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Hoagland, Everett

Everett Hoagland Papers, 1966-2016
4 boxes, 28 books (3 linear feet)
Call no.: MS 910
Everett Hoagland
Everett Hoagland at the PAWA World Poetry Conference in Accra, Ghana, 1999.

Poet Everett Hoagland was born and raised in Philadelphia and attended and graduated from Lincoln University, and later Brown University on a full fellowship for pursuing his Masters of Arts. Hoagland’s poetry came of age during the civil rights struggles of the 1960s and the Black Arts Movement, and is often powerfully political. Driven by the history, music, rhythms, and both collective and individual stories from African and African American culture and experiences, Hoagland is one of the most significant African American poets of the late twentieth century. His second chapbook, Black Velvet, was published by the pioneering Broadside Press in 1970, and he has remained widely published and anthologized through to the present day, including his most recent anthology addition, a poem about the Black Lives Matter movement. In addition to his writing, Hoagland has given readings across the nation and globe, and also served as a teacher and mentor to many, primarily in his position as a Professor of English at the University of Massachusetts Dartmouth for over thirty years. He has won numerous awards and honors, including the Gwendolyn Brooks Award for Fiction, two state-wide poetry competitions for Massachusetts Artists Foundation fellowships, the Distinguished Service to University award from UMass Dartmouth, two MA Local Cultural Council grants for book publications, ForeWord Magazine’s Best Poetry Book award, and most recently in 2015, the Langston Hughes Society Award. Hoagland also served, from 1994 to 1998, as the inaugural poet laureate of his adopted hometown of New Bedford, MA.

The Everett Hoagland Papers include manuscript materials and over twenty books documenting Hoagland’s decades-long career as a poet and writer on racial politics and African American experiences. They consist of photographs; performance and presentation programs, reviews, and recordings; interviews and articles; and unpublished and published writings including copies of Hoagland’s column in the New Bedford The Standard Times, a draft of his Master’s thesis, short fiction stories, a scrapbook of unpublished poetry, and poetry in magazines, periodicals, Hoagland’s authored poetry books, and numerous anthologies.

Subjects
  • African American poets
  • African American writers
  • African Americans--Poetry
  • American poetry--African American authors
  • Black Arts Movement
  • Poetry--New England--Massachusetts
Types of material
  • Anthologies
  • Books
  • Poems

Kislo, Michael Z., 1896-1978

Michael Z. Kislo Notebooks, 1954-1974
3 boxes (1.25 linear feet)
Call no.: MS 246

After emigrating from Dzieciekowo, Poland, Michael Kislo found work in a Northampton basket shop and later as a machinist at International Silver Company. He was a resident of Florence, Mass.

The Kislo collection contains nine volumes of Kislo’s writing (mostly in Polish and thematically religious, patriotic, personal, and autobiographical) and artwork (drawings and paintings with religious allusions, Polish costumes, weapons, imaginary animals and fanciful landscapes).

Acquired from Susan Kislo via Stanley Radosh, 1989
Language(s): Polish
Subjects
  • Art, Polish--Massachusetts--20th century
  • Florence (Mass.)--Biography
  • Immigrants--Massachusetts--Florence
  • Polish American artists--Massachusetts--Florence
  • Polish Americans--Massachusetts--Florence
  • United States. Federal Bureau of Investigation
Contributors
  • Kislo, Michael Z., 1896-1978
Types of material
  • Diaries
  • Notebooks
  • Watercolors (Paintings)

Kopiecki, Sophie D. Zmijewski

Sophie D. Zmijewski Kopiecki Papers, ca. 1950-1990
8 boxes (12 linear feet)
Call no.: MS 553

An active member of a number of women’s Polish American clubs in Massachusetts, including the Massachusetts Federation of Polish Women’s Clubs, Sophie Kopiecki was a schoolteacher and mother in the eastern part of the state. Documenting her contributions to the various clubs of which she was a member as well as her activities as a teacher, this collection includes publications, programs, memorabilia, and student assignments.

Gift of Barbara Kopiecki Stathis, Apr. 2008
Subjects
  • Polish American friendly societies--Massachusetts
  • Polish Americans--Ethnic identity--History--20th century
  • Polish Americans--Massachusetts
Contributors
  • Kopiecki, Sophie D. Zmijewski

Kszepka, Joseph A., collector

Joseph A. Kszepka Collection, 1906-1949
8 items (0.15 linear feet)
Call no.: MS 276

Collection of printed materials, primarily the constitutions and by-laws of Massachusetts Polish-American organizations, including publications of the Pilsudski Polish-American Citzens Club in Southbridge, St. Stanislaus’ Polish Lyceum in Three Rivers, and the Polish American Citizens’ Club also in Three Rivers, which contains study questions for the U.S. citizenship exam. Also a prayerbook (1906) and a textbook for parents and teachers, Masturbation in Men and Women and Its Effects (1912), translated to Polish from German.

Subjects
  • Polish Americans--Massachusetts
Contributors
  • Kszepka, Joseph A.

Libera, John

John Libera Collection, 1934-1988
1 flat box (0.25 linear feet)
Call no.: MS 048
Image of Polish Tigers baseball team, ca.1935
Polish Tigers baseball team, ca.1935

A member of the Polish community in Southbridge, Mass., John Libera (1919-2007) was a long-time employee of American Optical Company, but was best known as a promoter of polka music and dancing. A performer, song writer, and host of a radio show for over thirty years, Libera was inducted into the Polka Music Hall of Fame in 1982 and invited to perform at the American Folklife Festival in 1988.

The Libera collection consists of four photographs of the Polish community in Southbridge during the 1930s along with fourteen photos, a videotape, and some correspondence and ephemera relating to the American Folklife Festival.

Subjects
  • Baseball teams--Massachusetts--Southbridge--Photographs
  • Polish Americans--Massachusetts--Southbridge--Photographs
  • Southbridge (Mass.)
  • Women--Societies and clubs--Massachusetts--Southbridge--Photographs
Contributors
  • Libera, John
Types of material
  • Photographs

Panus, Mary Lou

Mary Lou Panus Polish American Collection, 1895-1997
3 boxes (1.25 linear feet)
Call no.: MS 378

Mary Lou Panus documented Polish American life in Massachusetts by collecting newspaper clippings, business cards, programs, and Polish language prayer books and prayer cards.

The Panus collection includes photographs of Polish churches in Massachusetts, reflecting the important role religion played in the culture and in various communities. The collection also includes a doll dressed as a nun.

Subjects
  • Polish Americans--Massachusetts
Contributors
  • Panus, Mary Lou

Massachusetts Review

Massachusetts Review Records, 1959-2013
49 boxes (73 linear feet)
Call no.: MS 555

The Massachusetts Review is an independent quarterly of literature, the arts, and public affairs. Co-founded by Jules Chametzky and Sidney Kaplan in 1959 to promote eclectic, nontraditional, and underrepresented literary and intellectual talent, the Review has been an important venue for African American, Native American, and feminist writers and poets, mixing new and established authors.

The records of the Massachusetts Review document the history and operations of the magazine from its founding to the present, including general correspondence and nearly complete editorial files for published works. The collection also includes a small number of audio recordings of MR2, a radio show hosted by Review editor David Lenson with interviews of writers, artists, and cultural critics.

Subjects
  • Criticism--20th century--Periodicals
  • Literature--20th century--Periodicals
  • Poetry--20th century--Periodicals
Contributors
  • Abramson, Doris E
  • Chametzky, Jules
  • Massachusetts Review

University of Massachusetts Amherst. Arts Extension Service

Arts Extension Service Records, 1973-2005
7 boxes (9.5 linear feet)
Call no.: RE 007/5
Image of

The Arts Extension Service (AES), a national arts service organization located at the University of Massachusetts Amherst, is the nation’s leading provider of professional arts management education, serving the arts through education, research, and publications. The AES distinguished itself as the first program in the nation to offer a bachelor’s degree in Arts Administration and it has subsequently added a range of training programs for state, regional and local arts agencies, including Peer Advising and Artist-in-Business, research services, and two online Certificates in Arts Management.

The records of the Arts Extension Service (AES) are divided into three series: Administration; Programs; and Publications. Series one dates from 1973-2004 and contains correspondence, consulting logs, contracts, course catalogs, organizational plans, press releases, books, booklets, forms and documents. Series two dates from 1977-2005 and contains correspondence, handouts, flyers, news clippings, brochures, pamphlets, reports, proposals, registration forms, grants, evaluation forms, schedules, and planning documents. Series three is composed of news manuals, catalogs, news clippings, newspapers, books, booklets, advertisements, correspondence, entry forms and handbooks that date from 1974-1999.

Subjects
  • Arts--Education
  • Arts--Management

The American Revolution Documentary Collection

The American Revolution Documentary Collection, ca.1968-2010
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On March 15, 1968, a failing classical music station, WBCN-FM, was reinvented as Boston’s first voice in radical underground radio, and its influence quickly spread nationally. Its characteristic blend of cultural chaos, including rock, folk, blues, and jazz, interspersed with news, radical politics, and community programming, provided a soundtrack for a generation fighting to remake its world. WBCN earned its nickname, “The American Revolution.” The station’s eclectic and unpredictable broadcasts included music from little-known performers who would emerge into the biggest acts of the day; regularly scheduled live musical performances from local clubs; trenchant political analysis and newscasts of the major events of the day; interviews with legendary cultural figures; and innovative new shows including one of the first women’s programs and the Lavender Hour, the nation’s first regularly broadcast LGBT radio show. Music, politics, culture, and community were intensely interconnected through WBCN, while its “listener line,” which took calls and answered questions on any subject, helped make it a virtual two-way hub for countercultural Boston.

While producing a documentary film about WBCN, and the music, politics, and social change during the period 1968-1974, former WBCN newscaster and announcer Bill Lichtenstein recognized the importance of archiving the wealth of primary materials that told the story of WBCN, its community and the dramatic changes of the era. The American Revolution Documentary Collection is the product of Lichtenstein’s energy, serving as an umbrella for a suite of interrelated collections focused on the impact of underground media in the Boston area and the profound social, political, and cultural changes of that time. These collections include the work of photographers, journalists, and writers who would go on to prominence, as well as activists, artists, and everyday people who witnessed and took part in an extended public conversation on the direction of our nation during the period of profound social, political, and cultural upheaval and who used media to help change it.

TAR collections include:

Selected recordings from the American Revolution Documentary Collection are available to stream through Airtime Pro, a web-based radio platform. ​Hear the music, news reports, ads, rare live musical broadcasts, station ID’s, interviews, zaniness, and more, as broadcast from WBCN-FM’s launch in 1968 and over the next seven years. You can listen using the player below or go directly to the Airtime Pro site, here: https://amrev.airtime.pro/

Subjects
  • Alternative radio broadcasting--Massachusetts
  • Boston (Mass.)--History--20th century
  • Cambridge (Mass.)--History--20th century
  • Nineteen sixties
  • Rock music
  • Vietnam War, 1961-1975--Protest movements
  • WBCN (Radio station : Boston, Mass.)
Types of material
  • Photographs
  • Sound recordings

American Watch Company. Band

American Watch Company Band Engagement Book, 1878-1883
1 vol. (0.25 linear feet)
Call no.: MS 364

Band of musicians who worked at the Waltham Watch Company in Waltham, Massachusetts. Engagement book itemizes engagement dates and locations, and membership (including recent immigrants), and includes information about rehearsals, business meetings, and payment.

Subjects
  • American Watch Company--Employees--Recreation
  • American Watch Company--Employees--Social life and customs
  • American Watch Company--History
  • Brass bands--Massachusetts--Waltham
  • Industrial recreation--Massachusetts--Waltham
  • Waltham (Mass.)--Social conditions--19th century
Contributors
  • American Watch Company. Band
  • South Side Brass Band (Waltham, Mass.)
Types of material
  • Appointment books
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