Collecting area: Performing arts Page 7 of 8
Rubin, Emanuel, 1935-

Emanuel Rubin Papers

1964-2006
5 boxes 7.5 linear feet
Call no.: FS 155
Image of Emanuel Rubin
Emanuel Rubin

Emanuel Rubin was a professor of Musicology and Judaic Studies at UMass Amherst from 1986 until his death in 2008. From 1986-1987 he served as Head of the Department of Music and Dance. In addition to teaching, he performed frequently as a soloist and an ensemble member on the French horn, Viola da Gamba, and as a choral member. He actively conducted and composed works for solo performers and ensembles. Rubin was originally from Pittsburgh, and attended Carnegie Mellon University for his undergraduate work. He received a Master’s Degree in Music composition from Brandeis University, and a doctorate in musicology from University of Pittsburgh. Prior to arriving at UMass Amherst, he taught at Ball State University, University of Milwaukee Wisconsin, and Bowling Green State University. His research interests were the relationship between Judaism and music, and the history of glees, which was the topic of his doctoral dissertation.

The Emanuel Rubin Papers contain records of extensive research in the area of Georgian glees, including historical background, scores, lyrics, and correspondence regarding the research. The collection also includes programs and newspaper clippings from many of Rubin’s performances throughout his career, manuscripts of his publications and compositions, as well as some teaching materials and course information from his time at UMass.

Gift of Marilyn Steele, Mar. 2012

Subjects

  • Glees, catches, rounds, etc.--History and criticism
  • University of Massachusetts Amherst--Faculty
  • University of Massachusetts Amherst. Department of Judaic and Near Eastern Studies
  • University of Massachusetts Amherst. Department of Music and Dance

Contributors

  • Rubin, Emanuel, 1935-

Types of material

  • Photographs
  • Scores
Siggins, Betsy, 1939-

Betsy Siggins Papers

1959-2009
5 boxes 3.5 linear feet
Call no.: MS 1022
Part of: Folk New England Collection
Image of Betsy Siggins, ca.1959. Photo by Alan Klein
Betsy Siggins, ca.1959. Photo by Alan Klein

A key figure in the New England folk revival of the 1960s, Betsy Siggins (nee Minot) entered Boston University in the fall 1958 just at the music was taking off. Along with her college friend Joan Baez, she soon left college under the lure of the bohemian musical scene in Cambridge. At the age of 20, Betsy married the banjo player for the Charles River Valley Boys, Bob Siggins, who was also a founding member of Club 47, the most important venue for folk music in the region. For musicians from Baez and Bob Dylan to Jim Kweskin, Eric Von Schmidt, and Jim Rooney Club 47 was a career launching pad and despite the segregation of the era, it was a place where white northern audiences first encountered African American and blues musicians. Siggins worked full time at Club 47, filling a variety of jobs from office work to waitress to art gallery manager, eventually becoming program officer, arranging the schedules for musicians booked by Rooney or Byron Linardos. After Club 47 closed in 1968, Siggins went on o work for a succession of not for profit organizations, including the Smithsonian Festival of American Folklife and for programs for the homeless and poor.

The Siggins Collection contains important materials on Club 47 and its successor, Club Passim, including business records, ephemera, clippings, and some remarkable scrapbooks featuring performers such Joan Baez, Bob Dylan, and Richard Farina. The collection contains dozens of photographs (many taken by Charlie Frizzell), showing Siggins, her friends, and musicians at home, at Club 47, and at folk festivals in Newport, Brandeis, and Monterey. Of particular note in the collection is a remarkable series of 27 reel to reel tapes of performances at Club 47 featuring John Hammond, Doc Watson, Bill Monroe, Eric Von Schmidt, Jim Rooney, Jeff and Maria Muldaur, Jackie Washington, the Charles River Valley Boys, Joan Baez, and others. Additional material on Siggins and the Minot family was retained by the Cambridge Historical Society.

Transferred from Cambridge Historical Society, April 2018

Subjects

  • Club 47 (Cambridge, Mass.)
  • Dylan, Bob, 1941-
  • Folk music--New England
Simon, Peter, 1947-

Peter Simon Collection

ca. 1945-2016
10 boxes 20 linear feet
Call no.: PH 009
Image of Peter Simon in mirror photographing Jennie Blackton at the Bitter End Cafe, 1968
Peter Simon in mirror photographing Jennie Blackton at the Bitter End Cafe, 1968

Peter Simon’s life and work as a photojournalist follows the quintessential arc of the counterculture, baby boom generation. The son of Richard Simon, founder of Simon and Schuster, Peter grew up in the New York City suburb of Riverdale and attended Boston University, graduating in 1969. While a student at BU, he began documenting the political turmoil in the US when he became photo editor for the radical student newspaper, the BU News, and later as a press photographer for the Cambridge Phoenix. In 1970, Simon left Boston to form Tree Frog Farm, a back-to-the-land commune in Guilford, Vermont, and after leaving there in 1972, he immersed himself in the New Age, forming a close relationship with spiritual leader Ram Dass. Among the most constant threads connecting his work throughout these changes was music. Simon’s sisters, Carly, Lucy, and Joanna have all been involved in music, and through a partnership with longtime friend Stephen Davis and his association with Rolling Stone magazine, Simon enjoyed unique access to many of the most important musicians of his generation. He spent time on the road with the Grateful Dead; went backstage and at home with Led Zeppelin, Bob Dylan, Paul Simon, and many others. His early forays into the world of reggae with Bob Marley and other Jamaican recording artists resulted in one of his nine books, Reggae Bloodlines. Simon’s other photographic interests are as wide-ranging as his background. A visitor to Martha’s Vineyard since the 1950s and a resident since 1974, his work reflects the changes and cultural richness of that island; his family’s friendship with Jackie Robinson has driven his lifelong documentation of baseball, and he is in high demand for portraits, weddings, and other work for hire.

The Peter Simon Collection houses the original negatives for Simon’s complete body of work as a photo journalist and also includes many photographs taken by his father Richard, an avid amateur photographer, which documents the Simon family and life in Riverdale and Stamford, Connecticut, where the family had a summer home.

Subjects

  • Boston (Mass.)--Photographs
  • Communal living--Vermont
  • Counterculture--United States--20th century
  • Martha's Vineyard (Mass.)--Photographs
  • Musicians--Photographs
  • Simon, Carly--Photographs
  • Vietnam War, 1961-1975--Protest movements

Contributors

  • Simon, Richard L. (Richard Leo), 1899-1960

Types of material

  • Photographs
Stagebridge

Stagebridge Records

1979-2017
1 box 1.5 linear feet
Call no.: MS 1024
Image of Dorothy Doty in Changes/Ages/Images, 1980 (College Avenue Players)
Dorothy Doty in Changes/Ages/Images, 1980 (College Avenue Players)

A theater company of older adults based in Oakland, Calif., Stagebridge is recognized as a pioneer in the field of creative aging. Founded by Stuart Kandell in 1978, the organization sponsors workshops, performances, and other opportunities for lifelong learning that provide a creative means to transform the lives of older adults and their communities through the performing arts. Organized “for and of” older adults, Stagebridge is testimony to the ways in which elders enrich our culture and communities.

The Stagebridge collection contains scrapbooks, photograph albums, news clippings, and some scripts beginning in the earliest years of the organization. Digital materials in the collection are even richer, ranging from videos of performances to promotional materials and organizational records.

Gift of Stuart Kandell, May 2018

Subjects

  • Aging
  • Creative aging
  • Older people
  • Theater--California

Types of material

  • Photographs
  • Videotapes
Steele, Ronald

Ronald Steele Papers

1956-2000
9 boxes 10 linear feet
Call no.: FS 164
Image of Ronald Steele
Ronald Steele

A native of New Jersey, Ronald Steele was devoted to both music and photography from an early age. After a tour of duty with the US Air Force Symphony Orchestra and graduate study in violin performance at the University of Michigan, Steele joined the faculty at the University of Massachusetts in 1963. Active as a conductor as well as a performer throughout his career, he was widely known on campus for his popular course, an introduction to music, which was transformed into an award-winning, nationally-syndicated radio show in the mid-1970s. A founder of the UMass Symphony Orchestra (1963) and the Five College Chamber Soloists, Steele resumed his passion for photography in the late 1970s, opening the Ron Steele Photography Studio, which became an increasing creative outlet after his retirement from the university in 1997.

The Steele collection consists of roughly three linear feet of records documenting his career, including corresponce, programs, notes, teaching materials, and photographs. Reflecting his dual creative interests in music and photography, Steele took dozens of photographs of performers and colleagues.

Subjects

  • University of Massachusetts Amherst--Faculty
  • University of Massachusetts Amherst. Department of Music and Dance

Types of material

  • Photographs
Stern, Robert, 1934-

Robert Stern Collection

1975-1981
1 box 0.5 linear feet
Call no.: FS 024
Image of Robert Stern
Robert Stern

The composer Robert Stern was Professor of Theory and Composition in the Department of Music at UMass Amherst from 1964 until his retirement in 2006. A native of Paterson, N.J., Stern studied at the University of Rochester and the Eastman School of Music before arriving in Amherst. Noted for his use of Jewish themes and subjects, he has been the recipient of numerous awards and honors, including fellowships from the MacDowell Colony, Yaddo, and the Millay Colony for the Arts.

The Stern collection includes six reel to reel audiotapes of performances of Stern’s work at UMass Amherst. These include music of Blood and Milk Songs (1975), music of Burrill Phillips (1975), the New Music Ensemble (1976), and the Pro Musica Moderna concerts (1979, 1980, and 1981).

Subjects

  • University of Massachusetts Amherst--Faculty
  • University of Massachusetts Amherst. Department of Music and Dance

Types of material

  • Audiotapes
Tillis, Frederick, 1930-

Frederick Tillis Papers

1970-2010
10 boxes 8 linear feet
Call no.: FS 156
Image of Fred Tillis, Nov. 23, 1977
Fred Tillis, Nov. 23, 1977

A composer, performer, poet, educator, and arts administrator, Fred Tillis was one of the major influences on the cultural life at UMass Amherst for forty years. Born in Galveston, Texas, in 1930, Tillis began playing jazz trumpet and saxophone even before his teens. A product of segregated schools, he graduated from Wiley College at the age of 19, and received his MA and PhD in music at the University of Iowa. As a performer and composer of unusual breadth, his work spans both the jazz and European traditions, and he has written for piano and voice, orchestra, choral pieces, chamber music, and in the African American spiritual tradition, drawing upon a wide range of cultural references. After teaching at Wiley, Grambling, and Kentucky State in the 1960s, Tillis was recruited to UMass in 1970 by his former adviser at Iowa, Philip Bezanson, to teach music composition and theory. Earning promotion to Professor in 1973, Tillis was appointed Director of the Fine Arts Center in 1978, helping to jump start some of the most successful arts initiatives the university has seen, including the the Afro American Music and Jazz program, the New World Theater, Augusta Savage Gallery, Asian Arts and Culture Program, and Jazz in July. Upon retirement from UMass in 1997, he was appointed Emeritus Director of the Fine Arts and remains active as a musician and poet.

The Tillis papers document an extraordinary career in the arts, focused on Fred Tillis’s work as a composer. Consisting primarily of musical scores along with an assortment of professional correspondence relating to his publishing and miscellaneous notes, the collection offers insight into the evolution of Tillis’s musical vision from the 1970s into the new millennium.

Subjects

  • African American composers
  • African American musicians
  • Fine Arts Center (University of Massachusetts Amherst)
  • Jazz
  • University of Massachusetts Amherst--Faculty
  • University of Massachusetts Amherst. Department of Music and Dance

Contributors

  • Tillis, Frederick, 1930-

Types of material

  • Scores
University of Massachusetts Amherst. College of Arts and Sciences

University of Massachusetts Amherst. College of Arts and Sciences

1944-2007
18 linear feet
Call no.: RG 011

The records of the College of Arts and Sciences document the history of its various offices and programs. Notable series within the record group are those from the office of the Dean, the Curriculum Advisory Council, the University Internship Program, English as a Second Language, and the Fine Arts Council.

Subjects

  • English language--Study and teaching--Foreign speakers

Contributors

  • University of Massachusetts Amherst. College of Arts and Sciences
  • University of Massachusetts Amherst. Fine Arts Council
University of Massachusetts Literary Society

University of Massachusetts Literary Society Collection

1956
1 box 0.5 linear feet
Call no.: RG 40/3 L4

In 1955, the Literary Society of the University of Massachusetts and Professor H. Leland Varley received a grant of $5,800 from the Educational Television and Radio Center to produce a series of one-hour radio programs centered on a discussion of the impact of eight major American novelists from a European perspective. The subjects included Henry James, Sinclair Lewis, Thomas Wolfe, Ernest Hemingway, John Dos Passos, William Faulkner, and John Steinbeck (who replaced the original choice, John Marquand).

The collection is comprised of recordings of the Literary Society radio program, ‘As others see us.’ Moderated by a member of the UMass Department of English, each broadcast featured discussions by distinguished literary critics such as W.H. Auden, R.P. Blackmur, Perry Miller, Maxwell Geismar, and Renato Poggioli. Dos Passos, Faulkner, and Steinbeck participated in person.

Subjects

  • Authors, American
  • Novelists, American
  • Poets--United States

Contributors

  • Auden, W. H. (Wystan Hugh), 1907-1973
  • Bailey, Robeson, 1906-
  • Barron, Leone
  • Blackmur, R. P. (Richard P.), 1904-1965
  • Coindreau, Maurice Edgar
  • Collins, Carvel Emerson, 1912-
  • Cowie, Alexander, 1896-1978
  • Cummings, E. E. (Edward Estlin), 1894-1962
  • Dos Passos, John, 1896-1970
  • Faulkner, William, 1897-1962
  • Fenton, Charles
  • Geismar, Maxwell David, 1909-
  • Girard, Rene, 1923-
  • Goldberg, Maxwell Henry, 1907-
  • Hemingway, Ernest, 1899-1961
  • James, Henry, 1843-1916
  • Klarmann, Adolf D. (Adolf Donald), 1904-1975
  • Koehler, Stanley
  • Levin, Harry, 1912-1994
  • Lewis, Sinclair, 1885-1951
  • Lohner, Edgar
  • Magny, Claude-Edmonde, 1913-1966
  • Miller, Perry, 1905-1963
  • Niedeck, Arthur E.
  • Peyre, Henri, 1901-
  • Poggioli, Renato, 1907-1963
  • Rudin, Seymour, 1922-
  • Savage, Richard C.
  • Steinbeck, John, 1902-1968
  • Varley, H. Leland
  • Wolfe, Thomas, 1900-1938

Types of material

  • Sound recordings
Uno, Roberta

Roberta Uno Collection of Asian American Women Playwrights' Scripts

1924-2005
25 boxes 9 linear feet
Call no.: MS 345
Image of Coconut masquerade postcard
Coconut masquerade postcard

Roberta Uno was the founder and long time artistic director of the New WORLD Theater at UMass Amherst, a theater in residence dedicated to the production of works by playwrights of color.

Established by Uno in 1993, the Asian American Women Playwrights Scripts Collection contains manuscripts of plays, but also production histories, reviews, and articles, along with biographies and audio and videotaped interviews with playwrights. Among the individuals represented are Brenda Wong Aoki, Jeannie Barroga, Marina Feleo Gonzales, Jessica Hagedorn, Velina Hasu Houston, Genny Lim, le thi diem thuy, Ling-Ai Li, Victoria Nalani Kneubuhl, Nobuko Miyamoto, Bina Sharif, and Diana Son.

Subjects

  • Asian American women authors
  • New WORLD Theater
  • Playwrights

Contributors

  • Uno, Roberta, 1956-

Types of material

  • Scripts (Documents)