Cummington School of the Arts Records, 1908-1993.
30 boxes (45 linear feet).
Call no.: MS 891
In 1923, Katherine Frazier established the Playhouse-in-the-Hills as a venue for theatrical performances in the small Berkshire County town of Cummington, Mass. Frazier’s vision, however, soon led her to expand the project into the Cummington School of the Arts (later the Cummington Community of the Arts), which she envisioned as “an environment congenial to creative activity.” Over its seventy years of operation, the School emphasized creative collaboration across the fine arts, offering not only performances, but summer residencies and six-week courses where writers, artists, performers, and musicians could study and practice under the guidance of visiting artists. Among its noted alumni were luminaries such as Helen Frankenthaler, Willem de Kooning, Diane Arbus, Marianne Moore, and Archibald Macleish, and the school was a starting point for Harry Duncan’s renowned Cummington Press. The increasing financial challenges facing not-for-profit organizations led a cessation of operations in about 1993.
The records of the Cummington School of the Arts offer a cross-sectional view of the School across its years of operation. In addition to a very small selection of personal material from Katherine Frazier, the collection includes valuable correspondence and ephemera relating to the school’s philosophy and founding, and nearly a third of the collection consists of records of students, often including their applications, comments on the work accomplished in Cummington, and occasionally, copies of work produced. The balance of the collection consists of many of the school’s publications, administrative materials (including curricula and planning documents), and financial and fundraising materials.
Lionel Delevingne Photograph Collection, ca.1975-1995.
2 boxes (1 linear feet).
Call no.: PH 047
Born and raised in France, the photojournalist Lionel Delevingne studied education at l’Ecole Normale in Paris, but settled permanently in the United States in 1975. Based at first in Northampton, Mass., he became a prolific photographer of American social movements while working for the Valley Advocate and other publications, covering the early years of the Clamshell Alliance and the antinuclear movement in considerable depth. His work has been exhibited frequently and published widely in the mainstream and alternative press, including the New York Times, Le Figaro Magazine, Die Zeit, Newsweek, Washington Post Magazine, Mother Jones, and Vanity Fair.
The Delevingne collection includes remarkable visual documentation of the antinuclear movement of the 1970s and beyond, including some of the its most iconic images. Beginning with coverage of the Seabrook occupation, Delevingne covered the movement as it spread throughout the northeastern U.S. and internationally. The collection includes exhibition prints, prints for publication, and digitized images ranging in date from the mid-1970s through 1990s. Copyright in the images has been retained by Delevingne.
- Antinuclear movement--United States
- Clamshell Alliance
- Seabrook Nuclear Power Plant (N.H.)
Types of material
William Wallace Denslow Botanical Manuscripts Collection, 1864-1868.
1 box (0.5 linear feet).
Call no.: MS 064
A druggist by training, William Denslow became interested in botany as a means of combating tuberculosis through outdoor exercise. As his interests developed, Denslow amassed an herbarium that included between 11,000 and 15,000 specimens, including both American and European species.
The Denslow collection consists of a single volume of manuscripts, chiefly letters, collected from significant botanists and other individuals, including William Henry Brewer, Mordecai Cubitt Cooke, Asa Gray, Isaac Hollister Hall, Thomas P. James, Horace Mann, Edward Sylvester Morse, Charles Horton Peck, George Edward Post, Frederick Ward Putnam, George Thurber, and John Torrey.
- Botany--History--19th century--Sources
- Brewer, William Henry, 1828-1910
- Cooke, M. C. (Mordecai Cubitt), b. 1825
- Denslow, William Wallace, 1826-1868
- Gray, Asa, 1810-1888
- Hall, Isaac H. (Isaac Hollister), 1837-1896
- James, Thomas Potts, 1803-1882
- Mann, Horace, 1844-1868
- Morse, Edward Sylvester, 1838-1925
- Peck, Charles H. (Charles Horton), 1833-1917
- Post, George E. (George Edward), 1838-1909
- Putnam, F. W. (Frederic Ward), 1839-1915
- Thurber, George, 1821-1890
- Torrey, John, 1796-1873
Types of material
Double Edge Theatre Records, 1970-2002.
28 boxes (15.5 linear feet).
Call no.: MS 455
Since its founding, Double Edge Theatre has embraced a two-fold mission: to develop and promote the highest quality of original theatre performance, and to create a permanent center of performance, practice, training research, and cultural exchange.
The collection documents the Theatre’s focus on research, international collaboration, and the elevation of artistic performance above and beyond stage work into the realm of cultural exchange.
- Experimental theater
- Theater and society
- Theatrical companies--Massachusetts
- Arnoult, Philip
- Double Edge Theatre
- Durand, Carroll
- Klein, Stacy
- Odin teatret
- Staniewski, Wlodzimierz
- Stowarzyszenie Teatralne "Gardzienice"
Types of material