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Cosby, Bill, 1937-

Bill Cosby Radio Program Collection

1968 Jan-Jul
12 phonograph records .3 linear feet
Call no.: MS 981

“The Bill Cosby Radio Program” was a daily syndicated radio series of roughly 5-minute comedy inserts by Cosby and produced by Frank Buxton (who also served as the show’s announcer and comedic “straight man”). Along with sound man Gene Twombly, Cosby and Buxton improvised the episodes, which were syndicated to more than 200 top-40 radio stations around the nation on transcription discs by The Coca-Cola Company and distributed by McCann-Erikson (Coke’s ad agency). The show marked the beginning of Cosby’s long association with Coca-Cola and was the debut of many characters from Cosby’s comedy.

This collection features twelve radio broadcast transcription discs (one 12-inch disc and eleven 16-inch discs) of “The Bill Cosby Radio Program” containing programs #21-130 (1968 Jan 29-Jun 24) and programs #141-145 (1968 Jul 15). The disc labels contain the original program description and art.

Gift of Jerry Reed, June 2017.

Subjects

African American comediansBuxton, FrankCoca-Cola CompanyCosby, Bill, 1937-Radio comediesRadio programs

Types of material

Phonograph records
Restrictions: SCUA does not currently have the appropriate media to play these records.
Du Bois Homesite

Du Bois Homesite Dedication Video

1969
1 item

As a child, W.E.B. Du Bois lived for several years on a five acre parcel of land on the Egremont plain near Great Barrington, Mass. Although barely five when his family moved into town, Du Bois never lost his feeling for this property that had been in his family for six generations, and when presented with the opportunity to reacquire the site in 1928, he accepted, intending to build a house there and settle.

Walter Wilson and Edmund Gordon purchased the Du Bois homesite in 1967 with the intention of erecting a memorial to Du Bois’ life and legacy. On October 18, 1969, the site was formally dedicated as the W. E. B. Du Bois Memorial Park, with civil-rights activist and future Georgia legislator Julian Bond giving the keynote address and Ossie Davis presiding as master of ceremonies. Nineteen years later, the Du Bois Memorial Foundation donated the property to the Commonwealth of Massachusetts, designating the University of Massachusetts Amherst as custodian.

Narrated by Davis and including Bond’s keynote address, this documentary (originally shot on 16mm motion picture film) depicts the 1969 dedication ceremonies. For additional information, please visit the website for the Du Bois boyhood homesite.

Subjects

Du Bois, W. E. B. (William Edward Burghardt), 1868-1963--Homes and hauntsGreat Barrington (Mass.)

Types of material

Motion pictures (Visual works)
Du Bois, David Graham

David Graham Du Bois Papers

1972-1996
7 boxes 6.5 linear feet
Call no.: FS 034
Depiction of David Graham Du Bois talking with James Baldwin, Nov. 1985. Photo by Irma McClaurin
David Graham Du Bois talking with James Baldwin, Nov. 1985. Photo by Irma McClaurin

David Graham Du Bois was a visiting lecturer in the Journalism and African-American Studies Departments from 1983 until his retirement in 2001. Du Bois was the son of activist and artist Shirley Graham Du Bois, who married W.E.B Du Bois in 1961. Du Bois earned his B.A. at Hunter College in 1950 and a Masters in American Civilization from New York University in 1956. After studying at Beijing University, he traveled to Cairo, Egypt, fell in love with the city, and settled there in 1961, working as a foreign correspondent for the Pacific News Service, Variety, and as an assistant editor for several Egyptian news publications. An activist, like his step-father and mother, Du Bois became the spokesperson for the Black Panther Party, and agitated for racial liberation throughout his life. After his mother’s death in 1977, he became the custodian of W.E.B Du Bois’ legacy and founded the W.E.B. Du Bois Foundation to continue working toward his step-father’s goals. While at the University, Du Bois played an essential role in naming the University Library after his step-father. Du Bois died on January 28, 2005.

The David Graham Du Bois Papers document his later life and his managing of W.E.B. Du Bois’ estate. The papers include a selection of David Du Bois’ correspondence, speech manuscripts, clippings describing his step-father, as well as seleced personal financial records from his time in Amherst, Massachusetts. Additional Du Bois materials remain with the family.

Transferred by the Department of Journalism, 2007

Subjects

Du Bois, W. E. B. (William Edward Burghardt), 1868-1963University of Massachusetts Amherst--FacultyUniversity of Massachusetts Amherst. Department of Afro-American StudiesUniversity of Massachusetts Amherst. Department of JournalismW.E.B. Du Bois Foundation
Du Bois, W. E. B. (William Edward Burghardt), 1868-1963

W.E.B. Du Bois Papers

1803-1984
328 boxes 168.75 linear feet
Call no.: MS 312
Depiction of W.E.B. Du Bois
W.E.B. Du Bois

Scholar, writer, editor of The Crisis and other journals, co-founder of the Niagara Movement, the NAACP, and the Pan African Congresses, international spokesperson for peace and for the rights of oppressed minorities, W.E.B. Du Bois was a son of Massachusetts who articulated the strivings of African Americans and developed a trenchant analysis of the problem of the color line in the twentieth century.

The Du Bois Papers contain almost 165 linear feet of the personal and professional papers of a remarkable social activist and intellectual. Touching on all aspects of his long life from his childhood during Reconstruction through the end of his life in 1963, the collection reflects the extraordinary breadth of his social and academic commitments from research in sociology to poetry and plays, from organizing for social change to organizing for Black consciousness.

Acquired from Shirley Graham Du Bois, 1973

Subjects

African Americans--Civil rightsAfrican Americans--History--1877-1964Crisis (New York, N.Y.)Du Bois, W. E. B. (William Edward Burghardt), 1868-1963--Views on democracyNational Association for the Advancement of Colored PeoplePan-AfricanismUnited States--Race relations

Contributors

Du Bois, W. E. B. (William Edward Burghardt), 1868-1963

Types of material

Photographs
Economic Research and Action Project (New Haven, Conn.)

Economic Research and Action Project (New Haven, Conn.) Records

1965
1 box .05 linear feet
Call no.: MS 949
War on Poverty Cartoon from ERAP Newsletter
War on Poverty cartoon from New Haven ERAP Newsletter, July 23, 1965

The Economic Research and Action Project (ERAP) was a community organizing project sponsored by the Students for a Democratic Society (SDS). Begun in 1963, SDS activists began working in low-income urban neighborhoods to help residents come together to identify and agitate for shared needs. While practical goals included education and advocacy for welfare rights, youth programing such as free school lunches, and increasing minority participation in local politics, the program as a whole had grand aspirations of abolishing poverty and ending racial inequality through an interracial and community organized movement of the poor in America. The largest and longest lasting projects were located in Boston, Chicago, Cleveland, and Newark, but multiple cities had ERAP groups. While none achieved an ongoing interracial movement of the poor, all had lasting effects in bringing minority and urban resident voices to the SDS platform, in teaching the skills, obstacles, and possibilities of community organizing, and in encouraging individuals, both from SDS and local neighborhoods, to participate and engage with diverse people in seeking social change.

New Haven ERAP Records are a small but rich collection, mainly consisting of three summer of 1965 issues of the ERAP Newsletter from the New Haven Project. Additional materials include a clipping from the April 30, 1965 Life issue featuring photographs of New Haven ERAP members working in a “slum called The Hill;” two printed photographs from Life not used in the article; and a written report and supporting research interview on the failure of a New Haven corporation, Community Progress, Inc. to provide good services and comply with the requirements of the Economic Opportunity Act and the Community Action Program Guide.

Gift of Liz Blum, November 2016

Subjects

Activists—United StatesCommunity development, Urban -- United StatesSocial service—United StatesStudent movements – United StatesStudents for a Democratic Society (U.S.)

Contributors

Economic Research and Action Project

Types of material

NewslettersPhotographs
Evans, Cheryl L.

Cheryl L. Evans Papers

1953-2018
3 boxes 5 linear feet
Call no.: RG 050/6 E93

Cheryl Evans singing at Medford High School, ca. 1962

A lifelong activist, performer, and educator, Cheryl Lorraine Evans was born in 1946 in west Medford, MA, the eldest of five. As a high school student, Evans attended the march on Washington in 1963, and was then the first in her family to attend college, in 1964 joining the largest class at UMass Amherst to date. She graduated four years later as a pivotal organizer of African American students across campus, the Five Colleges, and in the region – during the period when Black student groups, the Black Cultural Center, and the Black Studies department all had their origins at UMass. Evans was the first elected president of an African American student organization at UMass, and remains an organizer to this day, particularly as a key connector for Black alumni and through her UMass Black Pioneers Project.

Evans went on to work at UMass as an assistant area coordinator of Orchard Hill, an area housing the majority of the students of color and CCEBS students on campus at the time, and then for the Urban University Program at Rutgers University. She worked for over a decade in early childhood education, mostly in New Jersey and New York City, then while working for the State of Massachusetts received her MA in Communication from Emerson College, partially to help her public radio show, “Black Family Experience.” Evans was the first African American woman to run for City Council in Medford, and was appointed to the Massachusetts Area Planning Council by Governor Dukakis. She taught for five years at Northshore Community College, received her PhD from Old Dominion University in 1997, and ended her career at Bloomfield College, where she was a professor for 18 years until her retirement in 2016. A prolific singer as a child and young adult, Evans was, and continues to be, a performance artist, with several theater pieces focused on Black history, all in addition to her outreach, organizing, and workshops, many focused on increasing the number of Black graduate and doctoral students.

The Cheryl Evans Papers document over 60 years of the life of the educator and activist, including childhood report cards and essays, clippings from the civil rights movement she followed and joined as a high school student, undergraduate records and ephemera, documentation of Black UMass alumni events, and records from her careers in public advocacy, education, and the theater. Evan’s time at UMass is especially well documented, including schoolwork, numerous photographs of student life on campus, social and political organization records, including contact lists of and correspondence with Black students, and the original protest demands from the 1970 Mills House protest and march to Whitmore.

Gift of Cheryl L. Evans, 2018

Subjects

African American college students--MassachusettsAfrican American women teachersUniversity of Massachusetts Amherst--AlumniUniversity of Massachusetts Amherst--Students

Types of material

Photographs
Field, William Franklin, 1922-

William F. Field Papers

1948-1986
27 boxes 13.5 linear feet
Call no.: RG 030/2 F5
Depiction of William F. Field relaxing on couch, ca. 1971
William F. Field relaxing on couch, ca. 1971

The University’s first Dean of Students, William F. Field held the post from 1961 until his retirement in 1988. The 27 years Field was Dean of Students was a critical time of growth and unrest, as the University’s student population more than tripled in size and the nation-wide movements for civil rights and against the Vietnam War were reflected through student activism and protest on the University’s campus. Responsible for ending student curfews and overseeing all dorms becoming co-ed, Field also worked with minority students and faculty to support the Black Arts Movement on campus and the founding of the W.E.B Du Bois Afro-American Studies Department.

The William F. Field Papers document Field’s career as an administrator at the University of Massachusetts and specifically his role as Dean of Students from 1961-1988. The correspondence, memoranda, reports, notes, and other official printed and manuscript documents are a rich resource for one of the most important and volatile eras in the University’s history. Of particular interest are extensive files on student protests and activism in the late 1960s and early 1970s and the growing diversity of the campus student population, flourishing of the Black Arts Movement on campus and the founding of the W.E.B. Du Bois Afro-American Studies Department.

Subjects

African American college students--MassachusettsField, William Franklin, 1922-Race relations--United StatesUniversities and colleges--United States--AdministrationUniversity of Massachusetts Amherst--FacultyUniversity of Massachusetts Amherst. Dean of StudentsUniversity of Massachusetts Amherst. Department of Afro-American StudiesVietnam War, 1961-1975--Protest movements--United States

Types of material

CorrespondenceMemorandums
Gordon, Ann

Ann Gordon Papers

1986-1989
1 box 0.5 linear feet
Call no.: FS 016

Ann Gordon served as the editor of the Susan B. Anthony and Elizabeth Cady Stanton papers as a member of African American Studies department from 1982 until the project’s conclusion in 1989. While at the University, Gordon, along with John Bracey, Joyce Berkman, and Arlene Avakian planned a conference discussing the history of African American Women voting from the Cady Stanton’s meeting at Seneca Falls to the Voting Rights Act. The conference, called the African American Women and the Vote Conference, was held in 1988.

The collection is comprised of proposals, reports, meeting transcripts, and correspondence from Gordon’s work planning the 1988 African American Women and the Vote Conference. Also included is preliminary work by Gordon to organize the papers given at the conference into book form.

Subjects

African American womenUniversity of Massachusetts Amherst--FacultyUniversity of Massachusetts Amherst. Department of Afro-American Studies

Contributors

Gordon, Ann
Grace, Frank

Frank Grace Papers

1976-1985
1 box 0.25 linear feet
Call no.: MS 863

A radical political organizer, Frank “Parky” Grace was a founding member of the New Bedford chapter of the Black Panther Party. Radicalized during his tour of duty in Vietnam in 1967, Grace became involved in the antiwar movement upon his return and organized the local branch of the Black Panthers shortly before the New Bedford Rebellion of 1970. In 1972, he and his brother Ross were charged with the murder, receiving life sentences. Parky Grace contended all along that he had been framed by the police for his political activity and in 1982, Ross admitted that he had been responsible for the murder, backing up his brother’s contention that he was not present at the time. Parky Grace was released from prison in 1984 and lived subsequently in New Bedford and Boston. He died in Boston in October 2001.

The Grace Papers consist of a powerful series of letters written to Gloria Xifaras Clark while Grace was confined in Walpole State Penitentiary. Informed by his revolutionary politics, the letters offer insight into the conditions of imprisonment, his treatment by guards, and his relationships with fellow prisoners.

Gift of Dana Rebeiro, April 2015

Subjects

Black Panther PartyNew Bedford (Mass.)--HistoryPrisoners--MassachusettsWalpole State Prison

Contributors

Clark, Gloria Xifaras, 1942-
Heath, Gordon, 1918-1991

Gordon Heath Papers

1913-1992
44 boxes 22.75 linear feet
Call no.: MS 372 and 372 bd
Depiction of Gordon Heath, Paris
Gordon Heath, Paris

A multi-talented performer, the African American expatriate Gordon Heath was variously a stage and film actor, musician, director, producer, founder of the Studio Theater of Paris, and co-owner of the Parisian nightclub L’Abbaye. Born in New York City, Heath became involved in acting as a teenager and enjoyed a career that spanned post-World War II Broadway to the Black Arts Movement of the 1970s. In addition to his many roles on film and stage, he and his partner Lee Payant enjoyed success as recording artists in the 1950s and 1960s.

The Heath collection includes personal and professional correspondence, scrapbooks containing photos and clippings from assorted television and film productions in addition to songs, poetry, and reviews of plays or playbills from productions he attended. The Papers also contain art work, sheet music, personal and production photographs, and drafts of his memoirs.

Subjects

Abbaye (Nightclub : Paris, France)African American actors--France--Paris--HistoryAfrican American singers--France--Paris--HistoryAfrican Americans in the performing arts--HistoryAfrican-American theater--History--20th centuryBaldwin, James, 1924-Chametzky, JulesDodson, Owen, 1914-Expatriate musicians--France--Paris--HistoryHughes, Langston, 1902-1967Musicians--United States--HistoryNightclubs--France--Paris--HistoryParis (France)--Intellectual life--20th centuryPayant, Lee--CorrespondencePrimus, PearlRive gauche (Paris, France)--Intellectual life--20th centuryStudio Theater of ParisTheater--Production and direction--France--Paris--History

Contributors

Abramson, Doris EHeath, Gordon, 1918-1991

Types of material

PhotographsScrapbooksScriptsSheet musicSketches