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Judith Barter is an art historian and curator of American art. She is currently the Field-McCormick Chair, American Art at The Art Institute of Chicago (AIC), where she has worked since 1992. Born in 1951 in Chicago, IL, she earned degrees at Indiana University and the University of Illinois at Urbana-Champaign before completing a PhD in Cultural and Social History at UMass Amherst in 1991. While earning her PhD, she worked as the curator of collections and associate director at the Mead Art Museum at Amherst College. She has written and contributed writing to a number of exhibition catalogs for exhibitions held across the United States; notable among these is Mary Cassatt: Modern Woman, which originated at the AIC in 1998. She was awarded the Chancellor’s Medal at UMass in 1999.

The papers document Barter’s professional career as a celebrated scholar of American art. The collection includes documentation of her research, writing, and lectures on topics such as trompe l’oeil and photography. Also included are VHS and cassette tapes documenting exhibitions and lectures. 

The Association of American Cultures (TAAC) was founded in 1985, following the success of the first Open Dialogue conference in which cultural workers from an array of arts disciplines gathered to discuss issues confronting arts organizations and artists in communities of color. As a national arts service agency, TAAC advocates for racial equity in the arts and arts organizations and provides support for those concerned with the preservation of their culturally specific identities through the arts.

The TAAC collection consists primarily of materials distributed to participants at several of the Open Dialogues conferences, along with a handful of promotional materials. A videotape in the collection is one of several produced by TAAC in the 1980s on aspects of cultural diversity in the American arts.

In taut and haunting prose, Andrew Coburn left a memorable impression as both novelist and journalist. Born in Exeter, N.H., on May 1, 1932, Coburn became serious about writing while fulfilling his military duty in Germany and earning a degree in English at Suffolk University. After landing a position with the local newspaper, the Lawrence Eagle-Tribune, he put his talents to good use. Building his career as a journalist covering organized crime by day, he managed to spend nearly every night writing fiction until dawn. His successes on the beat earned him steady promotions all the way to city editor, and he eventually founded two newspapers of his own, though fiction would be his future. Winning a Eugene Saxton Fellowship in 1965, Coburn drew upon his experiences on the streets of Lawrence to publish his first novel, The Trespassers, in 1974, followed by The Babysitter in 1979, and eventually eleven other novels, a novella, and a host of short stories and essays. A master of language and dialogue grounded in a strong sense of place, Coburn won both wide readership and praise from other writers. His work has garnered nominations for the Edgar Allan Poe Award and Pushcart Prize and has been translated into 14 languages. Three of his novels have been made into films in France. He was married to Bernadine Casey Coburn, a former journalist and public relations expert, with whom he had one son and four daughters.

The Coburn Papers contain working drafts and page proofs of Andrew Coburn’s novels and short stories, along with selected correspondence, and dozens of journals, scrapbooks, and notebooks used in his fiction. In many cases, the completeness of the collection makes it possible to follow a work from its earliest inception, often recorded as a sketch (literal or in prose), through to its final iteration.

A feminist, filmmaker, photographer, performance artist, writer, and New Yorker, Susan Kleckner helped to define the Feminist Art Movement. Born in 1941, Kleckner was instrumental in uniting Women Artists in Revolution (WAR) with Feminists in the Arts in 1969, and in 1970 she became a founder of the Women’s Interart Center, which still fosters women artists in the performing, visual, and media arts. A talented and prolific visual artist, she produced several important video documentaries during her career, beginning with Three Lives (made in collaboration with Kate Millet in 1970), which is considered the first all-women produced feature documentary. Her work often reflected a feminist commitment to the cause of peace: she participated in and photographed the Greenham Common Women’s Peace Camp in England during the mid-1980s and in 1987, she curated a major year-long installation on Broadway called WindowPeace. A brilliant teacher, Kleckner was the first woman to teach photography at the Pratt Institute and she worked at the International Center for Photography in New York from 1982 until her death in July 2010.

A wide ranging and highly diverse collection, the Kleckner Papers document a life in art and activism. The diaries, letters, notes, and essays in the collection are augmented by hundreds of photographic prints and artwork in a variety of media.