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Ambellan, Harold

Harold Ambellan Memoir

2005
1 item (75p.)
Call no.: MS 855

A native of Buffalo, N.Y., the expatriot sculptor Harold Ambellan was a participant in the Federal Art Project during the 1930s and a figure in the radical Artists’ Union and Sculptors Guild. After naval service during the Second World War, Ambellan left the United States permanently to escape the hostile climate of the McCarthy-era, going into exile in France. Although a friend of artists such as Pollock, de Kooning, and Rothko, Ambellan’s work was primarily figurative and centered on the human form. His work has been exhibited widely on both sides of the Atlantic. He died at his home in Arles in 2006 at the age of 94.

In 2005, Victoria Diehl sat with her friend, Harold Ambellan, to record his memories of a life in art. Beginning with recollections of his childhood in Buffalo, N.Y., the memoir delves into the impact of the Great Depression, Ambellan’s experiences in the New York art scene of the 1930s and his participation in the leftist Artists’ Union, his Navy service, and his expatriate years in France from the 1950s-2000s. Ambellan’s memoir also includes extended discussion of his views of democracy, patriotism, and art, and his career as a sculptor.

Subjects
Artists--20th century
Democracy
Depressions, 1929
Expatriate artists--France
New Deal, 1933-1939
Sculptors--20th century
World War, 1939-1945
Contributors
Diehl, Victoria
Guthrie, Woody, 1912-1967
Types of material
Memoirs
Oral histories
American History Workshop

American History Workshop Records

1980-2016
42 boxes 63 linear feet
Call no.: MS 922

Founded by Richard Rabinowitz in 1980, American History Workshop is a consortium of historians, designers, and filmmakers who promote public understanding of history through innovative exhibition and interpretation. Collaborating with a national roster of clients, the AHW provides consultation and assistance in developing, designing, and installing exhibitions that convey current historical scholarship and pedagogical practice for the public. Their exhibits have explored a wide array of critical themes in American history, including slavery, civil rights, and social justice; Constitutional and political history; immigration; urbanization; and labor history. In recent years, they have expanded their operations to include services such as audience analysis, media production, fund raising assistance, and organizational development.

The records of the American History Workshop document over three decades of work by one of the premier firms in historical exhibition and interpretation. The collection contains detailed records of nearly 600 projects prepared in collaboration with organizations ranging from the New-York Historical Society and Arizona Historical Society to the Smithsonian, the Lower East Side Tenement Museum, and the National Underground Railroad Freedom Center.

Gift of Richard Rabinowitz, 2016
Subjects
Exhibitions
Public history
Contributors
Rabinowitz, Richard
Singer, Michael
Arcadia Players

Arcadia Players Records

1989-2005
18 boxes 27 linear feet
Call no.: MS 451

Since 1989 the Arcadia Players have been performing Baroque music with the aim of providing an authentic experience both for the musicians and the audience by employing instruments and performance practices that draw from the seventeenth and eighteenth centuries. In residence at the Massachusetts Center for Renaissance Studies at UMass Amherst, the ensemble performs an annual series of concerts in several communities throughout western Massachusetts.

The collection consists of brochures, programs, photographs, videorecordings of performances, and financial and administrative records. Together the items provide a behind-the-scenes look at the operations of a small but successful professional ensemble of musicians.

Subjects
Music--17th century
Music--18th century
Musicians--Massachusetts
Contributors
Arcadia Players
Artists-Research-Technology, Inc.

Artists-Research-Technology, Inc., Collection

1977-2013
2 boxes 3 linear feet
Call no.: MS 832
Depiction of John Roy, Three Cows
John Roy, Three Cows

Artists-Research-Technology, Inc., was a collaboration of printmakers based in western Massachusetts, that in the late 1970s, began using mechanized offset lithography as an alternative to more traditional lithographic techniques in the production of limited-edition fine art prints. On the commercial press of Hamilton I. Newell, the artists avoided merely adapting artistic processes to offset, placing innovative demands on themselves to explore the intersections of technology and fine art. An extensive body of prints by the key participants (Ron Michaud, Hanlyn Davies, Oriole Feshbach, Hiroshi Murata, John Roy, Dale Schlaeppi, and Larry Spaid) were exhibited nationally and internationally.

The ART collection consists of photographs and original prints by the key members of the ART collaborative, along with phootgraphs, scans, correspondence, minutes of meetings, publicity, a videotape, and other material relating to the project.

Subjects
Art and technology
Lithography
University of Massachusetts Amherst--Faculty
University of Massachusetts Amherst. Department of Art, Architecture, and Art History
Contributors
Davies, Hanlyn
Feshbach, Oriole Farb
Michaud, Ronald
Murata, Hiroshi, 1941-
Roy, John
Schla╠łppi, Dale
Types of material
Lithographs
Photographs
Artwork

Artwork Collection

ca.1645-2003
ca.100 items
Call no.: MS 597
Depiction of Ernst Toller, portrait by Lydia Gibson Minor
Ernst Toller, portrait by Lydia Gibson Minor

Over the years, SCUA has become home to both two-dimensional and three-dimensional works of art pertaining to three of its key thematic collecting areas: the University of Massachusetts Amherst, New England, and social change.

The Artwork Collection is comprised of miscellaneous works visual art, realia, and decorative arts, relating primarily to figures in UMass or to leftist or proletarian artists. Among the artists represented are Michael Russo, Cook Glassgold, Lydia Gibson Minor, Laura Wheeler Waring, Daniel Chester French, and Laurence Bradshaw. For reference purposes, we have cross-listed paintings belonging to other SCUA collections.

Subjects
Portraits
Types of material
Oil paintings
Prints (Visual works)
Sculpture (Visual works)
Ashcraft, Barr G.

Barr G. Ashcraft Photograph Collection

1972-1975
2 boxes, ca.125 items
Call no.: PH 007
Depiction of Vietnamese soldiers, ca.1973
Vietnamese soldiers, ca.1973

A graduate of the Northfield Mount Hermon School, Wake Forest University, and the University of Massachusetts Amherst (MA, 1966), Barr Gallop Ashcraft (1940-2005) lived what he called a “gypsy” life in the late 1960s, traveling through the Middle East, Africa, and Asia, and eventually settling on a career in photojournalism. As a stringer for news organizations and magazines, he covered the war in Vietnam, Cambodia, and Laos from 1972 to 1975, taking other assignments throughout Asia for magazines ranging from Life to National Geographic, Newsweek, and Time. For several years, he lived in Japan, working as a teacher, but returned to Amherst to join his father in the building trade. He remained in Amherst, lecturing occasionally on his experiences as a war correspondent, until his death at his home in Shutesbury in 2005.

The Ashcraft Photograph Collection represents a small fraction of the images he took as a freelance photographer in Southeast Asia during the early 1970s. In both black and white and color prints, the collection provides stark and often graphic evidence of the destruction of the war in Vietnam, emphasizing its latter years and the period of Vietnamization, but also includes documentary work on Cambodia. The remainder of Ashcraft’s 22,000 negatives and accompanying notes were destroyed in a house fire in 1995.

Subjects
Cambodia--Photographs
Photojournalists
Vietnam War, 1961-1975
Vietnam--Photographs
Contributors
Ashcraft, Barr G
Types of material
Photographs
Association of Independent Video and Filmmakers

Independent Film and Video Monthly Collection

1975-2006
28 boxes 42 linear feet
Call no.: MS 771

Begun in 1978 by the Association of Independent Video and Filmmakers, The Independent is a leading source of information for independent, grassroots, and activist media-makers. Published monthly, The Independent carries articles and criticism on documentary and independent films and fulfills an important role in providing inspiration and connections for the independent media community. Although the AIVF shut its doors in July 2006, suspending print publication of The Independent, Independent Media Publications acquired the rights to the publications and archives of The Independent Film & Video Monthly in 2007 and will continue the journal online.

In addition to a nearly complete run of The Independent, now fully digitized, the collection contains the surviving editorial and production records for the journal.

Subjects
Documentary films--Periodicals
Experimental films--Periodicals
Contributors
Association of Independent Video and Filmakers
Foundation for Independent Video and Film (U.S.)
Bajgier Family

Bajgier Family Papers

1925-1986
2 boxes 0.5 linear feet
Call no.: MS 400
Depiction of Joseph and Martha Bajgier at Bell Market, Chicopee, 1937
Joseph and Martha Bajgier at Bell Market, Chicopee, 1937

On March 13, 1903, Joseph Michael Bajgier was born in Odrzykon, Poland, the youngest of three sons in a farming family. Schooled only through the third grade, Joseph served as a young man in the First Air Division of the Polish Army before following his older brother in emigrating to the United States in 1927. Settling in Chicopee, Mass., with its large and active Polish community, Bajgier began work as a slaughterer of pigs for a meat processing company, but within a few years, he had saved enough money to purchase a small grocery store in Longmeadow. In about 1935, he returned to Chicopee, purchasing a grocery and deli, Bell Market, that his family ran for 36 years. Bajgier was deeply involved in the local Polish community as a member of the Polish National Alliance, the Holy Name Society of St. Stanislaus Parish, and an organization of Polish veterans in exile (Stowarzyszenie Polskich Kombatantow). He and his wife Martha (Misiaszek) had two sons, Casimir and Edward

The Bajgier collection documents the lives of a Polish family in Chicopee, Mass., from the time of immigration through the 1970s. The core of the collection surrounds the life of Joseph Bajgier, and includes a number of documents and a diary from the time of his emigration in 1927, a fascinating series of letters from relatives in Turaszowka, Poland before and after the Second World War, and several photographs of the family and their business in Chicopee.

Subjects
Chicopee (Mass.)--Social life and customs
Polish Americans--Massachusetts
World War, 1939-1945
Contributors
Bajgier, Joseph M
Types of material
Photographs
Baker, James

James Baker Free Spirit Press Collection

1969-2005 Bulk: 1969-1974
3 boxes 1.25 linear feet
Call no.: MS 834
Depiction of Spirit in Flesh tour bus
Spirit in Flesh tour bus

James Baker was a member of the Brotherhood of the Spirit commune (later the Renaissance Community) in the early 1970s, and a key contributor to the Free Spirit Press, the commune’s publishing operation. Part promotion, information, and entertainment, the Free Spirit Press magazine ran for four issues in the winter and spring 1972-1973.

The Baker collection consists of the surviving materials from the production of Free Spirit Press concentrated heavily in the period between winter 1972 and summer 1974. Accumulated mostly while preparing a brochure for the commune, the manuscript material contains copies of the commune’s by-laws and membership rolls, comments from community members on how they wished to be represented, and a story board for the brochure and series of quotes from community members to be included. The second half of the collection contains hundreds of images, mostly 35mm negatives, taken of or by the commune and its residents. The images depict the production and distribution of Free Spirit Press and the commune band (Spirit in Flesh, later called Rapunzel), but they also include several rolls of film taken by commune members of major rock and roll acts of the era, including the Grateful Dead, Taj Mahal, Jethro Tull, Santana, Chuck Berry, Hot Tuna, and Fleetwood Mac.

Subjects
Berry, Chuck
Brotherhood of the Spirit (Commune)
Communal living--Massachusetts
Grateful Dead (Musical group)
Grateful Dead (Musical group)--Photographs
Metelica, Michael
Renaissance Community (Commune)
Rock music--1971-1980--Photographs
Taj Mahal (Musician)
Taj Mahal (Musician)--Photographs
Contributors
Geisler, Bruce
Types of material
Photographs
Barbershop music

Barbershop Music Collection

1952-1985
1 box 0.5 linear feet
Call no.: MS 893

Founded in 1938, the Society for the Preservation and Encouragement of Barber Shop Quartet Singing in America was one of the earliest organziation devoted to promoting barbershop harmony singing.

Mostly undated, the dozens of printed SPEBSQSA songbooks and sheet music in this collection appear to have been printed between the early 1950s and mid-1980s.

Gift of William R. Lenville, Oct. 2013
Subjects
Barbershop (Music)
Types of material
Sheet music
Songbooks