Founded in 1938, the Society for the Preservation and Encouragement of Barber Shop Quartet Singing in America was one of the earliest organziation devoted to promoting barbershop harmony singing.
Mostly undated, the dozens of printed SPEBSQSA songbooks and sheet music in this collection appear to have been printed between the early 1950s and mid-1980s.
Advances in color printing technologies combined with decreasing costs of publication led to a flowering of illustrated sheet music between 1890 and the 1920s.
This small collection is comprised of illustrated sheet music dating primarily from the first quarter of the twentieth century. Representing a cross-section of popular music at the time from minstrel tunes to patriotic marches, most of the songs were selected either for their representation of African Americans (usually in stereotypical and racist caricature) or as examples of pro-war propaganda during the First World War.
Musicians United for Safe Energy (MUSE), an activist organization opposing the use of nuclear energy, was founded in 1979 by Jackson Browne, Graham Nash, Bonnie Raitt, and John Hall. The MUSE Foundation was established with the proceeds of the concerts and for several years provided small grants to support antinuclear and environmental work.
The bulk of the MUSE collection consists of applications from grass-roots, progressive organizations in the United States relating to their work. As such, the collection presents a wonderful snapshot of early 1980s activisim. The collection is part of the Famous Long Ago Archive.
Nina Yolande Du Bois (1900-1961), better known as Yolande Du Bois, was an American teacher best regarded for her contributions to the Harlem Renaissance. Her father was sociologist and civil rights activist W.E.B. Du Bois and her mother was Nina (née Gomer) Du Bois. She was born on October 21, 1900, in Great Barrington, Massachusetts. She faced many health-related issues in her early childhood and also quarreled often with her parents. In her early adulthood, she enrolled at Fisk University in 1920 and graduated in 1924. While attending Fisk, she was in a relationship with Jimmie Lunceford, a prominent jazz musician. At her father’s insistence, she ended her relationship with Lunceford and would later go on to marry acclaimed Harlem Renaissance poet Countee Cullen on April 9, 1928. Their highly-publicized wedding was the talk of many African-American socialites at the time, with every minor detail recorded by the press. However, Yolande and Countee soon grew distant in their marriage, resorting to counseling at first and then divorce following Countee’s coming out as gay to Yolande. With the divorce finalized in the spring of 1930, Yolande chose to pursue higher education and rewrite the course of her life.
After a period of illness, she began to teach English and history at Dunbar High School in Baltimore, Maryland. There, she met Arnette Franklin Williams, whom she married in September 1931 and then later divorced in 1936. She had one daughter with Williams, Yolande Du Bois Irvin Williams, whom she took care of following the divorce. However, during this period, Yolande also moved to New York City with her mother, where she began to take courses at Columbia University’s Teachers College, eventually earning her master’s. She then continued to work as a teacher and to raise her daughter in Baltimore until her death in March 1961. She was survived by her father and her daughter.
Yolande’s scrapbooks, photo albums, and other personal artifacts from her youth (approximately 1915-1929) reflect her travels, undergraduate experiences at Fisk University, outings with her family and friends, artistic pursuits, and more. These scrapbooks showcase trips to England, France, Switzerland, and elsewhere in Europe, across Tennessee, Virginia, Maryland, and New York, as well as other sites of importance in her life. These scrapbooks capture snapshots of her time at Fisk University, from breakups to athletic events, and from classical music concerts to Zeta Beta Phi rush week materials. Each scrapbook showcases a different aspect of Yolande’s late teenage life as well as her early adulthood, coupled with notes, sketches, and illustrations from friends, postcards and fliers from all over the United States and Europe, and her personal takes on the world around her.
Dean Alfange, Jr. was a professor in the political science department at UMass Amherst teaching constitutional law and civil liberties until his retirement in 1999. During that time he also served in the positions of Dean of the Faculty of Social and Behavioral Sciences and Acting Provost. Growing up on New York’s West Side, he earned a B.A. at Hamilton College in 1950. He served in the military from 1952 to 1957; this was followed by twenty years of serving in the Air Force Reserves, retiring in 1980 at the rank of Lieutenant Colonel. In 1960 he earned a master’s degree from the University of Colorado followed by a doctorate from Cornell University in 1967. During his teaching career he received distinguished teaching awards from both Lafayette and UMass. The Dean Alfange Lecture Series in Constitutional Law was funded by a group of former students and brought distinguished scholars in that field to speak annually. Following his retirement from teaching, he was able to pursue his interest in the arts and became a supporter of several small theatrical groups in New York City.
The Alfange papers contain a small array of correspondence, photographs, course syllabi, handwritten lecture notes, writings, awards, and documents related to the Alfange lecture series. A small amount of files relate to his time in the military and his interest in theater and music.
Formed by UMass Amherst students in the late 1960s, Elysian Spring proved to be a popular jazz band during their time on campus. The band’s name and member lineup changed over time, but by the time they recorded their first–and only–record in 1969, the band consisted of Rainer Bertrams, Jimmy Bridges, Lenny Ezbicki, Bruce Krasin, and Jerry Mirliani. The group was focused on improvisational, modal jazz compositions reflecting the beauty found in nature, with the band name itself referencing the Elysian Fields of Greek mythology. Elysian Spring played several venues on and off campus and were the highlight of the University Jazz Workshop concerts. The band released Glass Flowers in 1969, which features back cover notes written by Andy Haigh, Music Librarian at UMass at the time. After the album came out, and after graduations and moves, the band went their separate ways. However, their album became a cult favorite, being sought after by collectors and prompting a reissue of Glass Flowers that was released in 2018.
The Elysian Spring Collection includes the 2018 reissue of their 1969 album, Glass Flowers, color photographs, contact sheets, negatives, and a poster from a 1969 concert. There are also typed interviews with Bruce Krasin and Rainer Bertrams, and a DVD with a brief interview with Lenny Ezbicki and Bruce Krasin on the occasion of the 50th anniversary of the release of their album.
Paul Lyons was a passionate teacher, historian, writer, activist, and musician. He was born in 1942 into a lower middle-class Jewish family in Newark, New Jersey and attended Weequahic High School. He earned his undergraduate degree in history from Rutgers University in 1964. He then continued at Rutgers where he began studying law. After hearing a speech by Bayard Rustin, he quit law school to become a teacher and civil rights activist, participating in campus protests as part of the anti-Vietnam War movement. Between receiving his master’s degree in history at Rutgers in 1967 and his PhD in Social Work from Bryn Mawr College in 1980, Lyons taught history at Temple University and The Miquon Upper School, an independent middle and high school located in Chestnut Hill in Philadelphia, PA. He spent the bulk of his career teaching at Stockton University in New Jersey. While at Stockton, Lyons was involved in his union, and played saxophone and sang in the Stockton Faculty Band. He also helped establish The Sara and Sam Schoffer Holocaust Research Center.
During his career he published 5 books: Philadelphia Communists, 1936-1956 (1982); Class of ’66 (1994); New Left, New Right; The Legacy of the Sixties (1996), The People of This Generation (2003); and American Conservatism: Thinking It, Teaching It (2009). A historian of the Left, Lyons spent his career attempting to grapple with the successes and failures of the New Left in the United States during the latter part of the 20th Century. Literature on the New Left was long dominated by top-down narratives focusing on major organizations and their leaders. Lyons’ People of This Generation (Temple UP, 2003) was significant in that it presented a far different view of the movement as a neighborhood-level case study of the grassroots. His book American Conservatism: Thinking It, Teaching It grappled with the history/intellectual traditions of conservatism in America through the experience of teaching an interdisciplinary senior seminar in the spring of 2006. Much of his research focused on the teaching of social justice and present day events, such as 911, within the classroom. He was published in the Chronicle of Higher Education, Inside Higher Education, The Observer and The Journal of Historical Society.
Lyons was married to Mary Hardwick and had three children: a son, Max Lyons , step-daughter, Jenn Zelnick, and step-son, Nate Zelnick. He passed away at the age of 67 in 2009.
This small collection of published and unpublished papers assembles several of Lyons’ articles for publication including: Chronicle of Higher Education, Inside Higher Education, and The Journal of Historical Society. Also included is a draft of an unpublished memoir, a copy of his 1980 master’s thesis The Communist as Organizer: The Philadelphia Experience, 1936-1956, drafts of American Conservatism, speeches given at anti-Iraq War rallies, and a draft of a manuscript entitled The Last Socialist in America. It also includes his poetry and other assorted writings. Many of these writings reflect his lifelong areas of interest such as the history of the Left and the rise of conservatism in the U.S. Also included are several articles from journals and web outlets that address September 11th, the Iraq war, teaching, John F. Kennedy, the 1960s, patriotism, and more.
Judy Polan was a folk musician who performed primarily throughout Western Mass and New England in the 1980s and 1990s. Born in 1948 in Albany, New York, she graduated from Barnard College in 1970 with a degree in Russian. She worked as a translator in Cambridge, Massachusetts and taught guitar lessons part-time before eventually moving to teaching and performing full time. She married Michael Schonbach in 1975 and moved to Western Mass two years later, living first in Northampton and then Chesterfield. During this period, her music career blossomed. She quickly became a favorite at local coffeehouses and other venues such as the Iron Horse Music Hall in Northampton the Sounding Board Coffeehouse in West Hartford, and Passim in Cambridge, playing both original songs and covers from a wide variety of genres. She was a four-time recipient of the “favorite musician” award in the Valley Advocate Reader’s Poll in 1985, 1993, 1994, and 1995. She was frequently played on radio stations throughout New England and Upstate New York. Polan also performed at weddings and children’s events. Her husband, Michael Schonbach often accompanied her on violin.
She released her first album, Judy, Judy, Judy in 1984 on her own record label, Ruby Slippers Records. The name was an homage to her love of the Wizard of Oz, songs from which would often feature in her shows. She was known by her fans as the “Folk Glitter Queen of New England”, due to her eclectic style of both music and costume, which often featured glittery red high heels fashioned after Dorothy’s ruby slippers from the Wizard of Oz. Over the course of her career she released two more full-length albums and one EP, Look to the Starsin 1986, Dream Dances in 1992 and Daffodils in 1996. Also in 1996, she released a musical interpretation of the poem “I Wandered Lonely as a Cloud” by William Wordsworth, which was used in a tourism campaign for the Lake District in Northwest England. During the early 2000s, Polan’s career shifted to writing, and she worked as an editor and writer for magazines such as Style 1900, Modernism and Jewish Ledger. She mainly wrote about design and travel and maintained a website and blog, Mad for Mod, throughout the 2010s. She also wrote humorous audio memoir essays that were featured on the Albany, NY NPR affiliate, WAMC. She also published a book of poetry, Glasgow Colours at a Decorative Arts Programme at the University of Glasgow. Her husband Michael passed away on June 16, 2022.
The Judy Polan Papers contain material from throughout Polan’s career as a working musician. This includes promotional materials such as concert flyers, profiles in local publications, business and personal correspondence, sheet music, and lyrics. It also contains several dozen recordings contained on different formats such as reels, cassette tapes, records and CDs. These consist of commercial releases, live shows, radio appearances, demo recordings, and master tapes. Polan’s ruby slippers, that she wore during performances, are also part of the collection.
Longtime partners in work and life, Norine Kotts and Cheryl Lewis met in San Francisco in 1980. Kotts, daughter of a law enforcement officer and a homemaker, whose family who moved frequently, was a freelance photographer; Lewis, a biracial Chicago native and daughter of a furniture maker and a schoolteacher, who grew up in Rockland County, N. Y., was an art student in the Bay Area and a lifelong cook. They moved back to the house Kotts was sharing with a group of lesbians, in Somerville, Mass., and eventually into the world of food collectives, restaurants, and hospitality. In 1982, along with two co-founders, Kotts and Lewis opened the cafe Beetle’s Lunch in Allston, a Boston neighborhood. Named “1983 Best Punk Restaurant” by Boston magazine, Beetle’s Lunch became known as a welcoming alternative community space situated at a convergence of queer and feminist politics, new concepts in art and music, and the changing food scene, with a dash of idealism, especially on the part of its young feminist founders. Relocating to Portland, Me., in 1985 Kotts and Lewis opened Café Always, playing a significant role in fostering and shaping that city’s burgeoning food culture: as Portland’s first restaurant to employ local farmers and incorporate local ingredients into the daily menu, Café Always garnered national attention. After selling the business in 1995, the couple opened Aurora Provisions, a gourmet food and wine shop with an in-store restaurant and catering service, which they ran until selling it in 2001. As consultants they continued to participate in and influence the food scene in Portland, helping to launch Portland favorite El Rayo Taqueria in 2009.
The Kotts and Lewis Papers provide glimpses into the formation and operation of several notable New England food establishments, documenting the creative, professional, and personal aspects, as well as the food itself. The collection contains menus, photographs, business plans, correspondence (including a set of letters Kotts wrote to her mother on the backs of menus), recipes and cookbooks, memorabilia, and a guest book filled with diners’ comments. Kotts and Lewis are also the subjects of a series of oral histories conducted by sociologist Janice Irvine.
Ken Brown, born March 12, 1944 in Dayton, Ohio, is a filmmaker, photographer, cartoonist, designer and collector. He was raised in Amherst, Massachusetts, where he briefly attended UMass Amherst, before moving to Cambridge where he also attended Boston University. In the late 1960s he joined the thriving arts scene in Boston, where his most notable contribution was his film work, now known as Psychedelic Cinema. This live music project was projected onstage at the Boston Tea Party while musical acts like the Velvet Underground and Jimi Hendrix played. Brown made experimental films, using tricks like double exposure and stop motion, with a Super 8mm camera. He also worked as a film teacher in the early 1970s.
In 1975 his career took a fortuitous turn when he started to sell postcards featuring his own drawings. This venture was so successful that he expanded the postcard line to include photographs and collages, mining his own collections, which are characterized by kitsch. From there he expanded the business further to include rubber stamps, eventually adding t-shirts, coffee mugs, tea towels, and wrapping paper to the line; he worked with local businesses to put his art and designs on the products. His unconventional business model attracted the attention of the Harvard Business School, which conducted and published a study of his work. He also continued to make films, which have been featured on MTV and Sesame Street. Since 1985 he has lived in New York City with his wife and frequent collaborator, artist and filmmaker Lisa Crafts. He continues to take photographs and make films about life in the city.
The collection comprises a wide variety of the products Brown has produced and marketed throughout his career. It includes near-complete runs of his postcards, rubber stamps, and wrapping paper; a selection of t-shirts, tea towels, placemats and magnets; published books; and a variety of editioned screen prints made from his cartoons and drawings. The collection also contains ephemera documenting Brown’s career and early artwork in an anti-nuclear publication. The collection is expected to grow over time to include drawings, films, and recent digital photographs.
