University of Massachusetts Amherst
SCUA

Collection area: Arts & literature (page 6 of 19)

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Diamond, Stephen

Steve Diamond Papers
1968-2005
13 boxes (6 linear feet)
Call no.: MS 542
Image of Steve Diamond and border collie at Montague Farm, ca.1980
Steve Diamond and border collie at Montague Farm, ca.1980

An author and activist, Steve Diamond worked for the newly formed Liberation News Service in 1968 covering stories like the student strike at Columbia University. After more than a year of internal strife resulting from ideological differences, the alternative news service split into two factions, with Marshall Bloom and Raymond Mungo leading a new division of LNS in rural New England. Diamond, among those who left for New England, settled into life in a commune on old Ripley Farm in Montague, Massachusetts. His experiences during the first year on the farm are recorded in his book, What the Trees Said. Diamond later worked as a writer and consultant for Green Mountain Post Films, editor of the Valley Advocate and Boston Phoenix, and as a contributor for The Atlantic Monthly, San Francisco Chronicle, and the Village Voice.

This collection consists chiefly of Diamond’s correspondence and writing, including drafts of his book chapters, stories, and articles; research notes; and diary entries. The collection also contains printed articles by and about Diamond, digital images, and audio recordings.

Subjects
  • Activists--Massachusetts
  • Bloom, Marshall, 1944-1969
  • Communal living--Massachusetts
  • Liberation News Service (Montague, Mass.)
  • Liberation News Service (New York, N.Y.)
  • Mungo, Raymond, 1946-
Contributors
  • Diamond, Stephen

Dobell, Frederic

Frederic Dobell Papers
1872-1916
1 box (0.5 linear feet)
Call no.: MS 607
Image of Frederic Dobell
Frederic Dobell

A fixture on the late Victorian and Edwardian English stage, Frederic Dobell headlined a variety of productions, appearing in theatres and touring from London to Edinburgh. Late in his career, Dobell played roles from Shakespeare to melodrama. He died in London in August 1916 at the age of 72.

A small collection dating from the last three decades of his career, the Dobell Papers including correspondence regarding acting engagements, 14 part books, six broadsides advertising performances, and a fine clutch of materials relating to the play On the Verge, Or, A Woman’s Honor, including: four watercolor set designs, five stage layouts, a musical score.

Subjects
  • Actors--Great Britain
Contributors
  • Dobell, Frederic

Donohue, Joseph W., 1935-

Joseph W. Donohue Papers
1963-2003
37 boxes (55.5 linear feet)
Call no.: FS 110

Theater historian and critic, Joseph W. Donohue, Jr., was appointed Associate Professor of English at UMass Amherst in 1971. An alumnus of Princeton (PhD, 1965), Donohue specialized in British drama and theater, with an emphasis on the period from the Restoration to the present day, with a particular interest in the study of the performed play and its relationship to the audience, community, and society. While at UMass, he taught courses ranging from Shakespeare on Film to The Vitality of British Drama. Donohue remained at UMass until his retirement in May 2005.

The papers reflect Donohue’s professional life from his time at Princeton through his years as a Professor of English at UMass. Among the papers are course notes, teaching materials, and a myriad of materials relating to the history of British theater.

Subjects
  • Theater--History--Great Britain
  • University of Massachusetts Amherst--Faculty
  • University of Massachusetts Amherst. Department of English
Contributors
  • Donohue, Joseph W., 1935-

Donohue, Joseph W., 1935-

Joseph Donohue Collection of Theatre Programs and Theatrical Ephemera
1968-2010
23 boxes (12 linear feet)
Call no.: MS 696

An historian of modern British drama, Joseph Donohue was a longtime member of the Department of English at UMass Amherst. A native of Brookline, Mass., Donohue was educated at Johns Hopkins and Georgetown before receiving his doctorate at Princeton (1965), and he studied directing at both Columbia and Yale. After five years at Princeton, he joined the faculty at UMass in 1971, where he remained for thirty four years. The author of numerous articles and books on the British and Irish theatre, Donohue was author — among many other works — of Dramatic Character in the English Romantic Age (1970) and Theatre in the Age of Kean (1975) and editor of the London Stage, 1800-1900 Project. A past president of the American Society for Theatre Research, he was also a fixture in local performances, including the Valley Light Opera Company. Upon retirement from the department in 2005, Donohue was named Professor Emeritus.

Consisting of hundreds of theatrical programs and other ephemera, the Donohue collection documents a lifetime of avid theater-going. The astonishing array of playwrights and plays represented in the collection, and the diversity of theatres (mostly in New York and London), provides a nearly exhaustively chronicle of Donohue’s theatrical habits from his days as a graduate student to nearly the present.

Subjects
  • Theater--England--London
  • Theater--New York (State)--New York
Contributors
  • Donohue, Joseph W., 1935-
Types of material
  • Ephemera
  • Playbills

Double Edge Theater

Double Edge Theatre Records
1970-2002
28 boxes (15.5 linear feet)
Call no.: MS 455
Image of Bold Stroke for a Wife
Bold Stroke for a Wife

Since its founding, Double Edge Theatre has embraced a two-fold mission: to develop and promote the highest quality of original theatre performance, and to create a permanent center of performance, practice, training research, and cultural exchange.

The collection documents the Theatre’s focus on research, international collaboration, and the elevation of artistic performance above and beyond stage work into the realm of cultural exchange.

Subjects
  • Experimental theater
  • Theater and society
  • Theatrical companies--Massachusetts
Contributors
  • Arnoult, Philip
  • Double Edge Theatre
  • Durand, Carroll
  • Klein, Stacy
  • Odin teatret
  • Staniewski, Wlodzimierz
  • Stowarzyszenie Teatralne "Gardzienice"
Types of material
  • Photographs
  • Posters
  • Programs

Drucker, Jeffrey I.

Jeffrey Drucker Photograph Collection
1966-1969
387 photographs
Call no.: RG 50/6 D78
Image of Roger McGuinn being interviewed, Feb. 25, 1968
Roger McGuinn being interviewed, Feb. 25, 1968

Jeffrey Drucker was a student and photographer at the University of Massachusetts Amherst from 1966 to 1969, where he majored in production management and was the WMUA station engineer. As a student, Drucker was a photography enthusiast, taking snapshots of events across campus, thoroughly documenting his years as an undergraduate at UMass in the late-sixties.

The Jeffrey Drucker Photograph Collection contains 387 photographs of a diverse array of campus events, including the Dow Chemical protest in 1968, parades, Roister Doisters productions, musicians like Stevie Wonder and Simon and Garfunkel performing at on-campus concerts, and iconic campus buildings. Many of Drucker’s photographs were printed in the Index yearbook as well as the University of Massachusetts Daily Collegian and give a clearly student perspective to life on campus.

Subjects
  • Protests and demonstrations--Photographs
  • Rock concerts--Massachusetts--Amherst--Photographs
  • Roister Doisters (University of Massachusetts Amherst)--Photographs
  • University of Massachusetts Amherst--Photographs
  • University of Massachusetts Amherst--Students and alumni--Photographs
Types of material
  • Black-and-white negatives
  • Gelatin silver prints

Early Children’s Literature

Early Children's Literature Collection
1810-1894
42 items (0.5 linear feet)
Call no.: RB 017
Image of The New Picture-Book (1837)
The New Picture-Book (1837)

Publishers in Western Massachusetts engaged in a brisk trade in books intended for children during the antebellum years, producing chapbooks to teach reading, didactic works on morals and comportment, and toy books for reward and entertainment. Brief and most often simply produced, the books are noted for their diminutive size, stock woodcut illustrations and characteristic moralistic tone, but they are rich sources for understanding popular conceptions of childhood, education, religious life, and marketing in the book trade, among other subjects.

The majority of the works in the Early Children’s Literature collection were products of the antebellum press in western Massachusetts, produced and distributed by printers such as John Metcalf (Wendell and Northampton), Anson Phelps (Greenfield), and A. R. Merrifield (Northampton). There are examples of chapbooks from other printers, most notably Mahlon Day of New York and the American Sunday School Union in Philadelphia.

Acquired variously.
Subjects
  • Children's literature--Massachusetts
  • Toy and movable books
Contributors
  • Metcalf, John, 1788-1864
Types of material
  • Books

East German Book Collection

East German Book Collection
1948-1993
ca.300 vols. (13 linear feet)
Call no.: RB 021

From the official optimism of the post-war years in East Germany through the dynamic press of the 1970s to the end of the regime in 1989, the state and its critics developed a distinctive print culture that was reflected in its literary and artistic output and in its popular and academic works.

The DDR collection contains miscellaneous volumes printed in East Germany, including literature and drama, touristic books, popular history, works on the arts, and a variety of academic and reference works.

Subjects
  • Germany (East)--History
Types of material
  • Books

Ebert, Siegried

Siegfried Ebert Papers
1933-1986
2 boxes (0.75 linear feet)
Call no.: MS 576
Image of Ebert in his studio, ca.1965
Ebert in his studio, ca.1965

The graphic artist Siegfried Ebert had an important influence on the visual language of East German television and animated motion pictures. Born in Eibau on July 20, 1926, Ebert was drafted into the Luftwaffe in 1943, but shortly after going on active duty, he was severely wounded and taken prisoner by the English. After his release, Ebert shifted course in life, studying commercial art at the Kunstgewerbeschule Zittau and film at the Hochschule für bildende und angewandte Kunst in Wiessensee. He became one of the earliest artists to specialize in the new medium of television, working for Deutscher Fernsehfunk, doing graphic design and animation. A member of the Verband Bildender Künstler Deutschlands, he later worked on animated films for the DEFA studios. Suffering from ill health for the last several years of his life, Ebert suffered a heart attack in November 1985, and died at home shortly after his sixtieth birthday in 1986.

The Ebert Collection includes a small assortment of correspondence, awards, and biographical materials, along with examples of his graphic work for television and film. Among other unusual items in the collection are attractive handbills (small posters) for Progress and DEFA films, some original sketches, photographs and mockups of his artwork for television, and an assortment of personal and professional ephemera.

Gift of James and Sibylle Fraser, 2007
Language(s): German
Subjects
  • Germany, East--Social life and customs
  • Graphic artists--Germany, East
  • Motion pictures--Germany, East
  • Prisoners of War--Germany
  • Television--Germany, East
  • World War, 1939-1945
Contributors
  • Ebert, Siegfried
  • Thorndike, Andrew
Types of material
  • Animation drawings
  • Ephemera
  • Handbills
  • Photographs
  • Posters

Ege, Otto F., 1888-1951

Otto F. Ege, "Fifty Original Leaves From Medieval Manuscripts"
12th-14th century
1 box (0.25 linear feet)
Call no.: MS 570
Image of Beauvais Missal
Beauvais Missal

The scholar of book history Otto F. Ege disassembled works from his personal collection of medieval manuscripts to create forty portfolios of fifty leaves each, offering these sets for sale to individuals and institutions under the title “Fifty Original Leaves From Medieval Manuscripts.” Marketing his portfolios as a resource for study of the history of the book, book illustration, and paleography, Ege justified his biblioclastic enterprise as a means of sharing the beauties of Medieval books with a wider audience.

The majority of the texts scavenged for Otto Ege’s “Fifty Original Leaves From Medieval Manuscripts” (all but one in Latin) are liturgical in origin — Bibles, psalters, missals, breviaries, and Books of Hours — however Ege also included a few less common works such as the 15th-century manuscript of Livy’s History of Rome and a version of Thomas Aquinas’s Commentary on the Sentences of Peter Lombard. The leaves range in date from the late twelfth to the early sixteenth century and represent a number of distinctive regional styles in paleography and illumination from throughout western Europe, including Italy, France, Germany, the Low Countries, Switzerland, and England. The UMass Amherst set is number six of 40.

Language(s): Latin
Subjects
  • Manuscripts, Medieval
  • Paleography
Contributors
  • Ege, Otto F., 1888-1951
Types of material
  • Books of hours
  • Breviaries
  • Illuminated manuscripts
  • Missals
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