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Collection area: Journalism (page 1 of 3)

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Albertson, Jeff

Jeff Albertson Photograph Collection, ca.1966-2005
7 boxes (10.5 linear feet)
Call no.: PH 057
Image of Jeff Albertson, ca.1970
Jeff Albertson, ca.1970

Born in Reading, Mass., on Sept 13, 1948, Jeff Albertson was still a student at Boston University, working on the staff of the BU News, when he was hired as a photographer by the Boston Globe. Reflecting the youth culture of the late 1960s and early 1970s, his photographs earned him positions with several prominent Boston alternative media outlets. Covering news, music, and the political interests of his generation, he served as photo editor for the Boston Phoenix and associate publisher for the Real Paper, and his work appeared regularly in mainstream publications such as Rolling Stone, People, and Boston Magazine. After becoming photo editor for the Medical Tribune News Group and moving to New York City in the 1980s, he met and married Charlene Laino. In later years, he became involved in early efforts to create websites devoted to issues surrounding health. Albertson died in 2008.

As a photographer, Albertson covered a wide range of subjects, with particular focus on music and social change. The many thousands of prints, slides, and negatives in the collection include stunning shots of Bruce Springsteen, Bonnie Raitt, Neil Young, Elvis Presley, Frank Sinatra, and John Lee Hooker, activists such as Abbie Hoffman, politicians, and public personalities. The collection also includes several photographic essays centered on poverty, old age, fire fighting in Boston, and prisoners in Massachusetts (among other issues) along with a wide array of landscapes and street scenes.

Gift of Charlene Laino, Oct. 2013
Subjects
  • Boston (Mass.)--Photographs
  • Musicians--Photographs
  • Vietnam War, 1961-1975--Protest movements
Contributors
  • Simon, Peter
Types of material
  • Photographs

Allman, Timothy

Timothy Allman Papers, 1976-1983
5 boxes (2.5 linear feet)
Call no.: MS 060

Journalist, news editor, and author of Unmanifest Destiny: Mayhem and Illusion in American Foreign Policy — From the Monroe Doctrine to Reagan’s War in El Salvador (1984).

Includes notes on observations and interviews, background material including press releases, reports, transcripts of speeches and congressional committee hearings testimony, and articles and pamphlets that concern El Salvador, Guatemala, Nicaragua, Costa Rica, Honduras, Belize, and Panama, and focus on the Church, guerrillas, dissent, terrorism, and foreign policies of presidents Jimmy Carter and Ronald Reagan.

Subjects
  • Central America--Foreign relations--United States
  • El Salvador--History--1979-1992
  • Guatemala--History--1945-1982
  • Honduras--History--1982-
  • Nicaragua--History--1979-1990
  • United States--Foreign relations--Central America
Contributors
  • Allman, Timothy

Ashcraft, Barr G.

Barr G. Ashcraft Photograph Collection, 1972-1975
2 boxes, ca.125 items
Call no.: PH 007
Image of Vietnamese soldiers, ca.1973
Vietnamese soldiers, ca.1973

A graduate of the Northfield Mount Hermon School, Wake Forest University, and the University of Massachusetts Amherst (MA, 1966), Barr Gallop Ashcraft (1940-2005) lived what he called a “gypsy” life in the late 1960s, traveling through the Middle East, Africa, and Asia, and eventually settling on a career in photojournalism. As a stringer for news organizations and magazines, he covered the war in Vietnam, Cambodia, and Laos from 1972 to 1975, taking other assignments throughout Asia for magazines ranging from Life to National Geographic, Newsweek, and Time. For several years, he lived in Japan, working as a teacher, but returned to Amherst to join his father in the building trade. He remained in Amherst, lecturing occasionally on his experiences as a war correspondent, until his death at his home in Shutesbury in 2005.

The Ashcraft Photograph Collection represents a small fraction of the images he took as a freelance photographer in Southeast Asia during the early 1970s. In both black and white and color prints, the collection provides stark and often graphic evidence of the destruction of the war in Vietnam, emphasizing its latter years and the period of Vietnamization, but also includes documentary work on Cambodia. The remainder of Ashcraft’s 22,000 negatives and accompanying notes were destroyed in a house fire in 1995.

Subjects
  • Cambodia--Photographs
  • Photojournalists
  • Vietnam War, 1961-1975
  • Vietnam--Photographs
Contributors
  • Ashcraft, Barr G
Types of material
  • Photographs

Blackington, Alton H.

Alton H. Blackington Photograph Collection, 1898-1943
15 boxes (4 linear feet)
Call no.: PH 061
Image of Fortune teller, ca.1930
Fortune teller, ca.1930

A native of Rockland, Maine, Alton H. “Blackie” Blackington (1893-1963) was a writer, photojournalist, and radio personality associated with New England “lore and legend.” After returning from naval service in the First World War, Blackington joined the staff of the Boston Herald, covering a range of current events, but becoming well known for his human interest features on New England people and customs. He was successful enough by the mid-1920s to establish his own photo service, and although his work remained centered on New England and was based in Boston, he photographed and handled images from across the country. Capitalizing on the trove of New England stories he accumulated as a photojournalist, Blackington became a popular lecturer and from 1933-1953, a radio and later television host on the NBC network, Yankee Yarns, which yielded the books Yankee Yarns (1954) and More Yankee Yarns (1956).

This collection of glass plate negatives was purchased by Robb Sagendorf of Yankee Publishing around the time of Blackington’s death. Reflecting Blackington’s photojournalistic interests, the collection covers a terrain stretching from news of public officials and civic events to local personalities, but the heart of the collection is the dozens of images of typically eccentric New England characters and human interest stories. Most of the images were taken by Blackington on 4×5″ dry plate negatives, however many of the later images are made on flexible acetate stock and the collection includes several images by other (unidentified) photographers distributed by the Blackington News Service.

Gift of Yankee Publishing, Mar. 2012
Subjects
  • Coolidge, Calvin, 1872-1933--Photographs
  • Earhart, Amelia, 1897-1937--Photographs
  • Maine--Social life and customs--Photographs
  • Massachusetts--Social life and customs--Photographs
  • New England--Social life and customs--Photographs
  • New Hampshire--Social life and customs--Photographs
  • Roosevelt, Franklin D. (Franklin Delano), 1882-1945--Photographs
  • Sacco-Vanzetti Trial, Dedham, Mass., 1921--Photographs
Types of material
  • Photographs

Delevingne, Lionel

Lionel Delevingne Photograph Collection, ca.1975-1995
2 boxes (1 linear feet)
Call no.: PH 047
Image of Joan of Seabrook
Joan of Seabrook

Born and raised in France, the photojournalist Lionel Delevingne studied education at l’Ecole Normale in Paris, but settled permanently in the United States in 1975. Based at first in Northampton, Mass., he became a prolific photographer of American social movements while working for the Valley Advocate and other publications, covering the early years of the Clamshell Alliance and the antinuclear movement in considerable depth. His work has been exhibited frequently and published widely in the mainstream and alternative press, including the New York Times, Le Figaro Magazine, Die Zeit, Newsweek, Washington Post Magazine, Mother Jones, and Vanity Fair.

The Delevingne collection includes remarkable visual documentation of the antinuclear movement of the 1970s and beyond, including some of the its most iconic images. Beginning with coverage of the Seabrook occupation, Delevingne covered the movement as it spread throughout the northeastern U.S. and internationally. The collection includes exhibition prints, prints for publication, and digitized images ranging in date from the mid-1970s through 1990s. Copyright in the images has been retained by Delevingne.

Subjects
  • Antinuclear movement--United States
  • Clamshell Alliance
  • Photojournalists
  • Seabrook Nuclear Power Plant (N.H.)
Contributors
  • Delevingne, Lionel
Types of material
  • Photographs

Diamond, Stephen

Steve Diamond Papers, 1968-2005
13 boxes (6 linear feet)
Call no.: MS 542
Image of Steve Diamond and border collie at Montague Farm, ca.1980
Steve Diamond and border collie at Montague Farm, ca.1980

An author and activist, Steve Diamond worked for the newly formed Liberation News Service in 1968 covering stories like the student strike at Columbia University. After more than a year of internal strife resulting from ideological differences, the alternative news service split into two factions, with Marshall Bloom and Raymond Mungo leading a new division of LNS in rural New England. Diamond, among those who left for New England, settled into life in a commune on old Ripley Farm in Montague, Massachusetts. His experiences during the first year on the farm are recorded in his book, What the Trees Said. Diamond later worked as a writer and consultant for Green Mountain Post Films, editor of the Valley Advocate and Boston Phoenix, and as a contributor for The Atlantic Monthly, San Francisco Chronicle, and the Village Voice.

This collection consists chiefly of Diamond’s correspondence and writing, including drafts of his book chapters, stories, and articles; research notes; and diary entries. The collection also contains printed articles by and about Diamond, digital images, and audio recordings.

Subjects
  • Activists--Massachusetts
  • Bloom, Marshall, 1944-1969
  • Communal living--Massachusetts
  • Liberation News Service (Montague, Mass.)
  • Liberation News Service (New York, N.Y.)
  • Mungo, Raymond, 1946-
Contributors
  • Diamond, Stephen

Drucker, Jeffrey I.

Jeffrey Drucker Photograph Collection, 1966-1969
387 photographs
Call no.: RG 50/6 D78
Image of Simon and Garfunkel at the Curry Hicks Cage, Dec. 3, 1967
Simon and Garfunkel at the Curry Hicks Cage, Dec. 3, 1967

Jeffrey Drucker was a student and photographer at the University of Massachusetts Amherst from 1966 to 1969, where he majored in production management and was the WMUA station engineer. As a student, Drucker was a photography enthusiast, taking snapshots of events across campus, thoroughly documenting his years as an undergraduate at UMass in the late-sixties.

The Jeffrey Drucker Photograph Collection contains 387 photographs of a diverse array of campus events, including the Dow Chemical protest in 1968, parades, Roister Doisters productions, musicians like Stevie Wonder and Simon and Garfunkel performing at on-campus concerts, and iconic campus buildings. Many of Drucker’s photographs were printed in the Index yearbook as well as the University of Massachusetts Daily Collegian and give a clearly student perspective to life on campus.

Subjects
  • Protests and demonstrations--Photographs
  • Rock concerts--Massachusetts--Amherst--Photographs
  • Roister Doisters (University of Massachusetts Amherst)--Photographs
  • University of Massachusetts Amherst--Photographs
  • University of Massachusetts Amherst--Students and alumni--Photographs
Types of material
  • Black-and-white negatives
  • Gelatin silver prints

Grillo, Jean Bergantini

Jean Bergantini Grillo Collection, 1969-1974
12 (24 linear feet)
Call no.: MS 950
Image of Grillo at the Phoenix office, 1971. Photo by Jeff Albertson
Grillo at the Phoenix office, 1971. Photo by Jeff Albertson

Jean Bergantini Grillo was the Cambridge and Boston Phoenix’s Senior Editor from its first issue in 1969 through 1972. When the original staff of the Phoenix was let go after the paper’s sale in the summer of 1972, Grillo helped start The Real Paper with the rest of the fired staff. While at the Phoenix, Grillo was an art critic and covered feminist issues and activism. She graduated from Rhode Island College in 1966 with a degree in English and after working at the Phoenix, continued an active career as a journalist, art critic, television writer and playwright.

The Jean Bargantini Grillo Collection contains a complete run of the Phoenix from its first issue as the Cambridge Phoenix in 1969 until the original staff moved to the Real Paper in 1972. There are also several early issues of The Real Paper until Grillo left the paper in late 1972. There is also a small group of reporter’s notebooks used by Grillo in 1971 and 1972, index cards from her rolodex, and a proof for a political cartoon created for the Phoenix by William D. Steele.

Gift of Jean Bergantini Grillo, 2016
Subjects
  • Counterculture--United States--20th century
  • Journalism--Massachusetts--20th century
  • Politics and culture--Massachusetts
Contributors
  • Boston Phoenix
Types of material
  • Newspapers
  • Notebooks

Henry, Diana Mara

Diana Mara Henry Collection (20th Century Photographer), 1934-2014
Image of Diana Mara Henry at the Harvard Crimson, 1967<br/>Photo by Charles Hagen
Diana Mara Henry at the Harvard Crimson, 1967
Photo by Charles Hagen

Recognized for her coverage of historic events and personalities, the photographer Diana Mara Henry took the first steps toward her career in 1967 when she became photo editor for the Harvard Crimson. After winning the Ferguson History Prize and graduating from Harvard with a degree in government in 1969, Henry returned to New York to work as a researcher with NBC News and as a general assignment reporter for the Staten Island Advance, but in 1971 she began to work as a freelance photographer. Among many projects, she covered the Democratic conventions of 1972 and 1976 and was selected as official photographer for both the National Commission on the Observance of International Women’s Year and the First National Women’s Conference in 1977, and while teaching at the International Center for Photography from 1974-1979, she developed the community workshop program and was a leader in a campaign to save the Alice Austen House. Her body of work ranges widely from the fashion scene in 1970s New York and personal assignments for the family of Malcolm Forbes and other socialites to political demonstrations, cultural events, and photoessays on one room schoolhouses in Vermont and everyday life in Brooklyn, France, Nepal, and Bali. Widely published and exhibited, her work is part of permanent collections at institutions including the Schlesinger Library, the Library of Congress, Smithsonian, and the National Archives.

The Henry collection is a rich evocation of four decades of political, social, and cultural change in America beginning in the late 1960s as seen through the life of one photojournalist. This diverse body of work is particularly rich in documenting the women’s movement, second wave feminism, and the political scene in the 1970s. Henry left a remarkable record of women in politics, with dozens of images of Bella Abzug, Elizabeth Holtzman, Shirley Chisholm, Liz Carpenter, Betty Friedan, Jane Fonda, and Gloria Steinem. The collection includes images of politicians at all levels of government, celebrities, writers, and scholars, and coverage of important events including demonstrations by Vietnam Veterans Against the War, the Women’s Pentagon Action, and marches for the ERA. The many hundreds of exhibition and working prints in the collection are accompanied by the complete body of Henry’s photographic negatives and slides, along with an array of ephemera, correspondence, and other materials relating to her career.

Connect to another siteSee the exhibit Photographer: DMH
Subjects
  • Abzug, Bella S., 1920-1998--Photographs
  • Chisholm, Shirley, 1924-2005--Photographs
  • Democratic National Convention (1972 : Miami Beach, Fla.)--Pictorial works
  • Democratic National Convention (1976 : New York, N.Y.)--Pictorial works
  • Feminism--Photographs
  • Harvard University--Students--Photographs
  • International Women's Year, 1975--Pictorial works
  • National Women’s Conference--Photographs
Types of material
  • Clippings (information artifacts)
  • Exhibition catalogs
  • Negatives (photographic)
  • Photographs
  • Political posters
  • Press releases
  • Slides (photographs)
Restrictions: Copyright for Henry's images are retained by her until 2037.

Kraus, Karl

Karl Kraus Papers, 1880-1962 (Bulk: 1930-1962)
2 boxes (1 linear feet)
Call no.: MS 470
Image of Karl Krauss
Karl Krauss

Known for his bitingly satirical poetry, plays, and essays, the Austrian writer Karl Kraus was born in what is today Jicin, Czech Republic. At the age of three, Kraus and his family moved to Vienna, where he remained for the rest of his life. He is best known as editor of the literary journal Die Fackel (The Torch), which he founded in 1899 and to which he was the sole contributor from 1911 until his death in 1936.

Gabriel Rosenrauch, a lawyer from Chernivtsi, Ukraine, collected materials about Kraus and his career, including newspaper articles and essays in German, Yiddish, Hebrew, English, and French written between 1914 and 1962. A few of these were written by well-known authors such as Hermann Hesse and Werner Kraft. The collection features personal photographs of Kraus from throughout his life, as well as photographs of his apartment in Vienna. Also of note are the indexes to Kraus’ journal Die Fackel that were composed by Rosenrauch, whose personal correspondence with Kraus archivist Helene Kann is part of the collection.

Language(s): German
Subjects
  • Kokoschka, Oskar, 1886-1980
  • Kraft, Werner, 1896-1991
  • Vienna (Austria)--History--20th century
  • World War, 1939-1945
Contributors
  • Kraus, Karl, 1874-1936
  • Rosenrauch, Gabriel
Types of material
  • Letters (Correspondence)
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