms to refer to works printed on one side (or sometimes both sides) of a single sheet, classified primarily by size. From large to small, posters, broadsides, and fliers refer to works used to convey a more or less focused message to an audience, often using illustrations or inventive typography to grab the attention.

Posters from Communist world, with an emphasis on the political and cultural transformations of the late 1980s through mid-1990s. The majority of posters originated in the Soviet Union, although there are examples from East Germany, China, and elsewhere.

Gift of various donors
Language(s): RussianYiddish

Subjects

Antiwar movements--PostersCommunism--PostersSoviet Union--History--1985-1991Vietnam War, 1961-1975--Protest movements--Posters

Types of material

Broadsheets (Formats)Broadsides (Notices)Fliers (Printed matter)Posters
Brooks Farm

Summer Scenes, Brooke Farm, 1922

1922-1923
1 vol. 0.1 linear feet
Call no.: PH 037
Depiction of Haying at MAC
Haying at MAC

In 1922, the Commonwealth of Massachusetts appropriated $15,000 for the Massachusetts Agricultural College to purchase sixty acres of land lying immediately north of the existing Experiment Station. Known as the William P. Brooks Experimental Farm, the property was intended as a site for experimental work devoted to the dominant crops of the Connecticut Valley, tobacco and onions.

This small homemade photograph album documents a picnic and group outing at the Brooke (i.e. Brooks) Farm at Massachusetts Agricultural College in September 1922. Although the participants — over thirty of them — are unidentified, they took part in standard picnic activities, including a tug of war, three legged race, and rope jumping. The album contains labeled snapshots pasted onto thick brown paper, tied with a brown ribbon, and includes images of haying on the farm (with Stockbridge Hall in the background) and the homes of William P. Brooks and Prof. Arthur N. Julian.

Subjects

Amherst (Mass.)--PhotographsBrooks Experimental Farm (Amherst, Mass.)HayMassachusetts Agricultural College--PhotographsPicnics--Photographs

Contributors

Fay, Harry W.

Types of material

Photograph albumsPhotographs
Brooks, Burt V.

Burt V. Brooks Photograph Collection

1889-1934
3 boxes 1.5 linear feet
Call no.: PH 060
Depiction of

The artist Burt Vernon Brooks was one of the outstanding chroniclers of daily life in the Swift River Valley before it was inundated to create the Quabbin Reservoir. Born in Brimfield, Mass., in 1849 and raised in Monson, Brooks moved to Greenwich with his family in the 1870s, where he worked on the family farm. At some unclear point before he turned 40, Brooks became active as an artist, painting local homes and scenery and taking photographs of the landscape, residents, and daily life in the Quabbin region. A prolific photographer, he was, in the words of historian Donald W. Howe, “hardly ever seen without his camera strapped to his back,” remaining active for decades. Three years after following his second wife to the west, Brooks died in Los Angeles in 1934.

The great majority of the 92 photographs in this collection are 5×7″ dry plate glass negatives taken by Brooks in the earliest years of the twentieth century, documenting the houses and people of Greenwich. Brooks’ work includes landscapes, houses, and a significant series of images of the Hillside School, but some of his best works are studio portraits, images of people at home or with their carriages, and posed scenes of children at play or at work. The collection also includes eight images by Brooks at Enfield, Greenwich, and Dana that are the property of the Swift River Valley Historical Society, and six images taken by Chetwynd and Pike in the Quabbin region to document properties slated for removal.

Gift of Friends of Quabbin through Gene Theroux, Paul Godfrey, and Les Campbell, June 2014

Subjects

Agriculture--Massachusetts--Greenwich--PhotographsCarriages and carts--Massachusetts--Greenwich--PhotographsChildren--Massachusetts--Greenwich--PhotographsDana (Mass.)--PhotographsDwellings--Massachusetts--Greenwich--PhotographsEnfield (Mass.)--PhotographsGreenwich (Mass.)--PhotographsHillside School (Marlborough, Mass.)Horses--Massachusetts--Greenwich--PhotographsNew Salem (Mass.)--PhotographsPlowing--Massachusetts--Greenwich--PhotographsPrescott (Mass.)--Photographs

Types of material

Dry plate gelatin negativesGelatin silver negativesPhotographs
Brooks, William Penn, 1851-

William Penn Brooks Papers

1863-1939
3 boxes 1.5 linear feet
Call no.: RG 003/1 B76
Depiction of Sapporo Ag. College students, 1881
Sapporo Ag. College students, 1881

Two years after graduating from Massachusetts Agricultural College in 1875, William Penn Brooks accepted an invitation from the Japanese government — and his mentor, William Smith Clark — to help establish the Sapporo Agricultural School. Spending over a decade in Hokkaido, Brooks helped to introduce western scientific agricultural practices and the outlines of a program in agricultural education, and he built a solid foundation for the School. After his return to the states in 1888, he earned a doctorate at the University of Halle, Germany, and then accepted a position at his alma mater, becoming a leading figure at the Massachusetts Experiment Station until his retirement in 1921.

Brooks’ papers consist of correspondence, photographs, newspaper clippings, an account book, and translations which provide rich detail on Brooks’ life in Japan, the development of Sapporo Agricultural College (now Hokkaido University), and practical agricultural education in the post-Civil War years.

Subjects

Agricultural colleges--Japan--HistoryClark, William Smith, 1826-1886Hokkaido (Japan)--HistoryHokkaid¯o DaigakuJapan--Description and travel--19th centuryJapan--History--1868-Massachusetts Agricultural College--HistoryMassachusetts State Agricultural Experiment StationSapporo N¯ogakk¯o--HistorySapporo-shi (Japan)--History

Contributors

Brooks, William Penn, 1851-

Types of material

Letters (Correspondence)
Brown, Daniel A.

Daniel A. Brown Photograph Collection

1968-2003
ca.450 items
Call no.: PH 011
Depiction of Meditation on Blueberry Hill, 1971. Photo by Gary Cohen
Meditation on Blueberry Hill, 1971. Photo by Gary Cohen

Having joined the the Brotherhood of the Spirit commune in 1973, Dan Brown remained a member for a decade as it evolved first into Metelica’s Aquarian Concept and then into the Renaissance Community. Throughout his time as a member, he photographed his fellow communards as they moved through a variety of localities, including Turner’s Falls, Gill, and Warwick, Mass. Since leaving the community in 1983, he has written and lectured regularly on its history for audiences throughout the region.

One of the principle photographers of the Brotherhood and Renaissance Community during the period 1973-1983, Brown preserved an archive of approximately 450 photographs documenting the commune from its founding in 1968 through the time of Michael Metelica’s death in 2003. In addition to his own work, he collected and preserved images of many other photographers, most notably Gary Cohen.

Subjects

Babbitt, Elwood, 1922-Brotherhood of the Spirit (Commune)Communal living--MassachusettsMetelica, MichaelRenaissance Community (Commune)

Contributors

Brown, Daniel ACohen, Gary

Types of material

Photographs
Bruskin, Gene

Gene Bruskin Papers

1963-2018
6 boxes 8 linear feet
Call no.: MS 1020
Depiction of Gene Bruskin
Gene Bruskin

Gene Bruskin arrived at Princeton in 1964 as a basketball player and left as a political radical. After taking part in the Second Venceremos Brigade, Bruskin got involved in antiracist and labor organizing in Boston. As president of the United Steelworkers of America local during the busing crisis of the 1970s, he helped win overwhelming support among the city’s bus drivers to have the union represent them, leading successful campaigns for better wages and working conditions. In the years since, he has held numerous high-profile positions nationally and internationally, including as labor director for Jesse Jackson’s Rainbow Coalition, Secretary Treasurer for the Food and Allied Service Trades Department of the AFL-CIO, and co-convener of U.S. Labor Against the War, an organization promoting peace and the demilitarization of U.S. foreign policy. Bruskin was a major figure in the largest private union election in the history of the United Food and Commercial Workers when he led the successful campaign to unionize 5,000 workers at Smithfield Foods in North Carolina. Since retiring in 2012, he has continued to consult with unions. In addition he has returned to some of his earlier undertakings in producing cultural works as a poet, songwriter, and playwright, centered on social justice and working class themes.

Documenting nearly fifty years of activism, Gene Bruskin’s papers are an exceptional resource for the labor movement in the 1970s through early 2000s, and particularly its radical end. Although Bruskin’s early years are relatively sparsely represented, there is a significant run of Brother, the first anti-sexist, “male liberation” journal that he helped found while in Oakland, and the collection includes important material from his work in Boston with the Hyde Park Defense Committee, the Red Basement Singers, and especially with the School Bus Drivers and their tumultuous three-week strike in 1980. The collection also contains a rich assortment of material on labor left and antiwar organizing in the 1990s and 2000s, the Justice at Smithfield campaign, and Bruskin’s work on behalf of single payer insurance, for International Solidarity, the American Federation of Teachers, and the Brotherhood of Maintenance of Way Employees.

Gift of Gene Bruskin, April 2018

Subjects

Boston (Mass.)--HistoryBus drivers--Labor unionsCharter schoolsJackson, Jesse, 1941-Labor unions--MassachusettsLabor unions--North CarolinaNational Rainbow Coalition (U.S.)Public schoolsSmithfield Foods, Inc.Strikes and lockouts--Bus driversWeatherman (Organization)

Contributors

Boston School Bus Drivers UnionUnited Steelworkers of America
Buczko, Thaddeus

Thaddeus Buczko Photographs

ca.1960-1980
1 box 0.25 linear feet
Call no.: MS 299

Former Massachusetts legislator, state auditor, and justice in the Essex Court, active in the Boston, Massachusetts-area Polish community. Fifty-five photographs including portraits of Judge Buczko with Pope John Paul II, Robert and Edward Kennedy, Carl Yastrzemski, Francis Sargent, Hubert Humphrey, and various Massachusetts politicians and friends.

Gift of John Buczko, 1990

Subjects

Humphrey, Hubert H. (Hubert Horatio), 1911-1978John Paul II, Pope, 1920-Kennedy, Edward Moore, 1932-Kennedy, Robert F., 1925-1968Polish Americans--MassachusettsSargent, FrancisYastrzemski, Carl

Contributors

Buczko, Thaddeus

Types of material

Photographs
Bunton, Alice Bice

Alice Bice Bunton Collection

1979-1993
1 box 1 linear feet
Call no.: PH 018
Depiction of Timothy Lindall, Salem, Mass., 1699
Timothy Lindall, Salem, Mass., 1699

A local historian from Bethany, Connecticut, Alice Bice Bunton (1924-2000) was a long-time member of the Association for Gravestone Studies. Author of a book on the historic houses of Bethany in 1972, she attended AGS conferences regularly beginning in the late 1970s. Bunton died on October 18, 2000, at the age of 75.

Many of Bunton’s photographs documenting cemeteries in Connecticut, Massachusetts, and New Jersey were taken during tours associated with the AGS annual conferences. Also included in the collection are AGS conference brochures and other printed material, newspaper clippings, grave rubbings, and a small amount of correspondence.

Subjects

Sepulchral monuments--ConnecticutSepulchral monuments--MassachusettsSepulchral monuments--New JerseyStone carving--ConnecticutStone carving--Massachusetts

Contributors

Association for Gravestone StudiesBunton Alice Bice

Types of material

PhotographsRubbings
Calidonna, Frank

Frank Calidonna Photograph Collection

1991
1 box 0.25 linear feet
Call no.: PH 021
Depiction of Charles A. Jones monument, 1858
Charles A. Jones monument, 1858

A teacher at the New York State School for the Deaf since the 1970s, Frank Calidonna is a professional photographer based in Rome, N.Y. A long-time member of the Association for Gravestone Studies, Calidonna has a long standing interest in Victorian cemeteries and, among other projects, made a photographic study of the Victorian Mount Cemetery in Rochester, N.Y., in 1991.

The Calidonna Collection contains 55 black and white prints (5×7″) taken of monuments and gravestones in Mount Hope Cemetery, ca.May 1991, documenting the stylistic variation, ranging from high Victorian to relatively recent. The collection also includes two brochures for Mount Hope.

Subjects

Mount Hope Cemetery (Rochester, N.Y.)Sepulchral monuments--New York (State)
Calin, Roswell A.

Roswell A. Calin Collection

1907-193 Bulk: 1918-1919
1 box 0.25 linear feet
Call no.: MS 1086
Depiction of Roswell A. Calin in uniform, 1918
Roswell A. Calin in uniform, 1918

Shortly before his twentieth birthday in 1918, Roswell “Ross” Calin joined the 44th Coast Artillery Corps and was sent overseas for service. Arriving in France in August 1918, Calin took part in the St. Mihiel offensive and was wounded in action. He returned to his home in Providence, R.I., early in 1919 and was active in veterans’ organizations for years, including serving as Rhode Island State Adjutant of the Disabled American Veterans in the mid-1920s.

The Calin collection consists of two scrapbook “volumes,” now disbound, assembled by Ross Calin to document his experience in the First World War. Labeled a “memoir,” the volumes consist primarily of photographs and postcards (including many real photo postcards) depicting American troops in the field, war damage, and sites visited by Calin in France. Also included are a selection of medals received by Calin, including a Victory Medal with St. Mihiel clasp, and some newspaper clippings, primarily from the post-war years.

Gift of Ed and Libby Klekowski, May 2018.

Subjects

United States. Army. Coast Artillery Corps. Regiment, 44thWorld War, 1914-1918

Types of material

MedalsPhotographic postcardsPhotographsPostcards