Collecting area: Journalism Page 3 of 3
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Spragens, John

John Spragens Cambodian Photograph Collection

1983
1 box 0.5 linear feet
Call no.: MS 116

The photojournalist John Spragens spent the better part of a decade living in Southeast Asia from 1966-1974, working for a variety of relief and peace organizations.

Taken by John Spragens late in 1983, the black-and-white photographs in this collection document Cambodia shortly after the Vietnamese Army defeated Pol Pot’s Khmer Rouge and installed a new order.

Acquired from John Spragens, 1986

Subjects

  • Agriculture--Cambodia--Photographs
  • Cambodia--Photographs
  • Farmers markets--Cambodia--Photographs
  • Fishing--Cambodia--Photographs
  • Orphans--Cambodia--Photographs

Types of material

  • Photographs
Restrictions: The photographer retains copyright to all images in the collection.
Stack, Jonathan

Jonathan Stack Collection

1992-2000
36 boxes, films 65 linear feet
Call no.: MS 969

A renowned independent film maker and founder of Gabriel Films, Jonathan Stack has written and produced over two dozen documentary films and fifty television programs. Born in New York City in 1957, Stack graduated from UMass Amherst in 1979. From the time of his film Damned in the USA (1992), Stack has taken on challenging subjects, earning a reputation for gaining access into forbidden and often dangerous situations, from crack dens in Harlem to war-torn Liberia. The recipient of numerous honors in his career, Stack has been awarded five Emmy Awards, has twice been nominated for the Academy Award, and his film The Farm, on Angola Prison, won Sundance Film Festival’s Grand Jury Prize in 1998.

The films and videos in the Stack collection include copies of his work in Liberia and Haiti and material from his documentary on prison rodeos at Angola Prison. The collection includes film from Damned in the USA (1992), Final Judgment (1996), and The Farm (1998), as well as footage from Harlem, Angola Prison, St. Gabriel Women’s Prison, and on body piercing, rodeo, and the prisoner Vincent Simmons.

Subjects

  • Documentary films
  • Louisiana State Penitentiary
  • Motion picture producers and directors

Types of material

  • Videotapes
Tass Sovfoto Photograph Collection

Tass Sovfoto Photograph Collection

1919-1963 Bulk: 1943-1963
111 items 0.5 linear feet
Call no.: PH 010

For many years, Sovfoto, a stock photograph agency based in New York City, was the sole source in the United States for the best work in contemporary Soviet photojournalism. Founded in 1932, the company carried photographers for Tass and, later, other news agencies from throughout the Soviet republics, Eastern Europe, and China.

The Tass Sovfoto Collection depicts Soviet life, primarily in the 1950s and early 1960s. Typically rendered in heroic Soviet style, the photographs are relatively varied in subject, documenting political events (e.g., Communist Party meetings, the meeting of Kennedy and Khrushchev); generals, politicians, and celebrities (Lenin, Khrushchev, Shostakovich); and athletic and cultural events. A few images appear to be parts of photo essays aimed at a popular audience, including images of Jewish life in Russia and the life of a Soviet worker, while others are stock images of Soviet troops during the Second World War.

Subjects

  • Kennedy, John F. (John Fitzgerald), 1917-1963
  • Khrushchev, Nikita Sergeevich, 1894-1971
  • Lenin, Vladimir Il'ich, 1870-1924
  • Shostakovich, Dmitrii Dmitrievich, 1906-1975
  • Soviet Union--Photographs
  • World War, 1939-1945
Wendell Post

Wendell Post Collection

1977-2001
1 box 1 linear feet
Call no.: MS 762
Image of Wendell Post editorial crew
Wendell Post editorial crew

From 1977 through 2001, the Wendell Post newspaper was published by and for the residents of Wendell, Mass. With its distinctive local perspective, the Post covered local politics, people, and events, but also issues with national implications, including the anti-nuclear movement, environmental concerns, recycling, and peacework.

The Wendell Post collection contains nearly every issue of a community newspaper produced in a small, rural New England town. Most issues include reports on town meetings and elections, the schools, and public works, but the Post also carried news of the stuff of daily life such as births and deaths, high school graduations, anniversaries and Old Home Day, profiles of town residents and town history, and the crime report.

Subjects

  • New Salem (Mass.)--History
  • Newspapers--Massachusetts
  • Wendell (Mass.)--History
Whipple, Charles L.

Charles L. Whipple Papers

1925-1991
21 boxes 10.5 linear feet
Call no.: MS 360
Image of Charles L. Whipple, ca.1935
Charles L. Whipple, ca.1935

Charles Lewis Whipple was a noted journalist, editor, and the first ombudsperson for the Boston Globe. As a student at Harvard in the 1930s, Whipple joined the Young Communist League, carrying his radical politics with him when he joined the Globe’s staff in 1936 and became an active member of the American Newspaper Guild. Although classified as unfit for military duty due to the loss of vision in one eye, Whipple joined the Red Cross during the Second World War, and served with distinction with over thirty months of overseas service. After returning to civilian life and severing ties with the Communist Party, he resumed his position at the Globe, rising steadily to become editor of the opinion page in 1962 and ombudsperson in 1975. An editorial he wrote in 1967 is considered the first editorial in a major American newspaper to oppose the war in Vietnam. Although he formally retired from the Globe in 1979. Whipple worked an additional three years with the Xinhua News Agency in Beijing as editor of the Beijing Review and the China Daily, China’s first English-language daily. Whipple died in Northampton, Mass., in 1991, following complications from surgery.

A mixture of personal and professional correspondence, writing, and subject and clipping files, the Charles Whipple Papers document a long and exceptional career in journalism. The diverse roles that Whipple filled at the Boston Globe from the 1930s through 1970s resulted in rich documentation of his work as an organizer for the American Newspaper Guild on the eve of the Second World War; his writing and editorial work during the Vietnam War and as the Globe’s Ombudsman in the 1970s; and the three years he spent in China setting up an English-language newspaper during the late 1970s and early 1980s.

Subjects

  • American Newspaper Guild
  • Boston Globe
  • Communists--Massachusetts
  • Journalists--Massachusetts--Boston
  • Labor unions--Massachusetts--Boston
  • Newspaper employees--Labor unions--Massachusetts
  • Vietnam War, 1961-1975

Contributors

  • Whipple, Charles L.

Types of material

  • Photographs
Wolf, Lloyd

Lloyd Wolf Photograph Collection

1989
13 digital color prints
Call no.: PH 008
Image of Deadhead, 1989.  Photo by Lloyd Wolf
Deadhead, 1989. Photo by Lloyd Wolf

A photographer from Washington, D.C., Lloyd Wolf is a well known photojournalist and documentarian who often works on topics in social change. During the course of a career that began in the late 1970s, Wolf has worked on projects ranging from documenting the impact of the Vietnam Memorial in Washington, D.C., to Jewish mothers and fathers, Moroccan Jewry, drug rehabilitation in prison, and Black-Jewish dialog.

The 13 images in the collection are part of Wolf’s series, “Acid Reign,” a project conducted in 1989 with a sociologist from UNC-Greensboro, Rebecca Adams, exploring the lives of dedicated Deadheads. The prints were made for exhibition at the symposium, Unbroken Chain: the Grateful Dead in Music, Culture, and Memory, held at UMass Amherst in November 2007. All rights remain with Lloyd Wolf.

Subjects

  • Deadheads (Music fans)--Photographs

Contributors

  • Wolf, Lloyd

Types of material

  • Photographs
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