Collecting area: Poetry

Joseph Langland with his wife, Judith

The poet Joseph Langland was raised on the family farm in northeastern Iowa, and earned both a BA (1940) and MA (1941) from the famed writing program at the University of Iowa, before being inducted into the military service during the Second World War. While still in Germany serving with the Allied military government, Langland had printed for his family his first book of poetry, a chapbook titled For Harold (1945), for his younger brother who had been killed in action in the Philippines. Returning home, he taught part-time at Iowa, then joined the faculty at the University of Wyoming (1948-1959), and finally UMass Amherst. Part of a wave of energetic young writers and scholars to arrive on campus, Langland became active in the early years of the Massachusetts Review and became founder the university’s MFA Program for Poets and Writers. A prolific writer, he contributed regularly to literary magazines and was author of The Green Town (1956), The Wheel of Summer (1963), The Sacrifice Poems (1975), Any Body’s Song (1980), and Selected Poems (1991). Langland was recipient of the National Council of the Arts Award, the Melville Cane Award, the Amy Lowell Traveling Poetry Fellowship, and a Ford Faculty Fellowship, among other honors. After his retirement from UMass in 1979, he served as emeritus until his death in 2007.

The Langland Papers include a substantial number of original manuscripts of poetry, many unpublished, correspondence with major poets, and an extensive run of Langland’s letters written home to his wife and family during the war. Other Langland Papers are housed at Luther College in Iowa.

A writer, poet, and environmental and historic preservation advocate, David K. Leff worked for many years as an agricultural and environmental policy adviser to the Connecticut legislature and as deputy commissioner of the Connecticut Department of Environmental Protection (DEP). A graduate of UMass Amherst (BA 1975) and the University of Connecticut School of Law (1978), Leff began writing and lecturing from early in his career and in addition to publishing dozens of magazine articles and serving as a regular contributor to the Hartford Courant, he has written nonfiction, including The Last Undiscovered Place (2004), Deep Travel: In Thoreau’s Wake on the Concord and Merrimack (2009), Hidden in Plain Sight (2012), Maple Sugaring (2015), Canoeing Maine’s Legendary Allagash (2016), and Doppelganger: A Memoir of Mirrored Selves (2020); poetry, including The Price of Water (2008), Depth of Field (2010), Tinker’s Damn (2013), The Breach: Voices Haunting a New England Mill Town (2019), and The Blue Marble Gazetteer (2022); and a novel in verse, Finding the Last Hungry Heart (2014). Leff was active as a lecturer and instructor on various topics, ranging from the environment to local history and writing. In 2016, he was named the first Poet-in-Residence of the New England Trail. He passed away in 2022 at the age of 67.

In addition to containing a nearly comprehensive collection of the published writings of David Leff, the collection includes selected correspondence, unpublished poetry and short stories, a draft of an unpublished novel (Hungry Heart), talks, interviews, notes, newsclippings, more than 400 pages of interviews with sugarmakers that Leff conducted for his book on maple sugaring, and selected materials relating to Leff’s work with the DEP in Connecticut and other endeavors. The collection also includes several thousand photographs (mostly digital) taken by Leff and used to illustrate his publications and lectures. Leff’s extensive daily journals are closed for five years after his death.

Born in Russia in 1903, the realist painter Michael Lenson emigrated to the United States at the age of eight, and from early in life, took an interest in art. While a student at the National Academy of Design in 1928, Lenson was awarded the Chaloner Paris Prize, enabling him to spend four years of study in Europe and leading to his first three one man shows. With the Great Depression in full effect upon his return to America, he accepted a position as director of mural projects for the Works Progress Administration in New Jersey, through which he built a reputation as one of the most important muralists in the eastern states. Exhibited widely, he was productive as both an artist and critic until his death in 1971. His works are included in the collections of the RISD Museum, the Maier Museum of Art, the Johnson Museum of Art, the Newark Museum, the Montclair Art Museum, and the Wolfsonian Collection, among others.

Consisting of pencil portraits of poets, each approximately 12 x 18″, the Lenson Collection contains twelve late works by Michael Lenson that were included in an exhibition held at the Montclair Art Museum in 1970. The subjects of the portraits include William Blake, Robert Browning, George Gordon Lord Byron, Robert Burns, Geoffrey Chaucer, John Donne, T.S. Eliot, John Keats, John Milton, Sean O’Casey, Alexander Pope, and Percy Bysshe Shelley.

An avid collector of Robert Frost, Benjamin F. Lewis was born in Boston, on 23, 1941, to Leo and Anne (Starr) Lewis, Benjamin Lewis. Lewis enjoyed a distinguished career as a social worker, an adminstrator, a researcher in drug and alcohol abuse, and on the AIDS epidemic, working in his latter years as a member of the Department of Psychiatry at the Dartmouth-Hitchcock Medical Center. Lewis died on Jan. 29, 2019, leaving his life partner Karen Orsini and two children. While working at Goodspeeds in Boston as a college student, Lewis was presented with a Robert Frost first edition, beginning a lifelong collecting habit.

The collection assembled by Lewis includes first and early editions of Frost’s books (many inscribed), early printings and later (life-time) editions of most, selected first appearances of his poetry in magazines and anthologies, scarce ephemeral printings of his work and association pieces, a handful of letters and holograph poems, and phonograph recordings of Frost reading his own work.

American poet, writer, and Librarian of Congress, Archibald MacLeish was associated with the modernist school of poetry and awarded the Pulitzer Prize three times. The collection features a manuscript of “An Evening’s Journey To Conway, Massachusetts,” written to commemorate the bicentennial anniversary of the town, as well as correspondence with Kenneth Murdoch documenting their friendship over three decades.

Temporarily stored offsite; contact SCUA to request materials from this collection.

The Massachusetts Review is an independent quarterly of literature, the arts, and public affairs. Co-founded by Jules Chametzky and Sidney Kaplan in 1959 to promote eclectic, nontraditional, and underrepresented literary and intellectual talent, the Review has been an important venue for African American, Native American, and feminist writers and poets, mixing new and established authors.
The records of the Massachusetts Review document the history and operations of the magazine from its founding to the present, including general correspondence and nearly complete editorial files for published works. The collection also includes a small number of audio recordings of MR2, a radio show hosted by Review editor David Lenson with interviews of writers, artists, and cultural critics.

Listen to MR2: Mass. Review Radio

Author, English professor, and University of Massachusetts alumnus (class of 1941) Harold T. McCarthy taught at the University of Massachusetts from 1959 and into his retirement in the late 1980s. In addition to his books on Henry James (1968) and the expatriate perspective on the idea of America (1972), he wrote fiction and poetry as well as critical articles on Nathaniel Hawthorne, Mark Twain, Herman Melville, and Richard Wright.

The McCarthy collection includes correspondence, typescript manuscripts, poems, travel journals, and class materials including syllabi and lecture notes.

One of the oldest programs of its kind in the country, the MFA Program for Poets and Writers at UMass Amherst was established by the poet Joseph Langland in 1963, offering students an opportunity for intensive focus on their creative work. Unlike the Iowa Writers Workshop, where Langland had studied, students in the UMass program were required to take coursework outside of writing workshops. Over its first fifty years, the program has grown into one of the top ten in the nation and its graduates and faculty have been recognized with awards from the Pulitzer to the National Book Award, Pushcart Prize, the PEN/Faulkner Award, and US Poet Laureate.

The MFA collection contains a growing body of work from students, alumni, and faculty affiliated with the Program for Poets and Writers at UMass Amherst. Among the hundreds of volumes are novels, collections of short stories, plays, and poetry, including a large number of chapbooks and small press imprints.

Possibly a worker who boarded in Van Duesenville, a growing industrial area of Great Barrington, Massachusetts. Notebook consists of poems, most of which concern religious faith and local events that were written in Cathrin Morley’s hand but may not have been created by her. Also includes a list of significant family dates.

The National Arts Policy Archive and Library is a collaborative project initiated by SCUA, the UMass Amherst Arts Extension Service, and several partners in arts agencies intended to document the history of arts administration in America. Collecting the records of state-level and national arts agencies, NAPAAL will provide a foundation for research into the evolution of arts policy, strategies for supporting the arts, and the economic and cultural impact of the arts on our communities.

Constituent collections include:

• Americans for the Arts Records
• Center for the Study of Art and Community Records
• National Endowment for the Arts Collection
• National Assembly of States Arts Agencies Records
• Thomas L. Turk papers
• UMass Amherst Arts Extension Service Records