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Brann, Clinton

Clinton Brann Papers

1891-1963
4 boxes 1.5 linear feet
Call no.: MS 594
Depiction of Clinton Brann
Clinton Brann

In 1918, Clinton Melville Tilman Brann, a dentist by training, served with in the 17th Field Artillery of the American Expeditionary Forces in France, a unit cited for gallantry in five critical engagements of the First World War. During his time overseas, Brann maintained an intense correspondence with Rhea Oppenheimer, despite fears that their different religious (he Presbyterian, she Jewish) and family backgrounds would prove an obstacle. After demobilization, Brann returned home and on Sept. 17, 1919, married Rhea. He went on to build a successful practice in dentistry in Iowa, raising a son and daughter. Clinton Brann passed away on Sept 8, 1961, in Orlando, Fla., with Rhea following on December 29, 1987 in Winter Park, Fla.

In two regards, the Brann collection presents an unusual glimpse into families affected by the First World War. First, Brann’s letters home offer a sense of his unusual role in the service, as a junior officer and dentist, and second, his letters are marked by his unusual relationship with Rhea Oppenheimer and their concerns over the future prospects for a mixed marriage. The collection also includes a wealth of photographs of the Branns’ life together, a family scrapbook, and a handful of mementoes and miscellaneous documents.

Subjects
Brann family
Courtship
Dentists--Iowa
World War, 1914-1918--Medical care
Contributors
Brann, Clinton
Brann, Rhea Oppenheimer
Types of material
Photographs
Scrapbooks
Brann, Vincent

Vincent Brann Papers

ca.1917-2005
7.5 linear feet
Call no.: FS 094

Vincent Clinton Brann was a Professor of Dramaturgy and Directing at UMass Amherst. Born Feb. 19, 1927 in Knoxville, Iowa, Brann served in the United States Army during WWII. After completing his B.A. at the University of Iowa in 1950 he was again called to serve in the Army during the Korean Conflict (1950-1951). Brann held faculty positions at Carnegie Institute of Technology, University of Maryland Overseas Program Europe, and Smith College before joining the faculty at the University of Massachusetts Amherst in the Speech Department in 1964. Brann remained in the Speech Department until 1972 when it became the Department of Theater; he continued to teach in the Department of Theater until his retirement in 1988. Brann was well-known for his oral interpretation and performance classes as well as his productions and original scripts. At the time of his death in 2007 he was Professor Emeritus of Dramaturgy and Directing.

The Brann Papers are a collection of genealogical materials dating to the early 20th century, correspondence, family and travel photographs (particularly of Spain and France), play scripts with director’s notes, musical theater scores, and Brann’s college yearbooks.

Subjects
Brann family
University of Massachusetts Amherst--Faculty
University of Massachusetts Amherst. Department of Speech
University of Massachusetts Amherst. Department of Theater
Contributors
Brann, Vincent
Bridegam, Marybeth

Marybeth Bridegam Collection

1989-2002
17 boxes 23.5 linear feet
Call no.: PH 063

A long time teacher in the schools in Amherst, Mass., Marybeth Bridegam operated tour agency, Cross-Culture Inc., from the late 1980s through early 2000s. Cross-Culture ran small-group tours of locations around the world led by local tour leaders and specialized guides that were distinguished by itineraries that included sites outside the usual tourist routes.

The Bridegam collection consists of thousands of images taken by Bridegam during her travels, many in preparation for Cross Culture tour groups. Locations include China, Japan, Hong Kong, Australia, New Zealand, Scandinavia, and Russia.

Gift of Marybeth Bridegam, Dec. 2014
Subjects
Australia--Photographs
China--Photographs
Greece--Photographs
Japan--Photographs
New Zealand--Photographs
Russia--Photographs
Tibet--Photographs
Turkey--Photographs
Types of material
Photographs
Brinsfield, Mark

Mark Brinsfield Poster Collection

1979-1994
53 items 0.1 linear feet
Call no.: MS 854
Depiction of Wer Kohl wählt, wählt Reagan
Wer Kohl wählt, wählt Reagan

Mark Taylor Brinsfield studied languages and law in Europe before receiving his MA in European Studies at the University of Exeter. His research has included work in the history of multiracial people in post-World War II Southeast Asia. Brinsfield currently lives in Northampton, Mass.

The posters in the Brinsfield Collection represent a cross-section of West German political campaigning during the decade leading up to reunification. Focused primarily on national, rather than regional elections, the collection includes representative work from the major left- and right-leaning political parties (CDU and RCDS, SDU, the Greens) as well as a few posters addressed at major political issues, including the antinuclear and antiwar movements.

Language(s): German
Subjects
Antinuclear movements--Germany
Antiwar movements--Germany
Christlich-Demokratische Union Deutschlands
Germany--History --1945-1990
Germany--Politics and government--1945-1990
Grünen (Political party)
Ring Christlich-Demokratischer Studenten
Sozialdemokratische Partei Deutschlands
Contributors
Staeck, Klaus
Types of material
Posters
Broadside

Broadside and Poster Collection

1798-2012
5 folders, tube 1 linear feet
Call no.: RB 034
Depiction of Advertisement for E. S. Hayden's daguerreotypes, ca.1850
Advertisement for E. S. Hayden's daguerreotypes, ca.1850

Printers and bibliographers use a bevy of terms to refer to works printed on one side (or sometimes both sides) of a single sheet, classified primarily by size. From large to small, posters, broadsides, and fliers refer to works used to convey a more or less focused message to an audience, often using illustrations or inventive typography to grab the attention.

Posters from Communist world, with an emphasis on the political and cultural transformations of the late 1980s through mid-1990s. The majority of posters originated in the Soviet Union, although there are examples from East Germany, China, and elsewhere.

Gift of various donors
Language(s): RussianYiddish
Subjects
Antiwar movements--Posters
Communism--Posters
Soviet Union--History--1985-1991
Vietnam War, 1961-1975--Protest movements--Posters
Types of material
Broadsheets (Formats)
Broadsides (Notices)
Fliers (Printed matter)
Posters
Broadside (Cambridge, Mass.)

Broadside (Cambridge, Mass.) Collection

1962-1968
1 box 1.5 linear feet
Call no.: MS 1014
Part of: Folk New England Collection

When The Broadside first appeared in March 1962, it immediately became a key resource for folk musicians and fans in New England. Written by and for members of the burgeoning scene, The Broadside was a central resource for information on folk performances and venues and throughout the region, covering coffeehouses, concert halls, festivals, and radio and television appearances.

Assembled by Folk New England, the collection contains a complete run of the Boston- and Cambridge-based folk music periodical, The Broadside, with the exception of the first issue, which has been supplied in photocopy.

Gift of Folk New England, Oct. 2017
Subjects
Folk music--New England--Periodicals
Popular music--New England--Periodicals
Contributors
Wilson, David
Types of material
Periodicals
Broadside Press

Broadside Press Collection

1965-1984
1 box, 110 vols. 3.5 linear feet
Call no.: MS 571
Depiction of Broadside 6
Broadside 6

A significant African American poet of the generation of the 1960s, Dudley Randall was an even more significant publisher of emerging African American poets and writers. Publishing works by important writers from Gwendolyn Brooks to Haki Madhubuti, Alice Walker, Etheridge Knight, Audre Lorde, Amiri Baraka, Nikki Giovanni, and Sonia Sanchez, his Broadside Press in Detroit became an important contributor to the Black Arts Movement.

The Broadside Press Collection includes approximately 200 titles published by Randall’s press during its first decade of operation, the period of its most profound cultural influence. The printed works are divided into five series, Broadside poets (including chapbooks, books of poetry, and posters), anthologies, children’s books, the Broadside Critics Series (works of literary criticism by African American authors), and the Broadsides Series. . The collection also includes a selection of items used in promoting Broadside Press publications, including a broken run of the irregularly published Broadside News, press releases, catalogs, and fliers and advertising cards.

Gift of the Friends of the W.E.B. Du Bois Libraries, Aug. 2008
Subjects
African American poets
African American writers
Black Arts Movement
Poetry
Contributors
Broadside Press
Brooks, Gwendolyn, 1917-2000
Emanuel, James A
Giovanni, Nikki
Knight, Etheridge
Madhubuti, Haki R., 1942-
Randall, Dudley, 1914-
Sanchez, Sonia, 1934-
Types of material
Broadsides
Ephemera
Posters
Brooks Farm

Summer Scenes, Brooke Farm, 1922

1922-1923
1 vol. 0.1 linear feet
Call no.: PH 037
Depiction of Haying at MAC
Haying at MAC

In 1922, the Commonwealth of Massachusetts appropriated $15,000 for the Massachusetts Agricultural College to purchase sixty acres of land lying immediately north of the existing Experiment Station. Known as the William P. Brooks Experimental Farm, the property was intended as a site for experimental work devoted to the dominant crops of the Connecticut Valley, tobacco and onions.

This small homemade photograph album documents a picnic and group outing at the Brooke (i.e. Brooks) Farm at Massachusetts Agricultural College in September 1922. Although the participants — over thirty of them — are unidentified, they took part in standard picnic activities, including a tug of war, three legged race, and rope jumping. The album contains labeled snapshots pasted onto thick brown paper, tied with a brown ribbon, and includes images of haying on the farm (with Stockbridge Hall in the background) and the homes of William P. Brooks and Prof. Arthur N. Julian.

Subjects
Amherst (Mass.)--Photographs
Brooks Experimental Farm (Amherst, Mass.)
Hay
Massachusetts Agricultural College--Photographs
Picnics--Photographs
Contributors
Fay, Harry W.
Types of material
Photograph albums
Photographs
Brooks, Burt V.

Burt V. Brooks Photograph Collection

1889-1934
3 boxes 1.5 linear feet
Call no.: PH 060
Depiction of

The artist Burt Vernon Brooks was one of the outstanding chroniclers of daily life in the Swift River Valley before it was inundated to create the Quabbin Reservoir. Born in Brimfield, Mass., in 1849 and raised in Monson, Brooks moved to Greenwich with his family in the 1870s, where he worked on the family farm. At some unclear point before he turned 40, Brooks became active as an artist, painting local homes and scenery and taking photographs of the landscape, residents, and daily life in the Quabbin region. A prolific photographer, he was, in the words of historian Donald W. Howe, “hardly ever seen without his camera strapped to his back,” remaining active for decades. Three years after following his second wife to the west, Brooks died in Los Angeles in 1934.

The great majority of the 92 photographs in this collection are 5×7″ dry plate glass negatives taken by Brooks in the earliest years of the twentieth century, documenting the houses and people of Greenwich. Brooks’ work includes landscapes, houses, and a significant series of images of the Hillside School, but some of his best works are studio portraits, images of people at home or with their carriages, and posed scenes of children at play or at work. The collection also includes eight images by Brooks at Enfield, Greenwich, and Dana that are the property of the Swift River Valley Historical Society, and six images taken by Chetwynd and Pike in the Quabbin region to document properties slated for removal.

Gift of Friends of Quabbin through Gene Theroux, Paul Godfrey, and Les Campbell, June 2014
Subjects
Agriculture--Massachusetts--Greenwich--Photographs
Carriages and carts--Massachusetts--Greenwich--Photographs
Children--Massachusetts--Greenwich--Photographs
Dana (Mass.)--Photographs
Dwellings--Massachusetts--Greenwich--Photographs
Enfield (Mass.)--Photographs
Greenwich (Mass.)--Photographs
Hillside School (Marlborough, Mass.)
Horses--Massachusetts--Greenwich--Photographs
New Salem (Mass.)--Photographs
Plowing--Massachusetts--Greenwich--Photographs
Prescott (Mass.)--Photographs
Types of material
Dry plate gelatin negatives
Gelatin silver negatives
Photographs
Brooks, William Penn, 1851-

William Penn Brooks Papers

1863-1939
3 boxes 1.5 linear feet
Call no.: RG 003/1 B76
Depiction of Sapporo Ag. College students, 1881
Sapporo Ag. College students, 1881

Two years after graduating from Massachusetts Agricultural College in 1875, William Penn Brooks accepted an invitation from the Japanese government — and his mentor, William Smith Clark — to help establish the Sapporo Agricultural School. Spending over a decade in Hokkaido, Brooks helped to introduce western scientific agricultural practices and the outlines of a program in agricultural education, and he built a solid foundation for the School. After his return to the states in 1888, he earned a doctorate at the University of Halle, Germany, and then accepted a position at his alma mater, becoming a leading figure at the Massachusetts Experiment Station until his retirement in 1921.

Brooks’ papers consist of correspondence, photographs, newspaper clippings, an account book, and translations which provide rich detail on Brooks’ life in Japan, the development of Sapporo Agricultural College (now Hokkaido University), and practical agricultural education in the post-Civil War years.

Subjects
Agricultural colleges--Japan--History
Clark, William Smith, 1826-1886
Hokkaido (Japan)--History
Hokkaid¯o Daigaku
Japan--Description and travel--19th century
Japan--History--1868-
Massachusetts Agricultural College--History
Massachusetts State Agricultural Experiment Station
Sapporo N¯ogakk¯o--History
Sapporo-shi (Japan)--History
Contributors
Brooks, William Penn, 1851-
Types of material
Letters (Correspondence)