Collecting area: Journalism

Journalist, news editor, and author of Unmanifest Destiny: Mayhem and Illusion in American Foreign Policy — From the Monroe Doctrine to Reagan’s War in El Salvador (1984).

Includes notes on observations and interviews, background material including press releases, reports, transcripts of speeches and congressional committee hearings testimony, and articles and pamphlets that concern El Salvador, Guatemala, Nicaragua, Costa Rica, Honduras, Belize, and Panama, and focus on the Church, guerrillas, dissent, terrorism, and foreign policies of presidents Jimmy Carter and Ronald Reagan.

Temporarily stored offsite; contact SCUA to request materials from this collection.

Beloved for her essays on New England life and for a long-running column in Yankee Magazine, Edie Clark was born in northern New Jersey in 1948 and raised near Morristown. A graduate of Beaver College, Clark cut short a career as editor for the Chilton Company in 1973 when she and her husband, inspired by Scott Nearing, moved to Vermont to pursue a simpler, more self-sufficient life. Drawing on the skills honed at Chilton, Clark developed a successful editorial business, which led her to approach Yankee Magazine in 1978 with the idea of writing an article on Abby Rockefeller and composting toilets, beginning an association that would last nearly twenty years. In 1990, Clark began writing a regular column on country life for Yankee, and in the years since, she has written dozens of essays and seven books, including The place he made (2008), a memoir about her second husband’s struggle with cancer; States of grace (2010), containing essays on “real Yankees;” and What there was not to tell (2013), an account of Clark’s search to uncover her parents’ experiences during the Second World War. Following a lengthy period of ill health, Clark retired from writing in 2017.

The record of a popular writer known for her depictions of contemporary New England, the Edie Clark Papers contain drafts and printed copies of nearly all of Clark’s work. An assiduous researcher, she gathered background materials on topics ranging from Lyme disease to the New England-Canadian border region to psychics and Spiritualists, and she corresponded or conducted interviews with dozens of people who featured in her work, including the author Carolyn Chute (author of The Beans of Egypt, Maine) and her husband Michael, then leaders in the so-called Second Maine Militia. Even more voluminous are some remarkable Clark family materials, including dozens of essays and letters by Clark’s grandmother Eleanor Sterling Clark and over 2,000 letters from her parents. Luther and Dorothy Clark, written during the Second World War while they were serving in the Army Air Corps and Marine Corps, respectively. These letters formed the basis for Clark’s remarkable book, What there was not to tell.

An author and activist, Steve Diamond worked for the newly formed Liberation News Service in 1968 covering stories like the student strike at Columbia University. After more than a year of internal strife resulting from ideological differences, the alternative news service split into two factions, with Marshall Bloom and Raymond Mungo leading a new division of LNS in rural New England. Diamond, among those who left for New England, settled into life in a commune on old Ripley Farm in Montague, Massachusetts. His experiences during the first year on the farm are recorded in his book, What the Trees Said. Diamond later worked as a writer and consultant for Green Mountain Post Films, editor of the Valley Advocate and Boston Phoenix, and as a contributor for The Atlantic Monthly, San Francisco Chronicle, and the Village Voice.

This collection consists chiefly of Diamond’s correspondence and writing, including drafts of his book chapters, stories, and articles; research notes; and diary entries. The collection also contains printed articles by and about Diamond, digital images, and audio recordings.

Jeffrey Drucker was a student and photographer at the University of Massachusetts Amherst from 1966 to 1969, where he majored in production management and was the WMUA station engineer. As a student, Drucker was a photography enthusiast, taking snapshots of events across campus, thoroughly documenting his years as an undergraduate at UMass in the late-sixties.

The Jeffrey Drucker Photograph Collection contains 387 photographs of a diverse array of campus events, including the Dow Chemical protest in 1968, parades, Roister Doisters productions, musicians like Stevie Wonder and Simon and Garfunkel performing at on-campus concerts, and iconic campus buildings. Many of Drucker’s photographs were printed in the Index yearbook as well as the University of Massachusetts Daily Collegian and give a clearly student perspective to life on campus.

Acclaimed writer, women’s rights advocate, journalist, and educator, Zelma (Zee) Inez Edgell was born in Belize City, Belize in 1940. Zee Edgell holds an undergraduate degree in journalism from Polytechnic-Regent Street (now the University of Westminster) and a Master’s in Liberal Studies from Kent State University. Edgell has published four novels and several short stories throughout her illustrious career. Her breakout novel, Beka Lamb, published in 1982, was the first book to be released in a newly independent Belize (formerly British Honduras) and would gain international notoriety going on to win the Fawcett Society Book Prize. Before becoming a celebrated novelist Edgell spent her early years working as a journalist, first for Jamaica’s The Daily Gleaner and then as founding editor of the Belize-based newspaper The Reporter. Edgell also served as director of the Belize Women’s Bureau, a position she held under two different administrations. As an educator, Edgell taught for many years at Belizes’ St. Catherine Academy, an all-girls catholic school she attended as a youth. She lectured at the University College of Belize as well. Edgell would spend the remainder of her teaching career as a tenured professor in the English department at Ohio’s Kent State University beginning in 1992. While at Kent State, Edgell taught courses in creative writing, fiction writing, and post-colonial literature. In 2009, Edgell received an honorary doctorate in literature from the University of West Indies. That same year she retired from teaching and moved with her husband to St. Louis to be closer to her children and grandchildren until she died in 2020.

The Zee Edgell Papers features not only a deeper look into the author’s professional life but her personal life as well. The collection includes personal letters, postcards, and notes between Edgell and her loved ones; professional correspondence between and her publisher; drafts of her short stories and book chapters; newspaper articles; letters from her global travels with husband Alvin Edgell during his tenure with CARE; documents related to her time serving as director of the Belize Women’s Bureau; and literature on Belizean history. There are also materials related to her time as a faculty member in Kent State’s English Department.

Jean Bergantini Grillo was the Cambridge and Boston Phoenix’s Senior Editor from its first issue in 1969 through 1972. When the original staff of the Phoenix was let go after the paper’s sale in the summer of 1972, Grillo helped start The Real Paper with the rest of the fired staff. While at the Phoenix, Grillo was an art critic and covered feminist issues and activism. She graduated from Rhode Island College in 1966 with a degree in English and after working at the Phoenix, continued an active career as a journalist, art critic, television writer and playwright.

The Jean Bargantini Grillo Collection contains a complete run of the Phoenix from its first issue as the Cambridge Phoenix in 1969 until the original staff moved to the Real Paper in 1972. There are also several early issues of The Real Paper until Grillo left the paper in late 1972. There is also a small group of reporter’s notebooks used by Grillo in 1971 and 1972, index cards from her rolodex, and a proof for a political cartoon created for the Phoenix by William D. Steele.

An award-winning photojournalist, Janet Knott was one of the first woman to become a staff photographer at the Boston Globe. Over a 31-year career, she covered a broad range of topics, from local assignments to longer-form photo essays and international coverage, producing iconic images of the space shuttle Challenger disaster, the late 1980s famine in the Sudan, and the violence accompanying the Haitian elections of 1987. She was only the third woman recognized with the Robert Capa Gold Medal and, among many other awards, won first place for spot news from the World Press Photography Foundation. After leaving the Globe in 2007, she became Chief of Staff for Boston City Councilor Salvatore La Mattina, representing East Boston and the first district.

The Knott Collection contains an array of letters, ephemera, and photographs documenting both her photographic and political careers. There is an extensive body of work from her years working as a photojournalist at the Boston Globe comprised of slides, negatives, prints, and contacts sheets.

Known for his bitingly satirical poetry, plays, and essays, the Austrian writer Karl Kraus was born in what is today Jicin, Czech Republic. At the age of three, Kraus and his family moved to Vienna, where he remained for the rest of his life. He is best known as editor of the literary journal Die Fackel (The Torch), which he founded in 1899 and to which he was the sole contributor from 1911 until his death in 1936.

Gabriel Rosenrauch, a lawyer from Chernivtsi, Ukraine, collected materials about Kraus and his career, including newspaper articles and essays in German, Yiddish, Hebrew, English, and French written between 1914 and 1962. A few of these were written by well-known authors such as Hermann Hesse and Werner Kraft. The collection features personal photographs of Kraus from throughout his life, as well as photographs of his apartment in Vienna. Also of note are the indexes to Kraus’ journal Die Fackel that were composed by Rosenrauch, whose personal correspondence with Kraus archivist Helene Kann is part of the collection.

In 1967, Marshall Bloom and Raymond Mungo, former editors of the student newspapers of Amherst College and Boston University, were fired from the United States Student Press Association for their radical views. In response they collaborated with colleagues and friends to found the Liberation News Service, an alternative news agency aimed at providing inexpensive images and text reflecting a countercultural outlook. From its office in Washington, D.C., LNS issued twice-weekly packets containing news articles, opinion pieces, and photographs reflecting a radical perspective on the war in Vietnam, national liberation struggles abroad, American politics, and the cultural revolution. At its height, the Service had hundreds of subscribers, spanning the gamut of college newspapers and the underground and alternative press. Its readership was estimated to be in the millions.

Two months after moving to New York City in June 1968, the LNS split into two factions. The more traditional Marxist activists remained in New York, while Bloom and Mungo, espousing a broader cultural view, settled on farms in western Massachusetts and southern Vermont. The story of LNS, as well as of the split, is told in Mungo’s 1970 classic book Famous Long Ago. By 1969 Bloom’s LNS farm, though still holding the organization’s original press, had begun its long life as a farm commune in Montague, Mass. Montague (whose own story is told in Steve Diamond’s What the Trees Said) survived in its original form under a number of resident groups until its recent sale to another non-profit organization. Mungo’s Packer Corners Farm, near Brattleboro, the model for his well-known book, Total Loss Farm, survives today under the guidance of some of its own original founders.

The LNS Records include a relatively complete run of LNS packets 1-120 (1967-1968), along with business records, miscellaneous correspondence, some artwork, and printing artifacts, including the LNS addressograph.

Cover of Liberation News Service issue 441, June 10, 1972.

Founded in 1967, Liberation News Service, an alternative news agency, issued twice-weekly packets aimed at providing inexpensive images, articles, and art reflecting a countercultural outlook. First from its office in Washington, D.C., and then from New York City, LNS provided underground and college papers around the globe with radical and unconventional coverage of the war in Vietnam, global liberation struggles, American politics, and the cultural revolution. Two months after moving to New York City in June 1968, LNS split into two factions, with the sides mirroring common points of dispute within the New Left. The more traditional political and Marxist activists remained in New York, while those more aligned with the counterculture and “hippie” movement settled on farms in western Massachusetts and southern Vermont. For a year each faction put out competing versions of LNS news packets, until the winter conditions and small staff at the farm in Montague caused their production to end in January 1969. LNS-New York continued its production of unique leftist coverage of national and international issues throughout the 1970s, closing in 1981.

The LNS-NY Records include a relatively complete run of packets 102-701 (1968-1975) sent to the subscribing underground press newspaper the Indianapolis Free Press. Some packets and years are more complete than others, and these New York packets are especially dense with photographs compared to earlier LNS packets from before the split in 1968. The collection also includes a small selection of other artwork, articles, and materials kept by the Indianapolis Free Press.