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Collecting area: Music (Page 2 of 4)

Boston Jazz Society

Boston Jazz Society Records

ca. 1973-2014
6 boxes 10 linear feet
Call no.: MS 880
Depiction of

Founded in 1973, the Boston Jazz Society grew from a small group of enthusiasts listening to music in living rooms to a thriving organization that “kept Jazz alive” in New England. As Jazz’s popularity began to fade in the late 1960s, local Jazz societies formed to provide support to artists and give them the means and venues to continue to perform on the road. The Boston Jazz Society was originally inspired by one of the earliest, the Left Bank Jazz Society of Baltimore. Like the Left Bank, BJS produced concerts in clubs, theaters, and hotels but expanded their efforts to include exhibits, television and radio shows, and a Jazz education program for grade school students. The longest running BJS activities, however, were the annual Jazz Barbecues and starting in 1975, the BJS Scholarships. The scholarship program raised funds for young Jazz musicians to attend the New England Conservatory of Music’s Jazz Department and the Berklee School Of Music and began the musical careers of many important musicians, composers, and teachers. BJS was also deeply connected to the local music scene, celebrating Roxbury, Mass. natives Alan Dawson and Roy Haynes, whose brother Vincent was a long-time board member, among many others. After 42 years of promoting Jazz music in Boston, the Boston Jazz Society, Inc. dissolved in 2015.

The Boston Jazz Society Records extensively document BJS’s meetings, events, business dealings, and scholarship administration through meeting minutes, posters, correspondence, photographs, recordings, videos, and BJS’s own propaganda and publications. The majority of the BJS records came from the collection of founding member and longtime president Aureldon Edward Henderson and also represents his involvement in promoting Jazz in the Boston area.

Gift of Aureldon Edward Henderson, July 2014, Aug. 2015

Subjects

Jazz musicians--Massachusetts--BostonJazz--Massachusetts--Boston

Contributors

Berklee School of MusicHaynes, RoyHenderson, Aureldon EdwardNew England Conservatory of Music
Broadside (Cambridge, Mass.)

Broadside (Cambridge, Mass.) Collection

1962-1968
1 box 1.5 linear feet
Call no.: MS 1014
Part of: Folk New England Collection

When The Broadside first appeared in March 1962, it immediately became a key resource for folk musicians and fans in New England. Written by and for members of the burgeoning scene, The Broadside was a central resource for information on folk performances and venues and throughout the region, covering coffeehouses, concert halls, festivals, and radio and television appearances.

Assembled by Folk New England, the collection contains a complete run of the Boston- and Cambridge-based folk music periodical, The Broadside, with the exception of the first issue, which has been supplied in photocopy.

Gift of Folk New England, Oct. 2017

Subjects

Folk music--New England--PeriodicalsPopular music--New England--Periodicals

Contributors

Wilson, David

Types of material

Periodicals
Davis, Bobby

Bobby Davis Photograph Collection

1980-1983
1 box 0.2 linear feet
Call no.: PH 065

A native of Providence, R.I., Bobby Davis arrived in Amherst in 1977 and soon afterward entered the University Without Walls program at UMass to earn his college degree. A talented jazz musician, Davis became immersed in the vibrant local arts scene, learning photography while writing for the student publications Nummo News and the Collegian, and covering performances by a steady stream of jazz and R&B acts touring through the area. Working later as a photographer for Smith College and traveling for the yearbook company, Delmar Studios, Davis eventually settled in Northampton, where he remains active as a photographer.

The Davis collection contains ten exhibition prints of jazz musicians performing in Amherst, including Art Blakey, Angela Bofill, Ray Charles, Miles Davis, Dizzy Gillespie, Yusef Lateef, Oscar Peterson, Max Roach, Gil Scott-Heron, and Archie Shepp.

Gift of Bobby Davis, Jan. 2015

Subjects

Jazz musicians--Photographs

Types of material

Photographs
Drucker, Jeffrey I.

Jeffrey Drucker Photograph Collection

1966-1969
387 photographs
Call no.: RG 50/6 D78
Depiction of Roger McGuinn being interviewed, Feb. 25, 1968
Roger McGuinn being interviewed, Feb. 25, 1968

Jeffrey Drucker was a student and photographer at the University of Massachusetts Amherst from 1966 to 1969, where he majored in production management and was the WMUA station engineer. As a student, Drucker was a photography enthusiast, taking snapshots of events across campus, thoroughly documenting his years as an undergraduate at UMass in the late-sixties.

The Jeffrey Drucker Photograph Collection contains 387 photographs of a diverse array of campus events, including the Dow Chemical protest in 1968, parades, Roister Doisters productions, musicians like Stevie Wonder and Simon and Garfunkel performing at on-campus concerts, and iconic campus buildings. Many of Drucker’s photographs were printed in the Index yearbook as well as the University of Massachusetts Daily Collegian and give a clearly student perspective to life on campus.

Subjects

Protests and demonstrations--PhotographsRock concerts--Massachusetts--Amherst--PhotographsRoister Doisters (University of Massachusetts Amherst)--PhotographsUniversity of Massachusetts Amherst--PhotographsUniversity of Massachusetts Amherst--Students and alumni--Photographs

Types of material

Black-and-white negativesGelatin silver prints
Econosmith

Econosmith Collection

1969-2019
1 box, digital files 0.5 linear feet
Call no.: PH 089
Depiction of Pete Seeger, 2006
Pete Seeger, 2006

A wife and husband team of photographers based in Provincetown, Mass., Maxine Smith and John Economos, known collectively as Econosmith, are photographers of the folk music scene, social action, and the landscape and people of outer Cape Cod. Social activists themselves, the Econosmiths were photographers for Pete Seeger during the last decade of his life and headed up the photography team at the Clearwater Festival, giving them unusual access to dozens of performers.

With compelling images of musicians in performance, the Economsmith collection is a rich visual record of the contemporary folk scene, with a special focus on Pete Seeger and the Clearwater Festival (also known as the Great Hudson River Revival). Over 90% of the images were born digital, with the remainder split between color negatives and 35mm. slides. The collection also includes photographs of antiwar demonstrations sparked by the Iraq War and images of the scenery and people of Provincetown and outer Cape Cod.

Gift of John and Maxine Economos, April 2019

Subjects

Cape Cod (Mass.)--PhotographsClearwater Festival--PhotographsDemonstrations--New York (State)--New York--PhotographsDemonstrations--Washington (D.C.)--PhotographsFolk musicFolk musicians--PhotographsIraq War, 2003-2011--Protest movements--PhotographsPeace movements--PhotographsSeeger, Pete, 1919-2004--Photographs

Contributors

Economos, JohnSmith, Maxine

Types of material

Photographs
Folk New England

Folk New England Ephemera Collection

1960-1973
1 oversize box 0.25 linear feet
Call no.: MS 1017
Part of: Folk New England Collection
Depiction of Poster for performance by Jackie Wilson, 1964 (designed by Eric von Schmidt)
Poster for performance by Jackie Wilson, 1964 (designed by Eric von Schmidt)

Founded by Betsy Siggins in 2009, Folk New England is an organization dedicated to documenting, preserving, and interpreting the cultural legacy of folk music in all its forms, with an emphasis on New England’s contributon.

The Ephemera Collection consists of dozens of posters, fliers, calendars, and other promotional materials for musical acts collected by Folk New England. Concentrated in the years of the folk revival in the late 1950s to late 1960s, many of the posters were sent to Club 47 in Cambridge, Mass.

Gift of Tom Curren and Folk New England, March 2018

Subjects

Folk music--New England

Types of material

FliersPosters
Frizzell, Charles, 1941-2004

Charles Frizzell Collection

1963-2004
3 boxes 1.25 linear feet
Call no.: PH 081
Part of: Folk New England Collection
Depiction of Charlie Frizzell, ca.1963 (from Betsy Siggins Papers)
Charlie Frizzell, ca.1963 (from Betsy Siggins Papers)

Raised in suburban Boston, Charlie Frizzell became a well-known photographer of the music scene during the height of the folk revival of the early 1960s. At the age of 14, Frizzell took up photography after landing his first job at a camera shop, and he developed his talents under the mentorship of a local commerical photographer, Bob O’Shaughnessy. As a regular at Club 47 in Cambridge, Frizzell photographed the most popular performers of the era, from Bob Dylan and Joan Baez to Geoff and Maria Muldaur and Jim Kweskin. He left Massachusetts in the late 1960s for Berkeley, Calif., and according to folklorist Millie Rahn, created a sort of conduit between the music scenes in Berkeley and Cambridge. Frizzell died in Berkeley on May 29, 2004, following complications from a liver transplant.

Dating primarily from the mid-1960s, the collection includes approximately 50 prints and some negatives from Charlie Frizzell, including images of Jim Kweskin, Maria Muldaur, Bob Siggins, and Bonnie Dobson, along with images of performances at Newport Folk Festival.

Transferred from Cambridge Historical Society, April 2018

Subjects

Folk musicians--Photographs

Types of material

Photographs
Illustrated Sheet Music

Illustrated Sheet Music Collection

1896-1946
1 box 0.25 linear feet
Call no.: MS 960
Depiction of Waiting for the Robert E. Lee
Waiting for the Robert E. Lee

Advances in color printing technologies combined with decreasing costs of publication led to a flowering of illustrated sheet music between 1890 and the 1920s.

This small collection is comprised of illustrated sheet music dating primarily from the first quarter of the twentieth century. Representing a cross-section of popular music at the time from minstrel tunes to patriotic marches, most of the songs were selected either for their representation of African Americans (usually in stereotypical and racist caricature) or as examples of pro-war propaganda during the First World War.

Subjects

African Americans--Pictorial worksWorld War, 1914-1918--Pictorial works

Types of material

ScoresSheet music
Katanka, Michael

Katanka-Fraser Political Music Collection

1885-1975
10 boxes 7 linear feet
Call no.: MS 552

The author, publisher, and radical bookseller Michael Katanka (1922-1983) was a staunch Socialist and historian of British labor. Beginning with his 1868: Year of Unions in 1968, Katanka wrote or edited a series of books and articles on Fabianism, satirical caricature, and trade unionism.

The Katanka-Fraser Political Music Collection consists of audio recordings, sheet music, and songbooks of politically-inspired music in a variety of languages. The works range from the English and German Socialist press of the 1880s to the antiwar movement of the 1960s and 1970s, touching upon labor agitation, proletarian songs, student protest, the anti-imperialist and anti-capitalist struggles, the Spanish Civil War, and Communism and Socialism. The collection also includes a few books and sound recordings from the extreme right in Nazi Germany.

Gift of James and Sibylle Fraser, June 2007

Subjects

Communists--MusicInternational Workers of the World--MusicPolitical ballads and songsProtest songsRadicalism--Songs and musicSocialists--MusicWorking class--Music

Contributors

Fraser, JamesKatanka, Michael
Keith, Bill, 1939-2017

Bill Keith Collection

1960-2013
1 box 0.25 linear feet
Call no.: MS 1037
Part of: Folk New England Collection
Depiction of Bill Keith (r.) and Jim Rooney at the Newport Folk Festival, 1965
Bill Keith (r.) and Jim Rooney at the Newport Folk Festival, 1965

A stylistic innovator and influential performer on the five string banjo, Bill Keith is credited with transforming the instrument from a largely percussive role into a one where it carried the melody. A native of Boston and 1961 graduate of Amherst College, Keith cut his teeth as a performer in New England clubs during the hey day of the folk revival, often partnering with his college roomate Jim Rooney, and he spent the better part of the decade as a member of two high profile acts: Bill Monroe’s Bluegrass Boys, with whom he played for eight critical months in 1963, and the Jim Kweskin Jug Band. Adding the pedal steel guitar to his repertoire, Keith performed on stage and in studio with a stylistically and generationally diverse range of acts including Ian and Sylvia, Judy Collins, Richie Havens, Loudon Wainwright, and the Bee Gees. Keith continued performing nearly to the time of his death by cancer in October 2015.

This small collection of photographs and ephemera documents the musical career of bluegrass legend Bill Keith, including early images playing in coffee houses and at Newport Folk Festival and images of Keith with musical collaborators throughout the 1970s and 1980s. The collection includes a series of photographs and ephemera taken during the 50th anniversary Jug Band Reunion tour of Japan in 2013.

Subjects

Folk music--New England

Types of material

EphemeraPhotographs