You searched for: "“Radicalism--Songs and music”" (page 3 of 13)

University of Massachusetts Amherst. Students

University of Massachusetts Amherst. Student Body

1867-2007
155 linear feet
Call no.: RG 045

Since the arrival of the first class of students at Massachusetts Agricultural College in 1867, the student body at UMass has grown to over 20,500 undergraduates and nearly 6,000 graduate students.

Record Group 45 includes the collected records of student activities at UMass Amherst, from student publications and organizations (fraternities and sororities, unions, and honorary societies) to records of student government, student protests, and religious and social groups. Also included are class notes and correspondence of some individual students while enrolled in the University.

Connect to another siteA number of student publications have been digitized and are indexed in YouMass.

Subjects

  • Aggie Life
  • Bay State Ruralist
  • College Signal
  • College students--Massachusetts
  • Greek letter societies--Massachusetts
  • Student newspapers and periodicals--Massachusetts
  • University of Massachusetts Amherst--Students
Albertson, Jeff

Jeff Albertson Photograph Collection

ca.1966-2005
7 boxes 10.5 linear feet
Call no.: PH 057
Image of Jeff Albertson, ca.1970
Jeff Albertson, ca.1970

Born in Reading, Mass., on Sept 13, 1948, Jeff Albertson was still a student at Boston University, working on the staff of the BU News, when he was hired as a photographer by the Boston Globe. Reflecting the youth culture of the late 1960s and early 1970s, his photographs earned him positions with several prominent Boston alternative media outlets. Covering news, music, and the political interests of his generation, he served as photo editor for the Boston Phoenix and associate publisher for the Real Paper, and his work appeared regularly in mainstream publications such as Rolling Stone, People, and Boston Magazine. After becoming photo editor for the Medical Tribune News Group and moving to New York City in the 1980s, he met and married Charlene Laino. In later years, he became involved in early efforts to create websites devoted to issues surrounding health. Albertson died in 2008.

As a photographer, Albertson covered a wide range of subjects, with particular focus on music and social change. The many thousands of prints, slides, and negatives in the collection include stunning shots of Bruce Springsteen, Bonnie Raitt, Neil Young, Elvis Presley, Frank Sinatra, and John Lee Hooker, activists such as Abbie Hoffman, politicians, and public personalities. The collection also includes several photographic essays centered on poverty, old age, fire fighting in Boston, and prisoners in Massachusetts (among other issues) along with a wide array of landscapes and street scenes.

Gift of Charlene Laino, Oct. 2013

Subjects

  • Boston (Mass.)--Photographs
  • Musicians--Photographs
  • Vietnam War, 1961-1975--Protest movements

Contributors

  • Simon, Peter

Types of material

  • Photographs
Arcadia Players

Arcadia Players Records

1989-2005
18 boxes 27 linear feet
Call no.: MS 451

Since 1989 the Arcadia Players have been performing Baroque music with the aim of providing an authentic experience both for the musicians and the audience by employing instruments and performance practices that draw from the seventeenth and eighteenth centuries. In residence at the Massachusetts Center for Renaissance Studies at UMass Amherst, the ensemble performs an annual series of concerts in several communities throughout western Massachusetts.

The collection consists of brochures, programs, photographs, videorecordings of performances, and financial and administrative records. Together the items provide a behind-the-scenes look at the operations of a small but successful professional ensemble of musicians.

Subjects

  • Music--17th century
  • Music--18th century
  • Musicians--Massachusetts

Contributors

  • Arcadia Players
Berkeley, Roy

Roy and Ellen Perry Berkeley Papers

ca.1954-2011
2 boxes 3 linear feet
Call no.: MS 972

Born in New York City in 1935, Roy Berkeley’s eclectic creative career began while working his way through Columbia University (BA, 1956) as an editor for the New York Post and pseudonymous author of 14 pulp novels, and continued after graduation, working for two years at the height of the Cold War in U.S. intelligence. A self-taught guitarist, he became a stalwart of the folk music scene in Greenwich Village, performing at the Gaslight regularly and at the first Newport Folk Festival in 1959, and eventually recording three albums. In 1966, Berkeley married Ellen Perry, a writer and editor for Progressive Architecture and Architectural Forum, and one of the few women architectural critics of the time. Their time in New York City ended in 1971, however, when Ellen’s job as an editor at an architectural magazine ended. Using Roy’s winnings from his appearance on the television show Jeopardy, the couple relocated to Shaftsbury, Vt., where they led a freelance life as writers, editors, teachers, and lecturers. Roy was eventually appointed deputy Sheriff in own and became a member of the state’s Fish and Wildlife Board. After a struggle with cancer, Roy Berkeley died in 2009 at the age of 73.

The bulk of the Perry Papers consists of Roy’s research files and drafts of a never-completed history of the folk music scene, along with some correspondence, notes, and ephemera that includes both editions of his Bosses Songbook, a satirical send-up of the People’s Songbook. The collection also contains a sampling of the exceptional range of Ellen’s writing on topics from architecture to cats, cookery, to grieving.

Gift of Ellen Perry Berkeley, April 2017

Subjects

  • Architecture
  • Folk music

Contributors

  • Berkeley, Ellen Perry
Broadside

Broadside Collection

1962-1970
1 box 1.5 linear feet
Call no.: MS 1014

One of three independent newsletters of the same name that appeared in the spring 1962, the Boston- and Cambridge-based Broadside provided performers and their audience with information about the burgeoning folk scene in New England. Under the leaderhip of publisher, editor, and contributor David Wilson, the Broadside printed peformance schedules for the local coffeehouses, ran articles on musicians and music, reviews of new recordings and concerts, and regularly offered news of the folk scene in other east coast cities and as far west as Chicago.

The collection consists of a nearly complete run of the Broadside from is first issue through 1970, when Wilson tranferred editorial responsibilities to his associates. The collection was assembled by Wilson.

Gift of David Wilson, 2017

Subjects

  • Folk music--New England

Contributors

  • Wilson, David

Types of material

  • Newsletters
Broadside (Mass.)

Broadside (Mass.) Collection

1962-1968
1 box 1.5 linear feet
Call no.: MS 1014
Part of: Folk New England Collection

When The Broadside first appeared in March 1962, it immediately became a key resource for folk musicians and fans in New England. Written by and for members of the burgeoning scene, The Broadside was a central resource for information on folk performances and venues and throughout the region, covering coffeehouses, concert halls, festivals, and radio and television appearances.

Assembled by Folk New England, the collection contains a complete run of the Boston- and Cambridge-based folk music periodical, The Broadside, with the exception of the first issue, which has been supplied in photocopy.

Gift of Folk New England, Oct. 2017

Subjects

  • Folk music--New England--Periodicals
  • Popular music--New England--Periodicals

Contributors

  • Wilson, David

Types of material

  • Periodicals
Drucker, Jeffrey I.

Jeffrey Drucker Photograph Collection

1966-1969
387 photographs
Call no.: RG 50/6 D78
Image of Roger McGuinn being interviewed, Feb. 25, 1968
Roger McGuinn being interviewed, Feb. 25, 1968

Jeffrey Drucker was a student and photographer at the University of Massachusetts Amherst from 1966 to 1969, where he majored in production management and was the WMUA station engineer. As a student, Drucker was a photography enthusiast, taking snapshots of events across campus, thoroughly documenting his years as an undergraduate at UMass in the late-sixties.

The Jeffrey Drucker Photograph Collection contains 387 photographs of a diverse array of campus events, including the Dow Chemical protest in 1968, parades, Roister Doisters productions, musicians like Stevie Wonder and Simon and Garfunkel performing at on-campus concerts, and iconic campus buildings. Many of Drucker’s photographs were printed in the Index yearbook as well as the University of Massachusetts Daily Collegian and give a clearly student perspective to life on campus.

Subjects

  • Protests and demonstrations--Photographs
  • Rock concerts--Massachusetts--Amherst--Photographs
  • Roister Doisters (University of Massachusetts Amherst)--Photographs
  • University of Massachusetts Amherst--Photographs
  • University of Massachusetts Amherst--Students and alumni--Photographs

Types of material

  • Black-and-white negatives
  • Gelatin silver prints
Folk New England

Folk New England Ephemera Collection

1960-1973
1 oversize box 0.25 linear feet
Call no.: MS 1017
Image of Poster for performance by Jackie Wilson, 1964 (designed by Eric von Schmidt)
Poster for performance by Jackie Wilson, 1964 (designed by Eric von Schmidt)

Founded by Betsy Siggins in 2009, Folk New England is an organization dedicated to documenting, preserving, and interpreting the cultural legacy of folk music in all its forms, with an emphasis on New England’s contributon.

The Ephemera Collection consists of dozens of posters, fliers, calendars, and other promotional materials for musical acts collected by Folk New England. Concentrated in the years of the folk revival in the late 1950s to late 1960s, many of the posters were sent to Club 47 in Cambridge, Mass.

Gift of Tom Curren and Folk New England, March 2018

Subjects

  • Folk music--New England

Types of material

  • Fliers
  • Posters
Frizzell, Charles

Charles Frizzell Collection

1963-2004
1 box (flat) 0.3 linear feet
Call no.: PH 081
Part of: Folk New England Collection
Image of Charlie Frizzell, ca.1963 (from Betsy Siggins Papers)
Charlie Frizzell, ca.1963 (from Betsy Siggins Papers)

Raised in suburban Boston, Charlie Frizzell became a well-known photographer of the music scene during the height of the folk revival of the early 1960s. At the age of 14, Frizzell took up photography after landing his first job at a camera shop, and he developed his talents under the mentorship of a local commerical photographer, Bob O’Shaughnessy. As a regular at Club 47 in Cambridge, Frizzell photographed the most popular performers of the era, from Bob Dylan and Joan Baez to Geoff and Maria Muldaur and Jim Kweskin. He left Massachusetts in the late 1960s for Berkeley, Calif., and according to folklorist Millie Rahn, created a sort of conduit between the music scenes in Berkeley and Cambridge. Frizzell died in Berkeley on May 29, 2004, following complications from a liver transplant.

Dating primarily from the mid-1960s, the collection includes approximately 50 prints and some negatives from Charlie Frizzell, including images of Jim Kweskin, Maria Muldaur, Bob Siggins, and Bonnie Dobson, along with images of performances at Newport Folk Festival.

Transferred from Cambridge Historical Society, April 2018

Subjects

  • Folk musicians--Photographs

Types of material

  • Photographs
Massachusetts State College Glee Club

Massachusetts State College Glee Club

ca.1935
1 sound recording (78 rpm)
Call no.: RG 185/1

The Massachusetts State College Glee Club recorded ten songs onto 78 r.p.m. disk in the mid-1930s. One of the few early recordings of the group, the recording includes the Massachusetts State College alma mater, fight songs, and other typical collegiate fare.

Subjects

  • Massachusetts State College--Students
  • Men’s choral societies--Massachusetts

Contributors

  • Massachusetts State College. Glee Club

Types of material

  • Sound recordings