Arts & literature (126 collections) SCUA

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Bestor, Charles

Charles Bestor Papers, 1971-2002.

2 boxes (0.75 linear feet).
Call no.: FS 035

Composer and presently the Professor of Composition and Director of the Electronic and Computer Music Studios of the University of Massachusetts Amherst who has taught at Juilliard School of Music and numerous other universities, won international awards for his music, and collaborated with contemporary installation artists. Includes scores and sound recordings for two of his compositions, Suite for Alto Saxophone and Percussion and In the Shell of the Ear, as well as correspondence, concert programs, and reviews all relating to the publication and performance of the works.

Subjects

  • University of Massachusetts Amherst--Faculty
  • University of Massachusetts Amherst. Department of Music and Dance

Contributors

  • Bestor, Charles

Bezanson, Philip, 1916-1975

Philip Bezanson Papers, 1946-1980.

9 boxes
Call no.: FS 040

Composer and professor of music, University of Iowa and University of Massachusetts Amherst.

Correspondence, scores and parts for instrumental and vocal compositions, sound recordings, programs and posters for performances of Bezanson’s works (1951-1980), sound recordings and other papers relating to development, performance, and publication of Bezanson’s compositions. Includes papers related to the development of the opera Golden Child, broadcast on national television and written in collaboration with Paul Engle; and score of the opera Stranger in Eden, with libretto by William R. Reardon.

Subjects

  • University of Massachusetts Amherst--Faculty
  • University of Massachusetts Amherst. Department of Music and Dance

Contributors

  • Bezanson, Philip, 1916-1975

Black, Joseph Laurence, 1962-

Joseph Laurence Black History of the Book Collection, 1789-1964.

128 items (3 linear feet).
Call no.: RB 023
The Woman Trapper (1908)
The Woman Trapper (1908)

A scholar of early modern British literature, Joe Black received his BA and PhD from the University of Toronto and taught for several years at the University of Tennessee Knoxville before joining the English faculty at UMass Amherst in 1994. Rooted in the history of the book, his research on seventeenth-century literature has examined the intersection between writing and the material and social context of production as well as the dialogue between print and manuscript culture.

The Black collection is an eclectic assemblage of American imprints designed to assist study and instruction in the history of the book. The collection includes two long runs of pulp novels, Beadle’s Frontier Series and the American Revolution-inspired Liberty Boys of ’76, examples of almanacs, prompt books, and works form the early national period in publishers’ bindings.

Subjects

  • Books--History--United States
  • Dime novels, American

Types of material

  • Almanacs
  • Scrapbooks

Blake, Ella Dot Martin

Ella Dot Martin Blake Sheet Music Collection, 1902-1941.

1 box (1.5 linear feet).
Call no.: RBR

Assembled by Ella Dot Martin Blake, this collection consists of eighty pieces of sheet music, more than half with illustrated covers. Dating from the early 1900s, the collection covers both World Wars as well as the rise of Broadway and Hollywood’s golden age. Selections include military sheet music, “Good-Bye, Little Girl, Good-Bye” (1904) and music from Hollywood films, such as “Daddy Long Legs” dedicated to Mary Pickford (1919), and “By a Waterfall” from Footlight Parade (1933).

Types of material

  • Sheet music

Brann, Vincent

Vincent Brann Papers, ca.1917-2005.

(7.5 linear feet).
Call no.: FS 094

Vincent Clinton Brann was a Professor of Dramaturgy and Directing at UMass Amherst. Born Feb. 19, 1927 in Knoxville, Iowa, Brann served in the United States Army during WWII. After completing his B.A. at the University of Iowa in 1950 he was again called to serve in the Army during the Korean Conflict (1950-1951). Brann held faculty positions at Carnegie Institute of Technology, University of Maryland Overseas Program Europe, and Smith College before joining the faculty at the University of Massachusetts Amherst in the Speech Department in 1964. Brann remained in the Speech Department until 1972 when it became the Department of Theater; he continued to teach in the Department of Theater until his retirement in 1988. Brann was well-known for his oral interpretation and performance classes as well as his productions and original scripts. At the time of his death in 2007 he was Professor Emeritus of Dramaturgy and Directing.

The Brann Papers are a collection of genealogical materials dating to the early 20th century, correspondence, family and travel photographs (particularly of Spain and France), play scripts with director’s notes, musical theater scores, and Brann’s college yearbooks.

Subjects

  • Brann family
  • University of Massachusetts Amherst--Faculty
  • University of Massachusetts Amherst. Department of Speech
  • University of Massachusetts Amherst. Department of Theater

Contributors

  • Brann, Vincent

Broadside Press

Broadside Press Collection, 1965-1984.

1 box, 110 vols. (3.5 linear feet).
Call no.: MS 571
Broadside 6
Broadside 6

A significant African American poet of the generation of the 1960s, Dudley Randall was an even more significant publisher of emerging African American poets and writers. Publishing works by important writers from Gwendolyn Brooks to Haki Madhubuti, Alice Walker, Etheridge Knight, Audre Lorde, Amiri Baraka, Nikki Giovanni, and Sonia Sanchez, his Broadside Press in Detroit became an important contributor to the Black Arts Movement.

The Broadside Press Collection includes approximately 200 titles published by Randall’s press during its first decade of operation, the period of its most profound cultural influence. The printed works are divided into five series, Broadside poets (including chapbooks, books of poetry, and posters), anthologies, children’s books, the Broadside Critics Series (works of literary criticism by African American authors), and the Broadsides Series. . The collection also includes a selection of items used in promoting Broadside Press publications, including a broken run of the irregularly published Broadside News, press releases, catalogs, and fliers and advertising cards.

Subjects

  • African American poets
  • African American writers
  • Black Arts Movement
  • Poetry

Contributors

  • Broadside Press
  • Brooks, Gwendolyn, 1917-2000
  • Emanuel, James A
  • Giovanni, Nikki
  • Knight, Etheridge
  • Madhubuti, Haki R., 1942-
  • Randall, Dudley, 1914-
  • Sanchez, Sonia, 1934-

Types of material

  • Broadsides
  • Ephemera
  • Posters

Center for Community Access Television (Amherst, Mass.)

Center for Community Access Television Records, 1973-1989.

1 box (0.5 linear feet).
Call no.: MS 293

Group comprised of students from the University of Massachusetts and community members who sought to develop and promote cultural, literary, charitable, educational and public affairs television programming. Records include by-laws, articles of organization, organizational histories, annual reports, meeting minutes, correspondence, program schedules, subject files, brochures, handbills, news clippings, and materials relating to a proposed merger with University of Massachusetts Cable Vision. In 1989, CCATV was renamed Amherst Community Television (ACT).

Subjects

  • Amherst (Mass.)--Intellectual life--20th century
  • Cable television--Massachusetts--Amherst--History
  • Public-access television--Massachusetts--Amherst--History
  • Television programs--Massachusetts--Amherst--History

Contributors

  • Center for Community Access Television (Amherst, Mass.)

Types of material

  • Handbills

Chametzky, Jules

Jules Chametzky Papers, 1947-2006.

15 boxes (22.5 linear feet).
Call no.: FS 003

Jules Chametzky is a professor of English, emeritus, at the University of Massachusetts Amherst, and the founder (1958) and co-editor of The Massachusetts Review. Born May 24, 1928, in Brooklyn, NY, Chametzky attended Brooklyn College (B.A., 1950) and the University of Minnesota (M.A. 1952; PhD, 1958). During his noteworthy career, he taught at the University of Minnesota, Boston University, Yale University, the Free University of Berlin, and UMass Amherst (1959-present). A specialist in Jewish American literary history, Chametzky was twice a Fullbright Professor, and he has contributed his time to the Modern Language Association of America, the American Association of University Professors, the American Studies Association, and the Coordinating Council of Literary Magazines (Secretary of the Executive Committee, 1967-1972). His many publications include The Fiction of Abraham Cahan, Our Decentralized Literature: Cultural Mediations in Selected Jewish and Southern Writers, and The Rise of David Levinsky.

The Chametzky Papers document Chametzky’s career as an educator, advocate, and academic pioneer. Included in the collection are professional correspondence, notes compiled for research and teaching, committee and meeting notes, travel documents and memorabilia, and a series of materials relating to the founding of The Massachusetts Review and the Institute for Advanced Study in the Humanities at the University of Massachusetts Amherst.

Subjects

  • University of Massachusetts Amherst--Faculty
  • University of Massachusetts Amherst. Department of English

Contributors

  • Chametzky, Jules

Clark, Clarence Carroll

Clarence Carroll Clark Papers, 1909-1981.

2 boxes (1 linear feet).
Call no.: MS 393

Ordained as an Episcopal priest in 1911, Dr. Clark accepted the position of director of the Chapel of the Comforter in Greenwich Village, New York, a mission that abandoned its traditional Christian practices in favor of the teachings of theosophy. A prolific writer and lecturer, Clark stressed in his work the similarities between Eastern and Western religions, and emphasized his belief that unity among religions would bring about a spiritual re-awakening throughout the world. After serving as director of the Chapel of the Comforter for more than forty years, Clark retired in 1950.

Clark’s papers document his career as a professor of English, Episcopal priest, theosophist, and Director of the Chapel of the Comforter. Consisting of correspondence, lecture notes, and his writings, the collection chronicles his religious beliefs as well as his research on Emily Dickinson and her poetry.

Subjects

  • Dickinson, Emily, 1830-1886
  • Religion--United States
  • Theosophy

Contributors

  • Clark, Clarence Carroll

Cleary, Marie Sally

Marie Sally Cleary Papers, 1980-2000.

3 boxes (4 linear feet).
Call no.: MS 606

Receiving her Ed.D in Foundations in Education from UMass Amherst in 1982, Marie Sally Cleary has been a member of the Associates Program for independent scholars based at the Five Colleges since 1983. In her book Myths for the Millions: Thomas Bulfinch, His America, and His Mythology published in 2007, Cleary provides an in-depth study of the man behind the landmark work, The Age of Fable, which has been responsible for introducing many Americans to classical mythology since its original publication in 1855.

The collection consists of drafts and subject files related to the research and writing of Cleary’s book.

Subjects

  • Bulfinch, Thomas, 1796-1867
  • Mythology

Contributors

  • Cleary, Marie Sally
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