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Severy, Robert Bayard

Robert Bayard Severy Photograph Collection
1980-2007
5 boxes (5.5 linear feet)
Call no.: PH 024
Image of Capt. Elisha Davis, d. Oct. 10, 1778
Capt. Elisha Davis, d. Oct. 10, 1778

A local historian and photographer from Dorchester, Mass., and an official in the Dorchester Historical Society, Robert Bayard Severy was born on October 11, 1944, at the New England Hospital for Women and Children in Roxbury, Massachusetts. After high school Severy attended Suffolk University and received a certificate from the Franklin Institute in Photography in 1967. For over 32 years, he was employed in the Human Resources Division of the Commonwealth of Massachusetts, pursuing his interests in photography throughout and documented the changing streetscapes of Boston and nearby towns. Since the early 1980s, Severy has documented gravestones in New England cemeteries.

The Severy Collection includes nearly 2,000 black and white prints (with some color) of gravestones in cemeteries in Massachusetts and Vermont. The collection is arranged by town and cemetery, and includes particularly good documentation of gravestones in Barnstable, Boston (Old Granary, King’s Chapel, Copps Hill), Brimfield, Dorchester (Cedar Grove, Dorchester North), Manomet (Manomet), Newbury (1st Parish), Norwell (First Parish), Quincy (Hancock), Watertown (Mt. Auburn), and Weymouth (Old North, Mt. Hope, Fairmount) in Massachusetts; and Bennington and Wilmington, Vermont. Larger collections of Severy’s work can be found in many other institutions, including Historic New England, The Bostonian Society, The Boston Athenaeum, The Boston Public Library, University of Massachusetts Boston, and several local public libraries and historical societies.

Subjects
  • Gravestones--Massachusetts
  • Gravestones--Vermont
Contributors
  • Association for Gravestone Studies
  • Severy, Robert Bayard
Types of material
  • Photographs

Stanze Monument Company

Stanze Monument Company Records
ca. 1921-1970
7 boxes, 13 drawers
Call no.: MS 734
Image of Stanze Monument Co. drawing
Stanze Monument Co. drawing

Established in 1921 in St. Louis Missouri, the Stanze Monument Company was family-owned and operated until it was sold in the mid-1980s. The company custom-cut gravestones for more than sixty years and was one of the last monument companies to cut gravestones by hand.

The collection consists of gravestone, monument, and mausoleum technical and architectural drawings. Most of the tracings and drawings of headstone patterns were used to make glass molds for sand-blasting granite headstones, while the rubbings represent reproductions of designs and font sizes and styles. Some of the architectural drawings depict conceptual plans for a typical forty-acre cemetery. The drawings were transferred from the Kibbe Hancock Heritage Museum in Illinois; a small portion of the materials were identified as being part of the “Gustafson Collection.”

Subjects
  • Sepulchral monuments--Design
Contributors
  • Stanze Monument Company
Types of material
  • Architectural drawings (Visual works)
  • Technical drawings

Tenney, Thomas W.

Thomas W. and Margaret Tenney Photograph Collection
1966-1978 (Bulk: 1966-1972)
12 boxes (6 linear feet)
Call no.: PH 045
Image of Submit Gaylord, 1766, Hadley, Mass.
Submit Gaylord, 1766, Hadley, Mass.

A long-time resident of Berkeley, Calif., Thomas W. Tenney and his wife Margaret took up photography in a serious way in the early 1960s. Photographing the Bay Area scene and publishing in the New York Times and elsewhere, the Tenneys became full time photographers by about 1964. For over a decade, they took summer trips to New England to photograph colonial and early national gravestones, culminating in a public exhibition of their work in 1972 at the Bolles Gallery in San Francisco.

The Tenney collection consists of several hundred scrupulously-documented images of gravestones in Massachusetts, Connecticut, and other New England states taken between 1966 and 1978. Selecting stones for “artistic rather than historical reasons,” the Tenney’s focused primarily on details of the carving and inscriptions.

Subjects
  • Gravestones--Connecticut
  • Gravestones--Massachusetts
  • Gravestones--Rhode Island
  • Gravestones--Vermont
Contributors
  • Tenney, Margaret K.
  • Tenney, Thomas W.
Types of material
  • Photographs

Tucker, Ralph L.

Ralph L. Tucker Collection
1951-ca.2000
20 boxes (10.5 linear feet)
Call no.: PH 041
Image of Erased stone, Salem, Mass.
Erased stone, Salem, Mass.

Known for his extensive research into Boston and Merrimac Valley area gravestone carvers, particularly Joseph Lamson and John Hartshorne, Ralph Tucker received the AGS Forbes Award in 1992 for his excellence in carver research. One of the attendees at the inaugural Dublin Seminar, and the first President of the Association for Gravestone Studies, Tucker served as editor of a column, “17th and 18th Century Gravestones and Carvers,” in the AGS Newletter from 1993-1999. Born on May 29, 1921 in Winthrop, Mass., Tucker attended Massachusetts Institute of Technology, Tufts University, and Episcopal Theological School. He married Mildred R. Moore in 1946 and was ordained an Episcopal priest in 1947. Tucker spent two years as a missionary in China, returning to serve parishes in Utah, Rhode Island, and Massachusetts. In addition to extending his ministry to hospitals and prisons, he participated in 1960s Civil Rights protests in Alabama and Boston. In 1985 he went to Zimbabwe as a missionary, retiring to Maine soon thereafter where he acted as interim pastor of Grace Episcopal Church in Bath. Tucker died March 28, 2010, and was survived by his wife, four sons — Ralph, Jr., Richard R., Roger W., and Paul M. Tucker, several grandchildren and great-grandchildren.

The Tucker collection includes research notes and copies of published works stemming from Ralph Tucker’s decades of research on stone carvers and other gravestone-related topics, along with hundreds of images documenting carvers and stones in Massachusetts.

Subjects
  • Cemeteries--Massachusetts
  • Gravestones--Massachusetts
  • Stone carving--Massachusetts
Contributors
  • Tucker, Ralph L.
Types of material
  • Photographs

Weatherby, Una F.

Una F. Weatherby Collection
1924-1934
1 box (0.5 linear feet)
Call no.: PH 036
Image of Gravestone in Putnam, Conn.
Gravestone in Putnam, Conn.

The botanical illustrator and writer Una Foster Weatherby (1878-1957) was an early student of New England gravestones. Born in Texas in 1878, Una Leonora Foster met a young pteridologist Charles Alfred Weatherby (1875-1949) while traveling abroad in 1910, and seven years later, the couple wed. As Charles advanced in his career to a position at the Gray Herbarium at Harvard, Una became his close associate, working with in the field and as illustrator and photographer. Among the many interests the couple developed was a fascination with photographing early American gravestones, and over the last three decades of her life, Una published occasionally on the subject. She died in Cambridge on August 17, 1957, and is interred with her husband at Center Cemetery in East Hartford, Conn.

The Weatherby collection consists of a substantial typed manuscript illustrating early American gravestones, mostly from New England. Meticulously assembled, the manuscript is divided into six thematic sections based on gravestone design (death’s heads, winged cherubs, wingless cherubs, portrait stones, symbolic stones, and designs and willows). Each stone is represented by a single photograph pasted onto a page, along with a transcription of the epitaph and occasional comments on the design and date on which the information was recorded. Although most stones are from Connecticut and Massachusetts, a few stones from Virginia and South Carolina are included.

Subjects
  • Gravestones--Connecticut
  • Gravestones--Massachusetts
  • Gravestones--New Hampshire
Contributors
  • Association for Gravestone Studies
  • Weatherby, Una F
Types of material
  • Photographs
  • Scrapbooks

Whitaker, Elizabeth W.

Elizabeth W. Whitaker Collection
1802-1989
1 box (0.5 linear feet)
Call no.: MS 682
Image of Gravestone, No. Guilford, Conn.
Gravestone, No. Guilford, Conn.

A physical education teacher from Rome, New York, Elizabeth W. Whitaker became an avid recorder of gravestone inscriptions in the 1940s. She died in 1992 at the age of 93.

The core of the Whitaker collection consists of 25 receipts and accounts relating to the early marble industry in western Massachusetts. The key figures in this series are Rufus Willson and his father-in-law, John Burghardt, who quarried stone near West Stockbridge, Mass., conveying it to Hudson, N.Y. The collection also includes a selection of photographs and postcards of gravestones, mostly in New England and New York; two folders of typed transcriptions and newspaper clippings of epitaphs from the same region, ranging in date from the early colonial period to the mid-19th century; and a price list of Barre granite from Wetmore and Morse Granite Co., 1934.

Subjects
  • Gravestones--Massachusetts
  • Marble industry and trade--Massachusetts
Contributors
  • Association for Gravestone Studies
  • Burghardt, John
  • Whitaker, Elizabeth W
  • Willson, Rufus
Types of material
  • Photographs
  • Receipts (Financial records)

Williams, Gray

Gray Williams Photograph Collection
ca.1988-2000
3 boxes (1.5 linear feet)
Call no.: PH 027

The editor, writer, and photographer Gray Williams was born in New York City in 1932, and spent most of his life in Chappaqua (Westchester County), N.Y. A 1954 graduate of Yale, Williams worked in the publishing industry for many years, including for the Metropolitan Museum of Art and the Museum of Modern Art, and since 1988, he has been a freelance writer, editor, and photographer. Long dedicated to history and historical preservation, he has served as New Castle Town Historian, chair of the New Castle Landmarks Advisory Committee, trustee of the Westchester County Historical Society, and as a member of the Property Council at the National Trust property Lyndhurst. He is the author of Picturing Our Past: National Register Sites in Westchester County (Westchester County Historical Society, 2003). A specialist in the early stone carvers of New York and Connecticut, as well as the use of grave monuments to illuminate and enrich the study of American history, art, and culture, Williams is a former trustee of the Association for Gravestone Studies and has contributed articles to its annual journal, Markers, and its Quarterly. In 2007, he was awarded the Association’s Harriette Merrifield Forbes Award for contributions to scholarship and preservation in the field.

The photographs and research materials he has contributed to the Association for Gravestone Studies are largely devoted to the subjects of three articles in the AAGS journal, Markers: “‘Md. by Thomas Gold’: The Gravestones of a New Haven Carver,” in collaboration with Meredith M. Williams, Markers V (1988); “Solomon Brewer: A Connecticut Valley Yankee in Westchester County,” Markers XI (1994); “By Their Characters You Shall Know Them: Using Styles of Lettering to Identify Gravestone Carvers,” Markers XVII (2000). The collection also includes photographs taken during AGS conferences, principally in New England, as well as a small group taken in Natchez Cemetery in Mississippi.

Subjects
  • Gravestones--New York
  • Stone carving--New York
Contributors
  • Association for Gravestone Studies
  • Williams, Gray
Types of material
  • Photographs

Wilson, John S.

John S. Wilson Collection
1970-1983
1 box (0.5 linear feet)
Call no.: MS 858
Image of Amos Foster stone, 1793, New Salem Cemetery
Amos Foster stone, 1793, New Salem Cemetery

As an undergraduate at UMass Amherst, John S. Wilson undertook of study of gravestones in New Salem, Mass. Working under George Armelagos, he receiving a BA in Anthropology with honors (1971) for his work on the “social dimension of New England mortuary art,” and returned for an MA in (1976). Wilson later worked as Regional Historic Preservation Officer and Archaeologist for the Northeast Region of the US Fish and Wildlife Service.

Part of the collections of the Association for Gravestone Studies, the collection includes two copies of John Wilson’s senior honors thesis, a card file associated with the thesis, and several dozen slides (both color and black and white) of New Salem headstones. Some images appear to be later prints of images taken in 1970-1971.

Subjects
  • Gravestones--Massachusetts--New Salem
  • New Salem (Mass.)--History
Types of material
  • Photographs

ETHIR recipients

How can I apply for an ETHIR Fellowship?

2015

Chelsea Sams (Art)
Delene White (German and Scandinavian Studies)

2014

David Bendiksen (Comparative Literature)
Gregory Coleman (English)
Donald Geesling (Afro-American Studies)

2013

Spencer Kuchle (Afro-American Studies)
Jaime Pagana (Art History)

2012

Matthew Ferrari (Communications)
Nature, Landscape, and the Visual Culture of Sport Marketing in the McCormack Archive
Thomas Hopper (English)

2011

Molly Campbell (History)
Behold And See As You Pass By: Gravestones and Mortuary Art In Early New England
A digital exhibit drawn from the collections of the Association for Gravestone Studies
Tom Hohenstein (History)
Rhetoric or Research: The CIA at UMass
An examination of protests and counter-protests against CIA recruitment at UMass Amherst in the 1980s.
Emily Oswald (History)
Source, History, Story: Teaching U.S. History in the Archives

Exhibits

Tulip poplar leaves
Tulip poplar leaf Arthur Mange Collection

Drawing upon the unique materials under their care, the staff of the Department of Special Collections and University Archives organize two to three exhibits a year in their reading room and work regularly with their colleagues in the general library to prepare other exhibits for display on the Lower Level of the W.E.B. Du Bois Library.

Current Exhibit

Brother David Steindl-Rast Papers

August 2017-January 31, 2018
Location: SCUA and Learning Commons, Du Bois Library

Brother David is one of the most important figures in the modern interfaith dialogue movement, leaving Mount Savior in the mid-1960s to study Zen Buddhism with Hakuun Yajutami, Shunayu Suzuki, and Soen Nakagawa. He was the first Benedictine to learn directly from Buddhist teachers and received Vatican support for his bridge-building work in 1967. When not in seclusion, Brother David has served as a teacher of contemplative prayer, the intersection of Zen and Catholicism, and gratefulness as a spiritual practice. Through many books and articles, lectures, and residencies in spiritual centers like Tassajara and the Esalen Institute, Brother David has developed an influential philosophy and much of the current popularity of mindfulness and Zen-influenced living and activism owes a debt to his teachings.

The Brother David Steindl-Rast Papers include Brother David’s extensive published and unpublished writings, sermons, memoirs, personal journals, correspondence, photographs, recordings, and videos of his teachings. His papers extend back to his youth in Vienna, documenting his childhood and experience during the war, including a complete run of Die Goldene Wagen, the children’s magazine published by Brother David’s mother Elisabeth Rast.

Future exhibits

W.E.B Du Bois at 150

Feb 1, 2018 – August 2018
Location: SCUA and Learning Commons, Du Bois Library

Scholar, writer, editor of The Crisis and other journals, co-founder of the Niagara Movement, the NAACP, and the Pan African Congresses, international spokesperson for peace and for the rights of oppressed minorities, W.E.B. Du Bois was a son of Massachusetts who articulated the strivings of African Americans and developed a trenchant analysis of the problem of the color line in the twentieth century.

Drawing from the rich and vast Du Bois Papers, containing the personal and professional papers of a remarkable social activist and intellectual, “W.E.B. Du Bois at 150” touches on all aspects of his long life from his childhood during Reconstruction through the end of his life in 1963. The exhibit reflects the extraordinary breadth of his social and academic commitments from research in sociology to poetry and plays, from organizing for social change to organizing for Black consciousness.

1968: Past, Present, Future

August 2018 – January 2019
Location: SCUA and Learning Commons, Du Bois Library

 

Exhibits online
100 photos: Arthur Mange

Arthur Mange

Photographs from the collection of Arthur Mange.

Photographer: DMH

Diana Mara Henry Photographs

Photographs from the collection of Diana Mara Henry. An exhibit by Chuck Abel.

E.D. Hudson

An examination of social reform and antislavery in Antebellum New England. An exhibit by Charles Weisenberger.

Rhetoric or Research

Rhetoric or research

interprets student protests against CIA recruitment at UMass Amherst during the 1980s through a selection of images taken by student photojournalists.
By Tom Hohenstein (ETHIR recipient, 2011).

Gordon Heath

A digital curriculum for teaching U.S. history using archival resources. An exhibit by Emily Oswald (ETHIR recipient, 2011).

Behold And See As You Pass By

I see dead people

An online exhibit on gravestones and mortuary art in Early New England drawn from the Association for Gravestones Studies Collections. By Molly Campbell (ETHIR recipient, 2011)

Robot reader

Science fiction readership in the Cold War and beyond. An exhibit by Morgan Hubbard.

Fifteen letters

Letters home

Conrad D. Totman’s letters home from Korea, 1954-1955. An exhibit by Alex McKenzie.

Du Bois photographs

An online exhibit on the life and legacy of W.E.B. Du Bois based on his papers.

Herbals and Insects

A scarab beetle

A selection of rare botanical and entomological books from the SCUA collections.

A bee

Books on bees and beekeeping. An exhibit by Richard A. Steinmetz.

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