Sawin-Young Family Papers, 1864-1924.
1 box (0.25 linear feet).
Call no.: MS 583
At the turn of the twentieth century, Albert Sawin and his wife Elizabeth (nee Young) lived on Taylor Street in Holyoke, Massachusetts, with their three children, Allan, Ralph, and Alice. Elizabeth’s brother, also named Allan, traveled in the west during the 1880s, looking for work in Arizona, Utah, and Montana.
The bulk of the Sawin-Young Family Papers consists of letters exchanged between Elizabeth “Lizzie” Sawin, her sisters, and Jennie Young of nearby Easthampton. Later letters were addressed to Beatrice Sawin at Wheaton College from her father Walter E. Sawin, who contributed to the design for the Holyoke dam. The photograph album (1901) kept by Alice E. Sawin features images of the interior and exterior of the family’s home, as well as candid shots of family and friends and photographs of excursions to nearby Mt. Tom and the grounds of Northfield School.
- Holyoke (Mass.)--Social life and customs
- Montana--Description and travel
- Sawin family
- Utah--Description and travel
- Young family
- Sawin, Alice E.
- Sawin, Beatrice
- Young, Allan
- Young, Elizabeth
Types of material
- Letters (Correspondence)
Elizabeth Henderson Papers, 1966-2011.
10 boxes (15 linear feet).
Call no.: MS 746
A farmer, activist, and writer, Elizabeth Henderson has exerted an enormous influence on the movement for organic and sustainable agriculture since the 1970s. Although Henderson embarked on an academic career after completing a doctorate at Yale on the Russian poet Vladimir Mayakovsky in 1974, by 1980, she abandoned academia for Unadilla Farm in Gill, Mass., where she learned organic techniques for raising vegetables. Relocating to Rose Valley Farm in Wayne County, NY, in 1989, she helped establish Genesee Valley Organic CSA (GVOCSA), one of the first in the country, and she continued the relationship with the CSA after founding Peacework Organic Farm in Newark, NY, in 1998. Deeply involved in the organic movement at all levels, Henderson was a founding member of the Northeast Organic Farming Association (NOFA) in Massachusetts, has served on the Board of Directors for NOFA NY, the NOFA Interstate Council, SARE (Sustainable Agriculture Research and Education) Northeast, and many other farming organizations at the state, regional, and national level, and she has been an important voice in national discussions on organic standards, fair trade, and agricultural justice. Among other publications, Henderson contributed to and edited The Real Dirt: Farmers Tell about Organic and Low-Input Practices in the Northeast and co-wrote Sharing the Harvest: A Citizen’s Guide to Community Supported Agriculture (1999, with Robyn Van En) and A Manual of Whole Farm Planning (2003, with Karl North).
Offering insight into the growth of the organic agriculture movement and the organizations that have sustained it, the Henderson Papers document Henderson’s involvement with NOFA, SARE, and the GVOCSA, along with her work to establish organic standards and promote organic practices. Henderson’s broad social and political commitments are represented by a rich set of letters from her work educating prisoners in the late 1970s, including correspondence with Tiyo Atallah Salah El and John Clinkscales, and with the American Independent Movement in New Haven during the early 1970s, including a nearly complete run of the AIM Bulletin and its successor Modern Times.
- American Independent Movement (Conn.)
- Community Supported Agriculture
- Genesee Valley Organic
- Northeast Organic Farming Association
- Organic farming
- Peacework Organic Farm (Newark, N.Y.)
- Sustainable Agriculture Research and Education Program
- Clinkscale, John
- Salah El, Tiyo Atallah
Types of material
Elizabeth W. Whitaker Collection, 1802-1989.
1 box (0.5 linear feet).
Call no.: MS 682
A physical education teacher from Rome, New York, Elizabeth W. Whitaker became an avid recorder of gravestone inscriptions in the 1940s. She died in 1992 at the age of 93.
The core of the Whitaker collection consists of 25 receipts and accounts relating to the early marble industry in western Massachusetts. The key figures in this series are Rufus Willson and his father-in-law, John Burghardt, who quarried stone near West Stockbridge, Mass., conveying it to Hudson, N.Y. The collection also includes a selection of photographs and postcards of gravestones, mostly in New England and New York; two folders of typed transcriptions and newspaper clippings of epitaphs from the same region, ranging in date from the early colonial period to the mid-19th century; and a price list of Barre granite from Wetmore and Morse Granite Co., 1934.
- Marble industry and trade--Massachusetts
- Sepulchral monuments--Massachusetts
- Association for Gravestone Studies
- Burghardt, John
- Whitaker, Elizabeth W
- Willson, Rufus
Types of material
- Receipts (Financial records)
Young Women's City Club Records, 1931-1981.
2 boxes (0.75 linear feet).
Call no.: MS 045
Known as Girl’s City Club until 1954, the Young Women’s City Club was a non-sectarian, self-governing, and largely self-supporting club in Northampton, Massachusetts, that developed educational and recreational opportunities for young women through programs, social events, volunteer services, and fund-raising activities. The club met regularly under the auspices of the People’s Institute until November 1979 when their rooms at James House were taken over by the Highland Valley Elder Service and the club relocated to the People’s Institute.
The records of the Young Women’s City Club document the growth and activities of the club from 1939 to 1981, with the exception of the decade 1961 to 1971. Consisting of photocopies of originals still held by the People’s Institute, the collection includes minutes of council and business meetings and scrapbook pages.
- Women--Societies and clubs--Massachusetts
- Young Women's City Club (Northampton, Mass.)
Harold Ambellan Memoir, 2005.
1 item (75p.)
Call no.: MS 855
A native of Buffalo, N.Y., the expatriot sculptor Harold Ambellan was a participant in the Federal Art Project during the 1930s and a figure in the radical Artists’ Union and Sculptors Guild. After naval service during the Second World War, Ambellan left the United States permanently to escape the hostile climate of the McCarthy-era, going into exile in France. Although a friend of artists such as Pollock, de Kooning, and Rothko, Ambellan’s work was primarily figurative and centered on the human form. His work has been exhibited widely on both sides of the Atlantic. He died at his home in Arles in 2006 at the age of 94.
In 2005, Victoria Diehl sat with her friend, Harold Ambellan, to record his memories of a life in art. Beginning with recollections of his childhood in Buffalo, N.Y., the memoir delves into the impact of the Great Depression, Ambellan’s experiences in the New York art scene of the 1930s and his participation in the leftist Artists’ Union, his Navy service, and his expatriate years in France from the 1950s-2000s. Ambellan’s memoir also includes extended discussion of his views of democracy, patriotism, and art, and his career as a sculptor.
- Artists--20th century
- Depressions, 1929
- Expatriate artists--France
- New Deal, 1933-1939
- Sculptors--20th century
- World War, 1939-1945
- Diehl, Victoria
- Guthrie, Woody, 1912-1967
Types of material
Anglin Family Papers, 1874-1955 (Bulk: 1914-1926).
2 boxes (1 linear feet).
Call no.: MS 699
Born in Cork, Ireland to a prosperous family, the Anglin siblings began immigrating to Canada and the United States in 1903. The first to relocate to Canada, brothers Will and Sydney pursued vastly different careers, one as a Presbyterian minister and the other as a salesman at a Toronto slaughterhouse. George and Crawford both served in the military during World War I, the former in the British Infantry as a medical officer and the latter in the 4th University Overseas Company first in France and later in Belgium where he died saving the life of a wounded soldier. Gladys Anglin trained as a nurse, but worked in a Canadian department store and at the Railway Office before suffering a mental breakdown and entering the Ontario Hospital as a patient. Ethel remained in Ireland the longest where she taught Domestic Economics at a technical school. The only Anglin to immigrate to the United States and the only female sibling to marry, Ida and husband David Jackson settled in Monson, Massachusetts where they raised four daughters.
The Anglin siblings were part of a close knit family who stayed in contact despite their geographic separation through their correspondence. Siblings wrote and exchanged lengthy letters that document not only family news, but also news of local and national significance. Topics addressed in their letters include World War I, the Irish revolution, medicine, religious ministry, and domestic issues from the ability of a single woman to support herself through work to child rearing.
- Anglin family--Correspondence
- Ireland--Emigration and immigration--History
- Ireland--History--War of Independence, 1919-1921
- Irish--United States--History
- World War, 1914-1918
Brinley Family Papers, 1643-1950.
(4.75 linear feet).
Call no.: MS 161
A prosperous family of merchants and landowners, the Brinleys were well ensconced among the social and political elite of colonial New England. Connected by marriage to other elite families in Rhode Island and Massachusetts — the Auchmutys, Craddocks, and Tyngs among them — the Brinleys were refined, highly educated, public spirited, and most often business-minded. Although many members of the family remained loyal to the British cause during the Revolution, the family retained their high social standing in the years following.
The Brinley collection includes business letters, legal and business records, wills, a fragment of a diary, documents relating to slaves, newspaper clippings, and a small number of paintings and artifacts. A descendent, Nancy Brinley, contributed a quantity of genealogical research notes and photocopies of Brinley family documents from other repositories. Of particular note in the collection is a fine nineteenth century copy of a John Smibert portrait of Deborah Brinley (1719), an elegant silver tray passed through the generations, and is a 1713 list of the library of Francis Brinley, which offers a foreshadowing of the remarkable book collection put together in the later nineteenth century by his descendant George Brinley.
- American loyalists--Massachusetts
- Book collectors--United States--History--19th century
- Brinley family
- Brinley, George, 1817-1875--Library
- Businessmen--Rhode Island--History
- Craddock family
- Landowners--Rhode Island--History
- Libraries--Rhode Island--18th century
- Massachusetts--Economic conditions--18th century
- Massachusetts--Politics and government--19th century
- Rhode Island--Economic conditions--18th century
- Rhode Island--Genealogy
- Rhode Island--Politics and government--19th century
- Slavery--United States--History
- Tyng family
- United Empire Loyalists
Types of material
Burt V. Brooks Photograph Collection, 1889-1934.
3 boxes (1.5 linear feet).
Call no.: PH 060
The artist Burt Vernon Brooks was one of the outstanding chroniclers of daily life in the Swift River Valley before it was inundated to create the Quabbin Reservoir. Born in Brimfield, Mass., in 1849 and raised in Monson, Brooks moved to Greenwich with his family in the 1870s, where he worked on the family farm. At some unclear point before he turned 40, Brooks became active as an artist, painting local homes and scenery and taking photographs of the landscape, residents, and daily life in the Quabbin region. A prolific photographer, he was, in the words of historian Donald W. Howe, “hardly ever seen without his camera strapped to his back,” remaining active for decades. Three years after following his second wife to the west, Brooks died in Los Angeles in 1934.
The great majority of the 92 photographs in this collection are 5×7″ dry plate glass negatives taken by Brooks in the earliest years of the twentieth century, documenting the houses and people of Greenwich. Brooks’ work includes landscapes, houses, and a significant series of images of the Hillside School, but some of his best works are studio portraits, images of people at home or with their carriages, and posed scenes of children at play or at work. The collection also includes eight images by Brooks at Enfield, Greenwich, and Dana that are the property of the Swift River Valley Historical Society, and six images taken by Chetwynd and Pike in the Quabbin region to document properties slated for removal.
- Carriages and carts--Massachusetts--Greenwich--Photographs
- Dana (Mass.)--Photographs
- Enfield (Mass.)--Photographs
- Greenwich (Mass.)--Photographs
- Hillside School (Marlborough, Mass.)
- New Salem (Mass.)--Photographs
- Prescott (Mass.)--Photographs
Types of material
- Dry plate gelatin negatives
- Gelatin silver negatives
Cemetery Inscriptions Collection, 1902-2005.
4 boxes (6 linear feet).
Call no.: MS 669
Founded in 1977, the Association for Gravestone Studies (AGS) is an international organization dedicated to furthering the study and preservation of gravestones. Based in Greenfield, Mass., the Association promotes the study of gravestones from historical and artistic perspectives. To raise public awareness about the significance of historic gravemarkers and the issues surrounding their preservation, the AGS sponsors conferences and workshops, publishes both a quarterly newsletter and annual journal, Markers, and has built an archive of collections documenting gravestones and the memorial industry.
Consisting of self-published and limited-run compilations of gravestone transcriptions from historical cemeteries, the AGS Cemetery Inscriptions Collection offers rich documentation of epitaphs and memorial language, with an emphasis on colonial and early national-era in New England and Ohio. The collection is arranged by state and town.
- Sepulchral monuments
- Association for Gravestone Studies
Judi Chamberlin Papers, ca.1970-2010.
23 boxes (34.5 linear feet).
Call no.: MS 768
A pioneer in the psychiatric survivors’ movement, Judi Chamberlin spent four decades as an activist for the civil rights of mental patients. After several voluntary hospitalizations for depression as a young woman, Chamberlin was involuntarily committed for the only time in 1971, having been diagnosed with schizophrenia. Her experiences in the mental health system galvanized her to take action on patients’ rights, and after attending a meeting of the newly formed Mental Patients’ Liberation Project in New York, she helped found the Mental Patients’ Liberation Front in Cambridge, Mass. Explicitly modeled on civil rights organizations of the time, she became a tireless advocate for the patient’s perspective and for choice in treatment. Her book, On Our Own: Patient Controlled Alternatives to the Mental Health System (1978), is considered a key text in the intellectual development of the movement. Working internationally, she became an important figure in several other organizations, including the Center for Psychiatric Rehabilition at Boston University, the Ruby Rogers Advocacy Center, the National Disability Rights Network, and the National Empowerment Center. In recognition of her advocacy, she was awarded the Distinguished Service Award by the President’s Committee on Employment of People with Disabilities in 1992, the David J. Vail National Advocacy Award, and the 1995 Pike Prize, which honors those who have given outstanding service to people with disabilities. Chamberlin died of pulmonary disease at home in Arlington, Mass., in January 2010.
An important record of the development of the psychiatric survivors’ movement from its earliest days, the Chamberlin Papers include rich correspondence between Chamberlin, fellow activists, survivors, and medical professionals; records of her work with the MPLF and other rights organizations, conferences and meetings, and her efforts to build the movement internationally.
- Ex-mental patients
- People with disabilities--Civil rights
- People with disabilities--Legal status, laws, etc.
- Mental Patients Liberation Front
- Mental Patients Liberation Project
- National Empowerment Center
Types of material