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Collecting area: Journalism Page 1 of 3
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Albertson, Jeff

Jeff Albertson Photograph Collection

ca.1966-2005
7 boxes 10.5 linear feet
Call no.: PH 057
Depiction of Jeff Albertson, ca.1970
Jeff Albertson, ca.1970

Born in Reading, Mass., on Sept 13, 1948, Jeff Albertson was still a student at Boston University, working on the staff of the BU News, when he was hired as a photographer by the Boston Globe. Reflecting the youth culture of the late 1960s and early 1970s, his photographs earned him positions with several prominent Boston alternative media outlets. Covering news, music, and the political interests of his generation, he served as photo editor for the Boston Phoenix and associate publisher for the Real Paper, and his work appeared regularly in mainstream publications such as Rolling Stone, People, and Boston Magazine. After becoming photo editor for the Medical Tribune News Group and moving to New York City in the 1980s, he met and married Charlene Laino. In later years, he became involved in early efforts to create websites devoted to issues surrounding health. Albertson died in 2008.

As a photographer, Albertson covered a wide range of subjects, with particular focus on music and social change. The many thousands of prints, slides, and negatives in the collection include stunning shots of Bruce Springsteen, Bonnie Raitt, Neil Young, Elvis Presley, Frank Sinatra, and John Lee Hooker, activists such as Abbie Hoffman, politicians, and public personalities. The collection also includes several photographic essays centered on poverty, old age, fire fighting in Boston, and prisoners in Massachusetts (among other issues) along with a wide array of landscapes and street scenes.

Gift of Charlene Laino, Oct. 2013

Subjects

  • Boston (Mass.)--Photographs
  • Musicians--Photographs
  • Vietnam War, 1961-1975--Protest movements

Contributors

  • Simon, Peter

Types of material

  • Photographs
Allman, Timothy

Timothy Allman Papers

1976-1983
5 boxes 2.5 linear feet
Call no.: MS 060

Journalist, news editor, and author of Unmanifest Destiny: Mayhem and Illusion in American Foreign Policy — From the Monroe Doctrine to Reagan’s War in El Salvador (1984).

Includes notes on observations and interviews, background material including press releases, reports, transcripts of speeches and congressional committee hearings testimony, and articles and pamphlets that concern El Salvador, Guatemala, Nicaragua, Costa Rica, Honduras, Belize, and Panama, and focus on the Church, guerrillas, dissent, terrorism, and foreign policies of presidents Jimmy Carter and Ronald Reagan.

Subjects

  • Central America--Foreign relations--United States
  • El Salvador--History--1979-1992
  • Guatemala--History--1945-1982
  • Honduras--History--1982-
  • Nicaragua--History--1979-1990
  • United States--Foreign relations--Central America

Contributors

  • Allman, Timothy
Ashcraft, Barr G.

Barr G. Ashcraft Photograph Collection

1972-1975
2 boxes, ca.125 items
Call no.: PH 007
Depiction of Vietnamese soldiers, ca.1973
Vietnamese soldiers, ca.1973

A graduate of the Northfield Mount Hermon School, Wake Forest University, and the University of Massachusetts Amherst (MA, 1966), Barr Gallop Ashcraft (1940-2005) lived what he called a “gypsy” life in the late 1960s, traveling through the Middle East, Africa, and Asia, and eventually settling on a career in photojournalism. As a stringer for news organizations and magazines, he covered the war in Vietnam, Cambodia, and Laos from 1972 to 1975, taking other assignments throughout Asia for magazines ranging from Life to National Geographic, Newsweek, and Time. For several years, he lived in Japan, working as a teacher, but returned to Amherst to join his father in the building trade. He remained in Amherst, lecturing occasionally on his experiences as a war correspondent, until his death at his home in Shutesbury in 2005.

The Ashcraft Photograph Collection represents a small fraction of the images he took as a freelance photographer in Southeast Asia during the early 1970s. In both black and white and color prints, the collection provides stark and often graphic evidence of the destruction of the war in Vietnam, emphasizing its latter years and the period of Vietnamization, but also includes documentary work on Cambodia. The remainder of Ashcraft’s 22,000 negatives and accompanying notes were destroyed in a house fire in 1995.

Subjects

  • Cambodia--Photographs
  • Photojournalists
  • Vietnam War, 1961-1975
  • Vietnam--Photographs

Contributors

  • Ashcraft, Barr G

Types of material

  • Photographs
Blackington, Alton H.

Alton H. Blackington Photograph Collection

1898-1943
15 boxes 4 linear feet
Call no.: PH 061
Depiction of Fortune teller, ca.1930
Fortune teller, ca.1930

A native of Rockland, Maine, Alton H. “Blackie” Blackington (1893-1963) was a writer, photojournalist, and radio personality associated with New England “lore and legend.” After returning from naval service in the First World War, Blackington joined the staff of the Boston Herald, covering a range of current events, but becoming well known for his human interest features on New England people and customs. He was successful enough by the mid-1920s to establish his own photo service, and although his work remained centered on New England and was based in Boston, he photographed and handled images from across the country. Capitalizing on the trove of New England stories he accumulated as a photojournalist, Blackington became a popular lecturer and from 1933-1953, a radio and later television host on the NBC network, Yankee Yarns, which yielded the books Yankee Yarns (1954) and More Yankee Yarns (1956).

This collection of glass plate negatives was purchased by Robb Sagendorf of Yankee Publishing around the time of Blackington’s death. Reflecting Blackington’s photojournalistic interests, the collection covers a terrain stretching from news of public officials and civic events to local personalities, but the heart of the collection is the dozens of images of typically eccentric New England characters and human interest stories. Most of the images were taken by Blackington on 4×5″ dry plate negatives, however many of the later images are made on flexible acetate stock and the collection includes several images by other (unidentified) photographers distributed by the Blackington News Service.

Gift of Yankee Publishing, Mar. 2012

Subjects

  • Coolidge, Calvin, 1872-1933--Photographs
  • Earhart, Amelia, 1897-1937--Photographs
  • Maine--Social life and customs--Photographs
  • Massachusetts--Social life and customs--Photographs
  • New England--Social life and customs--Photographs
  • New Hampshire--Social life and customs--Photographs
  • Roosevelt, Franklin D. (Franklin Delano), 1882-1945--Photographs
  • Sacco-Vanzetti Trial, Dedham, Mass., 1921--Photographs

Types of material

  • Photographs
Borchers, Kathy

Kathy Borchers Photojournalism Collection

1977-2018
7 boxes 2.75 linear feet
Call no.: PH 083
Depiction of Boy dressed as an eagle for the Fourth of July parade, Bristol, R.I., 1993
Boy dressed as an eagle for the Fourth of July parade, Bristol, R.I., 1993

An award-winning photojournalist, Kathy Borchers began a thirty year career with the Providence Journal in the mid-1980s. A native of Dayton, Ohio, she and her twin sister Karen (also a photojournalist) took up photography in high school and refined their technique as undergraduates at Bowling Green State University. After receiving her master’s degree at the Indiana University School of Journalism in 1981, Borchers worked for three years with the Topeka Capital-Journal before landing in Providence. In addition to covering general news and sports, she took on a number of special assignments and longer-form photoessays over the years in southern New England. She retired in 2015.

A rich sampling from a long career in photojournalism, the collection includes photographic negatives and prints along with associated published materials. Centered primarily on her time with the Providence Journal, the collection reflects the breadth of Borchers’ assignments, including general news, sports coverage, and longer-form photoessays, in both black and white and color The collection also includes five self-made books: three on long-term photographic projects for the Journal and two career retrospectives.

Gift of Kathy Borchers, July 2018

Subjects

  • Photojournalists--Rhode Island
  • Rhode Island--Photographs

Contributors

  • Providence Journal

Types of material

  • Photographs
Clark, Edie

Edie Clark Papers

1834-2018 Bulk: 1939-2017
18 boxes 25 linear feet
Call no.: MS 1018

Beloved for her essays on New England life and for a long-running column in Yankee Magazine, Edie Clark was born in northern New Jersey in 1948 and raised near Morristown. A graduate of Beaver College, Clark cut short a career as editor for the Chilton Company in 1973 when she and her husband, inspired by Scott Nearing, moved to Vermont to pursue a simpler, more self-sufficient life. Drawing on the skills honed at Chilton, Clark developed a successful editorial business, which led her to approach Yankee Magazine in 1978 with the idea of writing an article on Abby Rockefeller and composting toilets, beginning an association that would last nearly twenty years. In 1990, Clark began writing a regular column on country life for Yankee, and in the years since, she has written dozens of essays and seven books, including The place he made (2008), a memoir about her second husband’s struggle with cancer; States of grace (2010), containing essays on “real Yankees;” and What there was not to tell (2013), an account of Clark’s search to uncover her parents’ experiences during the Second World War. Following a lengthy period of ill health, Clark retired from writing in 2017.

The record of a popular writer known for her depictions of contemporary New England, the Edie Clark Papers contain drafts and printed copies of nearly all of Clark’s work. An assiduous researcher, she gathered background materials on topics ranging from Lyme disease to the New England-Canadian border region to psychics and Spiritualists, and she corresponded or conducted interviews with dozens of people who featured in her work, including the author Carolyn Chute (author of The Beans of Egypt, Maine) and her husband Michael, then leaders in the so-called Second Maine Militia. Even more voluminous are some remarkable Clark family materials, including dozens of essays and letters by Clark’s grandmother Eleanor Sterling Clark and over 2,000 letters from her parents. Luther and Dorothy Clark, written during the Second World War while they were serving in the Army Air Corps and Marine Corps, respectively. These letters formed the basis for Clark’s remarkable book, What there was not to tell.

Gift of Edie Clark, April 2018.

Subjects

  • Authors--New England
  • New England--Social life and customs--20th century
  • Spiritualism
  • World War, 1939-1945

Contributors

  • Chute, Carolyn
  • Clark, Dorothy Rahmann
  • Clark, Eleanor Sterling
  • Clark, Luther Stowell, Jr.

Types of material

  • Audiocassettes
  • Oral histories
Delevingne, Lionel

Lionel Delevingne Photograph Collection

ca.1975-1995
2 boxes 1 linear feet
Call no.: PH 047
Depiction of Joan of Seabrook
Joan of Seabrook

Born and raised in France, the photojournalist Lionel Delevingne studied education at l’Ecole Normale in Paris, but settled permanently in the United States in 1975. Based at first in Northampton, Mass., he became a prolific photographer of American social movements while working for the Valley Advocate and other publications, covering the early years of the Clamshell Alliance and the antinuclear movement in considerable depth. His work has been exhibited frequently and published widely in the mainstream and alternative press, including the New York Times, Le Figaro Magazine, Die Zeit, Newsweek, Washington Post Magazine, Mother Jones, and Vanity Fair.

The Delevingne collection includes remarkable visual documentation of the antinuclear movement of the 1970s and beyond, including some of the its most iconic images. Beginning with coverage of the Seabrook occupation, Delevingne covered the movement as it spread throughout the northeastern U.S. and internationally. The collection includes exhibition prints, prints for publication, and digitized images ranging in date from the mid-1970s through 1990s. Copyright in the images has been retained by Delevingne.

Subjects

  • Antinuclear movement--United States
  • Clamshell Alliance
  • Photojournalists
  • Seabrook Nuclear Power Plant (N.H.)

Contributors

  • Delevingne, Lionel

Types of material

  • Photographs
Diamond, Stephen

Steve Diamond Papers

1968-2005
13 boxes 6 linear feet
Call no.: MS 542
Depiction of Steve Diamond and border collie at Montague Farm, ca.1980
Steve Diamond and border collie at Montague Farm, ca.1980

An author and activist, Steve Diamond worked for the newly formed Liberation News Service in 1968 covering stories like the student strike at Columbia University. After more than a year of internal strife resulting from ideological differences, the alternative news service split into two factions, with Marshall Bloom and Raymond Mungo leading a new division of LNS in rural New England. Diamond, among those who left for New England, settled into life in a commune on old Ripley Farm in Montague, Massachusetts. His experiences during the first year on the farm are recorded in his book, What the Trees Said. Diamond later worked as a writer and consultant for Green Mountain Post Films, editor of the Valley Advocate and Boston Phoenix, and as a contributor for The Atlantic Monthly, San Francisco Chronicle, and the Village Voice.

This collection consists chiefly of Diamond’s correspondence and writing, including drafts of his book chapters, stories, and articles; research notes; and diary entries. The collection also contains printed articles by and about Diamond, digital images, and audio recordings.

Subjects

  • Activists--Massachusetts
  • Bloom, Marshall, 1944-1969
  • Communal living--Massachusetts
  • Liberation News Service (Montague, Mass.)
  • Liberation News Service (New York, N.Y.)
  • Mungo, Raymond, 1946-

Contributors

  • Diamond, Stephen
Drucker, Jeffrey I.

Jeffrey Drucker Photograph Collection

1966-1969
387 photographs
Call no.: RG 50/6 D78
Depiction of Roger McGuinn being interviewed, Feb. 25, 1968
Roger McGuinn being interviewed, Feb. 25, 1968

Jeffrey Drucker was a student and photographer at the University of Massachusetts Amherst from 1966 to 1969, where he majored in production management and was the WMUA station engineer. As a student, Drucker was a photography enthusiast, taking snapshots of events across campus, thoroughly documenting his years as an undergraduate at UMass in the late-sixties.

The Jeffrey Drucker Photograph Collection contains 387 photographs of a diverse array of campus events, including the Dow Chemical protest in 1968, parades, Roister Doisters productions, musicians like Stevie Wonder and Simon and Garfunkel performing at on-campus concerts, and iconic campus buildings. Many of Drucker’s photographs were printed in the Index yearbook as well as the University of Massachusetts Daily Collegian and give a clearly student perspective to life on campus.

Subjects

  • Protests and demonstrations--Photographs
  • Rock concerts--Massachusetts--Amherst--Photographs
  • Roister Doisters (University of Massachusetts Amherst)--Photographs
  • University of Massachusetts Amherst--Photographs
  • University of Massachusetts Amherst--Students and alumni--Photographs

Types of material

  • Black-and-white negatives
  • Gelatin silver prints
Grillo, Jean Bergantini

Jean Bergantini Grillo Collection

1969-1974
12 24 linear feet
Call no.: MS 950

Jean Bergantini Grillo was the Cambridge and Boston Phoenix’s Senior Editor from its first issue in 1969 through 1972. When the original staff of the Phoenix was let go after the paper’s sale in the summer of 1972, Grillo helped start The Real Paper with the rest of the fired staff. While at the Phoenix, Grillo was an art critic and covered feminist issues and activism. She graduated from Rhode Island College in 1966 with a degree in English and after working at the Phoenix, continued an active career as a journalist, art critic, television writer and playwright.

The Jean Bargantini Grillo Collection contains a complete run of the Phoenix from its first issue as the Cambridge Phoenix in 1969 until the original staff moved to the Real Paper in 1972. There are also several early issues of The Real Paper until Grillo left the paper in late 1972. There is also a small group of reporter’s notebooks used by Grillo in 1971 and 1972, index cards from her rolodex, and a proof for a political cartoon created for the Phoenix by William D. Steele.

Gift of Jean Bergantini Grillo, 2016

Subjects

  • Counterculture--United States--20th century
  • Journalism--Massachusetts--20th century
  • Politics and culture--Massachusetts

Contributors

  • Boston Phoenix

Types of material

  • Newspapers
  • Notebooks
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