Collecting area: Visual culture

Born in 1963, Feuchtenberger was raised in East Berlin, where she trained as a graphic artist at the Kunsthochschule Berlin-Weissensee. Shortly before the fall of the Berlin Wall, motivated by the East German citizens’ movement, she co-founded the political artists’ collective PGH Gluhende Zukunft—a group that ironically called itself the “Glowing Future Productive Collective.” In her comics, theater and political posters, and other works, Feuchtenberger blends different artistic traditions, including German Expressionism. Her work frequently reflects her feminist activism by focusing on the relationship between women and their children and society. Since 1997, she has taught drawing and media illustration at the Academy of Applied Sciences in Hamburg, Germany.  

The works included in this collection were part of the first major solo exhibition of Feuchtenberger in the U.S. curated by UMass MFA student Bibiana Medkova and on display at the Olver Design Building in 2018. The collection itself was donated by German Filmmaker Jörg Foth. Both Foth and Feuchtenberger were active in the art scene at the time of German reunification and their work occasionally overlapped. For example, Feuchtenberger created film posters as well as art for the opening titles, closing credits, and intertitles for Foth’s 1994 film, Tir na nOg. The works in this collection reflect Feuchtenberger’s printing oeuvre for theaters, plays, and films during the 1990-2000s with a focus on works in color, and including a selection of black and white drawings and political artwork of the post-Berlin-Wall pre-unified Germany era.

Born in Syracuse, N.Y., in 1915 and raised largely in Hampton, Va., Edward Abbe seemed destined to be an engineer. The great nephew of Elihu Thomson, an inventor and founding partner in General Electric, and grandson of Edward Folger Peck, an early employee of a precursor of that firm, Abbe came from a family with a deep involvement in electrification and the development of street railways. After prepping at the Rectory and Kent Schools, Abbe studied engineering at the Sheffield School at Yale, and after graduation in 1938, accepted a position with GE. For 36 years, he worked in the Industrial Control Division in New York and Virginia, spending summers at the family home on Martha’s Vineyard. After retirement in 1975, he and his wife Gladys traveled frequently, cruising both the Atlantic and Pacific.

Ranging from an extensive correspondence from his high school and college days to materials relating to his family’s involvement in engineering, the Abbe collection offers an in depth perspective on an educated family. An avid traveler and inveterate keeper, Ed Abbe gathered a diverse assemblage of letters, diaries, and memorabilia relating to the history of the Abbe, Peck, Booth, Gifford, and Boardman families. The collection is particularly rich in visual materials, including albums and photographs, depicting homes, travel, and family life over nearly a century.

A collection of t-shirts, gift cards, and posters designed by activist and political artist Bonnie Acker. Each item features an illustration by Acker in support of various issues relating to social change ranging from peace with Nicaragua, to nuclear abolition and from lifting the debt of impoverished countries, to the Burlington, Vermont community land trust.

During the academic year 1986-1987, the campus at UMass Amherst was a hotbed of political protest, fueled in part by the US intervention in Central America. The arrival on campus of a CIA recruiting officer in November set off a string of demonstrations that attracted the support of activists Abbie Hoffman and Amy Carter, daughter of former president Jimmy Carter. The occupation of the Whitmore Administration Building was followed by a larger occupation of adjacent Munson Hall, resulting in a number of arrests. Hoffman, Carter, and eleven co-defendants were tried and acquitted on charges of disorderly conduct were tried in April 1987.

The Collection contains 61 mounted photographs of marches, demonstrations, and protests in Amherst and Northampton, Mass., taken by Charles F. Carroll, Byrne Guarnotta, and Libby Hubbard, all students at UMass Amherst. The photographs are a vivid record of campus and community activism, and particularly the mobilization against the CIA and American intervention in Central America, as well as the arrest and trial of Abbie Hoffman and Amy Carter.

Georgiana and Mason Adams, ca. 1880.

Son of Nathaniel Dickinson Adams and Harriet Hastings, Charles Dickinson Adams (1839-1889) was valedictorian at Amherst College, finished the 2-year law program at Columbia in one year, and practiced law in New York City until his early death. He was active in church and community work, and married Mary Clark Wood. The couple had two children, Georgiana and Mason. In 1905, Georgiana Wood Adams (1874-1957) married Franklin Hubbell Mills, the only son of George Franklin Mills, a classics teacher and later Dean at the Massachusetts Agricultural College. George’s father, Benjamin F. Mills, started the Greylock Institute which was active several decades, and both Franklin and his father George were graduates of Williams College. Franklin and Georgiana Mills lived in New York City, and had one child, Mary Mills (1908-1963). Mason Tyler Adams (1877-1933) married Juliette Emily Hubbell, and the couple had two children. Many in the Adams-Mills-Wood extended family are buried at Wildwood Cemetery in Amherst, MA, as Mary Clark Adams and her mother-in-law Harriet bought two side-by-side lots for the family.

The Adams-Mills Family papers document three core generations of the Adams and Mills families with roots in western Massachusetts. Manuscript material, ephemera and numerous photographs document Charles Dickinson Adams, his wife Mary Clark Wood Adams, and George Franklin Mills; the merging of their families through Georgiana Wood Adams Mills and Franklin Hubbell Mills; and their children, other family, and friends. Highlights include Mary Mills’ baby book, over 20 years of correspondence from Mason to his sister Georgiana, correspondence between other family members reflecting attitudes and events in the late 1800s through mid-1900s, several travel journals and scrapbooks, and records from local schools such as Massachusetts Agricultural College, Amherst College, and Williams College. Over one-third of the collection is photographs, reflecting photographic technology, clothing styles, vacation spots, and home aesthetics from the 19^th and 20^th centuries.

Born in Reading, Mass., on Sept 13, 1948, Jeff Albertson was still a student at Boston University, working on the staff of the BU News, when he was hired as a photographer by the Boston Globe. Reflecting the youth culture of the late 1960s and early 1970s, his photographs earned him positions with several prominent Boston alternative media outlets. Covering news, music, and the political interests of his generation, he served as photo editor for the Boston Phoenix and associate publisher for the Real Paper, and his work appeared regularly in mainstream publications such as Rolling Stone, People, and Boston Magazine. After becoming photo editor for the Medical Tribune News Group and moving to New York City in the 1980s, he met and married Charlene Laino. In later years, he became involved in early efforts to create websites devoted to issues surrounding health. Albertson died in 2008.

As a photographer, Albertson covered a wide range of subjects, with particular focus on music and social change. The many thousands of prints, slides, and negatives in the collection include stunning shots of Bruce Springsteen, Bonnie Raitt, Neil Young, Elvis Presley, Frank Sinatra, and John Lee Hooker, activists such as Abbie Hoffman, politicians, and public personalities. The collection also includes several photographic essays centered on poverty, old age, fire fighting in Boston, and prisoners in Massachusetts (among other issues) along with a wide array of landscapes and street scenes.

Influenced by the arts and crafts movement, Frances and Mary Allen began taking photographs of their native Deerfield, Mass., in the mid-1880s. Displaying a finely honed pictorialist aesthetic, the sisters specialized in views of Deerfield and surrounding towns, posed genre scenes of life in colonial times, and the local scenery, earning a reputation as among the best women photographers of the period.
The Allen sisters photograph album contains ten gelatin developing out prints of street scenes in Deerfield, ca.1900-1910. Among these are two shots of the house they inherited from their aunt Kate in 1895, which thereafter became their home and studio.

Raised in Short Hills, New Jersey, Natalie “Nancy” Arena’s early education included the Lexington School for the Deaf in New York and the Bruce Street School in Newark, N.J. In 1956, her father transferred her to the Clarke School for the Deaf because of the school’s emphasis on speech and use of the English language. She stayed at Clarke until she graduated with honors in 1961. After Clarke, Arena went to Millburn High in Millburn, N.J., where she was integrated with hearing students. Arena had a long career in data processing and translated the love of sewing she learned at Clarke into a life-long hobby of quilting.

The Natalie C. Arena Photograph Collection consists of photographs taken by Arena of her friends, teachers, and Clarke School outings and activities. Her photographs show the life of a student at the Clarke School during the late-50s and early-60s. Subjects include dorm rooms, camping trips, gym activities, and class trips.

A graduate of the Northfield Mount Hermon School, Wake Forest University, and the University of Massachusetts Amherst (MA, 1966), Barr Gallop Ashcraft (1940-2005) lived what he called a “gypsy” life in the late 1960s, traveling through the Middle East, Africa, and Asia, and eventually settling on a career in photojournalism. As a stringer for news organizations and magazines, he covered the war in Vietnam, Cambodia, and Laos from 1972 to 1975, taking other assignments throughout Asia for magazines ranging from Life to National Geographic, Newsweek, and Time. For several years, he lived in Japan, working as a teacher, but returned to Amherst to join his father in the building trade. He remained in Amherst, lecturing occasionally on his experiences as a war correspondent, until his death at his home in Shutesbury in 2005.

The Ashcraft Photograph Collection represents a small fraction of the images he took as a freelance photographer in Southeast Asia during the early 1970s. In both black and white and color prints, the collection provides stark and often graphic evidence of the destruction of the war in Vietnam, emphasizing its latter years and the period of Vietnamization, but also includes documentary work on Cambodia. The remainder of Ashcraft’s 22,000 negatives and accompanying notes were destroyed in a house fire in 1995.

On March 13, 1903, Joseph Michael Bajgier was born in Odrzykon, Poland, the youngest of three sons in a farming family. Schooled only through the third grade, Joseph served as a young man in the First Air Division of the Polish Army before following his older brother in emigrating to the United States in 1927. Settling in Chicopee, Mass., with its large and active Polish community, Bajgier began work as a slaughterer of pigs for a meat processing company, but within a few years, he had saved enough money to purchase a small grocery store in Longmeadow. In about 1935, he returned to Chicopee, purchasing a grocery and deli, Bell Market, that his family ran for 36 years. Bajgier was deeply involved in the local Polish community as a member of the Polish National Alliance, the Holy Name Society of St. Stanislaus Parish, and an organization of Polish veterans in exile (Stowarzyszenie Polskich Kombatantow). He and his wife Martha (Misiaszek) had two sons, Casimir and Edward

The Bajgier collection documents the lives of a Polish family in Chicopee, Mass., from the time of immigration through the 1970s. The core of the collection surrounds the life of Joseph Bajgier, and includes a number of documents and a diary from the time of his emigration in 1927, a fascinating series of letters from relatives in Turaszowka, Poland before and after the Second World War, and several photographs of the family and their business in Chicopee.