Collecting area: Performing arts Page 5 of 8
Kerslake, Fred

Fred and Mary Kerslake Scrapbooks

ca.1890-1923
4 vols. 1 linear feet
Call no.: PH 079
Image of Lil Kerslake and his pigs
Lil Kerslake and his pigs

Fred “Lil” Kerslake was proprietor of one of the premier performing animal acts of the turn of the twentieth century, featuring a porcine troupe that did “everything but talk.” From about 1891 through the 1930s, Kerslake’s Pigs rolled barrels and jumped ropes, climbed ladders, played see saw, and drew carriages to the delight of audiences across the United States and Europe. With his wife Mary and, after 1913, his son Fred by his side, Kerslake’s Pigs toured with Carl Hagenbeck, Walter L. Main, and Ringling Brothers. Fred and Mary retired to Gill, Mass., in 1930 where they ran a dog kennel. Fred Kerslake died at home in Sept. 1949, with Mary following in 1954.

Assembled by Fred and Mary Kerslakes, the four scrapbooks in this remarkable collection are packed with photographs and ephemera documenting their far flung travels between the 1890s and 1920s, along with promotional and candid shots of their beloved pigs, donkeys, and horses. Interspersed in the volumes are photographs of clowns and other circus performers, brochures, fliers, and posters advertising Kerslake’s Pigs and the circuses that employed them.

Gift of Chris Emery, July 2017

Subjects

  • Animal shows
  • Circus performers--Massachusetts
  • Circuses
  • Pigs

Contributors

  • Hagenbeck-Wallace Circus
  • Kerslake's Minstrels
  • Kerslake's Pig Circus
  • Kerslake, Mary Anne
  • Ringling Brothers
  • Walter L. Main Circus

Types of material

  • Photographs
  • Printed ephemera
  • Scrapbooks
Krakowiak Polish Dancers of Boston

Krakowiak Polish Dancers of Boston Records

1937-1997
1 box 0.5 linear feet
Call no.: MS 466

The oldest active Polish folk dance ensemble in the United States, the Krakowiak Polish Dancers of Boston was formed in 1937 by a group of young ladies of Polish heritage interested in promoting Polish culture through the mediums of song and dance. The club opened its membership to young men in 1947, and was offcially incorporated in 1957. Since its formation, the dancers have appeared throughout the U.S., Canada, and Poland, and the group has received recognition and awards worldwide, including a special performance before his Holiness Pope John Paul II in 1983.

The collection includes programs for performances from the club’s earliest days, tickets, newspaper clippings featuring articles about the group, and copies of the organization’s constitution describing the group’s mission and membership.

Subjects

  • Folk dancing, Polish
  • Polish Americans--Massachusetts

Contributors

  • Krakowiak Polish Dancers of Boston
Massachusetts State College Glee Club

Massachusetts State College Glee Club

ca.1935
1 sound recording (78 rpm)
Call no.: RG 185/1

The Massachusetts State College Glee Club recorded ten songs onto 78 r.p.m. disk in the mid-1930s. One of the few early recordings of the group, the recording includes the Massachusetts State College alma mater, fight songs, and other typical collegiate fare.

Subjects

  • Massachusetts State College--Students
  • Men’s choral societies--Massachusetts

Contributors

  • Massachusetts State College. Glee Club

Types of material

  • Sound recordings
Mexican Playwrights

Mexican Playwrights Collection

1967-1978
1 box 0.5 linear feet
Call no.: MS 399

Photocopies of typescripts of plays by Mexican playwrights, such as Carlos Ancira, Wilberto Canton, Marcela del Rio, and Margarita Urueta.

Subjects

  • Plays--Mexican

Types of material

  • Plays
Miscellaneous Manuscripts

Miscellaneous Manuscripts

1717-2003
6 boxes 3 linear feet
Call no.: MS 719

Miscellaneous Manuscripts is an artificial collection that brings together single items and small groups of related materials. Although the collection reflects the general collecting emphases in SCUA, particularly the history of New England, the content ranges widely in theme and format.

Subjects

  • Massachusetts--Economic conditions--18th century
  • Massachusetts--Economic conditions--19th century
  • Massachusetts--History
  • Massachusetts--Politics and government
  • Massachusetts--Social conditions--18th century
  • Massachusetts--Social conditions--19th century
  • Massachusetts--Social conditions--20th century

Types of material

  • Account books
  • Correspondence
  • Photographs
Moss, Bernard

Bernie Moss Photograph Collection

ca. 1960-1978
7 boxes 10.5 linear feet
Call no.: PH 062
Image of Bernie Moss with two unidentified women in Moss's home, 1962
Bernie Moss with two unidentified women in Moss's home, 1962

A fixture of the Boston Jazz scene, Bernie Moss began taking photographs in the early 1960s, capturing musicians on stage and after hours in the clubs he frequented. Musicians that Moss would meet at Connelly’s, the Savoy Cafe, Lennie’s on the Turnpike, and later the Jazz Workshop, would often come to Moss’s apartment at 11 Queensberry Street where he would give them a place to stay and a meal. His generosity and love of the music and musicians was renown among the top artists of the era; inspiring Dexter Gordon to compose the song “Boston” Bernie Moss in his honor. Moss was born on Christmas day in 1908 and grew up in a Jewish household. He played trombone as a member of the Massachusetts National Guard 241st Coast Artillery Regiment from 1929 to approximately 1939 but spent the remainder of his life looking after the Boston apartment buildings he inherited from his father, known as the Moss Realty Co. According to Nat Hentoff in his memoir Boston Boy, “he took care that none of his tenants ever knew him as a landlord. His brother collected the rent, and the janitor received all the complaints about services. Bernie just showed up to talk about jazz.” Moss died on February 13th, 1988.

The Bernie Moss Photograph Collection primarily consists of Moss’s color photographs taken at Boston Jazz clubs in the 1960s and early 1970s. The photographs include musicians Alan Dawson, Roy Haynes, John Coltrane, Ben Webster, Dizzy Gillespie, Yusef Lateef, Herbie Hancock, Art Blakey, and many more. Moss’s amateur style brings life to some of the most important years of modern Jazz, showing Jazz greats at the height of their powers, often in informal settings. Many photographs were mounted and catalogued as part of a traveling exhibit curated by the Boston Jazz Society.

Subjects

  • Jazz musicians--Massachusetts--Boston--Photographs
  • Jazz--Massachusetts--Boston--Photographs

Types of material

  • Color prints (photographs)
National Arts Policy Archive & Library (NAPAAL)

National Arts Policy Archive and Library

1965-2013
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The National Arts Policy Archive and Library is a collaborative project initiated by SCUA, the UMass Amherst Arts Extension Service, and several partners in arts agencies intended to document the history of arts administration in America. Collecting the records of state-level and national arts agencies, NAPAAL will provide a foundation for research into the evolution of arts policy, strategies for supporting the arts, and the economic and cultural impact of the arts on our communities.

Constituent collections include:

Subjects

  • Art and state
  • Arts--Management
  • Government aid to the arts

Contributors

  • Americans for the Arts
  • National Asssembly of State Arts Agencies
  • National Endowment for the Arts
National Endowment for the Arts

National Endowment for the Arts Collection

1965-2016
5 boxes 7.5 linear feet
Call no.: MS 686
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Established by Congress in 1965 as an independent agency of the federal government, the National Endowment for the Arts has awarded more than $4 billion to support artistic excellence, creativity, and innovation for the benefit of individuals and communities. The NEA extends its work through partnerships with state arts agencies, local leaders, other federal agencies, and the philanthropic sector.

In contributing to the National Arts Policy Archive and Library (NAPAAL), the NEA allowed SCUA to digitize publications on the arts and arts management since its inception. The collection reflects the impact of the arts (including music, literature, and the performing arts) on everyday lives of Americans and include materials intended to support individual and classroom education, information on arts management, reports on the status of the arts, histories of the organization, and much more. All items are cataloged in the UMass Amherst Libraries online catalog and are included in the Internet Archive, where they are available for full-text searching.

Subjects

  • Art and State
  • Arts--Management
  • Government aid to the arts
New WORLD Theater

New WORLD Theater Records

1979-2010
41 boxes 61.5 linear feet
Call no.: RG 025/F2/N4
Image of Photo by Edward Cohen, 2002
Photo by Edward Cohen, 2002

New WORLD Theater was founded at UMass Amherst in 1979 by Roberta Uno with the mission of presenting innovative works of theater by contemporary artists of color, with the goal of fostering creative communities, promoting cultural equity, and embracing diverse cultural backgrounds, social engagement, and a commitment to justice. For more than thirty years New WORLD Theater produced many dozens of plays and other dramatic works representing new voices in the theater, as well as plays from the traditional multicultural repertory, and they have supported the arts through performance residencies, conferences and colloquia, and a variety of initiatives aimed at the diverse communities they serve, youth, and theater professionals. New WORLD Theater has contributed significantly to national conversations on cultural equity. After more than three decades of acclaim and recognition, New WORLD Theater was closed by UMass Amherst in summer 2010.

The bulk of the New WORLD Theater collection consists of administrative records documenting the day-to-day activities of the theater, however, it also contains an extensive and exceptionally rich archive of taped interviews, conferences, and theatrical productions. Taken together, the audiovisual material traces the history of New WORLD through the words and performances of artists who both contributed to and benefited from the theater.

Subjects

  • African Americans--Drama
  • American drama--Minority authors
  • Asian Americans--Drama
  • Ethnic groups--United States--Drama
  • Hispanic Americans--Drama
  • Minorities--United States--Drama
  • University of Massachusetts Amherst

Contributors

  • New WORLD Theater
  • Page, Priscilla
  • Uno, Roberta, 1956-

Types of material

  • Audiovisual materials
  • Sound recordings
Niedeck, Arthur E.

Arthur E. Niedeck Papers

ca.1875-1984
18 boxes 12 linear feet
Call no.: FS 029

A Professor of Speech in the English Department at UMass Amherst, Arthur Ellsworth Niedeck was born in Ithaca, N.Y., in 1910, and educated at Ithaca College (BS) and Cornell University (MA). He began his career teaching theater in Ithaca schools prior to the Second World War, and after a stint working with the USO, joined the Speech Department at UMass in about 1947. An advisor to the Roister Doisters, the UMass theatre troupe, Niedeck became Professor and Head of Speech Department by the late 1950s and was involved in producing and supporting theater on campus for nearly four decades. Niedeck died in Amherst in June 1984.

Joining a small quantity of memorabilia, handbills, and fliers, the Niedeck collection consists primarily of audio recordings of theatrical productions he oversaw at UMass Amherst. Copyright was retained by Niedeck.

Gift of Vincent Brann, May 1989 (89-018)

Subjects

  • Roister Doisters
  • Theater--Massachusetts--Amherst
  • University of Massachusetts Amherst--Faculty
  • University of Massachusetts Amherst. Speech Department

Types of material

  • Sound recordings
Restrictions: Copyright was retained by the donor.