University of Massachusetts Amherst
Special Collections and University Archives
UMass Amherst Libraries
SCUA

You searched for: "Famous Long Ago" (page 7 of 29)

Bent, Arthur Cleveland, 1866-1954

Arthur Cleveland Bent Collection, 1880-1942
8 boxes (5.5 linear feet)
Call no.: MS 413
Image of A.C. Bent, 1929
A.C. Bent, 1929

An avid birder and eminent ornithologist, Arthur Cleveland Bent was born in Taunton, Massachusetts, on November 25, 1866. After receiving his A.B. from Harvard in 1889, bent was employed as an agent for the Safety Pocket Company and from 1900 to 1914, he was General Manager of Mason Machine Works. His passion, however, was birds. An associate in Ornithology at the Museum of Comparative Zoology at Harvard University, Bent became a collaborator at the Smithsonian and president (1935-1937) of the American Ornithologists’ Union. The culmination of his research was the massive, 26 volume Life Histories of North American Birds (1919-1968).

The Bent collection is a glimpse into the birding life of a remarkable amateur ornithologist. It contains the field notebooks of his collaborator, Owen Durfee (1880-1909), his own journals (1887-1942), photographs and negatives (1896-1930), correspondence concerning the photographs (1925-1946), and mimeographed and printed material. Bent’s records cover nest observations, egg measurements, bird sightings, and notes on specimens provided to organizations such as the Massachusetts Audubon Society, the Bristol County Agricultural School, and the United States National Museum.

Subjects
  • American Ornithologists' Union
  • Bent, Arthur Cleveland, 1866-1954. Life Histories of North American Birds
  • Birds
  • Birds--Eggs
  • Birds--Eggs--Photographs
  • Birds--Nests
  • Birds--Nests--Photographs
  • Birds--Photographs
  • Bristol County Agricultural School (Bristol County, Mass.)
  • Massachusetts Audubon Society
  • Ornithologists--Massachusetts
  • United States National Museum
Contributors
  • Bent, Arthur Cleveland, 1866-1954
  • Durfee, Owen
Types of material
  • Field notes
  • Photographs

Bestor, Charles

Charles Bestor Papers, 1971-2002
2 boxes (0.75 linear feet)
Call no.: FS 126

A composer, Professor of Composition, and Director of the Electronic and Computer Music Studios at the University of Massachusetts Amherst, Charles Bestor has also taught at Juilliard School of Music and other universities, won international awards for his music, and collaborated with contemporary installation artists.

The Bestor Papers includes scores and sound recordings for two of his compositions, Suite for Alto Saxophone and Percussion and In the Shell of the Ear, as well as correspondence, concert programs, and reviews, all relating to the publication and performance of the works.

Gift of Charles Bestor, Mar.-Apr. 2004
Subjects
  • University of Massachusetts Amherst--Faculty
  • University of Massachusetts Amherst. Department of Music and Dance
Contributors
  • Bestor, Charles

Binet, Maurice Emmanuel Hippolyte, 1877-

Maurice Emmanuel Hippolyte Binet Collection, 1784-1852 (Bulk: 1794-1814)
2 boxes (1 linear feet)
Call no.: MS 738
Image of

During the revolutionary era of 1789-1848, Belgium was ensnared in power politics on a continental scale, with all the drama and turbulence entailed. From the conquest of the region by French Republican forces under Napoleon in 1794 through the dissolution of French control in 1814, modern-day Belgium was divided into nine administrative departments, including the centrally-located Département de la Dyle, which included the key cities of Brussels, Louvain, and Nivelles.

Collected by Maurice Emmanuel Hippolyte Binet, this small collection of manuscripts is relatively tightly focused on the years of French Republican domination of Belgium (1794-1814), with a particular focus on the Département de la Dyle. The majority of the collection consists of letters received by the Central Administration in the Dyle, including letters to and from Napoleonic generals and French military hierarchy, civic authorities, administrators, and police. Many of the letters concern the challenges of asserting control over a subject population and the political fallout of the French Revolution, but the collection also reflects the greater tensions within a complex society changing rapidly during an age of revolution.

Language(s): French
Subjects
  • Belgium--History--1794-1814
  • Brabant (Belgium)--History
  • Dyle (Belgium)
  • France--History--1789-1815
  • France--History--Revolution, 1789-1799
  • Napoleonic Wars--1800-1815
  • Police--France--18th century
Contributors
  • Lambrechts, Charles Joseph Matthieu, 1753-1823
  • Mallarmé, François René Augustin, 1755-1831
Types of material
  • Letters (Correspondence)

Black, Joseph Laurence, 1962-

Joseph Laurence Black History of the Book Collection, 1789-1964
128 items (3 linear feet)
Call no.: RB 023
Image of The Woman Trapper (1908)
The Woman Trapper (1908)

A scholar of early modern British literature, Joe Black received his BA and PhD from the University of Toronto and taught for several years at the University of Tennessee Knoxville before joining the English faculty at UMass Amherst in 1994. Rooted in the history of the book, his research on seventeenth-century literature has examined the intersection between writing and the material and social context of production as well as the dialogue between print and manuscript culture.

The Black collection is an eclectic assemblage of American imprints designed to assist study and instruction in the history of the book. The collection includes two long runs of pulp novels, Beadle’s Frontier Series and the American Revolution-inspired Liberty Boys of ’76, examples of almanacs, prompt books, and works form the early national period in publishers’ bindings.

Subjects
  • Books--History--United States
  • Dime novels, American
Types of material
  • Almanacs
  • Scrapbooks

Blake, Ella Dot Martin

Ella Dot Martin Blake Sheet Music Collection, 1902-1941
1 box (1.5 linear feet)
Call no.: RBR

Assembled by Ella Dot Martin Blake, this collection consists of eighty pieces of sheet music, more than half with illustrated covers. Dating from the early 1900s, the collection covers both World Wars as well as the rise of Broadway and Hollywood’s golden age. Selections include military sheet music, “Good-Bye, Little Girl, Good-Bye” (1904) and music from Hollywood films, such as “Daddy Long Legs” dedicated to Mary Pickford (1919), and “By a Waterfall” from Footlight Parade (1933).

Types of material
  • Sheet music

Bleyman, Lea K.

Lea K. Bleyman Papers, 1958-2004
2 boxes (3 linear feet)
Call no.: MS 548

The protistologist Lea Bleyman has conducted research into the genetics, mating systems, and life cycles of ciliates. A former student of Tracy Sonneborn, Bleyman has served as past Secretary and President (2001-2002) of the Society of Protozoologists, and spent many years on the faculty of the Department of Natural Sciences at Baruch College.

The Bleyman Papers contain lab and research notes, abstracts of talks and conference materials, along with some correspondence and annual progress reports from Baruch College. The earliest materials in the collection relate to her years as a student in Sonneborn’s lab; other Bleyman material is located in the records of the International Society of Protistologists at the University of Maryland Baltimore County Library.

Subjects
  • Baruch College--Faculty
  • Paramecium--Genetics
  • Protozoans--Composition
  • Protozoans--Genetics
  • Protozoology--Conference
  • Society of Protozoologists
  • Tetrahymena--Genetics
Contributors
  • Bleyman, Lea K
  • Nanney, David Ledbetter, 1925-
  • Sonneborn, Tracy Morton, 1905-1981
Types of material
  • Laboratory notes

Boston Jazz Society

Boston Jazz Society Records, ca. 1973-2014
6 boxes (10 linear feet)
Call no.: MS 880
Image of

Founded in 1973, the Boston Jazz Society grew from a small group of enthusiasts listening to music in living rooms to a thriving organization that “kept Jazz alive” in New England. As Jazz’s popularity began to fade in the late 1960s, local Jazz societies formed to provide support to artists and give them the means and venues to continue to perform on the road. The Boston Jazz Society was originally inspired by one of the earliest, the Left Bank Jazz Society of Baltimore. Like the Left Bank, BJS produced concerts in clubs, theaters, and hotels but expanded their efforts to include exhibits, television and radio shows, and a Jazz education program for grade school students. The longest running BJS activities, however, were the annual Jazz Barbecues and starting in 1975, the BJS Scholarships. The scholarship program raised funds for young Jazz musicians to attend the New England Conservatory of Music’s Jazz Department and the Berklee School Of Music and began the musical careers of many important musicians, composers, and teachers. BJS was also deeply connected to the local music scene, celebrating Roxbury, Mass. natives Alan Dawson and Roy Haynes, whose brother Vincent was a long-time board member, among many others. After 42 years of promoting Jazz music in Boston, the Boston Jazz Society, Inc. dissolved in 2015.

The Boston Jazz Society Records extensively document BJS’s meetings, events, business dealings, and scholarship administration through meeting minutes, posters, correspondence, photographs, recordings, videos, and BJS’s own propaganda and publications. The majority of the BJS records came from the collection of founding member and longtime president Aureldon Edward Henderson and also represents his involvement in promoting Jazz in the Boston area.

Gift of Aureldon Edward Henderson, July 2014, Aug. 2015
Subjects
  • Jazz musicians--Massachusetts--Boston
  • Jazz--Massachusetts--Boston
Contributors
  • Berklee School of Music
  • Haynes, Roy
  • Henderson, Aureldon Edward
  • New England Conservatory of Music

Bradbury, Phyllis C. (Phyllis Clarke)

Phyllis C. Bradbury Papers, 1966-2005
1 box (0.5 linear feet)
Call no.: MS 774

After earning her doctorate in zoology at University of California Berkeley in 1965 and a two year postdoctoral fellowship at Rockefeller University, Phyllis Bradbury joined the zoology faculty at North Carolina State, remaining there for 31 years. A prolific researcher and expert electron microscopist, Bradbury’s research interests centered on the morphogenesis of ciliates and the fine structure of protozoan parasites of marine invertebrates. Beyond research, however, she became a pioneer in improving conditions on campus for women faculty, students, and staff, leading efforts to secure salary equity for faculty women and to provide mentoring for women faculty at NC State. After retiring in 1998, Bradbury settled in Eastport, Maine.

The heart of the Bradbury collection is a significant run of correspondence with Dorothy Pitelka, her dissertation advisor, friend, and long-time colleague at Berkeley, along with some miscellaneous professional correspondence and a series of reprints.

Subjects
  • Invertebrates--Parasites
  • North Carolina State University--Faculty
  • Protozoans--Composition
  • Women biologists
Contributors
  • Pitelka, Dorothy R. (Dorothy Riggs), 1920-

Bramlage, Georgene A.

Georgene A. Bramlage Leverett (Mass.) Collection, 1966-1992
1 box (0.5 linear feet)
Call no.: MS 656

A free-lance garden and landscape writer, Georgene A. Bramlage has published widely on garden and food-related topics and has been a member of the Garden Writers Association since 1980. She is the wife of William A. Bramlage, a member of the faculty in Plant and Soil Sciences at UMass Amherst. Long-time residents of Leverett, Mass., the Bramlages relocated to Roanoke, Va., in 2009.

An avid local historian, Bramlage collected pamphlets and ephemeral publications relating to the history of her town. This small collection includes a few items relating to the town’s bicentennial in 1974, newspaper clippings, genealogical information, and articles on its residents, and items relating to civic affairs in town. Several cookbooks donated by Bramlage were transferred to the McIntosh Cookbook Collection.

Subjects
  • Leverett (Mass.)--History
Contributors
  • Bramlage, Georgene A

Broadside Press

Broadside Press Collection, 1965-1984
1 box, 110 vols. (3.5 linear feet)
Call no.: MS 571
Image of Broadside 6
Broadside 6

A significant African American poet of the generation of the 1960s, Dudley Randall was an even more significant publisher of emerging African American poets and writers. Publishing works by important writers from Gwendolyn Brooks to Haki Madhubuti, Alice Walker, Etheridge Knight, Audre Lorde, Amiri Baraka, Nikki Giovanni, and Sonia Sanchez, his Broadside Press in Detroit became an important contributor to the Black Arts Movement.

The Broadside Press Collection includes approximately 200 titles published by Randall’s press during its first decade of operation, the period of its most profound cultural influence. The printed works are divided into five series, Broadside poets (including chapbooks, books of poetry, and posters), anthologies, children’s books, the Broadside Critics Series (works of literary criticism by African American authors), and the Broadsides Series. . The collection also includes a selection of items used in promoting Broadside Press publications, including a broken run of the irregularly published Broadside News, press releases, catalogs, and fliers and advertising cards.

Gift of the Friends of the W.E.B. Du Bois Libraries, Aug. 2008
Subjects
  • African American poets
  • African American writers
  • Black Arts Movement
  • Poetry
Contributors
  • Broadside Press
  • Brooks, Gwendolyn, 1917-2000
  • Emanuel, James A
  • Giovanni, Nikki
  • Knight, Etheridge
  • Madhubuti, Haki R., 1942-
  • Randall, Dudley, 1914-
  • Sanchez, Sonia, 1934-
Types of material
  • Broadsides
  • Ephemera
  • Posters

© 2017 * SCUA * UMass Amherst Libraries

Log in | Site policies