The University of Massachusetts Amherst
Robert S. Cox Special Collections & University Archives Research Center
CredoResearch digital collections in Credo

Collecting area: Arts & literature

 Feuchtenberger, Anke 

Anke Feuchtenberger Art Collection

ca. 1990s-2000s
4 OS folders
Call no.: MS 1208

Born in 1963, Feuchtenberger was raised in East Berlin, where she trained as a graphic artist at the Kunsthochschule Berlin-Weissensee. Shortly before the fall of the Berlin Wall, motivated by the East German citizens’ movement, she co-founded the political artists’ collective PGH Gluhende Zukunft—a group that ironically called itself the “Glowing Future Productive Collective.” In her comics, theater and political posters, and other works, Feuchtenberger blends different artistic traditions, including German Expressionism. Her work frequently reflects her feminist activism by focusing on the relationship between women and their children and society. Since 1997, she has taught drawing and media illustration at the Academy of Applied Sciences in Hamburg, Germany.  

The works included in this collection were part of the first major solo exhibition of Feuchtenberger in the U.S. curated by UMass MFA student Bibiana Medkova and on display at the Olver Design Building in 2018. The collection itself was donated by German Filmmaker Jörg Foth. Both Foth and Feuchtenberger were active in the art scene at the time of German reunification and their work occasionally overlapped. For example, Feuchtenberger created film posters as well as art for the opening titles, closing credits, and intertitles for Foth’s 1994 film, Tir na nOg. The works in this collection reflect Feuchtenberger’s printing oeuvre for theaters, plays, and films during the 1990-2000s with a focus on works in color, and including a selection of black and white drawings and political artwork of the post-Berlin-Wall pre-unified Germany era.

Gift of Jörg Foth, 2019.

Subjects

Artists--Germany (East)Artwork--Germany (East)
Abbe, Edward H.

Edward H. Abbe Papers

1828-2004
22 boxes 28.5 linear feet
Call no.: MS 736
Depiction of Ed Abbe in Bora Bora, 1987
Ed Abbe in Bora Bora, 1987

Born in Syracuse, N.Y., in 1915 and raised largely in Hampton, Va., Edward Abbe seemed destined to be an engineer. The great nephew of Elihu Thomson, an inventor and founding partner in General Electric, and grandson of Edward Folger Peck, an early employee of a precursor of that firm, Abbe came from a family with a deep involvement in electrification and the development of street railways. After prepping at the Rectory and Kent Schools, Abbe studied engineering at the Sheffield School at Yale, and after graduation in 1938, accepted a position with GE. For 36 years, he worked in the Industrial Control Division in New York and Virginia, spending summers at the family home on Martha’s Vineyard. After retirement in 1975, he and his wife Gladys traveled frequently, cruising both the Atlantic and Pacific.

Ranging from an extensive correspondence from his high school and college days to materials relating to his family’s involvement in engineering, the Abbe collection offers an in depth perspective on an educated family. An avid traveler and inveterate keeper, Ed Abbe gathered a diverse assemblage of letters, diaries, and memorabilia relating to the history of the Abbe, Peck, Booth, Gifford, and Boardman families. The collection is particularly rich in visual materials, including albums and photographs, depicting homes, travel, and family life over nearly a century.

Gift of Edward Abbe, Mar. 2012

Subjects

Abbe familyBoardman familyBooth familyElectrical engineersGeneral ElectricGifford familyKent School--StudentsPeck familyRectory School--StudentsYale University--Students

Contributors

Abbe, Edward HAbbe, Gladys HowardAbbe, William ParkerPeck, Edward FPeck, Mary Booth

Types of material

DiariesLetters (Correspondence)Photographs
Abramson, Doris E.

Doris E. Abramson Papers

ca.1930-2007
25 linear feet
Call no.: FS 127
Depiction of Doris Abramson
Doris Abramson

After earning her masters degree from Smith College in 1951, Doris Abramson (class of 1949) returned to UMass in 1953 to become instructor in the English Department, remaining at her alma mater through a long and productive career. An historian of theatre and poet, she was a founding member of the Speech Department, Theatre Department, and the Massachusetts Review. In 1959, a Danforth grant helped Abramson pursue doctoral work at Columbia. Published in 1969, her dissertation, Negro Playwrights in the American Theatre, 1925-1969, was a pioneering work in the field. After her retirement, she and her partner of more than 40 years, Dorothy Johnson, ran the Common Reader Bookshop in New Salem.
An extensive collection covering her entire career, Abramson’s papers are a valuable record of the performing arts at UMass, her research on African American playwrights, her teaching and directing, and many other topics relating to her diverse interests in literature and the arts.

Gift of Dorothy Johnson, Apr. 2008

Subjects

African-American theaterPoets--MassachusettsUniversity of Massachusetts Amherst--FacultyUniversity of Massachusetts Amherst. Department of Theater

Contributors

Abramson, Doris E.
Abu al-Barakat Hafiz al-din Abdallah ibn Ahad ibn Mahmud al-Nasafi

Kanz al-daquia'iq fi'l-furu

1413
1 volume ; 28 x 18 cm ; 110 ff.
Call no.: MS 1118
Depiction of Detail of leaf from Kanz al-daqua'iq fi'l-furu
Detail of leaf from Kanz al-daqua'iq fi'l-furu

Abu al-Barakat Hafiz al-din Abdallah ibn Ahad ibn Mahmud al-Nasafi was a Hanafi legist and theologian. He was born in Nasaf (now southern Uzbekistan) in CE 710, taught in the Madrasa al-Kutbiya al-Sultaniya in Kirman, and wrote the Kanz al-daquia’iq fi’l-furu (Treasure of niceties of the branches of jurisprudence), which became a frequently consulted tract of Hanafi law by fiqh scholars for many generations. Al-Nasafi died in Idjadj (Khuzestan Province, Iran), apparently on a return journey from a trip to Baghdad in CE 1310.

This small folio manuscript of al-Nasafi’s Treasure of niceties of the branches of jurisprudence was calligraphed by Ahmad ibn Amîr in the naskh script just over a hundred years after the death of al-Nasafi, making it a very early example of the important legal work. The manuscript is written in black ink with captions in red and extensive marginal and interlinear glosses throughout, typical for an Islamic legal manuscript of this period. Exact origin is unclear but the the first leaf includes entries in Ottoman Turkish.

Acquired from Antiquariat INLIBRIS, 2020.
Language(s): Arabic

Subjects

HanafitesIslamic law--Manuscripts
Acker, Bonnie

Bonnie Acker Collection

1983-2000
1 box 1.5 linear feet
Call no.: MS 582

A collection of t-shirts, gift cards, and posters designed by activist and political artist Bonnie Acker. Each item features an illustration by Acker in support of various issues relating to social change ranging from peace with Nicaragua, to nuclear abolition and from lifting the debt of impoverished countries, to the Burlington, Vermont community land trust.

Gift of Bonnie Acker, May 2007

Subjects

Antinuclear movement--United StatesPeace movements

Contributors

Acker, Bonnie

Types of material

Realia
Activism of the 1980s

Activism of the 1980s Photograph Collection

1985-1987
0.5 linear feet
Call no.: PH 012
Depiction of Die-in at the Student Union
Die-in at the Student Union

During the academic year 1986-1987, the campus at UMass Amherst was a hotbed of political protest, fueled in part by the US intervention in Central America. The arrival on campus of a CIA recruiting officer in November set off a string of demonstrations that attracted the support of activists Abbie Hoffman and Amy Carter, daughter of former president Jimmy Carter. The occupation of the Whitmore Administration Building was followed by a larger occupation of adjacent Munson Hall, resulting in a number of arrests. Hoffman, Carter, and eleven co-defendants were tried and acquitted on charges of disorderly conduct were tried in April 1987.

The Collection contains 61 mounted photographs of marches, demonstrations, and protests in Amherst and Northampton, Mass., taken by Charles F. Carroll, Byrne Guarnotta, and Libby Hubbard, all students at UMass Amherst. The photographs are a vivid record of campus and community activism, and particularly the mobilization against the CIA and American intervention in Central America, as well as the arrest and trial of Abbie Hoffman and Amy Carter.

Acquired Aug. 12, 1999

Subjects

Amherst (Mass.)--PhotographsAnti-apartheid movements--MassachusettsCIA on Trial Project (Amherst, Mass.)Carter, AmyCentral America--Foreign relations--United StatesDemonstrations--MassachusettsHoffman, AbbieNorthampton (Mass.)--PhotographsStudent movementsUnited States--Foreign relations--Central AmericaUnited States. Central Intelligence AgencyUniversity of Massachusetts Amherst--Students

Contributors

Carroll, Charles FGuarnotta, ByrneHubbard, LibbyRadical Student Union

Types of material

Photographs
Aczel, Tamas

Tamas Aczel Papers

ca.1950-1994
18 boxes 26 linear feet
Call no.: FS 031

Born on Dec. 1, 1921, to a middle class family, Tamas Aczel became affiliated with leftist politics in Hungary prior to the Second World War, joining the Party after. With degrees in literature from Peter Pazmany University (BA 1948) and Eotvos Lorent University (MA 1950), Aczel quickly established a reputation as a literary talent, publishing seven novels and winning the Kossuth Prize (1949) and Stalin Prize for Literature (1952). During this period, he became disenchanted with the Communist government and during the short-lived rebellion in 1956, he served as press secretary for Prime Minister Imre Nagy. When Nagy was deposed, Aczel escaped through Yugoslavia to Austria and then England. In 1966, he was invited to teach modern European literature at UMass, where he became Director of the MFA program (1978-1982). Aczel died in 1994, leaving his wife Olga A. Gyarmati (an Olympic gold medalist in the long jump, 1948) and son Thomas.

The Aczel collection consists primarily of numerous drafts of several novels, including The Hunt (1990), Illuminations (1981), and Ice Age (1965), along with other writing, translations, some student essays, and autobiographical material. Some material is in Hungarian.

Subjects

Authors--MassachusettsPoets--MassachusettsUniversity of Massachusetts Amherst--FacultyUniversity of Massachusetts Amherst. Department of English

Contributors

Aczel, Tamas
Agha, Shahid Ali, 1949-

Shahid Ali Agha Collection

1972-1979
2 vols. 0.1 linear feet
Call no.: MS 636

A poet and translator of Kashmiri descent, Agha Shahid was raised in a household where poetry was recited in Persian, Urdu, Hindi, and English. Born in New Delhi on February 4, 1949, he was educated at the University of Kashmir, Srinagar, and University of Delhi, earning earned a doctorate in English from Pennsylvania State University in 1984 and an MFA from the University of Arizona in 1985. The author of nine volumes of poetry, and widely anthologized, Ali was on faculty in the MFA Program at University of Massachusetts Amherst, when he died of brain cancer in December, 2001.

This small collection contains copies of Ali’s first two books, Bone-Sculpture (1972) and In Memory of Begum Akhtar (1979), a self-produced chapbook, and a rough manuscript of poems. All are inscribed to his colleague and friend Zabelle Stodola.

Subjects

Poets--MassachusettsUniversity of Massachusetts Amherst--FacultyUniversity of Massachusetts Amherst. Department of English

Contributors

Agha, Shahid Ali, 1949-
Albertson, Jeff

Jeff Albertson Photograph Collection

ca.1966-2005
7 boxes 10.5 linear feet
Call no.: PH 057
Depiction of Jeff Albertson, ca.1970
Jeff Albertson, ca.1970

Born in Reading, Mass., on Sept 13, 1948, Jeff Albertson was still a student at Boston University, working on the staff of the BU News, when he was hired as a photographer by the Boston Globe. Reflecting the youth culture of the late 1960s and early 1970s, his photographs earned him positions with several prominent Boston alternative media outlets. Covering news, music, and the political interests of his generation, he served as photo editor for the Boston Phoenix and associate publisher for the Real Paper, and his work appeared regularly in mainstream publications such as Rolling Stone, People, and Boston Magazine. After becoming photo editor for the Medical Tribune News Group and moving to New York City in the 1980s, he met and married Charlene Laino. In later years, he became involved in early efforts to create websites devoted to issues surrounding health. Albertson died in 2008.

As a photographer, Albertson covered a wide range of subjects, with particular focus on music and social change. The many thousands of prints, slides, and negatives in the collection include stunning shots of Bruce Springsteen, Bonnie Raitt, Neil Young, Elvis Presley, Frank Sinatra, and John Lee Hooker, activists such as Abbie Hoffman, politicians, and public personalities. The collection also includes several photographic essays centered on poverty, old age, fire fighting in Boston, and prisoners in Massachusetts (among other issues) along with a wide array of landscapes and street scenes.

Gift of Charlene Laino, Oct. 2013

Subjects

Boston (Mass.)--PhotographsRock musicians--PhotographsVietnam War, 1961-1975--Protest movements

Contributors

Simon, Peter

Types of material

Photographs
Allen, Frances and Mary

Frances and Mary Allen Collection of Deerfield Photographs

1900-1910
1 vol. 0.25 linear feet
Call no.: PH 001
Depiction of Deerfield, Mass.
Deerfield, Mass.

Influenced by the arts and crafts movement, Frances and Mary Allen began taking photographs of their native Deerfield, Mass., in the mid-1880s. Displaying a finely honed pictorialist aesthetic, the sisters specialized in views of Deerfield and surrounding towns, posed genre scenes of life in colonial times, and the local scenery, earning a reputation as among the best women photographers of the period.
The Allen sisters photograph album contains ten gelatin developing out prints of street scenes in Deerfield, ca.1900-1910. Among these are two shots of the house they inherited from their aunt Kate in 1895, which thereafter became their home and studio.

Subjects

Deerfield (Mass.)--PhotographsWomen photographers--Massachusetts

Contributors

Allen, FrancesAllen, Mary E. (Mary Electa), 1858-1941

Types of material

Photographs