University of Massachusetts Amherst
SCUA

Collection area: Performing arts (page 5 of 7)

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National Arts Policy Archive & Library (NAPAAL)

National Arts Policy Archive and Library
1965-2013
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The National Arts Policy Archive and Library is a collaborative project initiated by SCUA, the UMass Amherst Arts Extension Service, and several partners in arts agencies intended to document the history of arts administration in America. Collecting the records of state-level and national arts agencies, NAPAAL will provide a foundation for research into the evolution of arts policy, strategies for supporting the arts, and the economic and cultural impact of the arts on our communities.

Constituent collections include:

Subjects
  • Art and state
  • Arts--Management
  • Government aid to the arts
Contributors
  • Americans for the Arts
  • National Asssembly of State Arts Agencies
  • National Endowment for the Arts

National Endowment for the Arts

National Endowment for the Arts Collection
1965-2016
5 boxes (7.5 linear feet)
Call no.: MS 686
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Established by Congress in 1965 as an independent agency of the federal government, the National Endowment for the Arts has awarded more than $4 billion to support artistic excellence, creativity, and innovation for the benefit of individuals and communities. The NEA extends its work through partnerships with state arts agencies, local leaders, other federal agencies, and the philanthropic sector.

In contributing to the National Arts Policy Archive and Library (NAPAAL), the NEA allowed SCUA to digitize publications on the arts and arts management since its inception. The collection reflects the impact of the arts (including music, literature, and the performing arts) on everyday lives of Americans and include materials intended to support individual and classroom education, information on arts management, reports on the status of the arts, histories of the organization, and much more. All items are cataloged in the UMass Amherst Libraries online catalog and are included in the Internet Archive, where they are available for full-text searching.

Subjects
  • Art and State
  • Arts--Management
  • Government aid to the arts

New WORLD Theater

New WORLD Theater Records
1979-2010
41 boxes (61.5 linear feet)
Call no.: RG 025/F2/N4
Image of Photo by Edward Cohen, 2002
Photo by Edward Cohen, 2002

New WORLD Theater was founded at UMass Amherst in 1979 by Roberta Uno with the mission of presenting innovative works of theater by contemporary artists of color, with the goal of fostering creative communities, promoting cultural equity, and embracing diverse cultural backgrounds, social engagement, and a commitment to justice. For more than thirty years New WORLD Theater produced many dozens of plays and other dramatic works representing new voices in the theater, as well as plays from the traditional multicultural repertory, and they have supported the arts through performance residencies, conferences and colloquia, and a variety of initiatives aimed at the diverse communities they serve, youth, and theater professionals. New WORLD Theater has contributed significantly to national conversations on cultural equity. After more than three decades of acclaim and recognition, New WORLD Theater was closed by UMass Amherst in summer 2010.

The bulk of the New WORLD Theater collection consists of administrative records documenting the day-to-day activities of the theater, however, it also contains an extensive and exceptionally rich archive of taped interviews, conferences, and theatrical productions. Taken together, the audiovisual material traces the history of New WORLD through the words and performances of artists who both contributed to and benefited from the theater.

Subjects
  • African Americans--Drama
  • American drama--Minority authors
  • Asian Americans--Drama
  • Ethnic groups--United States--Drama
  • Hispanic Americans--Drama
  • Minorities--United States--Drama
  • University of Massachusetts Amherst
Contributors
  • New WORLD Theater
  • Page, Priscilla
  • Uno, Roberta, 1956-
Types of material
  • Audiovisual materials
  • Sound recordings

Nineteenth Century Theatre

Nineteenth Century Theatre Records
1987-1996
4 boxes (6 linear feet)
Call no.: MS 469

Established in 1983 and published twice a year at UMass Amherst with the support of Five Colleges, Inc., Nineteenth Century Theatre offered scholarly, critical, and documentary coverage of a broad range of subjects. Issues of the journal contained essays, documents, book reviews, bibliographical studies, and analyses of archival holdings.

The records of the journal include essays and reviews submitted for publication, correspondence, and published issues.

Subjects
  • Theater--History and criticism
  • Theater--History--19th century
  • Theater--Periodicals

Olevsky, Julian, 1926-1985

Julian Olevsky Score Collection
1898-1966
2 boxes (3 linear feet)
Call no.: MS 438

Ranked amongst the great violinists of his generation, Julian Olevsky served as Professor of Violin at the University of Massachusetts Amherst from 1967-1985. The collection consists of annotated scores belonging to Julian Olevsky, the bulk of which contain parts for the violin and piano.

Gift of Estella Olevsky, 2002
Subjects
  • Music--18th century
  • Music--19th century
  • Music--20th century
  • University of Massachusetts Amherst--Faculty
  • University of Massachusetts Amherst. Department of Music and Dance
Contributors
  • Olevsky, Estela
  • Olevsky, Julian, 1926-1985

Playgoers’ Club (London, England)

Playgoers' Club Records
1884-1892
1 box (0.25 linear feet)
Call no.: MS 351

Founded by Heneage Mandell in 1884, the London Playgoers Club met regularly “to afford members facilities for Critical Theatrical Discussions… in the form of… debate[s].” Playgoers in Victorian England did not generally enjoy a favorable reputation, stereotyped as abrasive at best and dangerous at worst. Mandell and his colleagues sought to promote a more genteel image of playgoers while nurturing a relationship between the players and audience.

The core of the Playgoers Club collection consists of a series of meeting minutes from 1884 to 1892, a list of all members who ran in club elections, and a brief, handwritten history of the club.

Subjects
  • Theater audiences--England--London
  • Theater--England--London
  • Theater--Societies and clubs--Great Britain
Contributors
  • Playgoers’ Club (London, England)
Types of material
  • Minutes (Administrative records)

Plenzdorf, Ulrich, 1934-2007

Ulrich Plenzdorf Collection
1970-1979
1 box (0.25 linear feet)
Call no.: MS 978

An East German screenwriter and playwright, Ulrich Plenzdorf was born into a Communist family in the working-class Kreuzberg district of Berlin in 1934, settling in East Germany after the war. Abandoning his undergraduate studies in philosophy at the University of Leipzig, Plenzdorf worked as a stagehand at the DEFA film studio while studying at the film academy in Babelsberg. His breakthrough as a writer came with the play Die neuen Leiden des jungen W (1972), which enjoyed enormous success internationally, selling more than four million copies in 30 languages. A year later, he followed up with the popular film, Die Legende von Paul und Paula (1973), and his popularity as a writer continued through unification. Plenzdorf died in Berlin on Aug. 9, 2007, at the age of 72.

This small collection includes research files on the screenwriter Ulrich Plenzdorf assembled by Albert R. Schmitt, a professor of German at Brown University. In addition to an early edition of Die neuen Leiden and a mimeograph copy of an English translation by Herbert Lederer, the collection includes a handful of letters and a few pieces of ephemera from early productions of Die neuen Leiden, along with reviews and scholarly articles of Plenzdorf’s work.

Gift of Barton Byg, June 2017
Language(s): German
Subjects
  • Dramatists--Germany (East)
  • Plenzdorf, Ulrich, 1934-2007. Neuen Leiden des jungen W.
  • Screenwriters--Germany (East)
Contributors
  • Schmitt, Albert R.
Types of material
  • Ephemera
  • Posters

Pollock, Robert J.

Robert J. Pollock Souvenir Collection
1904-1954
1 box (0.5 linear feet)
Call no.: MS 388

Brought together by Robert J. Pollock, this collection of souvenirs consists chiefly of playbills from New England and New York productions, and includes programs from ice skating shows, circuses, and musical revues.

Subjects
  • Theater--History--20th century
Contributors
  • Pollock, Robert J
Types of material
  • Playbills

Rand, Frank Prentice, 1889-

Frank Prentice Rand Papers
1905-1976
5 boxes (2.5 linear feet)
Call no.: FS 083
Image of Frank Prentice Rand
Frank Prentice Rand

Playwright, poet, historian, student theater director and professor of English, University of Massachusetts.

Correspondence, speeches, lectures, drafts of writings, reviews, publicity material, programs and playbills, scrapbooks, grade books (1917-1959), newsclippings, memorabilia, and other papers, relating to Rand’s teaching career, his writing of poetry, plays, and history, and his activities, as a dramatic coach and director. Includes material relating to the dedication of Rand Theater.

Connect to another siteListen to oral history with Rand's wife:
Oral history, part 1
Oral history, part 2
Subjects
  • University of Massachusetts Amherst--Faculty
  • University of Massachusetts Amherst. Department of History
Contributors
  • Rand, Frank Prentice, 1889-
Types of material
  • Oral histories
  • Scrapbooks

Ring, Hans Joachim

Hans Joachim Ring Collection of East German Cinema
1945-1990
10 boxes (4.75 linear feet)
Call no.: MS 566
Image of Bummi
Bummi

Born in Germany on Aug. 4, 1934, Hans Joachim Ring was a film enthusiast with an encyclopedic knowledge of German cinema. During the Second World War, movie theatres became a refuge for the young boy, whose family was forced several times to flee due to Allied bombing. The hardships of post-war life cemented the role of film in his life and as he grew older, he became an ardent collector of materials relating to film.

The Ring Collection includes hundreds of programs, fliers, and handbills published by the official East German film distributors Progress Film-Vertrieb and the Deutsche Film Aktiengesellschaft (DEFA) and sold to patrons at theatres. This extraordinary assemblage includes several hundred programs covering the immediate post-war period (1945-1950) and hundreds more relating to films released up to and beyond the end of the Communist era. Offering insight into the evolution of graphic design in East Germany and the marketing of film, the collection is one of the largest of its kind in the United States.

Acquired from Ann Langevin, May 2008
Language(s): German
Subjects
  • Children's films--Germany, East
  • Motion pictures--Germany, East
Contributors
  • Deutsche Film Aktiengesellschaft
  • Progress Film-Vertrieb
  • Ring, Hans Joachim
Types of material
  • Fliers (Printed matter)
  • Handbills
  • Programs
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