Owner of a general store and a woolen factory, postmaster, town clerk, and state senator from Gaysville in Stockbridge, Vermont. Daybooks document accounts and transactions with individuals, businesses, Town of Stockbridge, and Narrows School District, method and form of payment (cash and goods), and Gay’s purchases, including labor costs for hauling his freight.
Blanchard, Solomon, b. ca. 1816
Claremont Manufacturing Company--History
Freight and freightage--Rates--Vermont--History--19th century
Gaysville (Vt.)--Economic conditions--19th century
Gaysville (Vt.)--Rural conditions--19th century
Gaysville Forge Company--History
Gaysville Manufacturing Company--History
Narrows School District--History
Stockbridge (Vt.)--Economic conditions--19th century
An organizer, consultant, and educator in the alternative agriculture movement, Grace Gershuny has been active in the field since the 1970s when she worked for the Northeast Organic Farming Association (NOFA), developing its first organic certification program. As a leader in the movement, Gershuny helped to establish both the Organic Trade Association and the Organic Farmer: The Digest of Sustainable Agriculture. Today she continues to write and teach on the subject, serving as a faculty member at a number of colleges, most recently Green Mountain College.
The collection consists chiefly of printed material from a run of the Organic Farmer to Appropriate Technology Transfer for Rural Areas (ATTRA) publications and organizational newsletters, such as the Rural Education Center. Amongst these publications are a few small but significant groups of materials including notes from Gershuny’s role as the NOFA VT coordinator in 1979 and her drafts and notes for the second editions of The Soul of Soil.
William E. Harding Collection, 1972-2003 (Bulk: 1972-1981).
2 boxes (1 linear feet). Call no.: MS 843
As an undergraduate at Williams College, William (Bill) Harding undertook a research project on the Bennington Centre Cemetery in Vermont to document its stones, through which he became engaged in a longer-term study of the most important carvers represented there in the years after the American Revolution, Zerubbabel Collins and Samuel Dwight. Harding’s work was an important contribution to understanding the transition from death’s head imagery to the gentler cherubs of the early national period and he unearthed significant detail on the lives of noted carvers. Harding went on to study medicine, but remained active in the early conferences of the Association for Gravestone Studies and as a lecturer on the topic for several years until the demands of his professional life gradually intervened.
Centered on his study of Vermont carvers and early gravestone iconography, the Harding collection includes photographs, research and lecture notes, some correspondence, and a sampling of published material. The collection contains Harding’s bachelor’s thesis, “The graveyard at Old Bennigton, Vermont, and the gravestones of Zerubbabel Collins” (1972) and his later, more comprehensive study “Bennington Gravestones” (1975), and notably, two fine prints of gravestones by his colleague, Daniel Farber.
Recognized for her coverage of historic events and personalities, the photographer Diana Mara Henry took the first steps toward her career in 1967 when she became photo editor for the Harvard Crimson. After winning the Ferguson History Prize and graduating from Harvard with a degree in government in 1969, Henry returned to New York to work as a researcher with NBC News and as a general assignment reporter for the Staten Island Advance, but in 1971 she began to work as a freelance photographer. Among many projects, she covered the Democratic conventions of 1972 and 1976 and was selected as official photographer for both the National Commission on the Observance of International Women’s Year and the First National Women’s Conference in 1977, and while teaching at the International Center for Photography from 1974-1979, she developed the community workshop program and was a leader in a campaign to save the Alice Austen House. Her body of work ranges widely from the fashion scene in 1970s New York and personal assignments for the family of Malcolm Forbes and other socialites to political demonstrations, cultural events, and photoessays on one room schoolhouses in Vermont and everyday life in Brooklyn, France, Nepal, and Bali. Widely published and exhibited, her work is part of permanent collections at institutions including the Schlesinger Library, the Library of Congress, Smithsonian, and the National Archives.
The Henry collection is a rich evocation of four decades of political, social, and cultural change in America beginning in the late 1960s as seen through the life of one photojournalist. This diverse body of work is particularly rich in documenting the women’s movement, second wave feminism, and the political scene in the 1970s. Henry left a remarkable record of women in politics, with dozens of images of Bella Abzug, Elizabeth Holtzman, Shirley Chisholm, Liz Carpenter, Betty Friedan, Jane Fonda, and Gloria Steinem. The collection includes images of politicians at all levels of government, celebrities, writers, and scholars, and coverage of important events including demonstrations by Vietnam Veterans Against the War, the Women’s Pentagon Action, and marches for the ERA. The many hundreds of exhibition and working prints in the collection are accompanied by the complete body of Henry’s photographic negatives and slides, along with an array of ephemera, correspondence, and other materials relating to her career.
Margaret R. Jenks has been a family genealogist since 1964 and a cemetery transcriber since 1978. A prolific writer, she has published books listing all the cemetery inscriptions of the twenty-seven towns in Rutland County, Vermont, and of Granville, Washington County, New York, and she has conducted research on the stonecarvers of Rutland County. She served six years as a trustee of the Association for Gravestone Studies.
The Jenks collection is comprised of eighteen volumes containing exhaustive documentation of gravestone inscriptions from the following cemeteries in Vermont: Benson, Brandon, Castleton, Chittenden, Clarendon, Danby, Fair Haven, Granville (Washington County), Hubbardston, Ira, Mendon, Middleton, Mount Holly, Mt. Tabor, Pawlet, Pittsfield, Pittsford, Poultney, Proctor, Putney, Rutland, Sherburne, Shrewsbury, Sudbury, Tinmouth, Wallingford, Wells, West Haven, West Rutland.
The family of Roxana Kingsbury Gould (nee Weed) farmed the rocky soils of western New England during the late nineteenth century. Roxana’s first husband Ambrose died of dysentery shortly after the Civil War, leaving her to care for their two infant sons, and after marrying her second husband, Lyman Gould, she relocated from southwestern Vermont to Cooleyville and then (ten years later) to Shelburne, Massachusetts. The Goulds added a third son to their family in 1869.
A rich collection of letters and photographs recording the history of the Kingsbury-Gould families of Shelburne, Massachusetts. The bulk of the letters are addressed to Roxana Kingsbury Gould, the strong-willed matriarch at the center of the family, and to her granddaughter, May Kingsbury Phillips, the family’s first historian. In addition to documenting the complicated dynamics of a close-knit family, this collection is a rich source for the study of local history, rural New England, and the social and cultural practices at the end of the 19th and beginning of the 20th centuries.
Owner of a general store in Fair Haven, Vermont. Includes numbered accounts of customers (many with Welsh surnames), lists of items purchased, the price per measure, forms of payment (cash, goods, services, credit, making clothes), and the goods that were sold (such as fabrics, ready-made clothes, eggs and dairy products, fruits and nuts, garden seeds, cutlery and tinware, and jewelry).
Barter--Vermont--Fair Haven (Town)--History--19th century
Consumer goods--Vermont--Fair Haven (Town)--Prices--History--19th century
Consumers--Vermont--Fair Haven (Town)--History--19th century
Fair Haven (Vt. : Town)--Economic conditions--19th century
Homeopathic physician from Arlington, Vermont. Daybook contains patients’ names, including many women, identification of some cases (such as vaccination, extraction of teeth, treatment of swellings, fractures, and burns, and the delivery of babies), methods of treatment (such as purges, bleeding, cupping, and the use of blistering ointments), prices for his services, and method and form of payment (including goods such as fruits, vegetables, meats, clothes, and services such as butchering and timbering). Also contains personal entries and notation of goods he sold such as poultry, leathers, and fabrics.
Arlington (Vt.)--Social conditions--19th century
Women--Medical care--Vermont--Arlington--19th century
Born in a “howling blizzard” in February 1946, Raymond Mungo became one of the most evocative writers of the 1960s counterculture. Through more than fifteen books and hundreds of articles, Mungo has brought a wry sense of humor and radical sensibility to explorations of the minds and experiences of the generation that came of age against a backdrop of the struggles for civil rights and economic justice, of student revolts, Black Power, resistance to war, and experimentation in communal living.
Consisting of the original typescripts and manuscripts of ten of Raymond Mungo’s books, along with corrected and uncorrected galleys and a small number of letters from publishers. Among the other materials in the collection are thirteen photographs of Mungo taken by Clif Garboden and Peter Simon during and immediately after his undergraduate years at Boston University; a DVD containing motion pictures of life at Packer Corners in 1969 and 1977; and an irate letter from a writer regarding the status of poems he had submitted to Liberation News Service.
Founded in 1975 in Lebanon, NH by Beth Dingman, Claudia McKay (Lamperti), Katie Cahill, Nina Swaim, and Shelby Grantham, New Victoria Printers became one of two all-female print shops in New England at the time. Believing strongly that, “the power of the press belongs to those who own it,” they began to solicit work from non-profit and politically-oriented groups. Like its namesake Victoria Press, an 1860s women run print shop in London owned by Emily Faithful, an early advocate of women’s rights, New Victoria was also committed to feminist principles. The shop offered work and training in printing, machine work, and other traditionally male dominated fields; initially focused on printing materials from the women’s movement; and was organized as a collectively owned and democratically run organization. Additionally, the shop functioned as a defacto women’s center and lesbian hub for Lebanon and the surrounding area, a place of education, community, creativity, and activism, and soon publishing opportunities, as the group founded New Victoria Publishers in 1976 to publish works from their community. The print shop closed in 1985, with Dingman and McKay taking over the running of the non-profit publishing company out of their home in Norwich, VT, with an emphasis on lesbian fiction in addition to other women-focused works. An early bestseller, Stoner McTavish by Sarah Dreher, put them on the map, with the company publishing over a hundred books by and about lesbians, winning three Lambda Literary Awards and several other honors.
The New Victoria Publishers Records consist of photographs, newsletters and cards put out by the collective, materials printed by the press, marketing and promotional materials, author correspondence, graphics and cover art, book reviews, financial and legal records, histories of the organization, news clippings, and an almost full run of the books published by the company. The collection is particularly rich in documenting the work and production of a women owned business within the feminist press movement as well as the lesbian publishing industry.