National Endowment for the Arts Collection, 1965-2009.
5 boxes (7.5 linear feet).
Call no.: MS 686
Established by Congress in 1965 as an independent agency of the federal government, the National Endowment for the Arts has awarded more than $4 billion to support artistic excellence, creativity, and innovation for the benefit of individuals and communities. The NEA extends its work through partnerships with state arts agencies, local leaders, other federal agencies, and the philanthropic sector.
In contributing to the National Arts Policy Archive and Library (NAPAAL), the NEA allowed SCUA to digitize nearly forty years of publications on the arts and arts management. The collection reflects the impact of the arts (including music, literature, and the performing arts) on everyday lives of Americans and include materials intended to support individual and classroom education, information on arts management, reports on the status of the arts, histories of the organization, and much more. All items are cataloged in the UMass Amherst Libraries online catalog and are included in the Internet Archive, where they are available for full-text searching.
- Art and State
- Government aid to the arts
New Victoria Publishers Records, 1974-2009.
6 boxes (11 linear feet).
Call no.: MS 883
Founded in 1975 in Lebanon, NH by Beth Dingman, Claudia McKay (Lamperti), Katie Cahill, Nina Swaim, and Shelby Grantham, New Victoria Printers became one of two all-female print shops in New England at the time. Believing strongly that, “the power of the press belongs to those who own it,” they began to solicit work from non-profit and politically-oriented groups. Like its namesake Victoria Press, an 1860s women run print shop in London owned by Emily Faithful, an early advocate of women’s rights, New Victoria was also committed to feminist principles. The shop offered work and training in printing, machine work, and other traditionally male dominated fields; initially focused on printing materials from the women’s movement; and was organized as a collectively owned and democratically run organization. Additionally, the shop functioned as a defacto women’s center and lesbian hub for Lebanon and the surrounding area, a place of education, community, creativity, and activism, and soon publishing opportunities, as the group founded New Victoria Publishers in 1976 to publish works from their community. The print shop closed in 1985, with Dingman and McKay taking over the running of the non-profit publishing company out of their home in Norwich, VT, with an emphasis on lesbian fiction in addition to other women-focused works. An early bestseller, Stoner McTavish by Sarah Dreher, put them on the map, with the company publishing over a hundred books by and about lesbians, winning three Lambda Literary Awards and several other honors.
The New Victoria Publishers Records consist of photographs, newsletters and cards put out by the collective, materials printed by the press, marketing and promotional materials, author correspondence, graphics and cover art, book reviews, financial and legal records, histories of the organization, news clippings, and an almost full run of the books published by the company. The collection is particularly rich in documenting the work and production of a women owned business within the feminist press movement as well as the lesbian publishing industry.
- Collective labor agreements – Printing industry
- Feminist literature – Publishing
- Lesbian authors
- Lesbians' writings -- Publishing
- Women printers – New England
- Women publishers – New England
- Beth Dingman
- Claudia McKay
- New Victoria Printers
- New Victoria Publishers
Types of material
New WORLD Theater Records, 1979-2010.
41 boxes (61.5 linear feet).
Call no.: RG 025/F2/N4
New WORLD Theater was founded at UMass Amherst in 1979 by Roberta Uno with the mission of presenting innovative works of theater by contemporary artists of color, with the goal of fostering creative communities, promoting cultural equity, and embracing diverse cultural backgrounds, social engagement, and a commitment to justice. For more than thirty years New WORLD Theater produced many dozens of plays and other dramatic works representing new voices in the theater, as well as plays from the traditional multicultural repertory, and they have supported the arts through performance residencies, conferences and colloquia, and a variety of initiatives aimed at the diverse communities they serve, youth, and theater professionals. New WORLD Theater has contributed significantly to national conversations on cultural equity. After more than three decades of acclaim and recognition, New WORLD Theater was closed by UMass Amherst in summer 2010.
The bulk of the New WORLD Theater collection consists of administrative records documenting the day-to-day activities of the theater, however, it also contains an extensive and exceptionally rich archive of taped interviews, conferences, and theatrical productions. Taken together, the audiovisual material traces the history of New WORLD through the words and performances of artists who both contributed to and benefited from the theater.
- African Americans--Drama
- American drama--Minority authors
- Asian Americans--Drama
- Ethnic groups--United States--Drama
- Hispanic Americans--Drama
- Minorities--United States--Drama
- University of Massachusetts Amherst
- New WORLD Theater
- Page, Priscilla
- Uno, Roberta, 1956-
Types of material
- Audiovisual materials
- Sound recordings
Nineteenth Century Theatre Records, 1987-1996.
4 boxes (6 linear feet).
Call no.: MS 469
Established in 1983 and published twice a year at UMass Amherst with the support of Five Colleges, Inc., Nineteenth Century Theatre offered scholarly, critical, and documentary coverage of a broad range of subjects. Issues of the journal contained essays, documents, book reviews, bibliographical studies, and analyses of archival holdings.
The records of the journal include essays and reviews submitted for publication, correspondence, and published issues.
- Theater--History and criticism
- Theater--History--19th century
Julian Olevsky Score Collection, 1898-1966.
2 boxes (3 linear feet).
Call no.: MS 438
Ranked amongst the great violinists of his generation, Julian Olevsky served as Professor of Violin at the University of Massachusetts Amherst from 1967-1985. The collection consists of annotated scores belonging to Julian Olevsky, the bulk of which contain parts for the violin and piano.
- Music--18th century
- Music--19th century
- Music--20th century
- University of Massachusetts Amherst--Faculty
- University of Massachusetts Amherst. Department of Music and Dance
- Olevsky, Estela
- Olevsky, Julian, 1926-1985
Barbara Parker History of the Book Collection, 1508-1905.
75 items (12 linear feet).
Call no.: RB 007
A long-time librarian at UMass Amherst and Brown University, Barbara Parker became an avid collector of rare books. Interested in the history of printing, binding, and book design, and herself a bookbinder, Parker collected widely, from early printing to the Victorian book artists of the Chiswick Press.
The Parker Collection contains an eclectic mix of books to illustrate various aspects of the history of the book through 1900. The collection includes eight volumes printed prior to 1600, a fine leaf from the Nuremberg Chronicles, and a strong collection of the work of Charles Whittingham and the Chiswick Press. In addition to fine examples of binding and illustration, the collection includes works printed by Elsevier, Gregorium de Gregoris, and Domenico Farri, five by Joseph Barbou, and two each by the Aldine Press, Simon Colin, and John Baskerville.
Charles H. Patterson Papers, 1930-1958.
2 boxes (1 linear feet).
Call no.: FS 089
For many years, Charles H. Patterson served as head of the Department of Language and Literature at Massachusetts Agricultural College. Born in Smithsonville, Ont., in 1863, Patterson received both a BA (1887) and MA (1893) from Tufts University before launching his teaching career. He joined the faculty at MAC as an assistant professor of English, in 1916, after 13 years at West Virginia University. A former professional actor, he taught courses in modern literature, with a particular interest in drama, and served as department chair for nearly a decade before his sudden death in 1933.
The Patterson Papers contain a small selection of correspondence and notes on English composition and literature as taught at Massachusetts Agricultural College. Most noteworthy, perhaps, is a draft of Patterson’s unpublished book, The Amazing Boucicault.
- Boucicault, Dion, 1820-1890
- Drama--Study and teaching
- Massachusetts Agricultural College--Faculty
- Massachusetts Agricultural College. Department of English
Edward Phinney Papers, ca.1957-1996.
2 boxes (3 linear feet).
Call no.: FS 102
Classics professor Edward Phinney spent his formative years in Columbia, South America. Although technically a product of America’s Great Depression, Phinney hailed from a middle-class Texan family that placed a high value on education. After receiving his PhD from the University of California Berkeley (1963), he joined the Classics department at UMass in 1969, where he became an important advocate for educational technology and distance learning. At various times, he served as the faculty director of the Foreign Language Resource Center and as chair of the Department of Classics (1981-1992). A popular lecturer who was considered “extraordinarily generous with his time,” Phinney’s Greek mythology course typically drew 500-600 students. He remained devoted to the Classics – -even participating in skits in Pompeii — until his death in 1996.
The Phinney collection includes a copy of Phinney’s dissertation, “Apollonius Rhodius,” his diplomas and numerous awards, and selected notes for teaching and research, particularly for his very popular course on mythology. Also included are two books of poetry translated by Phinney as well as his translations of Modern Greek poetry written by family friend George Samuel.
- University of Massachusetts Amherst--Faculty
- University of Massachusetts Amherst. Department of Classics
Jodi Picoult Papers, 1986-2013.
20 boxes (40 linear feet).
Call no.: MS 791
Novelist Jodi Picoult is known for taking on compelling social and ethical issues and weaving them into the works of fiction that have won her a devoted readership. From her first novel, Songs of the Humpback Whale (1992), to her recent bestseller The Storyteller (2013), Picoult has grappled with a range of topics: fractured families, eugenics, school violence, teen suicide, spouse abuse, a child’s legal rights, childhood cancer, gay rights, the death penalty, war criminals, vengeance, justice, faith, the value of life. To Picoult, a passionate researcher, no issue is simple. Through her characters and her stories she engages the complications, considering provocative questions from different angles. Born in 1966, Picoult graduated from Princeton, where she majored in creative writing, and Harvard, where she earned her M.Ed. She and her husband have three grown children and live in Hanover, N.H.
The Jodi Picoult Papers, richly documenting the author’s work process, include research files for Picoult’s novels—correspondence, notes, manuscript pages, and other background material—as well as some drafts, editorial correspondence, clippings, publicity material, early stories, and student material. Also in Special Collections is a comprehensive collection of Picoult’s publications, including the novels in American and foreign-language editions.
- Fiction and reality
- Fiction--20th century--Stories, plots, etc
- Fiction--21st century--Stories, plots, etc
Playgoers' Club Records, 1884-1892.
1 box (0.25 linear feet).
Call no.: MS 351
Founded by Heneage Mandell in 1884, the London Playgoers Club met regularly “to afford members facilities for Critical Theatrical Discussions… in the form of… debate[s].” Playgoers in Victorian England did not generally enjoy a favorable reputation, stereotyped as abrasive at best and dangerous at worst. Mandell and his colleagues sought to promote a more genteel image of playgoers while nurturing a relationship between the players and audience.
The core of the Playgoers Club collection consists of a series of meeting minutes from 1884 to 1892, a list of all members who ran in club elections, and a brief, handwritten history of the club.
- Theater audiences--England--London
- Theater--Societies and clubs--Great Britain
- Playgoers’ Club (London, England)
Types of material
- Minutes (Administrative records)