SCUA

Collection area: Performing arts (page 3 of 6)

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Ellis, James, 1935-

James Ellis Theatre Collection
1700-2005
ca.8,000 vols.
Call no.: MS 779

During a long career as Professor of English at Mount Holyoke College, James Ellis wrote on the Victorian stage and the work of Gilbert and Sullivan. A founding member of the Valley Light Opera Company, he was also an actor and director of theatricals in the Pioneer Valley.

The Ellis Collection contains approximately 8,000 published works on the Anglo-American stage, 1750-1915, including individual plays and anthologies of English and American playwrights; biographical works on performers; works on the theatre in London, the provinces, and America; periodicals, playbills, prints, broadsides, and ephemera; and works that provide cultural context for interpreting the stage. Although the collection includes some works from the 18th century, it is deepest for the English stage in the period 1850-1900.

Gift of James Ellis, 2009-2013
Subjects
  • Actors--Great Britain
  • Actors--United States
  • Amateur theater--Great Britain--19th century
  • Theater--Great Britain--19th century
  • Theater--United States--19th century
Contributors
  • Ellis, James, 1935-
Types of material
  • Broadsides
  • Lithographs
  • Photographs

Emery, George

George Emery Papers
ca.1900-1975
8 boxes (30 linear feet)
Call no.: MS 982
Image of Tri-County Fair, ca.1920
Tri-County Fair, ca.1920

After graduating from Massachusetts Agricultural College in 1924, George Edward “Red” Emery taught high school briefly and held a handful of other jobs before deciding to fulfill a childhood dream. Born in Marlboro, Mass., in 1904, Emery turned his love for the circus into a life touring the country as a white-face circus clown. After marrying Virginia Link, a Smith College student, in 1932, he settled down to a stable job in the Alumni Office at his alma mater, later filling in as Veterans Coordinator and as a staff member in the Student Placement Office until his retirement in 1972. Emery never left the circus behind entirely. Throughout his years in Amherst he continued to talk and write about the history of the circus and his personal experiences, and from the late 1940s through early 1960s, he used his show business connections to book talent for the Tri-County Fair. Longtime residents of Leverett, Mass., he and his wife died within a year of one another, Virginia in 1974 and George in 1975.

With his passion for the circus, George Emery’s papers contain material not only from his career as a circus clown in the 1920s but also from his later writings about the history of the circus, his work with the Tri-County Fair, and his long association with UMass Amherst. The collection includes correspondence with friends and family; circus toys and games; posters, photographs, and ephemera; and a library of books on circus history. Of special note are some exceptional photographs, a thick sheaf of material from the Tri-County Fair, and four remarkable scrapbooks from the internationally famous animal act Fred Kerslake’s Pigs. Beginning in 1889, Fred Kerslake and his wife, Mary, traveled the world with a team of acrobatic intellectual pigs (and later donkeys) performing to packed houses. In the 1960s, Mary Kerslake gave the scrapbooks to Emery to assist in his research and writing on circus history.

Gift of Chris Emery, July 2017
Subjects
  • Circus performers
  • Circus--History
  • Clowns
  • Pigs
  • Tri-County Fair
  • University of Massachusetts Amherst--Alumni
  • University of Massachusetts Amherst--Staff

Feinberg, Kenneth R., 1945-

Kenneth R. Feinberg Collection of Classical Music Programs
1967-2015
6 boxes (9 linear feet)
Call no.: MS 766
Image of Program, Metropolitan Opera, 1969
Program, Metropolitan Opera, 1969

Attorney and UMass alumnus Kenneth R. Feinberg, well known as a mediator, special master of compensation funds, and dedicated public servant, is a longtime devotee of opera and classical music. Since his days as a law student in New York in the late 1960s, continuing through his career practicing law in Washington, D.C., Feinberg has regularly attended operas, concerts, musical theater, and other musical performances. He has also served as president of the Washington National Opera and led a private opera appreciation group.

This extensive collection of more than 1,000 items encompasses a wide range of composers, productions, concerts, companies, and venues, mainly in the United States, with some European performances represented. Documenting more than four decades of concert- and opera-going, and arranged in rough chronological order according to Feinberg’s numbering system, the programs are searchable by composer in an accompanying card index. There is also a small amount of related ephemera, including some vintage programs. Additions to the collection are expected.

Gift of Kenneth R. Feinberg, Nov. 2012
Subjects
  • Music
  • Musical theater
  • Opera
  • Symphony orchestras
Contributors
  • Feinberg, Kenneth R., 1945-
Types of material
  • Card files
  • Ephemera
  • Playbills

Finkelstein, Sidney Walter, 1909-1974

Sidney Finkelstein Papers
1914-1974
11 boxes (5.5 linear feet)
Call no.: MS 128

Noted critic of music, literature, and the arts, as well as a writer and an active member of the Communist Party U.S.A. Includes letters to and from Mr. Finkelstein; original manuscripts of reviews, articles, essays, and books; legal documents, educational, military, and personal records, financial papers, contracts, photographs, and lecture and course notes.

Gift of Maynard Solomon, 1986
Subjects
  • Art criticism--United States--History--20th century
  • Communism--United States--History
  • Communist Party of the United States of America--History--20th century
  • Communist aesthetics--History--Sources
  • Culture--Study and teaching--United States--History--20th century
  • Music--History and criticism
  • Musical criticism--United States--History
  • Socialist realism--History--Sources
Contributors
  • Cohen, R. S. (Robert SonnĂ©)
  • Finkelstein, Sidney Walter, 1909-1974
  • Gorton, Sally Kent, 1915-2000
  • Hille, Waldemar, 1908-
  • Kent, Rockwell, 1882-1971
  • Lawson, John Howard, 1894-
  • Richmond, Al, 1913-1987
  • Selsam, Millicent Ellis, 1912-
  • Siegmeister, Elie, 1909-
  • Thomson, Virgil, 1896-
  • Veinus, Abraham
Types of material
  • Letters (Correspondence)
  • Photographs

Freeman, James A., 1935-

James A. Freeman Broadcast Radio Collection
ca.1930-1955
18 boxes (27 linear feet)
Call no.: MS 759

A professor of English at UMass Amherst, James A. Freeman is a scholar of seventeenth century British literature who has compiled an impressively eclectic array of publications and research projects. Educated at Amherst College (AB 1956) and the University of Minnesota (PhD 1968), Freeman joined the faculty in the English Department at UMass shortly after completing his doctorate. He has published on topics ranging from Latin and Greek poets to Shakespeare, Milton, Swift, Tennyson, James Agee, Donald Duck, 17th century regicides, and 1930s radio. He has also served as a regular contributor and editor for the Association for Gravestone Studies Quarterly.

The Freeman collection consists of many hundreds of cassette tapes of radio broadcasts from the 1930s through early 1950s, reflecting the culture of commercial radio during its golden age. The collection includes representatives of most of the major genres, including comedy, drama, suspense and mystery, soap operas, and westerns. There is some depth popular programs such as Amos and Andy, the Great Gildersleeve, Philip Marlowe, and Nero Wolfe, but the collection also includes less common and short-lived shows.

Subjects
  • Radio
Contributors
  • Freeman, James A., 1935-
Types of material
  • Audiocassettes

Green Mountain Post Films

Green Mountain Post Films Records
1968-ca.1985
10 boxes (13 linear feet)
Call no.: MS 516

Co-founded by Charles Light and Daniel Keller, Green Mountain Post Films has produced and distributed films for more than twenty-five years. Their first documentary film released in 1975, Lovejoy’s Nuclear War, was one of the first films to question the nuclear energy policy of the United States. Since then GMP Films has continued to produce movies that explore social issues, and their films have been used as educational and organizational tools for activists working on peace, veteran, nuclear, environmental and other related issues.

The collection contains very little that documents the activities of GMP Films, chiefly research files, correspondence, and proposals relating to film projects either produced or under consideration. The bulk of the collection consists of alternative press publications from the 1960s-1970s.

Subjects
  • Antinuclear movement--Massachusetts
  • Nuclear energy--Law and legislation--New England
  • Social action--Massachusetts--History
Contributors
  • Green Mountain Post Films

Haley, Michael

Michael Haley Papers
1968-2003
18 boxes (27 linear feet)
Call no.: MS 670
Image of Mike Haley
Mike Haley

An actor and motion picture assistant director and producer, Michael Haley was born in Pittsfield, Mass., in 1942. While an undergraduate student at UMass Amherst, Haley became involved in theater, joining the avant garde Buffalo Meat Company that performed original works in Massachusetts and New York City. Following a chance call from a producer looking for local help in 1969, Haley worked on his first film, the low-budget crime drama, Honeymoon Killers. After work on several other film and television productions, Haley was among ten people selected for the Directors Guild of America’s Assistant Directors Training Program. During his forty year career, Haley’s credits have included work with a number of noted directors, including Sidney Lumet, Barry Levinson, and Penny Marshall, and he has enjoyed a particularly long and productive association with Mike Nichols. His films have included The Taking of Pelham One Two Three, The Stepford Wives, Biloxi Blues, True Colors, A League of Their Own, Groundhog Day, Primary Colors, and Closer. He was the recipient of two Humanitas Prizes (for Wit and Angels in America), and among others awards, the Christopher Award (for Wit), the Directors Guild of America award, Producers Guild of America award, and an Emmy (for Angels in America), a Directors Guild of America plaque (Working Girl), and the Berkshire International Film Festival Life-Time Achievement Award. He was named Artist of the Year at UMass and has been selected for a Bateman Fellowship.

Reflecting a diverse career in film, the Haley collection consists of scripts, photographs, memorabilia, and diaries, with a small quantity of notes and correspondence. The scripts, approximately 110 of them, are from films ranging from the Godfather II to Charlie Wilson’s War and Angels in America, may include several drafts. The photographs are both numerous and particularly rich, including some particularly interesting candid shots taken on film sets, as well as official shots taken by photographers such as Mary Ellen Mark.

Subjects
  • Actors
  • Motion picture producers and directors
  • Motion pictures
  • Nichols, Mike
Contributors
  • Haley, Michael
Types of material
  • Photographs
  • Screenplays

Heath, Gordon, 1918-1991

Gordon Heath Papers
1913-1992
44 boxes (22.75 linear feet)
Call no.: MS 372 and 372 bd
Image of Gordon Heath, Paris
Gordon Heath, Paris

A multi-talented performer, the African American expatriate Gordon Heath was variously a stage and film actor, musician, director, producer, founder of the Studio Theater of Paris, and co-owner of the Parisian nightclub L’Abbaye. Born in New York City, Heath became involved in acting as a teenager and enjoyed a career that spanned post-World War II Broadway to the Black Arts Movement of the 1970s. In addition to his many roles on film and stage, he and his partner Lee Payant enjoyed success as recording artists in the 1950s and 1960s.

The Heath collection includes personal and professional correspondence, scrapbooks containing photos and clippings from assorted television and film productions in addition to songs, poetry, and reviews of plays or playbills from productions he attended. The Papers also contain art work, sheet music, personal and production photographs, and drafts of his memoirs.

Subjects
  • Abbaye (Nightclub : Paris, France)
  • African American actors--France--Paris--History
  • African American singers--France--Paris--History
  • African Americans in the performing arts--History
  • African-American theater--History--20th century
  • Baldwin, James, 1924-
  • Chametzky, Jules
  • Dodson, Owen, 1914-
  • Expatriate musicians--France--Paris--History
  • Hughes, Langston, 1902-1967
  • Musicians--United States--History
  • Nightclubs--France--Paris--History
  • Paris (France)--Intellectual life--20th century
  • Payant, Lee--Correspondence
  • Primus, Pearl
  • Rive gauche (Paris, France)--Intellectual life--20th century
  • Studio Theater of Paris
  • Theater--Production and direction--France--Paris--History
Contributors
  • Abramson, Doris E
  • Heath, Gordon, 1918-1991
Types of material
  • Photographs
  • Scrapbooks
  • Scripts
  • Sheet music
  • Sketches

Hicks, Adeline

Adeline Hicks Papers
1917-1987
3 boxes (1.25 linear feet)
Call no.: FS 070

Professor of Physical Education at the University of Massachusetts Amherst when it was known as Massachusetts Agricultural College who established the physical education program for women and helped to create the women’s gymnasium and athletic field. In her retirement she composed music that was performed by the University of Arizona orchestra.

Includes musical scores, lesson-plan photographs illustrating instruction in modern dance, correspondence, printed programs for performance of the musical compositions, text of an address, a history of physical education for women at Massachusetts State College by Mrs. Hicks, personnel records, and brief biographical items.

Subjects
  • University of Massachusetts Amherst--Faculty
  • University of Massachusetts Amherst. Department of Physical Education
Contributors
  • Hicks, Adeline

Illustrated Sheet Music

Illustrated Sheet Music Collection
1896-1946
1 box (0.25 linear feet)
Call no.: MS 960
Image of Waiting for the Robert E. Lee
Waiting for the Robert E. Lee

Advances in color printing technologies combined with decreasing costs of publication led to a flowering of illustrated sheet music between 1890 and the 1920s.

This small collection is comprised of illustrated sheet music dating primarily from the first quarter of the twentieth century. Representing a cross-section of popular music at the time from minstrel tunes to patriotic marches, most of the songs were selected either for their representation of African Americans (usually in stereotypical and racist caricature) or as examples of pro-war propaganda during the First World War.

Subjects
  • African Americans--Pictorial works
  • World War, 1914-1918--Pictorial works
Types of material
  • Scores
  • Sheet music
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